Pindar, song, and space: towards a lyric archaeology
"In this volume, Richard Neer and Leslie Kurke develop a new, integrated approach to classical Greece: a "lyric archaeology" that combines literary and art-historical analysis with archaeological and epigraphic materials. At the heart of the book is the great poet Pindar of Thebes, be...
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Baltimore
Johns Hopkins University Press
2019
|
| Schriftenreihe: | Cultural histories of the ancient world
|
| Schlagworte: | |
| Online-Zugang: | kostenfrei |
| Zusammenfassung: | "In this volume, Richard Neer and Leslie Kurke develop a new, integrated approach to classical Greece: a "lyric archaeology" that combines literary and art-historical analysis with archaeological and epigraphic materials. At the heart of the book is the great poet Pindar of Thebes, best known for his magnificent odes in honor of victors at the Olympic Games and other competitions. Unlike the quintessentially personal genre of modern lyric, these poems were destined for public performance by choruses of dancing men. Neer and Kurke go further to show that they were also site-specific: as the dancers moved through the space of a city or a sanctuary, their song would refer to local monuments and landmarks. Part of Pindar's brief, they argue, was to weave words and bodies into elaborate tapestries of myth and geography and, in so doing, to re-imagine the very fabric of the city-state. Pindar's poems, in short, were tools for making sense of space. Recent scholarship has tended to isolate poetry, art, and archaeology. But Neer and Kurke show that these distinctions are artificial. Poems, statues, bronzes, tombs, boundary stones, roadways, beacons, and buildings worked together as a "suite" of technologies for organizing landscapes, cityscapes, and territories. Studying these technologies in tandem reveals the procedures and criteria by which the Greeks understood relations of nearness and distance, "here" and "there"--and how these ways of inhabiting space were essentially political. Rooted in close readings of individual poems, buildings, and works of art, Pindar, Song, and Space ranges from Athens to Libya, Sicily to Rhodes, to provide a revelatory new understanding of the world the Greeks built--and a new model for studying the ancient world."-- |
| Beschreibung: | 1 Online-Ressource (xiv, 457 Seiten) Illustrationen |
| ISBN: | 9781421429793 |
| DOI: | 10.1353/book.68063 |
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Datensatz im Suchindex
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| adam_txt | |
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| author | Neer, Richard T. ca. 20. Jh Kurke, Leslie 1959- |
| author_GND | (DE-588)1026091756 (DE-588)1013703049 |
| author_facet | Neer, Richard T. ca. 20. Jh Kurke, Leslie 1959- |
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| author_sort | Neer, Richard T. ca. 20. Jh |
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| bvnumber | BV048897691 |
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| contents | Orientations and local spaces -- Two spatial technologies: the map and the chorus -- Statues, songs, and spaces -- The strength of equipment and the radiance of song: collaborative effects -- Fr. 75 SM and the politics of Athenian space -- Pindar's Cyrene: Pythian 4, 5, and 9 -- Cyrene: a Pindaric schema -- The city, the body and the eye -- Pindar's Greece: Olympian 6 and the spaces of tyranny -- Epigraphy, architecture, song: Olympian 6 and other gifts -- Pindar's transports -- Coda: toward a lyric archaeology |
| ctrlnum | (OCoLC)1376410038 (DE-599)BVBBV048897691 |
| discipline | Philologie / Byzantinistik / Neulatein Klassische Archäologie |
| discipline_str_mv | Philologie / Byzantinistik / Neulatein Klassische Archäologie |
| doi_str_mv | 10.1353/book.68063 |
| era | Geschichte 480 v. Chr.-323 v. Chr. gnd |
| era_facet | Geschichte 480 v. Chr.-323 v. Chr. |
| format | Electronic eBook |
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| illustrated | Not Illustrated |
| index_date | 2024-07-03T21:49:59Z |
| indexdate | 2024-07-10T09:49:12Z |
| institution | BVB |
| isbn | 9781421429793 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034162156 |
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| publishDate | 2019 |
| publishDateSearch | 2019 |
| publishDateSort | 2019 |
| publisher | Johns Hopkins University Press |
| record_format | marc |
| series2 | Cultural histories of the ancient world |
| spelling | Neer, Richard T. ca. 20. Jh. Verfasser (DE-588)1026091756 aut Pindar, song, and space towards a lyric archaeology Richard Neer and Leslie Kurke Baltimore Johns Hopkins University Press 2019 1 Online-Ressource (xiv, 457 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Cultural histories of the ancient world Orientations and local spaces -- Two spatial technologies: the map and the chorus -- Statues, songs, and spaces -- The strength of equipment and the radiance of song: collaborative effects -- Fr. 75 SM and the politics of Athenian space -- Pindar's Cyrene: Pythian 4, 5, and 9 -- Cyrene: a Pindaric schema -- The city, the body and the eye -- Pindar's Greece: Olympian 6 and the spaces of tyranny -- Epigraphy, architecture, song: Olympian 6 and other gifts -- Pindar's transports -- Coda: toward a lyric archaeology "In this volume, Richard Neer and Leslie Kurke develop a new, integrated approach to classical Greece: a "lyric archaeology" that combines literary and art-historical analysis with archaeological and epigraphic materials. At the heart of the book is the great poet Pindar of Thebes, best known for his magnificent odes in honor of victors at the Olympic Games and other competitions. Unlike the quintessentially personal genre of modern lyric, these poems were destined for public performance by choruses of dancing men. Neer and Kurke go further to show that they were also site-specific: as the dancers moved through the space of a city or a sanctuary, their song would refer to local monuments and landmarks. Part of Pindar's brief, they argue, was to weave words and bodies into elaborate tapestries of myth and geography and, in so doing, to re-imagine the very fabric of the city-state. Pindar's poems, in short, were tools for making sense of space. Recent scholarship has tended to isolate poetry, art, and archaeology. But Neer and Kurke show that these distinctions are artificial. Poems, statues, bronzes, tombs, boundary stones, roadways, beacons, and buildings worked together as a "suite" of technologies for organizing landscapes, cityscapes, and territories. Studying these technologies in tandem reveals the procedures and criteria by which the Greeks understood relations of nearness and distance, "here" and "there"--and how these ways of inhabiting space were essentially political. Rooted in close readings of individual poems, buildings, and works of art, Pindar, Song, and Space ranges from Athens to Libya, Sicily to Rhodes, to provide a revelatory new understanding of the world the Greeks built--and a new model for studying the ancient world."-- Pindarus ca. 522 oder 518 v. Chr.-446 v. Chr. (DE-588)118594427 gnd rswk-swf Geschichte 480 v. Chr.-323 v. Chr. gnd rswk-swf Chor (DE-588)4010045-5 gnd rswk-swf Inschrift (DE-588)4027107-9 gnd rswk-swf Funde (DE-588)4071507-3 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Raum (DE-588)4048561-4 gnd rswk-swf Lyrik (DE-588)4036774-5 gnd rswk-swf Pindar / Criticism and interpretation Pindar Criticism, interpretation, etc Griechische Literatur, Klassische Zeit (DE-2581)TH000005166 gbd Pindarus lyr. TLG 0033 (DE-2581)TH000002363 gbd Raumvorstellung (DE-2581)TH000006232 gbd Lyrik (DE-2581)TH000005191 gbd Pindarus ca. 522 oder 518 v. Chr.-446 v. Chr. (DE-588)118594427 p Lyrik (DE-588)4036774-5 s Kunst (DE-588)4114333-4 s Inschrift (DE-588)4027107-9 s Funde (DE-588)4071507-3 s Raum (DE-588)4048561-4 s Chor (DE-588)4010045-5 s Geschichte 480 v. Chr.-323 v. Chr. z DE-604 Kurke, Leslie 1959- Verfasser (DE-588)1013703049 aut Erscheint auch als Druck-Ausgabe 978-1-4214-2978-6 https://doi.org/10.1353/book.68063 Verlag kostenfrei Volltext |
| spellingShingle | Neer, Richard T. ca. 20. Jh Kurke, Leslie 1959- Pindar, song, and space towards a lyric archaeology Orientations and local spaces -- Two spatial technologies: the map and the chorus -- Statues, songs, and spaces -- The strength of equipment and the radiance of song: collaborative effects -- Fr. 75 SM and the politics of Athenian space -- Pindar's Cyrene: Pythian 4, 5, and 9 -- Cyrene: a Pindaric schema -- The city, the body and the eye -- Pindar's Greece: Olympian 6 and the spaces of tyranny -- Epigraphy, architecture, song: Olympian 6 and other gifts -- Pindar's transports -- Coda: toward a lyric archaeology Pindarus ca. 522 oder 518 v. Chr.-446 v. Chr. (DE-588)118594427 gnd Chor (DE-588)4010045-5 gnd Inschrift (DE-588)4027107-9 gnd Funde (DE-588)4071507-3 gnd Kunst (DE-588)4114333-4 gnd Raum (DE-588)4048561-4 gnd Lyrik (DE-588)4036774-5 gnd |
| subject_GND | (DE-588)118594427 (DE-588)4010045-5 (DE-588)4027107-9 (DE-588)4071507-3 (DE-588)4114333-4 (DE-588)4048561-4 (DE-588)4036774-5 |
| title | Pindar, song, and space towards a lyric archaeology |
| title_auth | Pindar, song, and space towards a lyric archaeology |
| title_exact_search | Pindar, song, and space towards a lyric archaeology |
| title_exact_search_txtP | Pindar, song, and space towards a lyric archaeology |
| title_full | Pindar, song, and space towards a lyric archaeology Richard Neer and Leslie Kurke |
| title_fullStr | Pindar, song, and space towards a lyric archaeology Richard Neer and Leslie Kurke |
| title_full_unstemmed | Pindar, song, and space towards a lyric archaeology Richard Neer and Leslie Kurke |
| title_short | Pindar, song, and space |
| title_sort | pindar song and space towards a lyric archaeology |
| title_sub | towards a lyric archaeology |
| topic | Pindarus ca. 522 oder 518 v. Chr.-446 v. Chr. (DE-588)118594427 gnd Chor (DE-588)4010045-5 gnd Inschrift (DE-588)4027107-9 gnd Funde (DE-588)4071507-3 gnd Kunst (DE-588)4114333-4 gnd Raum (DE-588)4048561-4 gnd Lyrik (DE-588)4036774-5 gnd |
| topic_facet | Pindarus ca. 522 oder 518 v. Chr.-446 v. Chr. Chor Inschrift Funde Kunst Raum Lyrik |
| url | https://doi.org/10.1353/book.68063 |
| work_keys_str_mv | AT neerrichardt pindarsongandspacetowardsalyricarchaeology AT kurkeleslie pindarsongandspacetowardsalyricarchaeology |