Theatre spaces 1920-2020: finding the fun in functionalism
"In this hands-on account of the creation of new theatre spaces spanning a century, Iain Mackintosh offers a compelling history that is part memoir, part impassioned call to rethink the design of our theatre spaces and the future of live theatre. As the originator of theatre designs as diverse...
Gespeichert in:
| 1. Verfasser: | |
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| Weitere Verfasser: | |
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York ; Oxford ; New Delhi ; Sydney
Methuen drama, Bloomsbury
2023
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "In this hands-on account of the creation of new theatre spaces spanning a century, Iain Mackintosh offers a compelling history that is part memoir, part impassioned call to rethink the design of our theatre spaces and the future of live theatre. As the originator of theatre designs as diverse as the Cottesloe in 1977, Glyndebourne in 1994 and the Orange Tree Theatre in 1991, he discovered why the shows worked in some theatres and did not in others. It is this unique blend of expertise and experience that informs this riveting account of the creation of many of the best-known theatre spaces in Britain, besides many international examples" |
| Beschreibung: | xii, 242 Seiten Illustrationen, Pläne |
| ISBN: | 9781350056244 9781350056251 |
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Datensatz im Suchindex
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CONTENTS List of illustrations vii Foreword by Sir Richard Eyre xi An introduction and a summary i Act I Pre-1920: Setting the scene and some early pioneers 3 1 Theatre is ephemeral while buildings endure. Some necessary background 5 2 Richard Wagner, Adolphe Appia and the spreading of the fan 17 Act II 1920-1976: The march of modernism 25 3 The Festival Cambridge, Stratford-upon-Avon and early days of the National 27 4 Guthrie’s thrust stages 40 5 Germany’s building boom and Anglo-American Shakespeare 53 6 The Olivier, the Lyttelton and the Barbican theatres 59 Act III 1976-2020: The past informs the present 81 7 The Cottesloe and other courtyards 83 8 Worthy scaffolds: Brook’s empty space and spaces found by others 102 9 Regenerating the old offers an antidote to modernism. Part One: English theatres of the eighteenth and nineteenth centuries 117 10 Regenerating the old offers an antidote to modernism. Part Two: A couple of twentieth-century Scottish theatres reborn - one in Edinburgh and the other in Florida 134 11 New opera houses from Glyndebourne to Dallas. Elsewhere some starchitects upstage the performers 144
CONTENTS 12 Learning from the Netherlands, Berlin, Brazil, Australia and from Indian and Chinese cultures 163 13 2010-2020: Some new builds, two renovations - one at Stratford-uponAvon and one in London - and diversions on in-the-round and the open air 179 Act IV 2021: The future 207 14 Unforeseen consequences of seventeenth-century plagues, of the arrival of the talkies and the more recent dangers of the pandemic and of ‘virtual theatre’. Some central themes restated 209 Bibliographies 221 Acknowledgements Theatre index 231 Person index 235 228 |
| adam_txt |
CONTENTS List of illustrations vii Foreword by Sir Richard Eyre xi An introduction and a summary i Act I Pre-1920: Setting the scene and some early pioneers 3 1 Theatre is ephemeral while buildings endure. Some necessary background 5 2 Richard Wagner, Adolphe Appia and the spreading of the fan 17 Act II 1920-1976: The march of modernism 25 3 The Festival Cambridge, Stratford-upon-Avon and early days of the National 27 4 Guthrie’s thrust stages 40 5 Germany’s building boom and Anglo-American Shakespeare 53 6 The Olivier, the Lyttelton and the Barbican theatres 59 Act III 1976-2020: The past informs the present 81 7 The Cottesloe and other courtyards 83 8 Worthy scaffolds: Brook’s empty space and spaces found by others 102 9 Regenerating the old offers an antidote to modernism. Part One: English theatres of the eighteenth and nineteenth centuries 117 10 Regenerating the old offers an antidote to modernism. Part Two: A couple of twentieth-century Scottish theatres reborn - one in Edinburgh and the other in Florida 134 11 New opera houses from Glyndebourne to Dallas. Elsewhere some starchitects upstage the performers 144
CONTENTS 12 Learning from the Netherlands, Berlin, Brazil, Australia and from Indian and Chinese cultures 163 13 2010-2020: Some new builds, two renovations - one at Stratford-uponAvon and one in London - and diversions on in-the-round and the open air 179 Act IV 2021: The future 207 14 Unforeseen consequences of seventeenth-century plagues, of the arrival of the talkies and the more recent dangers of the pandemic and of ‘virtual theatre’. Some central themes restated 209 Bibliographies 221 Acknowledgements Theatre index 231 Person index 235 228 |
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| spelling | Mackintosh, Iain 1937- Verfasser (DE-588)1076332498 aut Theatre spaces 1920-2020 finding the fun in functionalism a memoir by Iain Mackintosh ; Society for Theatre Research London ; New York ; Oxford ; New Delhi ; Sydney Methuen drama, Bloomsbury 2023 xii, 242 Seiten Illustrationen, Pläne txt rdacontent n rdamedia nc rdacarrier "In this hands-on account of the creation of new theatre spaces spanning a century, Iain Mackintosh offers a compelling history that is part memoir, part impassioned call to rethink the design of our theatre spaces and the future of live theatre. As the originator of theatre designs as diverse as the Cottesloe in 1977, Glyndebourne in 1994 and the Orange Tree Theatre in 1991, he discovered why the shows worked in some theatres and did not in others. It is this unique blend of expertise and experience that informs this riveting account of the creation of many of the best-known theatre spaces in Britain, besides many international examples" Geschichte 1920-2020 gnd rswk-swf Theaterbau (DE-588)4059706-4 gnd rswk-swf Großbritannien (DE-588)4022153-2 gnd rswk-swf Theaterbau (DE-588)4059706-4 s Geschichte 1920-2020 z DE-604 Großbritannien (DE-588)4022153-2 g Eyre, Richard 1943- (DE-588)122152085 aui Society for Theatre Research (DE-588)1010188-3 isb Erscheint auch als Online-Ausgabe, PDF 978-1-3500-5627-5 Erscheint auch als Online-Ausgabe 978-1-3500-5626-8 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034169225&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Mackintosh, Iain 1937- Theatre spaces 1920-2020 finding the fun in functionalism Theaterbau (DE-588)4059706-4 gnd |
| subject_GND | (DE-588)4059706-4 (DE-588)4022153-2 |
| title | Theatre spaces 1920-2020 finding the fun in functionalism |
| title_auth | Theatre spaces 1920-2020 finding the fun in functionalism |
| title_exact_search | Theatre spaces 1920-2020 finding the fun in functionalism |
| title_exact_search_txtP | Theatre spaces 1920-2020 finding the fun in functionalism |
| title_full | Theatre spaces 1920-2020 finding the fun in functionalism a memoir by Iain Mackintosh ; Society for Theatre Research |
| title_fullStr | Theatre spaces 1920-2020 finding the fun in functionalism a memoir by Iain Mackintosh ; Society for Theatre Research |
| title_full_unstemmed | Theatre spaces 1920-2020 finding the fun in functionalism a memoir by Iain Mackintosh ; Society for Theatre Research |
| title_short | Theatre spaces 1920-2020 |
| title_sort | theatre spaces 1920 2020 finding the fun in functionalism |
| title_sub | finding the fun in functionalism |
| topic | Theaterbau (DE-588)4059706-4 gnd |
| topic_facet | Theaterbau Großbritannien |
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