The autobiographical turn in Germanophone documentary and experimental film:
A volume of essays marking out a new, historically and culturally specific model for contemplating autobiographical non-fiction film and video. There is a widespread notion in the scholarly literature on autobiographical nonfiction film that there are unchanging, universal models for the investigati...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Rochester, New York
Camden House
2014
|
| Schlagworte: | |
| Online-Zugang: | BSB01 UBG01 Volltext |
| Zusammenfassung: | A volume of essays marking out a new, historically and culturally specific model for contemplating autobiographical non-fiction film and video. There is a widespread notion in the scholarly literature on autobiographical nonfiction film that there are unchanging, universal models for the investigation of the self through audiovisual media. By insisting on the cultural andhistorical specificity of that self, the essays in this volume trace the range of politically and theoretically informed taboos, critiques, and proclivities that shape autobiographical filmmaking in German-speaking countries. Indoing so, they delineate a new model for contemplating autobiographical film and video. The essays in this volume examine the parameters shaping the audiovisual self in the Germanophone cultural context across a variety of practices and aesthetic modes, from contemporary artists including Hito Steyerl, Ming Wong, and kate hers to Rolf Dieter Brinkmann's multimedia experiments of the 1970s, and from Helke Misselwitz's challenges to the documentary tradition in the GDR to Peter Liechti's investigations of Swiss ambivalence toward the nation's iconic landscape. The volume thus takes up a number of historically and geographically specific iterations of autobiographical discourse that in each case remain contingent on the space and time in which they are uttered. Contributors: Dagmar Brunow, Steve Choe, Robin Curtis, Tobias Ebbrecht-Hartmann, Angelica Fenner, Marcy Goldberg, Feng-Mei Heberer, Rembert Hüser, Waltraud Maierhofer, Christopher Pavsek, Patrik Sjöberg, Carrie Smith-Prei, Anna Stainton. Robin Curtis is Professor of Theory and Practice of Audiovisual Media at the Heinrich-Heine-University in Düsseldorf, Germany. Angelica Fenner is Associate Professor of German and Cinema Studies at the University of Toronto |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 24 Feb 2023) |
| Beschreibung: | 1 Online-Ressource (viii, 342 Seiten) |
| ISBN: | 9781782043263 |
| DOI: | 10.1017/9781782043263 |
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Datensatz im Suchindex
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| doi_str_mv | 10.1017/9781782043263 |
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| isbn | 9781782043263 |
| language | English |
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| spelling | The autobiographical turn in Germanophone documentary and experimental film edited by Robin Curtis and Angelica Fenner Rochester, New York Camden House 2014 1 Online-Ressource (viii, 342 Seiten) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 24 Feb 2023) A volume of essays marking out a new, historically and culturally specific model for contemplating autobiographical non-fiction film and video. There is a widespread notion in the scholarly literature on autobiographical nonfiction film that there are unchanging, universal models for the investigation of the self through audiovisual media. By insisting on the cultural andhistorical specificity of that self, the essays in this volume trace the range of politically and theoretically informed taboos, critiques, and proclivities that shape autobiographical filmmaking in German-speaking countries. Indoing so, they delineate a new model for contemplating autobiographical film and video. The essays in this volume examine the parameters shaping the audiovisual self in the Germanophone cultural context across a variety of practices and aesthetic modes, from contemporary artists including Hito Steyerl, Ming Wong, and kate hers to Rolf Dieter Brinkmann's multimedia experiments of the 1970s, and from Helke Misselwitz's challenges to the documentary tradition in the GDR to Peter Liechti's investigations of Swiss ambivalence toward the nation's iconic landscape. The volume thus takes up a number of historically and geographically specific iterations of autobiographical discourse that in each case remain contingent on the space and time in which they are uttered. Contributors: Dagmar Brunow, Steve Choe, Robin Curtis, Tobias Ebbrecht-Hartmann, Angelica Fenner, Marcy Goldberg, Feng-Mei Heberer, Rembert Hüser, Waltraud Maierhofer, Christopher Pavsek, Patrik Sjöberg, Carrie Smith-Prei, Anna Stainton. Robin Curtis is Professor of Theory and Practice of Audiovisual Media at the Heinrich-Heine-University in Düsseldorf, Germany. Angelica Fenner is Associate Professor of German and Cinema Studies at the University of Toronto Biographical films / Germany / History and criticism Documentary films / Germany / History and criticism Self in motion pictures Experimentalfilm (DE-588)4153359-8 gnd rswk-swf Das Autobiografische (DE-588)4260277-4 gnd rswk-swf Selbst Motiv (DE-588)4399198-1 gnd rswk-swf Dokumentarfilm (DE-588)4012653-5 gnd rswk-swf Deutschland (DE-588)4011882-4 gnd rswk-swf Deutschland (DE-588)4011882-4 g Dokumentarfilm (DE-588)4012653-5 s Experimentalfilm (DE-588)4153359-8 s Das Autobiografische (DE-588)4260277-4 s Selbst Motiv (DE-588)4399198-1 s DE-604 Curtis, Robin 1964- (DE-588)137534280 edt Fenner, Angelica ca. 20./21. Jh. (DE-588)1048363376 edt Erscheint auch als Druck-Ausgabe 978-1-57113-917-7 https://doi.org/10.1017/9781782043263 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | The autobiographical turn in Germanophone documentary and experimental film Biographical films / Germany / History and criticism Documentary films / Germany / History and criticism Self in motion pictures Experimentalfilm (DE-588)4153359-8 gnd Das Autobiografische (DE-588)4260277-4 gnd Selbst Motiv (DE-588)4399198-1 gnd Dokumentarfilm (DE-588)4012653-5 gnd |
| subject_GND | (DE-588)4153359-8 (DE-588)4260277-4 (DE-588)4399198-1 (DE-588)4012653-5 (DE-588)4011882-4 |
| title | The autobiographical turn in Germanophone documentary and experimental film |
| title_auth | The autobiographical turn in Germanophone documentary and experimental film |
| title_exact_search | The autobiographical turn in Germanophone documentary and experimental film |
| title_exact_search_txtP | The autobiographical turn in Germanophone documentary and experimental film |
| title_full | The autobiographical turn in Germanophone documentary and experimental film edited by Robin Curtis and Angelica Fenner |
| title_fullStr | The autobiographical turn in Germanophone documentary and experimental film edited by Robin Curtis and Angelica Fenner |
| title_full_unstemmed | The autobiographical turn in Germanophone documentary and experimental film edited by Robin Curtis and Angelica Fenner |
| title_short | The autobiographical turn in Germanophone documentary and experimental film |
| title_sort | the autobiographical turn in germanophone documentary and experimental film |
| topic | Biographical films / Germany / History and criticism Documentary films / Germany / History and criticism Self in motion pictures Experimentalfilm (DE-588)4153359-8 gnd Das Autobiografische (DE-588)4260277-4 gnd Selbst Motiv (DE-588)4399198-1 gnd Dokumentarfilm (DE-588)4012653-5 gnd |
| topic_facet | Biographical films / Germany / History and criticism Documentary films / Germany / History and criticism Self in motion pictures Experimentalfilm Das Autobiografische Selbst Motiv Dokumentarfilm Deutschland |
| url | https://doi.org/10.1017/9781782043263 |
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