Between visual art and visual text. Intermediality and hypertext: a possible combination for twenty- first century philology
The birth of digital writing, characterized by a process of correction that implies the omission of the preparatory editorial phases of a literary text, has brought about an epochal change in the author-text relationship, now characterized, for the first time in literary history, by the disappearanc...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch Artikel |
| Sprache: | English |
| Veröffentlicht: |
December 2022
|
| Online-Zugang: | Volltext |
| Zusammenfassung: | The birth of digital writing, characterized by a process of correction that implies the omission of the preparatory editorial phases of a literary text, has brought about an epochal change in the author-text relationship, now characterized, for the first time in literary history, by the disappearance of autograph documentation. This evident loss would seem to threaten the survival of twenty-first century philology, destined to operate despite the absence of the author’s handwritten documents. But the genetic reconstruction of the text, if taken as a speculative habitus and common research practice, can constitute a valid answer and a new possibility for future philological inquiry which combines literature, music and art in a new Hypermedia. The compositional history of the work and that of its dissemination can be exemplified by an exhibition of typologically diverse materials, such as images, sounds, videos, which allow us to contextualize the literary text through a multidisciplinary creative process and to reconnect it to the very important and popular field of intermediality studies. This article proposes a few samples of this new research approach regarding Giovanni Boccaccio and his literary masterpiece Decameron. |
| Beschreibung: | 1 Online-Ressource (10 Seiten) |
| ISSN: | 2042-4752 |
| DOI: | 10.48352/uobxjah.00004198 |
Internformat
MARC
| LEADER | 00000nma a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV048935414 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 230509s2022 |||| o||u| ||||||eng d | ||
| 024 | 7 | |a 10.48352/uobxjah.00004198 |2 doi | |
| 035 | |a (OCoLC)1379412039 | ||
| 035 | |a (DE-599)BVBBV048935414 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-Y3 |a DE-255 |a DE-Y7 |a DE-Y2 | ||
| 100 | 1 | |a Nocita, Teresa |d 1968- |e Verfasser |0 (DE-588)1211576612 |4 aut | |
| 245 | 1 | 0 | |a Between visual art and visual text. Intermediality and hypertext |b a possible combination for twenty- first century philology |c Teresa Nocita |
| 264 | 1 | |c December 2022 | |
| 300 | |a 1 Online-Ressource (10 Seiten) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 520 | 3 | |a The birth of digital writing, characterized by a process of correction that implies the omission of the preparatory editorial phases of a literary text, has brought about an epochal change in the author-text relationship, now characterized, for the first time in literary history, by the disappearance of autograph documentation. This evident loss would seem to threaten the survival of twenty-first century philology, destined to operate despite the absence of the author’s handwritten documents. But the genetic reconstruction of the text, if taken as a speculative habitus and common research practice, can constitute a valid answer and a new possibility for future philological inquiry which combines literature, music and art in a new Hypermedia. The compositional history of the work and that of its dissemination can be exemplified by an exhibition of typologically diverse materials, such as images, sounds, videos, which allow us to contextualize the literary text through a multidisciplinary creative process and to reconnect it to the very important and popular field of intermediality studies. This article proposes a few samples of this new research approach regarding Giovanni Boccaccio and his literary masterpiece Decameron. | |
| 773 | 1 | 8 | |g number:27 |g year:2022 |g Supplement |
| 773 | 0 | 8 | |t Journal of art historiography |d Glasgow, 2022 |g Heft 27 (2022), Supplement |w (DE-604)BV035944348 |x 2042-4752 |o (DE-600)2532257-6 |
| 856 | 4 | 0 | |u https://doi.org/10.48352/uobxjah.00004198 |x Verlag |z kostenfrei |3 Volltext |
| 912 | |a ebook | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-034199280 | ||
| 941 | |h 27 |j 2022 |r Supplement | ||
Datensatz im Suchindex
| _version_ | 1804185131179573248 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| article_link | (DE-604)BV035944348 |
| author | Nocita, Teresa 1968- |
| author_GND | (DE-588)1211576612 |
| author_facet | Nocita, Teresa 1968- |
| author_role | aut |
| author_sort | Nocita, Teresa 1968- |
| author_variant | t n tn |
| building | Verbundindex |
| bvnumber | BV048935414 |
| collection | ebook |
| ctrlnum | (OCoLC)1379412039 (DE-599)BVBBV048935414 |
| doi_str_mv | 10.48352/uobxjah.00004198 |
| format | Electronic Article |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02441nma a2200325 c 4500</leader><controlfield tag="001">BV048935414</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">230509s2022 |||| o||u| ||||||eng d</controlfield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.48352/uobxjah.00004198</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1379412039</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV048935414</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-Y3</subfield><subfield code="a">DE-255</subfield><subfield code="a">DE-Y7</subfield><subfield code="a">DE-Y2</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Nocita, Teresa</subfield><subfield code="d">1968-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1211576612</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Between visual art and visual text. Intermediality and hypertext</subfield><subfield code="b">a possible combination for twenty- first century philology</subfield><subfield code="c">Teresa Nocita</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="c">December 2022</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (10 Seiten)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">The birth of digital writing, characterized by a process of correction that implies the omission of the preparatory editorial phases of a literary text, has brought about an epochal change in the author-text relationship, now characterized, for the first time in literary history, by the disappearance of autograph documentation. This evident loss would seem to threaten the survival of twenty-first century philology, destined to operate despite the absence of the author’s handwritten documents. But the genetic reconstruction of the text, if taken as a speculative habitus and common research practice, can constitute a valid answer and a new possibility for future philological inquiry which combines literature, music and art in a new Hypermedia. The compositional history of the work and that of its dissemination can be exemplified by an exhibition of typologically diverse materials, such as images, sounds, videos, which allow us to contextualize the literary text through a multidisciplinary creative process and to reconnect it to the very important and popular field of intermediality studies. This article proposes a few samples of this new research approach regarding Giovanni Boccaccio and his literary masterpiece Decameron.</subfield></datafield><datafield tag="773" ind1="1" ind2="8"><subfield code="g">number:27</subfield><subfield code="g">year:2022</subfield><subfield code="g">Supplement</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="t">Journal of art historiography</subfield><subfield code="d">Glasgow, 2022</subfield><subfield code="g">Heft 27 (2022), Supplement</subfield><subfield code="w">(DE-604)BV035944348</subfield><subfield code="x">2042-4752</subfield><subfield code="o">(DE-600)2532257-6</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.48352/uobxjah.00004198</subfield><subfield code="x">Verlag</subfield><subfield code="z">kostenfrei</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ebook</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-034199280</subfield></datafield><datafield tag="941" ind1=" " ind2=" "><subfield code="h">27</subfield><subfield code="j">2022</subfield><subfield code="r">Supplement</subfield></datafield></record></collection> |
| id | DE-604.BV048935414 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T21:58:10Z |
| indexdate | 2024-07-10T09:50:21Z |
| institution | BVB |
| issn | 2042-4752 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034199280 |
| oclc_num | 1379412039 |
| open_access_boolean | 1 |
| owner | DE-Y3 DE-255 DE-Y7 DE-Y2 |
| owner_facet | DE-Y3 DE-255 DE-Y7 DE-Y2 |
| physical | 1 Online-Ressource (10 Seiten) |
| psigel | ebook |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| record_format | marc |
| spelling | Nocita, Teresa 1968- Verfasser (DE-588)1211576612 aut Between visual art and visual text. Intermediality and hypertext a possible combination for twenty- first century philology Teresa Nocita December 2022 1 Online-Ressource (10 Seiten) txt rdacontent c rdamedia cr rdacarrier The birth of digital writing, characterized by a process of correction that implies the omission of the preparatory editorial phases of a literary text, has brought about an epochal change in the author-text relationship, now characterized, for the first time in literary history, by the disappearance of autograph documentation. This evident loss would seem to threaten the survival of twenty-first century philology, destined to operate despite the absence of the author’s handwritten documents. But the genetic reconstruction of the text, if taken as a speculative habitus and common research practice, can constitute a valid answer and a new possibility for future philological inquiry which combines literature, music and art in a new Hypermedia. The compositional history of the work and that of its dissemination can be exemplified by an exhibition of typologically diverse materials, such as images, sounds, videos, which allow us to contextualize the literary text through a multidisciplinary creative process and to reconnect it to the very important and popular field of intermediality studies. This article proposes a few samples of this new research approach regarding Giovanni Boccaccio and his literary masterpiece Decameron. number:27 year:2022 Supplement Journal of art historiography Glasgow, 2022 Heft 27 (2022), Supplement (DE-604)BV035944348 2042-4752 (DE-600)2532257-6 https://doi.org/10.48352/uobxjah.00004198 Verlag kostenfrei Volltext |
| spellingShingle | Nocita, Teresa 1968- Between visual art and visual text. Intermediality and hypertext a possible combination for twenty- first century philology |
| title | Between visual art and visual text. Intermediality and hypertext a possible combination for twenty- first century philology |
| title_auth | Between visual art and visual text. Intermediality and hypertext a possible combination for twenty- first century philology |
| title_exact_search | Between visual art and visual text. Intermediality and hypertext a possible combination for twenty- first century philology |
| title_exact_search_txtP | Between visual art and visual text. Intermediality and hypertext a possible combination for twenty- first century philology |
| title_full | Between visual art and visual text. Intermediality and hypertext a possible combination for twenty- first century philology Teresa Nocita |
| title_fullStr | Between visual art and visual text. Intermediality and hypertext a possible combination for twenty- first century philology Teresa Nocita |
| title_full_unstemmed | Between visual art and visual text. Intermediality and hypertext a possible combination for twenty- first century philology Teresa Nocita |
| title_short | Between visual art and visual text. Intermediality and hypertext |
| title_sort | between visual art and visual text intermediality and hypertext a possible combination for twenty first century philology |
| title_sub | a possible combination for twenty- first century philology |
| url | https://doi.org/10.48352/uobxjah.00004198 |
| work_keys_str_mv | AT nocitateresa betweenvisualartandvisualtextintermedialityandhypertextapossiblecombinationfortwentyfirstcenturyphilology |