"Massima luce": le triennali di Brera (1891-1900) : le forme sociali dell'arte e l'affermazione di Divisionismo
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Artikel |
| Sprache: | Italian |
| Veröffentlicht: |
2020
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| Schlagworte: | |
| Beschreibung: | Illustrationen, Porträts |
Internformat
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Datensatz im Suchindex
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| title | "Massima luce" le triennali di Brera (1891-1900) : le forme sociali dell'arte e l'affermazione di Divisionismo |
| title_auth | "Massima luce" le triennali di Brera (1891-1900) : le forme sociali dell'arte e l'affermazione di Divisionismo |
| title_exact_search | "Massima luce" le triennali di Brera (1891-1900) : le forme sociali dell'arte e l'affermazione di Divisionismo |
| title_exact_search_txtP | "Massima luce" le triennali di Brera (1891-1900) : le forme sociali dell'arte e l'affermazione di Divisionismo |
| title_full | "Massima luce" le triennali di Brera (1891-1900) : le forme sociali dell'arte e l'affermazione di Divisionismo Niccolò D'Agati |
| title_fullStr | "Massima luce" le triennali di Brera (1891-1900) : le forme sociali dell'arte e l'affermazione di Divisionismo Niccolò D'Agati |
| title_full_unstemmed | "Massima luce" le triennali di Brera (1891-1900) : le forme sociali dell'arte e l'affermazione di Divisionismo Niccolò D'Agati |
| title_short | "Massima luce" |
| title_sort | massima luce le triennali di brera 1891 1900 le forme sociali dell arte e l affermazione di divisionismo |
| title_sub | le triennali di Brera (1891-1900) : le forme sociali dell'arte e l'affermazione di Divisionismo |
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