Interruptions in early modern English drama:
"From the Ghost's appearance in Hamlet to Celia's frightful speech in Volpone, interruptions are an overlooked linguistic and dramatic form that delineates the balance of power within a scene. This book analyses interruptions as a specific form in dramatic literature, arguing how thes...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York ; Oxford ; New Delhi ; Sydney
The Arden Shakespeare
2023
|
| Schriftenreihe: | Arden studies in early modern drama
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Zusammenfassung: | "From the Ghost's appearance in Hamlet to Celia's frightful speech in Volpone, interruptions are an overlooked linguistic and dramatic form that delineates the balance of power within a scene. This book analyses interruptions as a specific form in dramatic literature, arguing how these everyday occurrences, when transformed into aesthetic phenomena, reveal the connections among characters, between actor and audience, and between text and reader. To interrupt, both on stage and off, is to wrest power. Focusing on the works of William Shakespeare, Ben Jonson and John Fletcher, Michael M. Wagoner considers early modern drama as an exemplary, influential moment of dramatic output. This study examines interruptions that occur through the use of punctuation and stage directions, as well as through larger forms such as conventions and dramaturgy. Studying interruptions may indicate aspects of authorial style, emphasizing a playwright's use and control of a text and its implications and expectations. Exploring relative power dynamics pushes readers and audiences to reconsider key plays and characters, providing new considerations of the relationships between Othello and Iago or Macbeth and the Ghost of Banquo. Interruptions, as a form on the stage, codify and expose these balances and imbalances of power"-- |
| Beschreibung: | Literaturverzeichnis Seite 259-277 |
| Beschreibung: | x, 284 Seiten Illustrationen |
| ISBN: | 9781350238312 9781350238343 |
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| 520 | 3 | |a "From the Ghost's appearance in Hamlet to Celia's frightful speech in Volpone, interruptions are an overlooked linguistic and dramatic form that delineates the balance of power within a scene. This book analyses interruptions as a specific form in dramatic literature, arguing how these everyday occurrences, when transformed into aesthetic phenomena, reveal the connections among characters, between actor and audience, and between text and reader. To interrupt, both on stage and off, is to wrest power. Focusing on the works of William Shakespeare, Ben Jonson and John Fletcher, Michael M. Wagoner considers early modern drama as an exemplary, influential moment of dramatic output. This study examines interruptions that occur through the use of punctuation and stage directions, as well as through larger forms such as conventions and dramaturgy. Studying interruptions may indicate aspects of authorial style, emphasizing a playwright's use and control of a text and its implications and expectations. Exploring relative power dynamics pushes readers and audiences to reconsider key plays and characters, providing new considerations of the relationships between Othello and Iago or Macbeth and the Ghost of Banquo. Interruptions, as a form on the stage, codify and expose these balances and imbalances of power"-- | |
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Datensatz im Suchindex
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| adam_text |
Illustrations viii Acknowledgements ix Introduction 1 Section I Microinterruptions 23 1 Dialogue 25 2 Self 57 3 Action 89 Section II Macrointerruptions 119 4 Dramaturgy 121 5 Convention 158 Continuation 201 Notes 207 Bibliography 259 Index 278
To interrupt, both on stage and off, is to wrest power. From the Ghost’s appearance in Hamlet to Celia’s frightful speech in Volpone, interruptions are an overlooked linguistic and dramatic form that delineates the balance of power within a scene. This book analyses interruptions as a specific form in dramatic literature, arguing that these everyday occurrences, when transformed into aesthetic phenomena, reveal illuminating connections: between characters, between actor and audience, and between text and reader. Focusing on the works of William Shakespeare, Ben Jonson and John Fletcher, Michael Μ. Wagoner examines interruptions that occur through the use of punctuation and stage directions, as well as through larger forms, such as conventions and dramaturgy. He demonstrates how studying interruptions may indicate aspects of authorial style - emphasizing a playwright’s use and control of a text - and how exploring relative power dynamics pushes readers and audiences to reconsider key plays and characters, providing new considerations of the relationships between Othello and Iago, or Macbeth and the Ghost of Banquo. |
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| spelling | Wagoner, Michael Verfasser (DE-588)1318880556 aut Interruptions in early modern English drama Michael M. Wagoner London ; New York ; Oxford ; New Delhi ; Sydney The Arden Shakespeare 2023 x, 284 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Arden studies in early modern drama Literaturverzeichnis Seite 259-277 "From the Ghost's appearance in Hamlet to Celia's frightful speech in Volpone, interruptions are an overlooked linguistic and dramatic form that delineates the balance of power within a scene. This book analyses interruptions as a specific form in dramatic literature, arguing how these everyday occurrences, when transformed into aesthetic phenomena, reveal the connections among characters, between actor and audience, and between text and reader. To interrupt, both on stage and off, is to wrest power. Focusing on the works of William Shakespeare, Ben Jonson and John Fletcher, Michael M. Wagoner considers early modern drama as an exemplary, influential moment of dramatic output. This study examines interruptions that occur through the use of punctuation and stage directions, as well as through larger forms such as conventions and dramaturgy. Studying interruptions may indicate aspects of authorial style, emphasizing a playwright's use and control of a text and its implications and expectations. Exploring relative power dynamics pushes readers and audiences to reconsider key plays and characters, providing new considerations of the relationships between Othello and Iago or Macbeth and the Ghost of Banquo. Interruptions, as a form on the stage, codify and expose these balances and imbalances of power"-- Geschichte 1580-1630 gnd rswk-swf Englisch (DE-588)4014777-0 gnd rswk-swf Drama (DE-588)4012899-4 gnd rswk-swf Unterbrechung Motiv (DE-588)7600549-5 gnd rswk-swf Shakespeare, William / 1564-1616 / Literary style Jonson, Ben / 1573?-1637 / Literary style Fletcher, John / 1579-1625 / Literary style English drama / Early modern and Elizabethan, 1500-1600 / History and criticism English drama / 17th century / History and criticism Interruption (Rhetoric) in literature Englisch (DE-588)4014777-0 s Drama (DE-588)4012899-4 s Unterbrechung Motiv (DE-588)7600549-5 s Geschichte 1580-1630 z DE-604 Erscheint auch als Online-Ausgabe, PDF 978-1-3502-3833-6 Erscheint auch als Online-Ausgabe 978-1-3502-3832-9 Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034146174&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034146174&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
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