The comics form: the art of sequenced images
"Answering foundational questions like "what is a comic" and "how do comics work" in original and imaginative ways, this book adapts established, formalist approaches to explaining the experience of reading comics. Taking stock of a multitude of case studies and examples, Th...
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
London ; New York ; Oxford ; New Delhi ; Sydney
Bloomsbury Academic
2022
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Schlagworte: | |
Zusammenfassung: | "Answering foundational questions like "what is a comic" and "how do comics work" in original and imaginative ways, this book adapts established, formalist approaches to explaining the experience of reading comics. Taking stock of a multitude of case studies and examples, The Comics Form demonstrates that any object can be read as a comic so long as it displays a set of relevant formal features. Drawing from the worlds of art criticism and literary studies to put forward innovative new ways of thinking and talking about comics, this book challenges certain terminology and such theorizing terms as 'narrate' which have historically been employed somewhat loosely. In unpacking the way in which sequenced images work, The Comics Form introduces tools of analysis such as discourse and diegesis; details further qualities of visual representation such as resemblance, custom norms, style, simplification, exaggeration, style modes, transparency and specification, perspective and framing, focalization and ocularization; and applies formal art analysis to comics images. This book also examines the conclusions readers draw from the way certain images are presented and what they trigger, and offers clear definitions of the roles and features of text-narrators, image-narrators, and image-text narrators in both non-linguistic images and word-images"-- |
Beschreibung: | vii, 235 Seiten Illustrationen |
ISBN: | 9781350245914 9781350245952 |
Internformat
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520 | 3 | |a "Answering foundational questions like "what is a comic" and "how do comics work" in original and imaginative ways, this book adapts established, formalist approaches to explaining the experience of reading comics. Taking stock of a multitude of case studies and examples, The Comics Form demonstrates that any object can be read as a comic so long as it displays a set of relevant formal features. Drawing from the worlds of art criticism and literary studies to put forward innovative new ways of thinking and talking about comics, this book challenges certain terminology and such theorizing terms as 'narrate' which have historically been employed somewhat loosely. In unpacking the way in which sequenced images work, The Comics Form introduces tools of analysis such as discourse and diegesis; details further qualities of visual representation such as resemblance, custom norms, style, simplification, exaggeration, style modes, transparency and specification, perspective and framing, focalization and ocularization; and applies formal art analysis to comics images. This book also examines the conclusions readers draw from the way certain images are presented and what they trigger, and offers clear definitions of the roles and features of text-narrators, image-narrators, and image-text narrators in both non-linguistic images and word-images"-- | |
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Datensatz im Suchindex
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---|---|
adam_text | |
adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author | Gavaler, Chris 1966- |
author_GND | (DE-588)108184681X |
author_facet | Gavaler, Chris 1966- |
author_role | aut |
author_sort | Gavaler, Chris 1966- |
author_variant | c g cg |
building | Verbundindex |
bvnumber | BV048903743 |
classification_rvk | EC 7120 |
ctrlnum | (OCoLC)1339088251 (DE-599)KXP1795684070 |
dewey-full | 741.5/9 |
dewey-hundreds | 700 - The arts |
dewey-ones | 741 - Drawing and drawings |
dewey-raw | 741.5/9 |
dewey-search | 741.5/9 |
dewey-sort | 3741.5 19 |
dewey-tens | 740 - Graphic arts and decorative arts |
discipline | Kunstgeschichte Literaturwissenschaft |
discipline_str_mv | Kunstgeschichte |
format | Book |
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id | DE-604.BV048903743 |
illustrated | Illustrated |
index_date | 2024-07-03T21:51:37Z |
indexdate | 2024-07-20T05:22:52Z |
institution | BVB |
isbn | 9781350245914 9781350245952 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034168090 |
oclc_num | 1339088251 |
open_access_boolean | |
owner | DE-255 DE-20 |
owner_facet | DE-255 DE-20 |
physical | vii, 235 Seiten Illustrationen |
publishDate | 2022 |
publishDateSearch | 2022 |
publishDateSort | 2022 |
publisher | Bloomsbury Academic |
record_format | marc |
spelling | Gavaler, Chris 1966- Verfasser (DE-588)108184681X aut The comics form the art of sequenced images Chris Gavaler London ; New York ; Oxford ; New Delhi ; Sydney Bloomsbury Academic 2022 vii, 235 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier "Answering foundational questions like "what is a comic" and "how do comics work" in original and imaginative ways, this book adapts established, formalist approaches to explaining the experience of reading comics. Taking stock of a multitude of case studies and examples, The Comics Form demonstrates that any object can be read as a comic so long as it displays a set of relevant formal features. Drawing from the worlds of art criticism and literary studies to put forward innovative new ways of thinking and talking about comics, this book challenges certain terminology and such theorizing terms as 'narrate' which have historically been employed somewhat loosely. In unpacking the way in which sequenced images work, The Comics Form introduces tools of analysis such as discourse and diegesis; details further qualities of visual representation such as resemblance, custom norms, style, simplification, exaggeration, style modes, transparency and specification, perspective and framing, focalization and ocularization; and applies formal art analysis to comics images. This book also examines the conclusions readers draw from the way certain images are presented and what they trigger, and offers clear definitions of the roles and features of text-narrators, image-narrators, and image-text narrators in both non-linguistic images and word-images"-- Comic (DE-588)4010427-8 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Comic books, strips, etc / History and criticism Comic (DE-588)4010427-8 s Ästhetik (DE-588)4000626-8 s DE-604 Erscheint auch als Online-Ausgabe 978-1-3502-4593-8 Erscheint auch als Online-Ausgabe, PDF 978-1-3502-4592-1 |
spellingShingle | Gavaler, Chris 1966- The comics form the art of sequenced images Comic (DE-588)4010427-8 gnd Ästhetik (DE-588)4000626-8 gnd |
subject_GND | (DE-588)4010427-8 (DE-588)4000626-8 |
title | The comics form the art of sequenced images |
title_auth | The comics form the art of sequenced images |
title_exact_search | The comics form the art of sequenced images |
title_exact_search_txtP | The comics form the art of sequenced images |
title_full | The comics form the art of sequenced images Chris Gavaler |
title_fullStr | The comics form the art of sequenced images Chris Gavaler |
title_full_unstemmed | The comics form the art of sequenced images Chris Gavaler |
title_short | The comics form |
title_sort | the comics form the art of sequenced images |
title_sub | the art of sequenced images |
topic | Comic (DE-588)4010427-8 gnd Ästhetik (DE-588)4000626-8 gnd |
topic_facet | Comic Ästhetik |
work_keys_str_mv | AT gavalerchris thecomicsformtheartofsequencedimages |