Paracomedy: Appropriations of Comedy in Greek Tragedy
Paracomedy: Appropriations of Comedy in Greek Drama examines the previously overlooked practice of paracomedy: how ancient Greek tragedians appropriated elements from comedy such as costumes, scenes, plots, or language. Theorizing a new relationship between tragedy and comedy, it redefines how we sh...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Oxford
Oxford University Press, Incorporated
2020
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| Schlagworte: | |
| Online-Zugang: | BSB01 |
| Zusammenfassung: | Paracomedy: Appropriations of Comedy in Greek Drama examines the previously overlooked practice of paracomedy: how ancient Greek tragedians appropriated elements from comedy such as costumes, scenes, plots, or language. Theorizing a new relationship between tragedy and comedy, it redefines how we should understand tragedy and reveals a dynamic theatrical world filled with mutual influence |
| Beschreibung: | 1 Online-Ressource (361 Seiten) |
| ISBN: | 9780190090951 |
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| 505 | 8 | |a Cover -- Half title -- Paracomedy -- Copyright -- Dedication -- Contents -- Preface -- Note to the Reader -- Introduction -- 1. Understanding Paracomedy -- The Question of Methodology -- The Question of Motivation -- The Question of Distribution -- 2. Early Paracomedy -- Aeschylus's Oresteia and Old Comedy -- The Paracomic Heracles in Euripides's Alcestis -- The Paracomic Heracles in Euripides's Heracles -- Conclusion -- 3. From Rags to Drag: Paracomic Costuming -- Dressing in Rags: Aristophanes's Acharnians and His Critique of Euripides -- Dressing in Rags: Euripides's Helen and the Reappropriation of Acharnians -- Dressing in Drag: Aristophanes's Women at the Thesmophoria and His Critique of Euripides -- Dressing in Drag: Euripides's Bacchae and the Reappropriation of Women at the Thesmophoria -- Conclusion -- 4. Paracomedy and the Structure of Euripides's Helen -- The Structure of Helen -- Phase 1: "Helen," a Play with a Tragic Character (1-385) -- Phase 2: "Menelaus," a Play with a Comic Character (386-527) -- Phase 3: "Helen" versus "Menelaus," Tragedy versus Comedy (528-1106) -- Phase 4: "Helen" Victorious (1107-1692) -- Conclusion -- 5. Euripides's Orestes: A Paracomic Play -- The Parodos of Orestes and the Parodos of Peace -- Orestes and Women at the Thesmophoria's Parody of Helen -- Orestes and Women at the Thesmophoria's Parody of Palamedes -- Orestes and Women at the Thesmophoria's Parody of Andromeda -- Orestes and Women at the Thesmophoria's Parody of Telephus -- The Conclusion of Orestes and the Conclusion of Clouds -- Conclusion -- 6. Paracomedy and Relative Chronology -- Paracomedy or Paratragedy? -- Euripides's Antiope and Aristophanes's Women at the Thesmophoria -- Euripides's Antiope and Aristophanes's Women at the Thesmophoria II -- Conclusion -- 7. The Aftermath of Paracomedy -- Rhesus and the Imitation of Paracomedy | |
| 505 | 8 | |a Rhinthon's Hilarotragedies -- Pollux's Tragic Parabases -- Conclusion -- Conclusion -- Bibliography -- Index Locorum -- General Index | |
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| contents | Cover -- Half title -- Paracomedy -- Copyright -- Dedication -- Contents -- Preface -- Note to the Reader -- Introduction -- 1. Understanding Paracomedy -- The Question of Methodology -- The Question of Motivation -- The Question of Distribution -- 2. Early Paracomedy -- Aeschylus's Oresteia and Old Comedy -- The Paracomic Heracles in Euripides's Alcestis -- The Paracomic Heracles in Euripides's Heracles -- Conclusion -- 3. From Rags to Drag: Paracomic Costuming -- Dressing in Rags: Aristophanes's Acharnians and His Critique of Euripides -- Dressing in Rags: Euripides's Helen and the Reappropriation of Acharnians -- Dressing in Drag: Aristophanes's Women at the Thesmophoria and His Critique of Euripides -- Dressing in Drag: Euripides's Bacchae and the Reappropriation of Women at the Thesmophoria -- Conclusion -- 4. Paracomedy and the Structure of Euripides's Helen -- The Structure of Helen -- Phase 1: "Helen," a Play with a Tragic Character (1-385) -- Phase 2: "Menelaus," a Play with a Comic Character (386-527) -- Phase 3: "Helen" versus "Menelaus," Tragedy versus Comedy (528-1106) -- Phase 4: "Helen" Victorious (1107-1692) -- Conclusion -- 5. Euripides's Orestes: A Paracomic Play -- The Parodos of Orestes and the Parodos of Peace -- Orestes and Women at the Thesmophoria's Parody of Helen -- Orestes and Women at the Thesmophoria's Parody of Palamedes -- Orestes and Women at the Thesmophoria's Parody of Andromeda -- Orestes and Women at the Thesmophoria's Parody of Telephus -- The Conclusion of Orestes and the Conclusion of Clouds -- Conclusion -- 6. Paracomedy and Relative Chronology -- Paracomedy or Paratragedy? -- Euripides's Antiope and Aristophanes's Women at the Thesmophoria -- Euripides's Antiope and Aristophanes's Women at the Thesmophoria II -- Conclusion -- 7. The Aftermath of Paracomedy -- Rhesus and the Imitation of Paracomedy Rhinthon's Hilarotragedies -- Pollux's Tragic Parabases -- Conclusion -- Conclusion -- Bibliography -- Index Locorum -- General Index |
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| discipline | Philologie / Byzantinistik / Neulatein |
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| spelling | Jendza, Craig Verfasser aut Paracomedy Appropriations of Comedy in Greek Tragedy Oxford Oxford University Press, Incorporated 2020 ©2020 1 Online-Ressource (361 Seiten) txt rdacontent c rdamedia cr rdacarrier Cover -- Half title -- Paracomedy -- Copyright -- Dedication -- Contents -- Preface -- Note to the Reader -- Introduction -- 1. Understanding Paracomedy -- The Question of Methodology -- The Question of Motivation -- The Question of Distribution -- 2. Early Paracomedy -- Aeschylus's Oresteia and Old Comedy -- The Paracomic Heracles in Euripides's Alcestis -- The Paracomic Heracles in Euripides's Heracles -- Conclusion -- 3. From Rags to Drag: Paracomic Costuming -- Dressing in Rags: Aristophanes's Acharnians and His Critique of Euripides -- Dressing in Rags: Euripides's Helen and the Reappropriation of Acharnians -- Dressing in Drag: Aristophanes's Women at the Thesmophoria and His Critique of Euripides -- Dressing in Drag: Euripides's Bacchae and the Reappropriation of Women at the Thesmophoria -- Conclusion -- 4. Paracomedy and the Structure of Euripides's Helen -- The Structure of Helen -- Phase 1: "Helen," a Play with a Tragic Character (1-385) -- Phase 2: "Menelaus," a Play with a Comic Character (386-527) -- Phase 3: "Helen" versus "Menelaus," Tragedy versus Comedy (528-1106) -- Phase 4: "Helen" Victorious (1107-1692) -- Conclusion -- 5. Euripides's Orestes: A Paracomic Play -- The Parodos of Orestes and the Parodos of Peace -- Orestes and Women at the Thesmophoria's Parody of Helen -- Orestes and Women at the Thesmophoria's Parody of Palamedes -- Orestes and Women at the Thesmophoria's Parody of Andromeda -- Orestes and Women at the Thesmophoria's Parody of Telephus -- The Conclusion of Orestes and the Conclusion of Clouds -- Conclusion -- 6. Paracomedy and Relative Chronology -- Paracomedy or Paratragedy? -- Euripides's Antiope and Aristophanes's Women at the Thesmophoria -- Euripides's Antiope and Aristophanes's Women at the Thesmophoria II -- Conclusion -- 7. The Aftermath of Paracomedy -- Rhesus and the Imitation of Paracomedy Rhinthon's Hilarotragedies -- Pollux's Tragic Parabases -- Conclusion -- Conclusion -- Bibliography -- Index Locorum -- General Index Paracomedy: Appropriations of Comedy in Greek Drama examines the previously overlooked practice of paracomedy: how ancient Greek tragedians appropriated elements from comedy such as costumes, scenes, plots, or language. Theorizing a new relationship between tragedy and comedy, it redefines how we should understand tragedy and reveals a dynamic theatrical world filled with mutual influence Greek drama (Tragedy)-History and criticism Komödie (DE-588)4031952-0 gnd rswk-swf Griechisch (DE-588)4113791-7 gnd rswk-swf Tragödie (DE-588)4060591-7 gnd rswk-swf Electronic books (DE-588)4113937-9 Hochschulschrift gnd-content Griechisch (DE-588)4113791-7 s Tragödie (DE-588)4060591-7 s Komödie (DE-588)4031952-0 s DE-604 Erscheint auch als Druck-Ausgabe Jendza, Craig Paracomedy Oxford : Oxford University Press, Incorporated,c2020 9780190090937 |
| spellingShingle | Jendza, Craig Paracomedy Appropriations of Comedy in Greek Tragedy Cover -- Half title -- Paracomedy -- Copyright -- Dedication -- Contents -- Preface -- Note to the Reader -- Introduction -- 1. Understanding Paracomedy -- The Question of Methodology -- The Question of Motivation -- The Question of Distribution -- 2. Early Paracomedy -- Aeschylus's Oresteia and Old Comedy -- The Paracomic Heracles in Euripides's Alcestis -- The Paracomic Heracles in Euripides's Heracles -- Conclusion -- 3. From Rags to Drag: Paracomic Costuming -- Dressing in Rags: Aristophanes's Acharnians and His Critique of Euripides -- Dressing in Rags: Euripides's Helen and the Reappropriation of Acharnians -- Dressing in Drag: Aristophanes's Women at the Thesmophoria and His Critique of Euripides -- Dressing in Drag: Euripides's Bacchae and the Reappropriation of Women at the Thesmophoria -- Conclusion -- 4. Paracomedy and the Structure of Euripides's Helen -- The Structure of Helen -- Phase 1: "Helen," a Play with a Tragic Character (1-385) -- Phase 2: "Menelaus," a Play with a Comic Character (386-527) -- Phase 3: "Helen" versus "Menelaus," Tragedy versus Comedy (528-1106) -- Phase 4: "Helen" Victorious (1107-1692) -- Conclusion -- 5. Euripides's Orestes: A Paracomic Play -- The Parodos of Orestes and the Parodos of Peace -- Orestes and Women at the Thesmophoria's Parody of Helen -- Orestes and Women at the Thesmophoria's Parody of Palamedes -- Orestes and Women at the Thesmophoria's Parody of Andromeda -- Orestes and Women at the Thesmophoria's Parody of Telephus -- The Conclusion of Orestes and the Conclusion of Clouds -- Conclusion -- 6. Paracomedy and Relative Chronology -- Paracomedy or Paratragedy? -- Euripides's Antiope and Aristophanes's Women at the Thesmophoria -- Euripides's Antiope and Aristophanes's Women at the Thesmophoria II -- Conclusion -- 7. The Aftermath of Paracomedy -- Rhesus and the Imitation of Paracomedy Rhinthon's Hilarotragedies -- Pollux's Tragic Parabases -- Conclusion -- Conclusion -- Bibliography -- Index Locorum -- General Index Greek drama (Tragedy)-History and criticism Komödie (DE-588)4031952-0 gnd Griechisch (DE-588)4113791-7 gnd Tragödie (DE-588)4060591-7 gnd |
| subject_GND | (DE-588)4031952-0 (DE-588)4113791-7 (DE-588)4060591-7 (DE-588)4113937-9 |
| title | Paracomedy Appropriations of Comedy in Greek Tragedy |
| title_auth | Paracomedy Appropriations of Comedy in Greek Tragedy |
| title_exact_search | Paracomedy Appropriations of Comedy in Greek Tragedy |
| title_exact_search_txtP | Paracomedy Appropriations of Comedy in Greek Tragedy |
| title_full | Paracomedy Appropriations of Comedy in Greek Tragedy |
| title_fullStr | Paracomedy Appropriations of Comedy in Greek Tragedy |
| title_full_unstemmed | Paracomedy Appropriations of Comedy in Greek Tragedy |
| title_short | Paracomedy |
| title_sort | paracomedy appropriations of comedy in greek tragedy |
| title_sub | Appropriations of Comedy in Greek Tragedy |
| topic | Greek drama (Tragedy)-History and criticism Komödie (DE-588)4031952-0 gnd Griechisch (DE-588)4113791-7 gnd Tragödie (DE-588)4060591-7 gnd |
| topic_facet | Greek drama (Tragedy)-History and criticism Komödie Griechisch Tragödie Hochschulschrift |
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