Scotland and the origins of modern art:
A discussion of sensibility, sensation, perception and painting, Scotland and the Origins of Modern Art is an original work which argues that the eighteenth-century Scottish philosophy of moral sense played a central role in shaping ideas explored by figures such as Cézanne and Monet over one hundre...
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
London
Lund Humphries
2023
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Schlagworte: | |
Zusammenfassung: | A discussion of sensibility, sensation, perception and painting, Scotland and the Origins of Modern Art is an original work which argues that the eighteenth-century Scottish philosophy of moral sense played a central role in shaping ideas explored by figures such as Cézanne and Monet over one hundred years later. Proposing that sensibility not reason was the basis of morality, the philosophy of moral sense gave birth to the idea of the supremacy of the imagination. Allied to the belief that the imagination flourished more freely in the primitive history of humanity, this idea became a potent inspiration for artists. The author also highlights Thomas Reid's method in his philosophy of common sense of using art and artists to illustrate how perception and expression are intuitive. To be truly expressive, artists should unlearn what they have learned and record their raw sensations, rather than the perceptions that derive from them. Exploring the work of key philosophical and artistic protagonists, this thought-provoking book unearths the fascinating exchanges between art, philosophy and literature during Enlightenment in Scotland that provided the blueprint for modernism. |
Beschreibung: | 256 Seiten Illustrationen |
ISBN: | 9781848226333 |
Internformat
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520 | 3 | |a A discussion of sensibility, sensation, perception and painting, Scotland and the Origins of Modern Art is an original work which argues that the eighteenth-century Scottish philosophy of moral sense played a central role in shaping ideas explored by figures such as Cézanne and Monet over one hundred years later. Proposing that sensibility not reason was the basis of morality, the philosophy of moral sense gave birth to the idea of the supremacy of the imagination. Allied to the belief that the imagination flourished more freely in the primitive history of humanity, this idea became a potent inspiration for artists. The author also highlights Thomas Reid's method in his philosophy of common sense of using art and artists to illustrate how perception and expression are intuitive. To be truly expressive, artists should unlearn what they have learned and record their raw sensations, rather than the perceptions that derive from them. Exploring the work of key philosophical and artistic protagonists, this thought-provoking book unearths the fascinating exchanges between art, philosophy and literature during Enlightenment in Scotland that provided the blueprint for modernism. | |
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Datensatz im Suchindex
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adam_txt | |
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any_adam_object_boolean | |
author | Macmillan, Duncan 1939- |
author_GND | (DE-588)133415651 |
author_facet | Macmillan, Duncan 1939- |
author_role | aut |
author_sort | Macmillan, Duncan 1939- |
author_variant | d m dm |
building | Verbundindex |
bvnumber | BV048922676 |
ctrlnum | (OCoLC)1380442907 (DE-599)HBZHT021779908 |
era | Geschichte 1780-1910 gnd Geschichte 1730-1830 gnd |
era_facet | Geschichte 1780-1910 Geschichte 1730-1830 |
format | Book |
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geographic | Frankreich (DE-588)4018145-5 gnd Schottland (DE-588)4053233-1 gnd |
geographic_facet | Frankreich Schottland |
id | DE-604.BV048922676 |
illustrated | Illustrated |
index_date | 2024-07-03T21:55:27Z |
indexdate | 2024-07-10T09:49:57Z |
institution | BVB |
isbn | 9781848226333 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034186750 |
oclc_num | 1380442907 |
open_access_boolean | |
owner | DE-11 DE-255 |
owner_facet | DE-11 DE-255 |
physical | 256 Seiten Illustrationen |
publishDate | 2023 |
publishDateSearch | 2023 |
publishDateSort | 2023 |
publisher | Lund Humphries |
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spelling | Macmillan, Duncan 1939- Verfasser (DE-588)133415651 aut Scotland and the origins of modern art Duncan Macmillan London Lund Humphries 2023 256 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier A discussion of sensibility, sensation, perception and painting, Scotland and the Origins of Modern Art is an original work which argues that the eighteenth-century Scottish philosophy of moral sense played a central role in shaping ideas explored by figures such as Cézanne and Monet over one hundred years later. Proposing that sensibility not reason was the basis of morality, the philosophy of moral sense gave birth to the idea of the supremacy of the imagination. Allied to the belief that the imagination flourished more freely in the primitive history of humanity, this idea became a potent inspiration for artists. The author also highlights Thomas Reid's method in his philosophy of common sense of using art and artists to illustrate how perception and expression are intuitive. To be truly expressive, artists should unlearn what they have learned and record their raw sensations, rather than the perceptions that derive from them. Exploring the work of key philosophical and artistic protagonists, this thought-provoking book unearths the fascinating exchanges between art, philosophy and literature during Enlightenment in Scotland that provided the blueprint for modernism. Cézanne, Paul 1839-1906 (DE-588)118519964 gnd rswk-swf Courbet, Gustave 1819-1877 (DE-588)118522450 gnd rswk-swf Hume, David 1711-1776 (DE-588)118554735 gnd rswk-swf Scott, Walter 1771-1832 (DE-588)118612409 gnd rswk-swf Wilkie, David 1785-1841 (DE-588)117580694 gnd rswk-swf David, Jacques Louis 1748-1825 (DE-588)118523945 gnd rswk-swf Reid, Thomas 1710-1796 (DE-588)118744003 gnd rswk-swf Geschichte 1780-1910 gnd rswk-swf Geschichte 1730-1830 gnd rswk-swf Malerei (DE-588)4037220-0 gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Philosophie (DE-588)4045791-6 gnd rswk-swf Frankreich (DE-588)4018145-5 gnd rswk-swf Schottland (DE-588)4053233-1 gnd rswk-swf Schottland (DE-588)4053233-1 g Philosophie (DE-588)4045791-6 s Geschichte 1730-1830 z Rezeption (DE-588)4049716-1 s Frankreich (DE-588)4018145-5 g Malerei (DE-588)4037220-0 s Geschichte 1780-1910 z DE-604 Hume, David 1711-1776 (DE-588)118554735 p Reid, Thomas 1710-1796 (DE-588)118744003 p Scott, Walter 1771-1832 (DE-588)118612409 p Wilkie, David 1785-1841 (DE-588)117580694 p David, Jacques Louis 1748-1825 (DE-588)118523945 p Courbet, Gustave 1819-1877 (DE-588)118522450 p Cézanne, Paul 1839-1906 (DE-588)118519964 p |
spellingShingle | Macmillan, Duncan 1939- Scotland and the origins of modern art Cézanne, Paul 1839-1906 (DE-588)118519964 gnd Courbet, Gustave 1819-1877 (DE-588)118522450 gnd Hume, David 1711-1776 (DE-588)118554735 gnd Scott, Walter 1771-1832 (DE-588)118612409 gnd Wilkie, David 1785-1841 (DE-588)117580694 gnd David, Jacques Louis 1748-1825 (DE-588)118523945 gnd Reid, Thomas 1710-1796 (DE-588)118744003 gnd Malerei (DE-588)4037220-0 gnd Rezeption (DE-588)4049716-1 gnd Philosophie (DE-588)4045791-6 gnd |
subject_GND | (DE-588)118519964 (DE-588)118522450 (DE-588)118554735 (DE-588)118612409 (DE-588)117580694 (DE-588)118523945 (DE-588)118744003 (DE-588)4037220-0 (DE-588)4049716-1 (DE-588)4045791-6 (DE-588)4018145-5 (DE-588)4053233-1 |
title | Scotland and the origins of modern art |
title_auth | Scotland and the origins of modern art |
title_exact_search | Scotland and the origins of modern art |
title_exact_search_txtP | Scotland and the origins of modern art |
title_full | Scotland and the origins of modern art Duncan Macmillan |
title_fullStr | Scotland and the origins of modern art Duncan Macmillan |
title_full_unstemmed | Scotland and the origins of modern art Duncan Macmillan |
title_short | Scotland and the origins of modern art |
title_sort | scotland and the origins of modern art |
topic | Cézanne, Paul 1839-1906 (DE-588)118519964 gnd Courbet, Gustave 1819-1877 (DE-588)118522450 gnd Hume, David 1711-1776 (DE-588)118554735 gnd Scott, Walter 1771-1832 (DE-588)118612409 gnd Wilkie, David 1785-1841 (DE-588)117580694 gnd David, Jacques Louis 1748-1825 (DE-588)118523945 gnd Reid, Thomas 1710-1796 (DE-588)118744003 gnd Malerei (DE-588)4037220-0 gnd Rezeption (DE-588)4049716-1 gnd Philosophie (DE-588)4045791-6 gnd |
topic_facet | Cézanne, Paul 1839-1906 Courbet, Gustave 1819-1877 Hume, David 1711-1776 Scott, Walter 1771-1832 Wilkie, David 1785-1841 David, Jacques Louis 1748-1825 Reid, Thomas 1710-1796 Malerei Rezeption Philosophie Frankreich Schottland |
work_keys_str_mv | AT macmillanduncan scotlandandtheoriginsofmodernart |