Keep it old-time: fiddle music in Missouri from the 1960s folk music revival to the present
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Columbia
University of Missouri Press
2022
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Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Beschreibung: | xvi, 481 Seiten Illustrationen 1 CD (12 cm) |
ISBN: | 9780826222695 |
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adam_text | Contents xiii Preface Acknowledgments xv Introduction Accompaniment for the Fiddle Contests Contest Style A Note on Backup Guitar in Contest Fiddling Today З 8 13 14 15 1. 2. The Folk Music Revival of the 1960s and 1970s —and the Fiddle The Folk Music Revival Ends, and Keeps on Keepin’ On String-Band Redux “Whore You Calling a Revivalist?” and Other Term-Paper Topics String Bands and College Towns Geoff Seitz, St. Louis Columbia, Missouri, for Example Fiddle Scholars Old School: R. P. Christeson and John Hartford Rod Moag Dancing of Divers Kinds New England Contra Dance Comes to Missouri Tom Verdot, Violin Maker, Contra-Dance Fiddler The Chez, a Coffeehouse Spencer Galloway, a Curator ofTradition “Contests Seem to Be Dying Out and I’m Not Really Sorry to See Them Go” Studies with Jake Bill Rogers Comes Back to Columbia Jim Ruth, Musician and Scholar of Old-Time Music vii 19 23 23 28 33 34 38 42 43 44 46 47 48 53 56 58 59 61 68
viii Contents The Little Dixie Hoss Hair Pullers Rob Golan 71 72 3. Pete Taylor, Two among the Masters Taylor McBaine, Mentor Marc Drye Pete McMahan Down in Little Dixie with Clark Atterberry Pete’s First Contest, and Moving to Columbia World War II Herb and Aileen Thorntons Dance Band Hillis Crowell Charlie Cook Pete and Sarah 77 83 85 89 91 94 95 98 99 104 105 4. Voluntary Associations and Fiddle Contests Missouri Old Time Fiddlers’ Association, 1962 Lena Hughes Contests in Salisbury, 1967, and Lexington, 1968, Signs of Things to Come The Mid-West Fiddlers’Association, 1969 Missouri Fiddlers and Country Music Association, 1974 109 110 111 Empire Building: Fiddle Contests in the 1960s and 1970s Nixa: From Local to Regional to State Contest Further Notes on Fiddle Contest Adjudication Fun and Games The Mockingbird’s Last Call? Dick Logan Cleo Persinger, a Patriarch Lords of the Strings Weiser, Idaho, and the Popularization of Modern “Contest Style” Fiddling 123 124 127 129 131 135 142 146 Dale Pauley—“Let’s Play That Uptown Stuff” Korea Columbia 159 160 162 5. 6. 112 117 120 153
Contents ix Arizona and Colorado Home A Tuesday-Night Jam Session, and Nuances of Jam-Session Etiquette 164 168 171 7. Traditions Tested: Fiddle Contests in the 1980s and 1990s The Missouri State Old Time Fiddlers Association Bill Shull Charlie Walden John Griffin Junior Marriott 175 176 184 194 200 203 8. Kelly Jones, Uncompromising Champion A Career Begins and Is Interrupted by Vietnam Back to the Ozarks, and Beyond The Contest Game Teacher 209 212 213 216 218 9. Fiddle Contests from the 2000s Forward Meet Me at the Fair The Missouri Traditional Fiddle and Dance Network John Williams Richard Shewmaker Trustin Baker Roger Netherton 221 221 225 228 233 236 238 10. Travis Inman—“I Try to Play It Clean” First, We Learned to Play Backup The Allure of the Contest Scene The Apprentice Becomes the Master Levi Roden 243 244 246 256 256 11. The Stonekings Lee Stoneking, “Old Smoothie” Tracking Down a Tune: “Echoes of the Ozarks” Fred Stoneking, Family Historian and Raconteur Contests 265 266 267 269 273
Contents x Alita Stoneking, Carry It On Alita and Tom 12. Bluegrass Festivals Is There Any Difference between Bluegrass Fiddling and Old-Time Fiddling? Festivals! Mike Hartgrove, a Career with the Fiddle Off to Nashville A Working Professional Dixon: Bluegrass Pickin’ Time Mona Jones, “First Lady of Missouri Bluegrass” Bluegrass Clubs Rusty Dutton, a Lyman Enloe Understudy Gerald Jones: “It’s Not the Notes You Put In. It’s the Notes You Leave Out” 13. How Learning Has Changed, and How It Hasn’t Hannah Farnum: The Next Generation Steps Up Try This at Home Kathy Summers, Conserving Family Heritage Liesl Schoenberger, a Classical Violinist in the Fiddle Community David Scrivner, a Bob Holt Student McClurg Monday Nights: “No Drinking and No Dirty Talking” Matt Wyatt, Man with a Mission Working with Gene Goforth Teacher Violin Shop 277 280 283 283 285 289 291 292 296 296 304 308 314 319 320 321 324 329 330 334 336 340 342 343 Conclusion Digital Delicatessens Beyond Mariachi 347 348 349 Notes for the Companion CD 355
Contents xi Notes 363 Selected Bibliography 421 Selected Discography The Late, Great Album Note 447 447 Index 461
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adam_txt |
Contents xiii Preface Acknowledgments xv Introduction Accompaniment for the Fiddle Contests Contest Style A Note on Backup Guitar in Contest Fiddling Today З 8 13 14 15 1. 2. The Folk Music Revival of the 1960s and 1970s —and the Fiddle The Folk Music Revival Ends, and Keeps on Keepin’ On String-Band Redux “Whore You Calling a Revivalist?” and Other Term-Paper Topics String Bands and College Towns Geoff Seitz, St. Louis Columbia, Missouri, for Example Fiddle Scholars Old School: R. P. Christeson and John Hartford Rod Moag Dancing of Divers Kinds New England Contra Dance Comes to Missouri Tom Verdot, Violin Maker, Contra-Dance Fiddler The Chez, a Coffeehouse Spencer Galloway, a Curator ofTradition “Contests Seem to Be Dying Out and I’m Not Really Sorry to See Them Go” Studies with Jake Bill Rogers Comes Back to Columbia Jim Ruth, Musician and Scholar of Old-Time Music vii 19 23 23 28 33 34 38 42 43 44 46 47 48 53 56 58 59 61 68
viii Contents The Little Dixie Hoss Hair Pullers Rob Golan 71 72 3. Pete Taylor, Two among the Masters Taylor McBaine, Mentor Marc Drye Pete McMahan Down in Little Dixie with Clark Atterberry Pete’s First Contest, and Moving to Columbia World War II Herb and Aileen Thorntons Dance Band Hillis Crowell Charlie Cook Pete and Sarah 77 83 85 89 91 94 95 98 99 104 105 4. Voluntary Associations and Fiddle Contests Missouri Old Time Fiddlers’ Association, 1962 Lena Hughes Contests in Salisbury, 1967, and Lexington, 1968, Signs of Things to Come The Mid-West Fiddlers’Association, 1969 Missouri Fiddlers and Country Music Association, 1974 109 110 111 Empire Building: Fiddle Contests in the 1960s and 1970s Nixa: From Local to Regional to State Contest Further Notes on Fiddle Contest Adjudication Fun and Games The Mockingbird’s Last Call? Dick Logan Cleo Persinger, a Patriarch Lords of the Strings Weiser, Idaho, and the Popularization of Modern “Contest Style” Fiddling 123 124 127 129 131 135 142 146 Dale Pauley—“Let’s Play That Uptown Stuff” Korea Columbia 159 160 162 5. 6. 112 117 120 153
Contents ix Arizona and Colorado Home A Tuesday-Night Jam Session, and Nuances of Jam-Session Etiquette 164 168 171 7. Traditions Tested: Fiddle Contests in the 1980s and 1990s The Missouri State Old Time Fiddlers Association Bill Shull Charlie Walden John Griffin Junior Marriott 175 176 184 194 200 203 8. Kelly Jones, Uncompromising Champion A Career Begins and Is Interrupted by Vietnam Back to the Ozarks, and Beyond The Contest Game Teacher 209 212 213 216 218 9. Fiddle Contests from the 2000s Forward Meet Me at the Fair The Missouri Traditional Fiddle and Dance Network John Williams Richard Shewmaker Trustin Baker Roger Netherton 221 221 225 228 233 236 238 10. Travis Inman—“I Try to Play It Clean” First, We Learned to Play Backup The Allure of the Contest Scene The Apprentice Becomes the Master Levi Roden 243 244 246 256 256 11. The Stonekings Lee Stoneking, “Old Smoothie” Tracking Down a Tune: “Echoes of the Ozarks” Fred Stoneking, Family Historian and Raconteur Contests 265 266 267 269 273
Contents x Alita Stoneking, Carry It On Alita and Tom 12. Bluegrass Festivals Is There Any Difference between Bluegrass Fiddling and Old-Time Fiddling? Festivals! Mike Hartgrove, a Career with the Fiddle Off to Nashville A Working Professional Dixon: Bluegrass Pickin’ Time Mona Jones, “First Lady of Missouri Bluegrass” Bluegrass Clubs Rusty Dutton, a Lyman Enloe Understudy Gerald Jones: “It’s Not the Notes You Put In. It’s the Notes You Leave Out” 13. How Learning Has Changed, and How It Hasn’t Hannah Farnum: The Next Generation Steps Up Try This at Home Kathy Summers, Conserving Family Heritage Liesl Schoenberger, a Classical Violinist in the Fiddle Community David Scrivner, a Bob Holt Student McClurg Monday Nights: “No Drinking and No Dirty Talking” Matt Wyatt, Man with a Mission Working with Gene Goforth Teacher Violin Shop 277 280 283 283 285 289 291 292 296 296 304 308 314 319 320 321 324 329 330 334 336 340 342 343 Conclusion Digital Delicatessens Beyond Mariachi 347 348 349 Notes for the Companion CD 355
Contents xi Notes 363 Selected Bibliography 421 Selected Discography The Late, Great Album Note 447 447 Index 461 |
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spelling | Marshall, Howard W. Verfasser (DE-588)1253309507 aut Keep it old-time fiddle music in Missouri from the 1960s folk music revival to the present Howard Wight Marshall Fiddle music in Missouri from the 1960s folk music revival to the present Columbia University of Missouri Press 2022 xvi, 481 Seiten Illustrationen 1 CD (12 cm) txt rdacontent n rdamedia nc rdacarrier Geschichte 1960- gnd rswk-swf Fidel (DE-588)4154312-9 gnd rswk-swf Musikleben (DE-588)4075128-4 gnd rswk-swf Folk music (DE-588)4137558-0 gnd rswk-swf Missouri Staat (DE-588)4039591-1 gnd rswk-swf Folk music / Missouri / History and criticism Old-time music / Missouri / History and criticism Fiddle tunes / Missouri / History and criticism Fiddlers / Missouri Fiddle tunes Fiddlers Folk music Old-time music Missouri Criticism, interpretation, etc (DE-588)4522869-3 CD gnd-carrier Missouri Staat (DE-588)4039591-1 g Folk music (DE-588)4137558-0 s Fidel (DE-588)4154312-9 s Musikleben (DE-588)4075128-4 s Geschichte 1960- z DE-188 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034146426&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Marshall, Howard W. Keep it old-time fiddle music in Missouri from the 1960s folk music revival to the present Fidel (DE-588)4154312-9 gnd Musikleben (DE-588)4075128-4 gnd Folk music (DE-588)4137558-0 gnd |
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title | Keep it old-time fiddle music in Missouri from the 1960s folk music revival to the present |
title_alt | Fiddle music in Missouri from the 1960s folk music revival to the present |
title_auth | Keep it old-time fiddle music in Missouri from the 1960s folk music revival to the present |
title_exact_search | Keep it old-time fiddle music in Missouri from the 1960s folk music revival to the present |
title_exact_search_txtP | Keep it old-time fiddle music in Missouri from the 1960s folk music revival to the present |
title_full | Keep it old-time fiddle music in Missouri from the 1960s folk music revival to the present Howard Wight Marshall |
title_fullStr | Keep it old-time fiddle music in Missouri from the 1960s folk music revival to the present Howard Wight Marshall |
title_full_unstemmed | Keep it old-time fiddle music in Missouri from the 1960s folk music revival to the present Howard Wight Marshall |
title_short | Keep it old-time |
title_sort | keep it old time fiddle music in missouri from the 1960s folk music revival to the present |
title_sub | fiddle music in Missouri from the 1960s folk music revival to the present |
topic | Fidel (DE-588)4154312-9 gnd Musikleben (DE-588)4075128-4 gnd Folk music (DE-588)4137558-0 gnd |
topic_facet | Fidel Musikleben Folk music Missouri Staat CD |
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