Nashville City blues: my journey as an American songwriter
""Memoir of an artist's ideals up against the Nashville recording industry, by one of Oklahoma's most important folk talents since Woody Guthrie."-Provided by publisher"--
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Norman
University of Oklahoma Press
[2023]
|
| Schriftenreihe: | American popular music series
volume 9 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | ""Memoir of an artist's ideals up against the Nashville recording industry, by one of Oklahoma's most important folk talents since Woody Guthrie."-Provided by publisher"-- |
| Beschreibung: | Series information from publisher's website Includes index |
| Beschreibung: | xiii, 222 Seiten Illustrationen |
| ISBN: | 9780806191775 9780806191751 |
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Datensatz im Suchindex
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| adam_text | CONTENTS Foreword by Peter Guralnick · xi Prologue · 1 1. Songs of My Oklahoma Home · 7 2. In the Spanish Southwest · 23 3. An Old Brick Warehouse on Trumbull Street · 39 4. Learning the Blues in Nashville · 46 5. John Hammond, Clive Davis, and Jerry Wexler · 61 6. At the Old Hound’s Ear Studio · 73 7. Working for Wages Again in Nashville · 85 8. How Can It Be Any Good? We Didn’t Pay Anything for It · 95 9. It’s All about the Money That’s Made · 104 10. The Great Southeast Music Hall and the Palomino Club · 130 11. B. B. and the Carter Inauguration · 136 12. But Art Isn’t Enough · 145 13. Philip Morris, the White House, and a Trip to Montana · 155 14. I No Longer Had Anyone I Needed to Call in New York · 163 15. They Don’t Matter Anyway · 172 16. Bear Family, the Capitol Reissues, and Cimarron Records · 177 ix
CONTENTS 17. A Creative Oasis in South Texas, and Those Who Can’t · 190 18. And That’s How I Will Finish · 196 Acknowledgments · 199 James Talley Discography · 203 Index · 215
|
| adam_txt |
CONTENTS Foreword by Peter Guralnick · xi Prologue · 1 1. Songs of My Oklahoma Home · 7 2. In the Spanish Southwest · 23 3. An Old Brick Warehouse on Trumbull Street · 39 4. Learning the Blues in Nashville · 46 5. John Hammond, Clive Davis, and Jerry Wexler · 61 6. At the Old Hound’s Ear Studio · 73 7. Working for Wages Again in Nashville · 85 8. How Can It Be Any Good? We Didn’t Pay Anything for It · 95 9. It’s All about the Money That’s Made · 104 10. The Great Southeast Music Hall and the Palomino Club · 130 11. B. B. and the Carter Inauguration · 136 12. But Art Isn’t Enough · 145 13. Philip Morris, the White House, and a Trip to Montana · 155 14. I No Longer Had Anyone I Needed to Call in New York · 163 15. They Don’t Matter Anyway · 172 16. Bear Family, the Capitol Reissues, and Cimarron Records · 177 ix
CONTENTS 17. A Creative Oasis in South Texas, and Those Who Can’t · 190 18. And That’s How I Will Finish · 196 Acknowledgments · 199 James Talley Discography · 203 Index · 215 |
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| spelling | Talley, James 1944- Verfasser (DE-588)134536045 aut Nashville City blues my journey as an American songwriter James Talley ; foreword by Peter Guralnick Norman University of Oklahoma Press [2023] xiii, 222 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier American popular music series volume 9 Series information from publisher's website Includes index Songs of My Oklahoma Home -- In the Spanish Southwest -- An Old Brick Warehouse on Trumbull Street -- Learning the Blues in Nashville -- John Hammond, Clive Davis, and Jerry Wexler -- At the Old Hound's Ear Studio -- Working for Wages Again in Nashville -- How Can It Be Any Good? We Didn't Pay Anything for It -- It's All about the Money That's Made -- The Great Southeast Music Hall and the Palomino Club -- B. B. and the Carter Inauguration -- But Art Isn't Enough -- Philip Morris, the White House, and a Trip to Montana -- I No Longer Had Anyone I Needed to Call in New York -- They Don't Matter Anyway -- Bear Family, the Capitol Reissues, and Cimarron Records -- A Creative Oasis in South Texas, and Those Who Can't -- And That's How I Will Finish -- Appendix. James Talley Discography ""Memoir of an artist's ideals up against the Nashville recording industry, by one of Oklahoma's most important folk talents since Woody Guthrie."-Provided by publisher"-- Talley, James 1944- (DE-588)134536045 gnd rswk-swf Geschichte 1944- gnd rswk-swf Country Blues (DE-588)4199049-3 gnd rswk-swf Songwriter (DE-588)4580700-0 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf Talley, James Country musicians / United States / Biography Lyricists / United States / Biography Composers / United States / Biography Sound recording industry / Tennessee / Nashville Composers Country musicians Lyricists Sound recording industry Tennessee / Nashville United States Autobiographies Biographies (DE-588)4003939-0 Autobiografie gnd-content Talley, James 1944- (DE-588)134536045 p DE-604 USA (DE-588)4078704-7 g Country Blues (DE-588)4199049-3 s Songwriter (DE-588)4580700-0 s Geschichte 1944- z Erscheint auch als Online-Ausgabe 978-0-8061-9250-5 American popular music series volume 9 (DE-604)BV044946566 9 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034146305&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Talley, James 1944- Nashville City blues my journey as an American songwriter American popular music series Songs of My Oklahoma Home -- In the Spanish Southwest -- An Old Brick Warehouse on Trumbull Street -- Learning the Blues in Nashville -- John Hammond, Clive Davis, and Jerry Wexler -- At the Old Hound's Ear Studio -- Working for Wages Again in Nashville -- How Can It Be Any Good? We Didn't Pay Anything for It -- It's All about the Money That's Made -- The Great Southeast Music Hall and the Palomino Club -- B. B. and the Carter Inauguration -- But Art Isn't Enough -- Philip Morris, the White House, and a Trip to Montana -- I No Longer Had Anyone I Needed to Call in New York -- They Don't Matter Anyway -- Bear Family, the Capitol Reissues, and Cimarron Records -- A Creative Oasis in South Texas, and Those Who Can't -- And That's How I Will Finish -- Appendix. James Talley Discography Talley, James 1944- (DE-588)134536045 gnd Country Blues (DE-588)4199049-3 gnd Songwriter (DE-588)4580700-0 gnd |
| subject_GND | (DE-588)134536045 (DE-588)4199049-3 (DE-588)4580700-0 (DE-588)4078704-7 (DE-588)4003939-0 |
| title | Nashville City blues my journey as an American songwriter |
| title_auth | Nashville City blues my journey as an American songwriter |
| title_exact_search | Nashville City blues my journey as an American songwriter |
| title_exact_search_txtP | Nashville City blues my journey as an American songwriter |
| title_full | Nashville City blues my journey as an American songwriter James Talley ; foreword by Peter Guralnick |
| title_fullStr | Nashville City blues my journey as an American songwriter James Talley ; foreword by Peter Guralnick |
| title_full_unstemmed | Nashville City blues my journey as an American songwriter James Talley ; foreword by Peter Guralnick |
| title_short | Nashville City blues |
| title_sort | nashville city blues my journey as an american songwriter |
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| topic_facet | Talley, James 1944- Country Blues Songwriter USA Autobiografie |
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