Whose country music?: genre, identity, and belonging in twenty-first-century country music culture
In a period in which racism and gender inequity are at the fore of public, political, and scholarly discourse, this collection challenges systems of gatekeeping that have dictated who gets to participate in twenty-first century country music culture. Building on established scholarship, this book ex...
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| Weitere Verfasser: | , |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge, United Kingdom
Cambridge University Press
2023
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| Schlagworte: | |
| Online-Zugang: | DE-12 DE-473 DE-29 Volltext |
| Zusammenfassung: | In a period in which racism and gender inequity are at the fore of public, political, and scholarly discourse, this collection challenges systems of gatekeeping that have dictated who gets to participate in twenty-first century country music culture. Building on established scholarship, this book examines contemporary issues in country music through feminist, intersectional, and post-colonialist theories, as well as other intertextual and cultural lenses. The authors pose questions about diversity, representation, and identity as they relate to larger concepts of artist and fan communities, stylistic considerations of the genre, and modes of production from a twenty-first century perspective. Addressing and challenging the received narrative about country music culture, this collection delves into the gaps that are inherent in existing approaches that privileged biography and historiography and expands new areas of inquiry relating to contemporary country music identity and culture |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 03 Feb 2023) "She went to Nashville to sing country music" : Gatekeeping and the Country Music Industry / by Paula J. Bishop and Jada Watson -- INDUSTRY. Mailbox Money : Novel Liberation Strategies of a Black Female Country Songwriter / by Alice Randall ; Dixie Chicked : Sony vs. The Chicks and the Regendering of Country Music in the Early Twentieth-Century / by Kristine M. McCusker ; How 360° Deals Homogenized Country Music / by Rachel Skaggs ; A Double-Edged Sword : Industry Data and the Construction of Country Music Narratives / by Jada Watson -- CODES OF CONDUCT. Why Country Music Needs Latina Feminism / by Sophia Enriquez ; Pistol Annies : Country Rebels with Humor / by Stephanie Vander Wel ; From Bros to Gentlemen : The Problem of Consent in Contemporary Country Music / by Phoebe E. Hughes ; Cowboys on a Beach : Summer Country and the Loss of Working-Class Identity / by Jocelyn R. Neal -- AUTHENTICITY. Dolly Parton's Netflix Reimagining : How Her Twenty-First Century "Jolene" Revises Country Music's Authenticity Narrative / by Leigh H. Edwards ; "When Britney [Spears] Ruled the World" : Expanding the Stylistic Boundaries of Nostalgia in Country Music / by Paula J. Bishop ; Rhinestone Revivals : Repurposing the Nudie Suit for the Twenty-first Century / by Janet Aspley ; Country Music Doesn't Have to Suck : Intertextuality, Community, and Bloodshot Records / by Nancy P. Riley -- BOUNDARY WORK. Playing at the Border : Navajo Country Western Music and Border Town Racism / by Kristina Jacobsen ; Country-Loving Mexican Americans: Dual Patriotism and Inevitable Fandom among Mexican American Country Music Lovers / by Nadine Hubbs ; Practices of Genre Surveillance in Country Music: Hearing Racial Politics in Beyonce's and The Chicks' "Daddy Lessons" / by Rebekah Hutten ; "We have a Lot of Work to Do" : Rhiannon Giddens and Country Music's Mixed Roots / by Tracey E. Laird -- Epilogue. Country Music Needs a Revolution / by Rissi Palmer |
| Beschreibung: | 1 Online-Ressource (xiii, 295 Seiten) |
| ISBN: | 9781108937443 |
| DOI: | 10.1017/9781108937443 |
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| 520 | |a In a period in which racism and gender inequity are at the fore of public, political, and scholarly discourse, this collection challenges systems of gatekeeping that have dictated who gets to participate in twenty-first century country music culture. Building on established scholarship, this book examines contemporary issues in country music through feminist, intersectional, and post-colonialist theories, as well as other intertextual and cultural lenses. The authors pose questions about diversity, representation, and identity as they relate to larger concepts of artist and fan communities, stylistic considerations of the genre, and modes of production from a twenty-first century perspective. Addressing and challenging the received narrative about country music culture, this collection delves into the gaps that are inherent in existing approaches that privileged biography and historiography and expands new areas of inquiry relating to contemporary country music identity and culture | ||
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| spelling | Whose country music? genre, identity, and belonging in twenty-first-century country music culture edited by Paula J. Bishop, Jada Watson Cambridge, United Kingdom Cambridge University Press 2023 1 Online-Ressource (xiii, 295 Seiten) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 03 Feb 2023) "She went to Nashville to sing country music" : Gatekeeping and the Country Music Industry / by Paula J. Bishop and Jada Watson -- INDUSTRY. Mailbox Money : Novel Liberation Strategies of a Black Female Country Songwriter / by Alice Randall ; Dixie Chicked : Sony vs. The Chicks and the Regendering of Country Music in the Early Twentieth-Century / by Kristine M. McCusker ; How 360° Deals Homogenized Country Music / by Rachel Skaggs ; A Double-Edged Sword : Industry Data and the Construction of Country Music Narratives / by Jada Watson -- CODES OF CONDUCT. Why Country Music Needs Latina Feminism / by Sophia Enriquez ; Pistol Annies : Country Rebels with Humor / by Stephanie Vander Wel ; From Bros to Gentlemen : The Problem of Consent in Contemporary Country Music / by Phoebe E. Hughes ; Cowboys on a Beach : Summer Country and the Loss of Working-Class Identity / by Jocelyn R. Neal -- AUTHENTICITY. Dolly Parton's Netflix Reimagining : How Her Twenty-First Century "Jolene" Revises Country Music's Authenticity Narrative / by Leigh H. Edwards ; "When Britney [Spears] Ruled the World" : Expanding the Stylistic Boundaries of Nostalgia in Country Music / by Paula J. Bishop ; Rhinestone Revivals : Repurposing the Nudie Suit for the Twenty-first Century / by Janet Aspley ; Country Music Doesn't Have to Suck : Intertextuality, Community, and Bloodshot Records / by Nancy P. Riley -- BOUNDARY WORK. Playing at the Border : Navajo Country Western Music and Border Town Racism / by Kristina Jacobsen ; Country-Loving Mexican Americans: Dual Patriotism and Inevitable Fandom among Mexican American Country Music Lovers / by Nadine Hubbs ; Practices of Genre Surveillance in Country Music: Hearing Racial Politics in Beyonce's and The Chicks' "Daddy Lessons" / by Rebekah Hutten ; "We have a Lot of Work to Do" : Rhiannon Giddens and Country Music's Mixed Roots / by Tracey E. Laird -- Epilogue. Country Music Needs a Revolution / by Rissi Palmer In a period in which racism and gender inequity are at the fore of public, political, and scholarly discourse, this collection challenges systems of gatekeeping that have dictated who gets to participate in twenty-first century country music culture. Building on established scholarship, this book examines contemporary issues in country music through feminist, intersectional, and post-colonialist theories, as well as other intertextual and cultural lenses. The authors pose questions about diversity, representation, and identity as they relate to larger concepts of artist and fan communities, stylistic considerations of the genre, and modes of production from a twenty-first century perspective. Addressing and challenging the received narrative about country music culture, this collection delves into the gaps that are inherent in existing approaches that privileged biography and historiography and expands new areas of inquiry relating to contemporary country music identity and culture Geschichte 2000-2022 gnd rswk-swf Country music / History and criticism Country music / Social aspects Countrymusic (DE-588)4138030-7 gnd rswk-swf Nordamerika (DE-588)4042483-2 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Nordamerika (DE-588)4042483-2 g Countrymusic (DE-588)4138030-7 s Geschichte 2000-2022 z DE-604 Bishop, Paula J. ca. 20./21. Jh. (DE-588)1279824573 edt Watson, Jada ca. 20./21. Jh. (DE-588)1118872789 edt Erscheint auch als Druck-Ausgabe 978-1-108-83712-5 https://doi.org/10.1017/9781108937443 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Whose country music? genre, identity, and belonging in twenty-first-century country music culture Country music / History and criticism Country music / Social aspects Countrymusic (DE-588)4138030-7 gnd |
| subject_GND | (DE-588)4138030-7 (DE-588)4042483-2 (DE-588)4143413-4 |
| title | Whose country music? genre, identity, and belonging in twenty-first-century country music culture |
| title_auth | Whose country music? genre, identity, and belonging in twenty-first-century country music culture |
| title_exact_search | Whose country music? genre, identity, and belonging in twenty-first-century country music culture |
| title_exact_search_txtP | Whose country music? genre, identity, and belonging in twenty-first-century country music culture |
| title_full | Whose country music? genre, identity, and belonging in twenty-first-century country music culture edited by Paula J. Bishop, Jada Watson |
| title_fullStr | Whose country music? genre, identity, and belonging in twenty-first-century country music culture edited by Paula J. Bishop, Jada Watson |
| title_full_unstemmed | Whose country music? genre, identity, and belonging in twenty-first-century country music culture edited by Paula J. Bishop, Jada Watson |
| title_short | Whose country music? |
| title_sort | whose country music genre identity and belonging in twenty first century country music culture |
| title_sub | genre, identity, and belonging in twenty-first-century country music culture |
| topic | Country music / History and criticism Country music / Social aspects Countrymusic (DE-588)4138030-7 gnd |
| topic_facet | Country music / History and criticism Country music / Social aspects Countrymusic Nordamerika Aufsatzsammlung |
| url | https://doi.org/10.1017/9781108937443 |
| work_keys_str_mv | AT bishoppaulaj whosecountrymusicgenreidentityandbelongingintwentyfirstcenturycountrymusicculture AT watsonjada whosecountrymusicgenreidentityandbelongingintwentyfirstcenturycountrymusicculture |