Schnecken, Schlitzmonger, and Poltergeist: Andy Warhol in German - translations and cultural context
This paper focuses on the role German translations played in Warhol’s early and unusually wide critical reception in West Germany. Here he had some of his earliest exhibitions and collectors, here his art and films found an exceptionally appreciative audience. His art-historical reception was govern...
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| Format: | Elektronisch Artikel |
| Sprache: | English |
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June 2022
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| Online-Zugang: | kostenfrei |
| Zusammenfassung: | This paper focuses on the role German translations played in Warhol’s early and unusually wide critical reception in West Germany. Here he had some of his earliest exhibitions and collectors, here his art and films found an exceptionally appreciative audience. His art-historical reception was governed, from the beginning, by the teachings of the Frankfurt School of critical theory, which divided his West German audience into two camps: one that believed his art was Marxist, the other that it was anti-Marxist. This unique reception was key to the chronology and varying quality of the German editions of Warhol’s books. |
| Beschreibung: | 1 Online-Ressource (23 Seiten) |
| ISSN: | 2042-4752 |
| DOI: | 10.48352/uobxjah.00004075 |
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| spelling | Schleif, Nina ca. 20./21. Jh. Verfasser (DE-588)1046413341 aut Schnecken, Schlitzmonger, and Poltergeist Andy Warhol in German - translations and cultural context Nina Schleif June 2022 1 Online-Ressource (23 Seiten) txt rdacontent c rdamedia cr rdacarrier This paper focuses on the role German translations played in Warhol’s early and unusually wide critical reception in West Germany. Here he had some of his earliest exhibitions and collectors, here his art and films found an exceptionally appreciative audience. His art-historical reception was governed, from the beginning, by the teachings of the Frankfurt School of critical theory, which divided his West German audience into two camps: one that believed his art was Marxist, the other that it was anti-Marxist. This unique reception was key to the chronology and varying quality of the German editions of Warhol’s books. number:26 year:2022 Journal of art historiography Glasgow, 2022 Number 26 (June 2022) (DE-604)BV035944348 2042-4752 (DE-600)2532257-6 https://doi.org/10.48352/uobxjah.00004075 Verlag kostenfrei Volltext |
| spellingShingle | Schleif, Nina ca. 20./21. Jh Schnecken, Schlitzmonger, and Poltergeist Andy Warhol in German - translations and cultural context |
| title | Schnecken, Schlitzmonger, and Poltergeist Andy Warhol in German - translations and cultural context |
| title_auth | Schnecken, Schlitzmonger, and Poltergeist Andy Warhol in German - translations and cultural context |
| title_exact_search | Schnecken, Schlitzmonger, and Poltergeist Andy Warhol in German - translations and cultural context |
| title_exact_search_txtP | Schnecken, Schlitzmonger, and Poltergeist Andy Warhol in German - translations and cultural context |
| title_full | Schnecken, Schlitzmonger, and Poltergeist Andy Warhol in German - translations and cultural context Nina Schleif |
| title_fullStr | Schnecken, Schlitzmonger, and Poltergeist Andy Warhol in German - translations and cultural context Nina Schleif |
| title_full_unstemmed | Schnecken, Schlitzmonger, and Poltergeist Andy Warhol in German - translations and cultural context Nina Schleif |
| title_short | Schnecken, Schlitzmonger, and Poltergeist |
| title_sort | schnecken schlitzmonger and poltergeist andy warhol in german translations and cultural context |
| title_sub | Andy Warhol in German - translations and cultural context |
| url | https://doi.org/10.48352/uobxjah.00004075 |
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