History on film, film on history:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge
2024
|
| Ausgabe: | Fourth edition |
| Schriftenreihe: | History: concepts, theories and practice
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | xxxiv, 249 Seiten Illustrationen |
| ISBN: | 9781032455389 |
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Datensatz im Suchindex
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Contents Illustrations Preface to the series Introduction to the fourth edition Introduction to the third edition Introduction to the second edition Acknowledgments ix xi xiii xix xx xxxiii 1 History on film 1 2 To see the past 13 3 Mainstream drama 37 4 Innovative drama 57 5 Documentary 81 6 Telling lives 103 7 Film-maker/historian 129 8 Engaging the discourse 155 9 The view from 2017 179 10 Beyond the West 193
viii Contents 11 Film on history Guide to key reading Bibliography Index 215 223 234 242
History on Film/Film on History has established itself as a classic treatise on the historical film and its role in bringing the past to life. In the fourth edition of this widely acclaimed text, Robert A. Rosenstone argues that to leave history films out of the discussion of the meaning of the past is to ignore a major means of understanding historical events. This book examines what history films convey about the past and how they convey it, demonstrating the need to learn how to read and understand this new visual world and integrating detailed analysis of films such as Schindler's List, Glory, October, and Reds. Advocating for the dramatic feature as a legitimate way of doing history, this edition includes a new Preface and a new chapter that focuses on films produced in Latin America, Africa, the Middle East, India, and East Asia. Examining the codes and conventions of how these films tell us about the past and providing guidance on how to effectively analyse films as historical interpretations, this book is an essential introduction to the field for students of history and film. Robert A. Rosenstone is Professor Emeritus of History at the California Institute of Technology. His award-winning biography of John Reed, Romantic Revolutionary (1975), was used as the basis of the multiple Academy Award winner Reds, one of several films on which he served as historical consultant. His other publications include Visions of the Past (1995), Crusade of the Left (1969), Mirror in the Shrine (1988), and Adventures of a Postmodern Historian (2016). He is editor of Revisioning
History (1995) and Experiments in Rethinking History (2004), and a Founding Editor of the journal Rethinking History. Rosenstone has lectured widely in the USA, Latin America, Europe, and East Asia, and has served as a visiting faculty member in the University of Barcelona, Kyushu University in Japan, Tolima University in Colombia, the European University Institute in Florence, Italy, and Aristotle University in Thessaloniki, Greece. |
| adam_txt |
Contents Illustrations Preface to the series Introduction to the fourth edition Introduction to the third edition Introduction to the second edition Acknowledgments ix xi xiii xix xx xxxiii 1 History on film 1 2 To see the past 13 3 Mainstream drama 37 4 Innovative drama 57 5 Documentary 81 6 Telling lives 103 7 Film-maker/historian 129 8 Engaging the discourse 155 9 The view from 2017 179 10 Beyond the West 193
viii Contents 11 Film on history Guide to key reading Bibliography Index 215 223 234 242
History on Film/Film on History has established itself as a classic treatise on the historical film and its role in bringing the past to life. In the fourth edition of this widely acclaimed text, Robert A. Rosenstone argues that to leave history films out of the discussion of the meaning of the past is to ignore a major means of understanding historical events. This book examines what history films convey about the past and how they convey it, demonstrating the need to learn how to read and understand this new visual world and integrating detailed analysis of films such as Schindler's List, Glory, October, and Reds. Advocating for the dramatic feature as a legitimate way of doing history, this edition includes a new Preface and a new chapter that focuses on films produced in Latin America, Africa, the Middle East, India, and East Asia. Examining the codes and conventions of how these films tell us about the past and providing guidance on how to effectively analyse films as historical interpretations, this book is an essential introduction to the field for students of history and film. Robert A. Rosenstone is Professor Emeritus of History at the California Institute of Technology. His award-winning biography of John Reed, Romantic Revolutionary (1975), was used as the basis of the multiple Academy Award winner Reds, one of several films on which he served as historical consultant. His other publications include Visions of the Past (1995), Crusade of the Left (1969), Mirror in the Shrine (1988), and Adventures of a Postmodern Historian (2016). He is editor of Revisioning
History (1995) and Experiments in Rethinking History (2004), and a Founding Editor of the journal Rethinking History. Rosenstone has lectured widely in the USA, Latin America, Europe, and East Asia, and has served as a visiting faculty member in the University of Barcelona, Kyushu University in Japan, Tolima University in Colombia, the European University Institute in Florence, Italy, and Aristotle University in Thessaloniki, Greece. |
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| spelling | Rosenstone, Robert A. 1936- Verfasser (DE-588)133232158 aut History on film, film on history Robert A. Rosenstone Fourth edition London ; New York Routledge 2024 xxxiv, 249 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier History: concepts, theories and practice Geschichte gnd rswk-swf Motion pictures and history Historical films History and criticism Historischer Film (DE-588)4160024-1 gnd rswk-swf Historischer Film (DE-588)4160024-1 s Geschichte z DE-604 Äquivalent Druck-Ausgabe, Hardcover 978-1-032-45540-2 Erscheint auch als Online-Ausgabe 978-1-003-37746-7 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034178109&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034178109&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
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| title | History on film, film on history |
| title_auth | History on film, film on history |
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| title_full | History on film, film on history Robert A. Rosenstone |
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| title_full_unstemmed | History on film, film on history Robert A. Rosenstone |
| title_short | History on film, film on history |
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| topic | Motion pictures and history Historical films History and criticism Historischer Film (DE-588)4160024-1 gnd |
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