The complete musician: an integrated approach to theory, analysis, and listening
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York, NY, United States of America
Oxford University Press
2023
|
| Ausgabe: | Fifth edition |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | Mit umfangreichen Online-Materialien über Code-Zugang Includes bibliographic references and index |
| Beschreibung: | xxvii, 719, 19, 1, 11, 11 Seiten Illustrationen, Notenbeispiele |
| ISBN: | 9780190924508 |
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Datensatz im Suchindex
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BRIEF CONTENTS PREFACE xxii NEW TO THE FIFTH EDITION xxiv ACKNOWLEDGMENTS xxvi PART 1 FOUNDATIONS 1 CHAPTER IA Musical Space: Pitches, Scales, CHAPTER 2 Pitch and Meter Combine: Melody and Keys and Counterpoint 2 CHAPTER IB Musical Time: Meter and Rhythm CHAPTER 3 Triads, Seventh Chords, and 27 Texture CHAPTER 1C Musical Distance: Intervals PART 2 73 99 51 FUSING MELODY, HARMONY, AND COUNTERPOINT 126 CHAPTER 4 The Role of Context: Embellishing Tones and Melodic Shape 127 CHAPTER 7 Expanding Tonic and Dominant with First-Inversion Triads 185 CHAPTER 5 Tonic, Dominant, and Voice CHAPTER 8 Inversions of V7 and Leading-Tone Leading Seventh Chords 145 CHAPTER 6 V7 and Two-Level Analysis 204 168 PART 3 ESTABLISHING, EXPANDING, AND EMBELLISHING THE PHRASE MODEL 223 CHAPTER 9 The Pre-Dominant Function and CHAPTER 12 Pre-Dominant Seventh Chords the Phrase Model and Embedded Phrase Models 224 283 CHAPTER 10 Accented and Chromatic Embellishing Tones 239 CHAPTER 13 The Submediant and the CHAPTER 11 Six-Four Chords and Piagai CHAPTER 14 The Mediant and the Motion Back-Relating Dominant 259 Step-Descent Bass 305 320
viii THE COMPLETE MUSICIAN PART 4 SMALL FORMS CHAPTER 15 Periods 334 335 CHAPTER 16 Sentences, Double Periods, and Asymmetric Periods 352 AN INTERMEZZO ON MUSICAL MOTIVES PART 5 367 EXPRESSIVE COLOR THROUGH CHROMATICISM CHAPTER 17 Applied Chords CHAPTER 18 Modulation CHAPTER21 Modal Mixture 382 465 CHAPTER 22 Chromatic Modulation and Text- 398 Music Relations CHAPTER 19 Harmonic Sequences 381 493 411 CHAPTER 23 Neapolitan Chords CHAPTER 20 Binary Form and Variations 511 444 CHAPTER 24 Augmented-Sixth Chords PART 6 LARGE FORMS CHAPTER 25 Ternary Form CHAPTER 26 Rondo Form PART 7 552 CHAPTER 27 Sonata Form 553 586 571 NEAR, AT, AND PAST THE EDGES OF TONALITY Symmetrically Constructed Harmonies 610 CHAPTER 29 Symmetry Stretches Tonality: CHAPTER 31 Analysis with Sets Chromatic Sequences and Equal Divisions of the Octave 634 CHAPTER 32 Metrical and Serial Techniques CREDITS 700 G-l C-l INDEX OF TERMS AND CONCEPTS 609 C H A P T E R 3 0 Centricity, Extended and Non Tertian Sonorities, and Collections 656 CHAPTER 28 Tonal Ambiguity and GLOSSARY 528 11-1 INDEX OF MUSICAL EXAMPLES AND EXERCISES 12-1 681 |
| adam_txt |
BRIEF CONTENTS PREFACE xxii NEW TO THE FIFTH EDITION xxiv ACKNOWLEDGMENTS xxvi PART 1 FOUNDATIONS 1 CHAPTER IA Musical Space: Pitches, Scales, CHAPTER 2 Pitch and Meter Combine: Melody and Keys and Counterpoint 2 CHAPTER IB Musical Time: Meter and Rhythm CHAPTER 3 Triads, Seventh Chords, and 27 Texture CHAPTER 1C Musical Distance: Intervals PART 2 73 99 51 FUSING MELODY, HARMONY, AND COUNTERPOINT 126 CHAPTER 4 The Role of Context: Embellishing Tones and Melodic Shape 127 CHAPTER 7 Expanding Tonic and Dominant with First-Inversion Triads 185 CHAPTER 5 Tonic, Dominant, and Voice CHAPTER 8 Inversions of V7 and Leading-Tone Leading Seventh Chords 145 CHAPTER 6 V7 and Two-Level Analysis 204 168 PART 3 ESTABLISHING, EXPANDING, AND EMBELLISHING THE PHRASE MODEL 223 CHAPTER 9 The Pre-Dominant Function and CHAPTER 12 Pre-Dominant Seventh Chords the Phrase Model and Embedded Phrase Models 224 283 CHAPTER 10 Accented and Chromatic Embellishing Tones 239 CHAPTER 13 The Submediant and the CHAPTER 11 Six-Four Chords and Piagai CHAPTER 14 The Mediant and the Motion Back-Relating Dominant 259 Step-Descent Bass 305 320
viii THE COMPLETE MUSICIAN PART 4 SMALL FORMS CHAPTER 15 Periods 334 335 CHAPTER 16 Sentences, Double Periods, and Asymmetric Periods 352 AN INTERMEZZO ON MUSICAL MOTIVES PART 5 367 EXPRESSIVE COLOR THROUGH CHROMATICISM CHAPTER 17 Applied Chords CHAPTER 18 Modulation CHAPTER21 Modal Mixture 382 465 CHAPTER 22 Chromatic Modulation and Text- 398 Music Relations CHAPTER 19 Harmonic Sequences 381 493 411 CHAPTER 23 Neapolitan Chords CHAPTER 20 Binary Form and Variations 511 444 CHAPTER 24 Augmented-Sixth Chords PART 6 LARGE FORMS CHAPTER 25 Ternary Form CHAPTER 26 Rondo Form PART 7 552 CHAPTER 27 Sonata Form 553 586 571 NEAR, AT, AND PAST THE EDGES OF TONALITY Symmetrically Constructed Harmonies 610 CHAPTER 29 Symmetry Stretches Tonality: CHAPTER 31 Analysis with Sets Chromatic Sequences and Equal Divisions of the Octave 634 CHAPTER 32 Metrical and Serial Techniques CREDITS 700 G-l C-l INDEX OF TERMS AND CONCEPTS 609 C H A P T E R 3 0 Centricity, Extended and Non Tertian Sonorities, and Collections 656 CHAPTER 28 Tonal Ambiguity and GLOSSARY 528 11-1 INDEX OF MUSICAL EXAMPLES AND EXERCISES 12-1 681 |
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| spelling | Laitz, Steven G. Verfasser (DE-588)1025648226 aut The complete musician an integrated approach to theory, analysis, and listening Steven G. Laitz (The Juilliard School), Michael R. Callahan (Michigan State University) Fifth edition New York, NY, United States of America Oxford University Press 2023 xxvii, 719, 19, 1, 11, 11 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Mit umfangreichen Online-Materialien über Code-Zugang Includes bibliographic references and index Analyse musicale Harmonie Tonalité Music theory Textbooks Musical analysis Tonality Musikalische Analyse (DE-588)4040814-0 gnd rswk-swf Harmonik (DE-588)4129030-6 gnd rswk-swf Harmonielehre (DE-588)4129028-8 gnd rswk-swf (DE-588)4151278-9 Einführung gnd-content Harmonik (DE-588)4129030-6 s DE-604 Musikalische Analyse (DE-588)4040814-0 s Harmonielehre (DE-588)4129028-8 s Callahan, Michael Verfasser (DE-588)1036723860 aut Erscheint auch als Online-Ausgabe, EPUB 978-0-19-092452-2 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034163447&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034163447&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
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| title | The complete musician an integrated approach to theory, analysis, and listening |
| title_auth | The complete musician an integrated approach to theory, analysis, and listening |
| title_exact_search | The complete musician an integrated approach to theory, analysis, and listening |
| title_exact_search_txtP | The complete musician an integrated approach to theory, analysis, and listening |
| title_full | The complete musician an integrated approach to theory, analysis, and listening Steven G. Laitz (The Juilliard School), Michael R. Callahan (Michigan State University) |
| title_fullStr | The complete musician an integrated approach to theory, analysis, and listening Steven G. Laitz (The Juilliard School), Michael R. Callahan (Michigan State University) |
| title_full_unstemmed | The complete musician an integrated approach to theory, analysis, and listening Steven G. Laitz (The Juilliard School), Michael R. Callahan (Michigan State University) |
| title_short | The complete musician |
| title_sort | the complete musician an integrated approach to theory analysis and listening |
| title_sub | an integrated approach to theory, analysis, and listening |
| topic | Analyse musicale Harmonie Tonalité Music theory Textbooks Musical analysis Tonality Musikalische Analyse (DE-588)4040814-0 gnd Harmonik (DE-588)4129030-6 gnd Harmonielehre (DE-588)4129028-8 gnd |
| topic_facet | Analyse musicale Harmonie Tonalité Music theory Textbooks Musical analysis Tonality Musikalische Analyse Harmonik Harmonielehre Einführung |
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