Greek weird wave: a cinema of biopolitics
"What relates the early films of Yorgos Lanthimos with Vasilis Kekatos's 2019 Cannes triumph The Distance Between Us and the Sky? What is the lasting legacy of Panos Koutras's 2009 trans narrative Strella: A Woman's Way in today's gender and sexual identity activism in Greec...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2023]
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| Schlagworte: | |
| Zusammenfassung: | "What relates the early films of Yorgos Lanthimos with Vasilis Kekatos's 2019 Cannes triumph The Distance Between Us and the Sky? What is the lasting legacy of Panos Koutras's 2009 trans narrative Strella: A Woman's Way in today's gender and sexual identity activism in Greece? What was the role of cultural collectives in the formation of a 'weird history' of Greek cinema? And how did cinema and other cultural forms respond to a sense of Crisis and an ever expansive management of life that we have now learnt to call biopolitics? This book uses such questions in order to establish a cinematic and cultural history of Greece during the last difficult decade in an engaged and highly original manner. It focuses on key films from the post-2009 'New' or 'Weird Wave' of Greek cinema, proposing the Greek Weird Wave as a paradigmatic cinema movement of biopolitical realism. At once representing, reframing and reimagining the present, the Greek Weird Wave points to a much larger development in World Cinema |
| Beschreibung: | First published in hardback by Edinburgh University Press 2021 |
| Beschreibung: | xiv, 268 Seiten Illustrationen 24 cm |
| ISBN: | 9781474436328 1474436323 |
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| 505 | 8 | |a Introduction -- Part I Process: The weird wave of Greek cinema and the cinema of biopolitics -- 1. 'There are no words' to describe our national pride': Weird walks, awkward crisiscapes and the most international moment of Greek cinema -- 2. Why biopolitics? -- 3. 'A cinema about being governed' -- Part II Keywords: Realism/family/allegory/archive/assemblage -- 4. Biopolitical realism -- 5. The biopolitical family: (Miss) Violence, Discipline, Allegory, Dogteeth -- 6. Archive trouble: Homeland, national poetics, family albums -- 7. Assemblage, identity, citizenship: Strella's queer chronotopes -- 8 Epilogue | |
| 520 | 3 | |a "What relates the early films of Yorgos Lanthimos with Vasilis Kekatos's 2019 Cannes triumph The Distance Between Us and the Sky? What is the lasting legacy of Panos Koutras's 2009 trans narrative Strella: A Woman's Way in today's gender and sexual identity activism in Greece? What was the role of cultural collectives in the formation of a 'weird history' of Greek cinema? And how did cinema and other cultural forms respond to a sense of Crisis and an ever expansive management of life that we have now learnt to call biopolitics? This book uses such questions in order to establish a cinematic and cultural history of Greece during the last difficult decade in an engaged and highly original manner. It focuses on key films from the post-2009 'New' or 'Weird Wave' of Greek cinema, proposing the Greek Weird Wave as a paradigmatic cinema movement of biopolitical realism. At once representing, reframing and reimagining the present, the Greek Weird Wave points to a much larger development in World Cinema | |
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| contents | Introduction -- Part I Process: The weird wave of Greek cinema and the cinema of biopolitics -- 1. 'There are no words' to describe our national pride': Weird walks, awkward crisiscapes and the most international moment of Greek cinema -- 2. Why biopolitics? -- 3. 'A cinema about being governed' -- Part II Keywords: Realism/family/allegory/archive/assemblage -- 4. Biopolitical realism -- 5. The biopolitical family: (Miss) Violence, Discipline, Allegory, Dogteeth -- 6. Archive trouble: Homeland, national poetics, family albums -- 7. Assemblage, identity, citizenship: Strella's queer chronotopes -- 8 Epilogue |
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| id | DE-604.BV048928259 |
| illustrated | Illustrated |
| index_date | 2024-07-03T21:56:32Z |
| indexdate | 2024-07-10T09:50:07Z |
| institution | BVB |
| isbn | 9781474436328 1474436323 |
| language | English |
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| physical | xiv, 268 Seiten Illustrationen 24 cm |
| publishDate | 2023 |
| publishDateSearch | 2023 |
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| publisher | Edinburgh University Press |
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| spelling | Papanikolau, Dēmētrēs ca. 20./21. Jh. Verfasser (DE-588)1011721198 aut Greek weird wave a cinema of biopolitics Dimitris Papanikolaou Edinburgh Edinburgh University Press [2023] xiv, 268 Seiten Illustrationen 24 cm txt rdacontent sti rdacontent n rdamedia nc rdacarrier First published in hardback by Edinburgh University Press 2021 Introduction -- Part I Process: The weird wave of Greek cinema and the cinema of biopolitics -- 1. 'There are no words' to describe our national pride': Weird walks, awkward crisiscapes and the most international moment of Greek cinema -- 2. Why biopolitics? -- 3. 'A cinema about being governed' -- Part II Keywords: Realism/family/allegory/archive/assemblage -- 4. Biopolitical realism -- 5. The biopolitical family: (Miss) Violence, Discipline, Allegory, Dogteeth -- 6. Archive trouble: Homeland, national poetics, family albums -- 7. Assemblage, identity, citizenship: Strella's queer chronotopes -- 8 Epilogue "What relates the early films of Yorgos Lanthimos with Vasilis Kekatos's 2019 Cannes triumph The Distance Between Us and the Sky? What is the lasting legacy of Panos Koutras's 2009 trans narrative Strella: A Woman's Way in today's gender and sexual identity activism in Greece? What was the role of cultural collectives in the formation of a 'weird history' of Greek cinema? And how did cinema and other cultural forms respond to a sense of Crisis and an ever expansive management of life that we have now learnt to call biopolitics? This book uses such questions in order to establish a cinematic and cultural history of Greece during the last difficult decade in an engaged and highly original manner. It focuses on key films from the post-2009 'New' or 'Weird Wave' of Greek cinema, proposing the Greek Weird Wave as a paradigmatic cinema movement of biopolitical realism. At once representing, reframing and reimagining the present, the Greek Weird Wave points to a much larger development in World Cinema Greece Motion pictures / Greece / History / 21st century Motion pictures Grekland, 2000-t 2000-2099 History Äquivalent Druck-Ausgabe, Hardcover 978-1-4744-3631-1 Erscheint auch als Online-Ausgabe, PDF 978-1-4744-3633-5 Erscheint auch als Online-Ausgabe, EPUB 978-1-4744-3634-2 |
| spellingShingle | Papanikolau, Dēmētrēs ca. 20./21. Jh Greek weird wave a cinema of biopolitics Introduction -- Part I Process: The weird wave of Greek cinema and the cinema of biopolitics -- 1. 'There are no words' to describe our national pride': Weird walks, awkward crisiscapes and the most international moment of Greek cinema -- 2. Why biopolitics? -- 3. 'A cinema about being governed' -- Part II Keywords: Realism/family/allegory/archive/assemblage -- 4. Biopolitical realism -- 5. The biopolitical family: (Miss) Violence, Discipline, Allegory, Dogteeth -- 6. Archive trouble: Homeland, national poetics, family albums -- 7. Assemblage, identity, citizenship: Strella's queer chronotopes -- 8 Epilogue |
| title | Greek weird wave a cinema of biopolitics |
| title_auth | Greek weird wave a cinema of biopolitics |
| title_exact_search | Greek weird wave a cinema of biopolitics |
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| title_full | Greek weird wave a cinema of biopolitics Dimitris Papanikolaou |
| title_fullStr | Greek weird wave a cinema of biopolitics Dimitris Papanikolaou |
| title_full_unstemmed | Greek weird wave a cinema of biopolitics Dimitris Papanikolaou |
| title_short | Greek weird wave |
| title_sort | greek weird wave a cinema of biopolitics |
| title_sub | a cinema of biopolitics |
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