Weill, Blitzstein, and Bernstein: a study of influence
"Theodor Adorno famously proclaimed that the model of Kurt Weill could not be repeated. Yet Weill's stage works set an inescapable precedent for composers on both sides of the Atlantic. Rebecca Schmid explores how Weill's formal innovations in particular laid the groundwork for operas...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Rochester, NY
University of Rochester Press
2023
|
| Schriftenreihe: | Eastman studies in music
189 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Theodor Adorno famously proclaimed that the model of Kurt Weill could not be repeated. Yet Weill's stage works set an inescapable precedent for composers on both sides of the Atlantic. Rebecca Schmid explores how Weill's formal innovations in particular laid the groundwork for operas and musicals by Marc Blitzstein and Leonard Bernstein, although both composers resisted or downplayed his aesthetic contribution to American tradition. Comparative analysis based on Harold Bloom's Anxiety of Influence and other modes of intertextuality reveals that the principles of Weill's opera reform would catalyze an indigenous movement in sophisticated, socially engaged music theatre. Weill, Blitzstein, and Bernstein: A Study of Influence focuses on works that represent different phases of Weill's mission to renew the genre of opera, evolving from Die Dreigroschenoper to the musical play Lady in the Dark and the Broadway Opera Street Scene. Blitzstein and Bernstein in turn defied formal boundaries with The Cradle Will Rock, Regina, Trouble in Tahiti, Candide, and West Side Story - part of a short-lived movement in mid-twentieth century America that coincided with a renaissance for Weill's German-period works following the premiere of Blitzstein's translation, The Threepenny Opera, under Bernstein's baton. The unpublished A Pray by Blecht, for which Bernstein rejoined Stephen Sondheim and Jerome Robbins, his collaborators on West Side Story, deepens the connection of Bernstein's aesthetic to Weill"-- |
| Beschreibung: | 2304 |
| Beschreibung: | x, 216 Seiten Notenbeispiele |
| ISBN: | 9781648250606 |
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| 505 | 8 | |a Why Influence? -- "Have You Seen My New Opera?" -- "Something Like Opera" -- "Make Our Garden Grow" -- "This Isn't Worth drei Groschen" -- A Pray by Blecht -- "The Saga of Lenny" | |
| 520 | 3 | |a "Theodor Adorno famously proclaimed that the model of Kurt Weill could not be repeated. Yet Weill's stage works set an inescapable precedent for composers on both sides of the Atlantic. Rebecca Schmid explores how Weill's formal innovations in particular laid the groundwork for operas and musicals by Marc Blitzstein and Leonard Bernstein, although both composers resisted or downplayed his aesthetic contribution to American tradition. Comparative analysis based on Harold Bloom's Anxiety of Influence and other modes of intertextuality reveals that the principles of Weill's opera reform would catalyze an indigenous movement in sophisticated, socially engaged music theatre. Weill, Blitzstein, and Bernstein: A Study of Influence focuses on works that represent different phases of Weill's mission to renew the genre of opera, evolving from Die Dreigroschenoper to the musical play Lady in the Dark and the Broadway Opera Street Scene. Blitzstein and Bernstein in turn defied formal boundaries with The Cradle Will Rock, Regina, Trouble in Tahiti, Candide, and West Side Story - part of a short-lived movement in mid-twentieth century America that coincided with a renaissance for Weill's German-period works following the premiere of Blitzstein's translation, The Threepenny Opera, under Bernstein's baton. The unpublished A Pray by Blecht, for which Bernstein rejoined Stephen Sondheim and Jerome Robbins, his collaborators on West Side Story, deepens the connection of Bernstein's aesthetic to Weill"-- | |
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Datensatz im Suchindex
| _version_ | 1804185075501236224 |
|---|---|
| adam_text | Contents Acknowledgments Introduction vii 1 1 Why Influence? Anxiety and Other Modes of Intertextuality 11 2 “Have You Seen My New Opera?” The Cradle Will Rock, Johnny Johnson, and Die Dreigroschenoper 39 “Something Like Opera”: Regina, Aufstieg und Fall der Stadt Mahagonny, and Street Scene 70 4 “Make Our Garden Grow”: Candide and Die Dreigroschenoper 98 5 “This Isn’t Worth Drei Groschen”·. West Side Story and Street Scene 118 6 A Pray by Blecht·. Revisiting the Lehrstück 146 7 “The Saga of Lenny”: Trouble in Tahiti and Lady in the Dark 165 3 Epilogue 181 Bibliography 185 Index 203
|
| adam_txt |
Contents Acknowledgments Introduction vii 1 1 Why Influence? Anxiety and Other Modes of Intertextuality 11 2 “Have You Seen My New Opera?” The Cradle Will Rock, Johnny Johnson, and Die Dreigroschenoper 39 “Something Like Opera”: Regina, Aufstieg und Fall der Stadt Mahagonny, and Street Scene 70 4 “Make Our Garden Grow”: Candide and Die Dreigroschenoper 98 5 “This Isn’t Worth Drei Groschen”·. West Side Story and Street Scene 118 6 A Pray by Blecht·. Revisiting the Lehrstück 146 7 “The Saga of Lenny”: Trouble in Tahiti and Lady in the Dark 165 3 Epilogue 181 Bibliography 185 Index 203 |
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| contents | Why Influence? -- "Have You Seen My New Opera?" -- "Something Like Opera" -- "Make Our Garden Grow" -- "This Isn't Worth drei Groschen" -- A Pray by Blecht -- "The Saga of Lenny" |
| ctrlnum | (OCoLC)1389185541 (DE-599)BVBBV048906925 |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| format | Book |
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| id | DE-604.BV048906925 |
| illustrated | Illustrated |
| index_date | 2024-07-03T21:52:24Z |
| indexdate | 2024-07-10T09:49:28Z |
| institution | BVB |
| isbn | 9781648250606 |
| language | English |
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| publishDate | 2023 |
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| publisher | University of Rochester Press |
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| series | Eastman studies in music |
| series2 | Eastman studies in music |
| spelling | Schmid, Rebecca Verfasser (DE-588)1267947977 aut Weill, Blitzstein, and Bernstein a study of influence Rebecca Schmid Rochester, NY University of Rochester Press 2023 x, 216 Seiten Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Eastman studies in music 189 2304 Why Influence? -- "Have You Seen My New Opera?" -- "Something Like Opera" -- "Make Our Garden Grow" -- "This Isn't Worth drei Groschen" -- A Pray by Blecht -- "The Saga of Lenny" "Theodor Adorno famously proclaimed that the model of Kurt Weill could not be repeated. Yet Weill's stage works set an inescapable precedent for composers on both sides of the Atlantic. Rebecca Schmid explores how Weill's formal innovations in particular laid the groundwork for operas and musicals by Marc Blitzstein and Leonard Bernstein, although both composers resisted or downplayed his aesthetic contribution to American tradition. Comparative analysis based on Harold Bloom's Anxiety of Influence and other modes of intertextuality reveals that the principles of Weill's opera reform would catalyze an indigenous movement in sophisticated, socially engaged music theatre. Weill, Blitzstein, and Bernstein: A Study of Influence focuses on works that represent different phases of Weill's mission to renew the genre of opera, evolving from Die Dreigroschenoper to the musical play Lady in the Dark and the Broadway Opera Street Scene. Blitzstein and Bernstein in turn defied formal boundaries with The Cradle Will Rock, Regina, Trouble in Tahiti, Candide, and West Side Story - part of a short-lived movement in mid-twentieth century America that coincided with a renaissance for Weill's German-period works following the premiere of Blitzstein's translation, The Threepenny Opera, under Bernstein's baton. The unpublished A Pray by Blecht, for which Bernstein rejoined Stephen Sondheim and Jerome Robbins, his collaborators on West Side Story, deepens the connection of Bernstein's aesthetic to Weill"-- Bernstein, Leonard 1918-1990 (DE-588)118510002 gnd rswk-swf Weill, Kurt 1900-1950 (DE-588)118630202 gnd rswk-swf Blitzstein, Marc 1905-1964 (DE-588)119380749 gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Musiktheater (DE-588)4040874-7 gnd rswk-swf Weill, Kurt / 1900-1950 / Influence Bernstein, Leonard / 1918-1990 / Criticism and interpretation Blitzstein, Marc / Criticism and interpretation Opera / 20th century Musical theater / 20th century / History and criticism Bernstein, Leonard / 1918-1990 Blitzstein, Marc Weill, Kurt / 1900-1950 Influence (Literary, artistic, etc.) Musical theater Opera 1900-1999 Criticism, interpretation, etc Bernstein, Leonard 1918-1990 (DE-588)118510002 p Blitzstein, Marc 1905-1964 (DE-588)119380749 p Rezeption (DE-588)4049716-1 s Weill, Kurt 1900-1950 (DE-588)118630202 p Musiktheater (DE-588)4040874-7 s DE-604 Online version Online-Ausgabe, PDF 9781800109315 Eastman studies in music 189 (DE-604)BV010127859 189 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034171199&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Schmid, Rebecca Weill, Blitzstein, and Bernstein a study of influence Eastman studies in music Why Influence? -- "Have You Seen My New Opera?" -- "Something Like Opera" -- "Make Our Garden Grow" -- "This Isn't Worth drei Groschen" -- A Pray by Blecht -- "The Saga of Lenny" Bernstein, Leonard 1918-1990 (DE-588)118510002 gnd Weill, Kurt 1900-1950 (DE-588)118630202 gnd Blitzstein, Marc 1905-1964 (DE-588)119380749 gnd Rezeption (DE-588)4049716-1 gnd Musiktheater (DE-588)4040874-7 gnd |
| subject_GND | (DE-588)118510002 (DE-588)118630202 (DE-588)119380749 (DE-588)4049716-1 (DE-588)4040874-7 |
| title | Weill, Blitzstein, and Bernstein a study of influence |
| title_auth | Weill, Blitzstein, and Bernstein a study of influence |
| title_exact_search | Weill, Blitzstein, and Bernstein a study of influence |
| title_exact_search_txtP | Weill, Blitzstein, and Bernstein a study of influence |
| title_full | Weill, Blitzstein, and Bernstein a study of influence Rebecca Schmid |
| title_fullStr | Weill, Blitzstein, and Bernstein a study of influence Rebecca Schmid |
| title_full_unstemmed | Weill, Blitzstein, and Bernstein a study of influence Rebecca Schmid |
| title_short | Weill, Blitzstein, and Bernstein |
| title_sort | weill blitzstein and bernstein a study of influence |
| title_sub | a study of influence |
| topic | Bernstein, Leonard 1918-1990 (DE-588)118510002 gnd Weill, Kurt 1900-1950 (DE-588)118630202 gnd Blitzstein, Marc 1905-1964 (DE-588)119380749 gnd Rezeption (DE-588)4049716-1 gnd Musiktheater (DE-588)4040874-7 gnd |
| topic_facet | Bernstein, Leonard 1918-1990 Weill, Kurt 1900-1950 Blitzstein, Marc 1905-1964 Rezeption Musiktheater |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034171199&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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