Adrian Brunel and British Cinema of the 1920s: The Artist versus the Moneybags
Uncovers the life and work of a key figure in British cinema, Adrian BrunelOffers an account of British film history through the prism of a unique creative voice within itExamines history through the interaction between archival research and textual analysisExplores the issues that beset British cin...
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| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
2023
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| Schlagworte: | |
| Online-Zugang: | DE-12 DE-473 Volltext Volltext |
| Zusammenfassung: | Uncovers the life and work of a key figure in British cinema, Adrian BrunelOffers an account of British film history through the prism of a unique creative voice within itExamines history through the interaction between archival research and textual analysisExplores the issues that beset British cinema in the late silent period, many of which pertained over subsequent decadesBritish cinema has been in the shadow of Hollywood for over a hundred years, constantly attempting to define itself in an effort to challenge its dominance. During the 1920s, a small group of intellectuals argued that injecting a level of 'art' into the medium was the way to do this, a view strongly opposed by the industry's commercial forces.Using the experiences of Adrian Brunel, Josephine Botting demonstrates how this clash affected the careers of filmmakers attempting to prove their theory. Brunel was cultured yet financially insecure, caught between the creative Bohemianism of 1920s London and a conventional, conservative film industry.Tracing the ups and downs of Brunel's biography with detailed reference to his personal papers, Adrian Brunel and British Cinema of the 1920s exposes the various forces controlling the production, distribution and exhibition of films in Britain as Brunel tried to negotiate them and find a niche in the insecure and competitive arena of British film |
| Beschreibung: | 1 Online-Ressource (228 Seiten) Illustrationen |
| ISBN: | 9781399501378 |
| DOI: | 10.1515/9781399501378 |
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| discipline | Allgemeines Wirtschaftswissenschaften |
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| index_date | 2024-07-03T21:48:18Z |
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| institution | BVB |
| isbn | 9781399501378 |
| language | English |
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| spelling | Botting, Josephine Verfasser aut Adrian Brunel and British Cinema of the 1920s The Artist versus the Moneybags Josephine Botting Edinburgh Edinburgh University Press 2023 1 Online-Ressource (228 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Uncovers the life and work of a key figure in British cinema, Adrian BrunelOffers an account of British film history through the prism of a unique creative voice within itExamines history through the interaction between archival research and textual analysisExplores the issues that beset British cinema in the late silent period, many of which pertained over subsequent decadesBritish cinema has been in the shadow of Hollywood for over a hundred years, constantly attempting to define itself in an effort to challenge its dominance. During the 1920s, a small group of intellectuals argued that injecting a level of 'art' into the medium was the way to do this, a view strongly opposed by the industry's commercial forces.Using the experiences of Adrian Brunel, Josephine Botting demonstrates how this clash affected the careers of filmmakers attempting to prove their theory. Brunel was cultured yet financially insecure, caught between the creative Bohemianism of 1920s London and a conventional, conservative film industry.Tracing the ups and downs of Brunel's biography with detailed reference to his personal papers, Adrian Brunel and British Cinema of the 1920s exposes the various forces controlling the production, distribution and exhibition of films in Britain as Brunel tried to negotiate them and find a niche in the insecure and competitive arena of British film Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh Motion picture industry Great Britain History 20th century Erscheint auch als Druck-Ausgabe 9781399501354 https://www.cambridge.org/core/product/identifier/9781399501378/type/BOOK Verlag URL des Erstveröffentlichers Volltext https://doi.org/10.1515/9781399501378 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Botting, Josephine Adrian Brunel and British Cinema of the 1920s The Artist versus the Moneybags Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh Motion picture industry Great Britain History 20th century |
| title | Adrian Brunel and British Cinema of the 1920s The Artist versus the Moneybags |
| title_auth | Adrian Brunel and British Cinema of the 1920s The Artist versus the Moneybags |
| title_exact_search | Adrian Brunel and British Cinema of the 1920s The Artist versus the Moneybags |
| title_exact_search_txtP | Adrian Brunel and British Cinema of the 1920s The Artist versus the Moneybags |
| title_full | Adrian Brunel and British Cinema of the 1920s The Artist versus the Moneybags Josephine Botting |
| title_fullStr | Adrian Brunel and British Cinema of the 1920s The Artist versus the Moneybags Josephine Botting |
| title_full_unstemmed | Adrian Brunel and British Cinema of the 1920s The Artist versus the Moneybags Josephine Botting |
| title_short | Adrian Brunel and British Cinema of the 1920s |
| title_sort | adrian brunel and british cinema of the 1920s the artist versus the moneybags |
| title_sub | The Artist versus the Moneybags |
| topic | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh Motion picture industry Great Britain History 20th century |
| topic_facet | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production Motion picture industry Great Britain History 20th century |
| url | https://www.cambridge.org/core/product/identifier/9781399501378/type/BOOK https://doi.org/10.1515/9781399501378 |
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