Metaphysics and gender: the normative art of nature and its human imitations
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Steubenville, Ohio
Emmaus Road Publishing
2023
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | xii, 193 Seiten 22 cm |
| ISBN: | 9781645852902 |
Internformat
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CONTENTS Acknowledgements. xi Abbreviations. xii INTRODUCTION Metaphysics and Gender.1 Underlying Analogies: Nature and Art, Nature and Ethics. 1 The Inversion of These Analogies by Sartrian Philosophy and Gender Theorists.4 A Presentation of the Chapters. 7 CHAPTER 1 The Artistic Altering of Bodily Sex: An Ideological Revolution. 13 A Growing Business. 14 Cooperating with “Mental Illness”?. 16 Questionable Studies. 19 The Reimer Case: The Invention of “Sex Change”. 21 Cultural Pressure to Transition. 23 CHAPTER 2 The Gendering of Sex as a Fabrication: Judith Butler’s Philosophy of“Gender”. 29 The Cultural Construction of Sex. 30 From Resistance of the Trend to Reversing the Norm: Gender Ideology. 34 CHAPTERS Nature and Art: Imitating or Supplanting the Divine Artist?. 41 The
Normative Value of Art.42 The Analogy of Art and Nature. 44 The “Art” of Ethics. . 49 A Plea for Normalcy: Nature as Norm. 50 Ontological Goodness and Moral Goodness.54
CHAPTER 4 Freedom as Created or as Self-Determined?. 61 Created Freedom and the Natural Inclination to Goodness. 61 The Invention of Ethics and Desire: Sartres Self-Made Man. 64 Nothingness as the Foundation of Sartrian Freedom and Desire. 73 My Body, His Desire: Obstacles to Sartrian Freedom. 75 Compromised Freedom and Second-Wave Gender Theory. 81 CHAPTER 5 Morphology vs. Biology? Conflicting Views of the Body.87 Generative Powers vs. Generating Powers: Nature vs. Artifice. 88 Revisiting the Body-Soul Unity. 91 Begotten, Not Made. 99 The “Trans-ing” of Reproductive Technologies. 105 CHAPTER 6 Consequences of Inverting the Nature-Art Analogy. 117 Replacing Created Meaning with Man-Made Utility. 118 The Inversion of Theoretical and Practical Knowledge: Divine Truth and Human Imagination . 123 The Inversion of Word and Concept: Language as Truth or Words of Destruction. 128 The Gender Regime: Tolerance for Feelings and Desires, Intolerance for Truth. 137 CONCLUSION A Plea for Respecting the Analogy between Divine Art and Human Art. 153
Bibliography. 161 Webography. 177 |
| adam_txt |
CONTENTS Acknowledgements. xi Abbreviations. xii INTRODUCTION Metaphysics and Gender.1 Underlying Analogies: Nature and Art, Nature and Ethics. 1 The Inversion of These Analogies by Sartrian Philosophy and Gender Theorists.4 A Presentation of the Chapters. 7 CHAPTER 1 The Artistic Altering of Bodily Sex: An Ideological Revolution. 13 A Growing Business. 14 Cooperating with “Mental Illness”?. 16 Questionable Studies. 19 The Reimer Case: The Invention of “Sex Change”. 21 Cultural Pressure to Transition. 23 CHAPTER 2 The Gendering of Sex as a Fabrication: Judith Butler’s Philosophy of“Gender”. 29 The Cultural Construction of Sex. 30 From Resistance of the Trend to Reversing the Norm: Gender Ideology. 34 CHAPTERS Nature and Art: Imitating or Supplanting the Divine Artist?. 41 The
Normative Value of Art.42 The Analogy of Art and Nature. 44 The “Art” of Ethics. . 49 A Plea for Normalcy: Nature as Norm. 50 Ontological Goodness and Moral Goodness.54
CHAPTER 4 Freedom as Created or as Self-Determined?. 61 Created Freedom and the Natural Inclination to Goodness. 61 The Invention of Ethics and Desire: Sartres Self-Made Man. 64 Nothingness as the Foundation of Sartrian Freedom and Desire. 73 My Body, His Desire: Obstacles to Sartrian Freedom. 75 Compromised Freedom and Second-Wave Gender Theory. 81 CHAPTER 5 Morphology vs. Biology? Conflicting Views of the Body.87 Generative Powers vs. Generating Powers: Nature vs. Artifice. 88 Revisiting the Body-Soul Unity. 91 Begotten, Not Made. 99 The “Trans-ing” of Reproductive Technologies. 105 CHAPTER 6 Consequences of Inverting the Nature-Art Analogy. 117 Replacing Created Meaning with Man-Made Utility. 118 The Inversion of Theoretical and Practical Knowledge: Divine Truth and Human Imagination . 123 The Inversion of Word and Concept: Language as Truth or Words of Destruction. 128 The Gender Regime: Tolerance for Feelings and Desires, Intolerance for Truth. 137 CONCLUSION A Plea for Respecting the Analogy between Divine Art and Human Art. 153
Bibliography. 161 Webography. 177 |
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| spelling | Schumacher, Michele M. 1964- Verfasser (DE-588)1017410909 aut Metaphysics and gender the normative art of nature and its human imitations Michele M. Schumacher Steubenville, Ohio Emmaus Road Publishing 2023 xii, 193 Seiten 22 cm txt rdacontent n rdamedia nc rdacarrier Sexualität (DE-588)4054684-6 gnd rswk-swf Geschlechtsidentität (DE-588)4181116-1 gnd rswk-swf Geschlechtsunterschied (DE-588)4071781-1 gnd rswk-swf Philosophie (DE-588)4045791-6 gnd rswk-swf Gender identity / Philosophy Gender identity / Religious aspects Sex differentiation / Philosophy Sex differentiation / Religious aspects Metaphysics Sex differences Geschlechtsidentität (DE-588)4181116-1 s Geschlechtsunterschied (DE-588)4071781-1 s Sexualität (DE-588)4054684-6 s Philosophie (DE-588)4045791-6 s DE-604 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034167449&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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