Contemporary Chinese cinema and visual culture: envisioning the nation
Sheldon Lu's wide-ranging new book investigates how filmmakers and visual artists from mainland China, Hong Kong and Taiwan have envisioned China as it transitions from a socialist to a globalized capitalist state. It examines how the modern nation has been refashioned and re-imagined in order...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Bloomsbury Academic
2023
|
| Ausgabe: | [First paperback edition] |
| Schriftenreihe: | Global East-Asian screen cultures
|
| Schlagworte: | |
| Zusammenfassung: | Sheldon Lu's wide-ranging new book investigates how filmmakers and visual artists from mainland China, Hong Kong and Taiwan have envisioned China as it transitions from a socialist to a globalized capitalist state. It examines how the modern nation has been refashioned and re-imagined in order to keep pace with globalization and transnationalism.At the heart of Lu's analysis is a double movement in the relationship between nation and transnationalism in the Chinese post-socialist state. He considers the complexity of how the Chinese economy is integrated in the global capitalist system while also remaining a repressive body politic with mechanisms of control and surveillance. He explores the interrelations of the local, the national, the subnational, and the global as China repositions itself in the world.Lu considers examples from feature and documentary film, mainstream and marginal cinema, and a variety of visual arts: photography, painting, digital video, architecture, and installation. His close case studies include representations of class, masculinity and sexuality in contemporary Taiwanese and Chinese cinema; the figure of the sex worker as a symbol of modernity and mobility; and artists' representations of Beijing at the time of the 2008 Olympics. -- |
| Beschreibung: | First published in Great Britain 2021 by Bloomsbury Academic, London |
| Beschreibung: | xi, 242 Seiten Illustrationen 24 cm |
| ISBN: | 135025438X 9781350254381 |
Internformat
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| 505 | 8 | 0 | |t Refashioning the Nation in Transnational Cinema and Art -- |t Nationhood, Gender, Sexuality, Masculinity in Feature Film -- |t Projecting the Chinese Nation on Domestic and Global Screens -- |t Space, Mobility, Modernity: The Female Prostitute in Chinese-language Film -- |t Re-orientations of Hong Kong Cinema and Transformations of Masculinity -- |t Masculinity in Crisis: Male Characters in Jia Zhangke's Films -- |t Multimedia Engagements with the Local, National, and Global -- |t Peripheral, Underground, and Independent Cinema -- |t Performing and Romancing the Other in Film, Television Drama, and Ballet -- |t Reshaping Beijing's Space: Architecture, Art, Photography, Film -- |t Artistic and Multimedia InterventionsConclusion: Globalization at Bay |
| 520 | 3 | |a Sheldon Lu's wide-ranging new book investigates how filmmakers and visual artists from mainland China, Hong Kong and Taiwan have envisioned China as it transitions from a socialist to a globalized capitalist state. It examines how the modern nation has been refashioned and re-imagined in order to keep pace with globalization and transnationalism.At the heart of Lu's analysis is a double movement in the relationship between nation and transnationalism in the Chinese post-socialist state. He considers the complexity of how the Chinese economy is integrated in the global capitalist system while also remaining a repressive body politic with mechanisms of control and surveillance. He explores the interrelations of the local, the national, the subnational, and the global as China repositions itself in the world.Lu considers examples from feature and documentary film, mainstream and marginal cinema, and a variety of visual arts: photography, painting, digital video, architecture, and installation. His close case studies include representations of class, masculinity and sexuality in contemporary Taiwanese and Chinese cinema; the figure of the sex worker as a symbol of modernity and mobility; and artists' representations of Beijing at the time of the 2008 Olympics. -- | |
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| 653 | 0 | |a Art / Taiwan | |
| 653 | 0 | |a Nationalism in motion pictures | |
| 653 | 0 | |a Nationalism in art | |
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Datensatz im Suchindex
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| author | Lu, Sheldon H. 1962- |
| author_GND | (DE-588)140839216 |
| author_facet | Lu, Sheldon H. 1962- |
| author_role | aut |
| author_sort | Lu, Sheldon H. 1962- |
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| bvnumber | BV048926486 |
| contents | Refashioning the Nation in Transnational Cinema and Art -- Nationhood, Gender, Sexuality, Masculinity in Feature Film -- Projecting the Chinese Nation on Domestic and Global Screens -- Space, Mobility, Modernity: The Female Prostitute in Chinese-language Film -- Re-orientations of Hong Kong Cinema and Transformations of Masculinity -- Masculinity in Crisis: Male Characters in Jia Zhangke's Films -- Multimedia Engagements with the Local, National, and Global -- Peripheral, Underground, and Independent Cinema -- Performing and Romancing the Other in Film, Television Drama, and Ballet -- Reshaping Beijing's Space: Architecture, Art, Photography, Film -- Artistic and Multimedia InterventionsConclusion: Globalization at Bay |
| ctrlnum | (DE-599)BVBBV048926486 |
| edition | [First paperback edition] |
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| id | DE-604.BV048926486 |
| illustrated | Illustrated |
| index_date | 2024-07-03T21:56:08Z |
| indexdate | 2024-09-30T14:01:51Z |
| institution | BVB |
| isbn | 135025438X 9781350254381 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034190514 |
| open_access_boolean | |
| owner | DE-M472 |
| owner_facet | DE-M472 |
| physical | xi, 242 Seiten Illustrationen 24 cm |
| publishDate | 2023 |
| publishDateSearch | 2023 |
| publishDateSort | 2023 |
| publisher | Bloomsbury Academic |
| record_format | marc |
| series2 | Global East-Asian screen cultures |
| spelling | Lu, Sheldon H. 1962- Verfasser (DE-588)140839216 aut Contemporary Chinese cinema and visual culture envisioning the nation Sheldon H. Lu [First paperback edition] London ; New York Bloomsbury Academic 2023 xi, 242 Seiten Illustrationen 24 cm txt rdacontent n rdamedia nc rdacarrier Global East-Asian screen cultures First published in Great Britain 2021 by Bloomsbury Academic, London Refashioning the Nation in Transnational Cinema and Art -- Nationhood, Gender, Sexuality, Masculinity in Feature Film -- Projecting the Chinese Nation on Domestic and Global Screens -- Space, Mobility, Modernity: The Female Prostitute in Chinese-language Film -- Re-orientations of Hong Kong Cinema and Transformations of Masculinity -- Masculinity in Crisis: Male Characters in Jia Zhangke's Films -- Multimedia Engagements with the Local, National, and Global -- Peripheral, Underground, and Independent Cinema -- Performing and Romancing the Other in Film, Television Drama, and Ballet -- Reshaping Beijing's Space: Architecture, Art, Photography, Film -- Artistic and Multimedia InterventionsConclusion: Globalization at Bay Sheldon Lu's wide-ranging new book investigates how filmmakers and visual artists from mainland China, Hong Kong and Taiwan have envisioned China as it transitions from a socialist to a globalized capitalist state. It examines how the modern nation has been refashioned and re-imagined in order to keep pace with globalization and transnationalism.At the heart of Lu's analysis is a double movement in the relationship between nation and transnationalism in the Chinese post-socialist state. He considers the complexity of how the Chinese economy is integrated in the global capitalist system while also remaining a repressive body politic with mechanisms of control and surveillance. He explores the interrelations of the local, the national, the subnational, and the global as China repositions itself in the world.Lu considers examples from feature and documentary film, mainstream and marginal cinema, and a variety of visual arts: photography, painting, digital video, architecture, and installation. His close case studies include representations of class, masculinity and sexuality in contemporary Taiwanese and Chinese cinema; the figure of the sex worker as a symbol of modernity and mobility; and artists' representations of Beijing at the time of the 2008 Olympics. -- Olympische Spiele 29. 2008 Peking (DE-588)10202681-6 gnd rswk-swf Olympic Games / (29th / 2008 / Beijing, China) Art, Chinese / 20th century / Themes, motives Art and society / China / History / 21st century Art / Political aspects / China Art / Economic aspects / China Motion pictures / China / History Motion pictures / Taiwan / History Art / China Art / Taiwan Nationalism in motion pictures Nationalism in art China / In motion pictures China / In art Sex role in art Sex workers / Themes, motives Olympics in art Public art / China / Beijing Art Motion pictures China Taiwan History Olympische Spiele 29. 2008 Peking (DE-588)10202681-6 f DE-604 Äquivalent Druck-Ausgabe, Hardcover 978-1-350-23418-5 Erscheint auch als Online-Ausgabe, PDF 978-1-350-23420-8 Erscheint auch als Online-Ausgabe 978-1-350-23419-2 |
| spellingShingle | Lu, Sheldon H. 1962- Contemporary Chinese cinema and visual culture envisioning the nation Refashioning the Nation in Transnational Cinema and Art -- Nationhood, Gender, Sexuality, Masculinity in Feature Film -- Projecting the Chinese Nation on Domestic and Global Screens -- Space, Mobility, Modernity: The Female Prostitute in Chinese-language Film -- Re-orientations of Hong Kong Cinema and Transformations of Masculinity -- Masculinity in Crisis: Male Characters in Jia Zhangke's Films -- Multimedia Engagements with the Local, National, and Global -- Peripheral, Underground, and Independent Cinema -- Performing and Romancing the Other in Film, Television Drama, and Ballet -- Reshaping Beijing's Space: Architecture, Art, Photography, Film -- Artistic and Multimedia InterventionsConclusion: Globalization at Bay Olympische Spiele 29. 2008 Peking (DE-588)10202681-6 gnd |
| subject_GND | (DE-588)10202681-6 |
| title | Contemporary Chinese cinema and visual culture envisioning the nation |
| title_alt | Refashioning the Nation in Transnational Cinema and Art -- Nationhood, Gender, Sexuality, Masculinity in Feature Film -- Projecting the Chinese Nation on Domestic and Global Screens -- Space, Mobility, Modernity: The Female Prostitute in Chinese-language Film -- Re-orientations of Hong Kong Cinema and Transformations of Masculinity -- Masculinity in Crisis: Male Characters in Jia Zhangke's Films -- Multimedia Engagements with the Local, National, and Global -- Peripheral, Underground, and Independent Cinema -- Performing and Romancing the Other in Film, Television Drama, and Ballet -- Reshaping Beijing's Space: Architecture, Art, Photography, Film -- Artistic and Multimedia InterventionsConclusion: Globalization at Bay |
| title_auth | Contemporary Chinese cinema and visual culture envisioning the nation |
| title_exact_search | Contemporary Chinese cinema and visual culture envisioning the nation |
| title_exact_search_txtP | Contemporary Chinese cinema and visual culture envisioning the nation |
| title_full | Contemporary Chinese cinema and visual culture envisioning the nation Sheldon H. Lu |
| title_fullStr | Contemporary Chinese cinema and visual culture envisioning the nation Sheldon H. Lu |
| title_full_unstemmed | Contemporary Chinese cinema and visual culture envisioning the nation Sheldon H. Lu |
| title_short | Contemporary Chinese cinema and visual culture |
| title_sort | contemporary chinese cinema and visual culture envisioning the nation |
| title_sub | envisioning the nation |
| topic | Olympische Spiele 29. 2008 Peking (DE-588)10202681-6 gnd |
| topic_facet | Olympische Spiele 29. 2008 Peking |
| work_keys_str_mv | AT lusheldonh contemporarychinesecinemaandvisualcultureenvisioningthenation |