Instruments of embodiment: costuming in contemporary dance
"Instruments of Embodiment draws on fashion theory and the philosophy of embodiment to investigate costuming in contemporary dance. It weaves together philosophical theory and artistic practice by closely analyzing acclaimed works by contemporary choreographers, considering interviews with cost...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge
2023
|
| Schriftenreihe: | Routledge advances in theatre & performance studies
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Instruments of Embodiment draws on fashion theory and the philosophy of embodiment to investigate costuming in contemporary dance. It weaves together philosophical theory and artistic practice by closely analyzing acclaimed works by contemporary choreographers, considering interviews with costume designers, and engaging in practice-as-research. Topics discussed include the historical evolution of contemporary dance costuming, Merce Cunningham's innovative collaborations with Robert Rauschenberg, and costumes used in Ohad Naharin's Virus (2001) and in a ground-breaking Butoh solo by Tatsumi Hijikata. The relationship between dance costuming and high fashion, wearable computing, and the role costume plays in dance reconstruction are also discussed and, along the way, an anarchist materialism is articulated which takes an egalitarian view of artistic collaboration and holds that experimental costume designs facilitate new forms of embodied experience and ways of seeing the body. This study will be of great interest to students and scholars working in performance philosophy, philosophy of embodiment, dance and performance studies, and fashion theory"-- |
| Beschreibung: | 180 Seiten 8 Illustrationen 24,2 cm |
| ISBN: | 9780367644819 9780367644826 |
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| 520 | 3 | |a "Instruments of Embodiment draws on fashion theory and the philosophy of embodiment to investigate costuming in contemporary dance. It weaves together philosophical theory and artistic practice by closely analyzing acclaimed works by contemporary choreographers, considering interviews with costume designers, and engaging in practice-as-research. Topics discussed include the historical evolution of contemporary dance costuming, Merce Cunningham's innovative collaborations with Robert Rauschenberg, and costumes used in Ohad Naharin's Virus (2001) and in a ground-breaking Butoh solo by Tatsumi Hijikata. The relationship between dance costuming and high fashion, wearable computing, and the role costume plays in dance reconstruction are also discussed and, along the way, an anarchist materialism is articulated which takes an egalitarian view of artistic collaboration and holds that experimental costume designs facilitate new forms of embodied experience and ways of seeing the body. This study will be of great interest to students and scholars working in performance philosophy, philosophy of embodiment, dance and performance studies, and fashion theory"-- | |
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Datensatz im Suchindex
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| adam_text |
Contents List of Illustrations Acknowledgments viii ix Introduction 1 2 Media of Touch 26 3 Anarchist Experiments 45 4 Your First Costume 68 5 Modern Designs and Modern Networks 91 í 6 Dancers in High Fashion 106 7 Digital Costuming 123 8 Stepping Into the Past 145 Index 172 |
| adam_txt |
Contents List of Illustrations Acknowledgments viii ix Introduction 1 2 Media of Touch 26 3 Anarchist Experiments 45 4 Your First Costume 68 5 Modern Designs and Modern Networks 91 í 6 Dancers in High Fashion 106 7 Digital Costuming 123 8 Stepping Into the Past 145 Index 172 |
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| author | Mullis, Eric |
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| contents | The media of touch -- Anarchist experiments -- Your first costume -- Modern designs and modern networks -- Dancers in high fashion -- Digital costuming -- Stepping into the past |
| ctrlnum | (OCoLC)1401211220 (DE-599)BVBBV048909366 |
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| illustrated | Illustrated |
| index_date | 2024-07-03T21:52:53Z |
| indexdate | 2024-12-06T09:13:31Z |
| institution | BVB |
| isbn | 9780367644819 9780367644826 |
| language | English |
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| physical | 180 Seiten 8 Illustrationen 24,2 cm |
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| spelling | Mullis, Eric Verfasser (DE-588)1298462592 aut Instruments of embodiment costuming in contemporary dance Eric C. Mullis London ; New York Routledge 2023 180 Seiten 8 Illustrationen 24,2 cm txt rdacontent n rdamedia nc rdacarrier Routledge advances in theatre & performance studies The media of touch -- Anarchist experiments -- Your first costume -- Modern designs and modern networks -- Dancers in high fashion -- Digital costuming -- Stepping into the past "Instruments of Embodiment draws on fashion theory and the philosophy of embodiment to investigate costuming in contemporary dance. It weaves together philosophical theory and artistic practice by closely analyzing acclaimed works by contemporary choreographers, considering interviews with costume designers, and engaging in practice-as-research. Topics discussed include the historical evolution of contemporary dance costuming, Merce Cunningham's innovative collaborations with Robert Rauschenberg, and costumes used in Ohad Naharin's Virus (2001) and in a ground-breaking Butoh solo by Tatsumi Hijikata. The relationship between dance costuming and high fashion, wearable computing, and the role costume plays in dance reconstruction are also discussed and, along the way, an anarchist materialism is articulated which takes an egalitarian view of artistic collaboration and holds that experimental costume designs facilitate new forms of embodied experience and ways of seeing the body. This study will be of great interest to students and scholars working in performance philosophy, philosophy of embodiment, dance and performance studies, and fashion theory"-- Kostüm (DE-588)4136978-6 gnd rswk-swf Modern Dance (DE-588)4074920-4 gnd rswk-swf Embodiment (DE-588)7627636-3 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Modern dance / Philosophy Dance costume Costume design / Philosophy Modern Dance (DE-588)4074920-4 s Embodiment (DE-588)7627636-3 s Kostüm (DE-588)4136978-6 s Ästhetik (DE-588)4000626-8 s DE-604 Äquivalent Druck-Ausgabe, Paperback 978-0-367-64482-6 Erscheint auch als Online-Ausgabe 978-1-00-312474-0 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034173597&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Mullis, Eric Instruments of embodiment costuming in contemporary dance The media of touch -- Anarchist experiments -- Your first costume -- Modern designs and modern networks -- Dancers in high fashion -- Digital costuming -- Stepping into the past Kostüm (DE-588)4136978-6 gnd Modern Dance (DE-588)4074920-4 gnd Embodiment (DE-588)7627636-3 gnd Ästhetik (DE-588)4000626-8 gnd |
| subject_GND | (DE-588)4136978-6 (DE-588)4074920-4 (DE-588)7627636-3 (DE-588)4000626-8 |
| title | Instruments of embodiment costuming in contemporary dance |
| title_auth | Instruments of embodiment costuming in contemporary dance |
| title_exact_search | Instruments of embodiment costuming in contemporary dance |
| title_exact_search_txtP | Instruments of embodiment costuming in contemporary dance |
| title_full | Instruments of embodiment costuming in contemporary dance Eric C. Mullis |
| title_fullStr | Instruments of embodiment costuming in contemporary dance Eric C. Mullis |
| title_full_unstemmed | Instruments of embodiment costuming in contemporary dance Eric C. Mullis |
| title_short | Instruments of embodiment |
| title_sort | instruments of embodiment costuming in contemporary dance |
| title_sub | costuming in contemporary dance |
| topic | Kostüm (DE-588)4136978-6 gnd Modern Dance (DE-588)4074920-4 gnd Embodiment (DE-588)7627636-3 gnd Ästhetik (DE-588)4000626-8 gnd |
| topic_facet | Kostüm Modern Dance Embodiment Ästhetik |
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