The business: a history of popular music from sheet music to streaming
"Let legendary rock manager Simon Napier-Bell take you inside the (dodgy) world of popular music - not just a creative industry, but a business that has made people rich beyond their wildest dreams. This book describes the evolution of the music industry from 1713 - the year parliament granted...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London
Unbound
2022
|
| Ausgabe: | Paperback edition |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Let legendary rock manager Simon Napier-Bell take you inside the (dodgy) world of popular music - not just a creative industry, but a business that has made people rich beyond their wildest dreams. This book describes the evolution of the music industry from 1713 - the year parliament granted writers ownership over what they wrote - to today, when a global, 100 billion pound industry is controlled by just three major players: Sony, Universal and Warner. Inside you will uncover some little-known facts about the industry, including: how a formula for writing hit songs in the 1900s helped create 50,000 of the best-known songs of all time; how Jewish immigrants and black jazz musicians dancing cheek-to-cheek created a template for all popular music that followed; and how rock tours became the biggest, quickest, sleaziest and most profitable ventures the music industry has ever seen. Through it all, Napier-Bell balances seductive anecdotes - pulling back the curtain on the gritty and absurd side of the industry - with an insightful exploration of the relationship between creativity and money."--Publisher marketing |
| Beschreibung: | Includes index "First published by Unbound as Ta-ra-ra-boom-de-ay in 2014"--Title page verso |
| Beschreibung: | x, 386 Seiten |
| ISBN: | 9781783529377 |
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Datensatz im Suchindex
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| adam_text | CONTENTS Foreword........................................................................................... vii 1 TARA-RA-BDOM-DE-AY: The beginning of the music business............................. 1 2 AROUND AND AROUND: The beginning of records................................................ 10 3 THE SONG IS YOU: Max Dreyfus............................................................................. 18 4 GIVE MY REGARDS TD BROADWAY: The American musical......................... ......... 23 5 ALEXANDER S RAGTIME BAND: Irving Berlin.................................. ........................ 32 6 STARDUST: Making it, 1910 style.......................................................................... 3 7 7 THE WINNER TAKES IT ALL: Pirating and other problems..................................... 43 В PENNIES FROM HEAVEN: ASCAP and PRS............................................................. 48 В PACK UP YOUR TROUBLES: First World War............................................................ 51 ID CHEEK TO CHEEK: Jazz and Jews............................. .............................................. 58 11 PROHIBITION BLUES: Don’t drink, dance............................................................... 63 12 I GOT RHYTHM: Black music goes mainstream..................................................... 6 9 13 ON THE RADIO: Wireless kills and rescues records............................................... 7 6 14 DON T TRUST NOBODY: Pushy publishers, dodgy producers................................. 8 2 15 LET S DO IT: Special
relationships.......................................................................... 9 3 IB BROTHER CAN YOU SPARE A DIME?: Hollywood takes over............................ :... 102 17 SAME OLD SONG AND DANCE: British record companies re-align...................... 107 IB SET EM UP JOE: Booze makes a comeback........................................................ Ill 18 HEARD IT ALL BEFORE: Music stagnates................................................................. 117 20 TROUBLE IN MIND: The war before the war.......................................................... 125 21 NEW WORLD COMING: Second World War............................................................ 130 22 SHE WEARS RED FEATHERS: From Mitch Miller to rock ’n’ roll.......................... 141 23 BROTHERS IN ARMS: The Erteguns..................................................... 147
24 HOUND DOG: Rock ’n’ roll In black and white............................................. 153 25 AMERICAN PIE: Country becomes mainstream............................................. 159 20 HALLELUJAH: Payola....................................................................................... 164 27 PLEASE PLEASE ME: Britain comes to life...................................................... 174 28 THE TIMES THEY ARE A-CHANGING: Albert Grossman....................................... 180 28 COME TOGETHER: Record companies re-group............................................. 184 30 SHAPE OFTHINGS TD COME: Rock without the roll.......................................... 193 3Í WE WILL ROCK YOU: Stadium tours and managers....................................... 202 32 LIGHT MY FIRE: Executives behaving badly.................................................. 210 33 ALL AROUND THE WORLD: Globility....................................... 34 INTO THE GROOVE: Disco................................................................................ 221 217 35 SIGNED, SEALED, DELIVERED: Music publishing............................................... 229 38 SHINE ON YOU CRAZY DIAMOND: Michael Jackson and Madonna................... 234 37 MONEY, MONEY, MONEY: Consolidation.......................................................... 242 38 FLY ME TO THE MOON: Drugs and DJs........................................... :............... 249 38 FUCK THA POLICE: Rap........................................................... -..................... 255 40 I LL DE MISSING YOU: End of Classical and
EMI............................................. 260 41 MAD ABOUT THE BOY: Boys and billions.......................................................... 268 42 EVERYBODY S DOING IT: Downloading............................................................ 275 43 I VE GOT A GREAT IDEA: New directions........................................................... 280 44 WHERE DO WE GO FROM HERE?: Present and future......................................... 285 Endword..................................................................................................... 291 Cast of Characters..................................................................................... 295 Songs in Chapter Titles.............................................................................. 319 Bibliography............................................................................................... 325 Index of Quotations................................................................................... 335 Index........................................................................................................... 363 Supporters.................................................................................................. 381
|
| adam_txt |
CONTENTS Foreword. vii 1 TARA-RA-BDOM-DE-AY: The beginning of the music business. 1 2 AROUND AND AROUND: The beginning of records. 10 3 THE SONG IS YOU: Max Dreyfus. 18 4 GIVE MY REGARDS TD BROADWAY: The American musical. . 23 5 ALEXANDER'S RAGTIME BAND: Irving Berlin. . 32 6 STARDUST: Making it, 1910 style. 3 7 7 THE WINNER TAKES IT ALL: Pirating and other problems. 43 В PENNIES FROM HEAVEN: ASCAP and PRS. 48 В PACK UP YOUR TROUBLES: First World War. 51 ID CHEEK TO CHEEK: Jazz and Jews. . 58 11 PROHIBITION BLUES: Don’t drink, dance. 63 12 I GOT RHYTHM: Black music goes mainstream. 6 9 13 ON THE RADIO: Wireless kills and rescues records. 7 6 14 DON'T TRUST NOBODY: Pushy publishers, dodgy producers. 8 2 15 LET'S DO IT: Special
relationships. 9 3 IB BROTHER CAN YOU SPARE A DIME?: Hollywood takes over. :. 102 17 SAME OLD SONG AND DANCE: British record companies re-align. 107 IB SET 'EM UP JOE: Booze makes a comeback. Ill 18 HEARD IT ALL BEFORE: Music stagnates. 117 20 TROUBLE IN MIND: The war before the war. 125 21 NEW WORLD COMING: Second World War. 130 22 SHE WEARS RED FEATHERS: From Mitch Miller to rock ’n’ roll. 141 23 BROTHERS IN ARMS: The Erteguns. 147
24 HOUND DOG: Rock ’n’ roll In black and white. 153 25 AMERICAN PIE: Country becomes mainstream. 159 20 HALLELUJAH: Payola. 164 27 PLEASE PLEASE ME: Britain comes to life. 174 28 THE TIMES THEY ARE A-CHANGING: Albert Grossman. 180 28 COME TOGETHER: Record companies re-group. 184 30 SHAPE OFTHINGS TD COME: Rock without the roll. 193 3Í WE WILL ROCK YOU: Stadium tours and managers. 202 32 LIGHT MY FIRE: Executives behaving badly. 210 33 ALL AROUND THE WORLD: Globility. 34 INTO THE GROOVE: Disco. 221 217 35 SIGNED, SEALED, DELIVERED: Music publishing. 229 38 SHINE ON YOU CRAZY DIAMOND: Michael Jackson and Madonna. 234 37 MONEY, MONEY, MONEY: Consolidation. 242 38 FLY ME TO THE MOON: Drugs and DJs. :. 249 38 FUCK THA POLICE: Rap. -. 255 40 I'LL DE MISSING YOU: End of Classical and
EMI. 260 41 MAD ABOUT THE BOY: Boys and billions. 268 42 EVERYBODY'S DOING IT: Downloading. 275 43 I'VE GOT A GREAT IDEA: New directions. 280 44 WHERE DO WE GO FROM HERE?: Present and future. 285 Endword. 291 Cast of Characters. 295 Songs in Chapter Titles. 319 Bibliography. 325 Index of Quotations. 335 Index. 363 Supporters. 381 |
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| spelling | Napier-Bell, Simon 1939- Verfasser (DE-588)1213258812 aut Ta-ra-ra-boom-de-ay (2014) The business a history of popular music from sheet music to streaming Simon Napier-Bell Paperback edition London Unbound 2022 x, 386 Seiten txt rdacontent n rdamedia nc rdacarrier Includes index "First published by Unbound as Ta-ra-ra-boom-de-ay in 2014"--Title page verso "Let legendary rock manager Simon Napier-Bell take you inside the (dodgy) world of popular music - not just a creative industry, but a business that has made people rich beyond their wildest dreams. This book describes the evolution of the music industry from 1713 - the year parliament granted writers ownership over what they wrote - to today, when a global, 100 billion pound industry is controlled by just three major players: Sony, Universal and Warner. Inside you will uncover some little-known facts about the industry, including: how a formula for writing hit songs in the 1900s helped create 50,000 of the best-known songs of all time; how Jewish immigrants and black jazz musicians dancing cheek-to-cheek created a template for all popular music that followed; and how rock tours became the biggest, quickest, sleaziest and most profitable ventures the music industry has ever seen. Through it all, Napier-Bell balances seductive anecdotes - pulling back the curtain on the gritty and absurd side of the industry - with an insightful exploration of the relationship between creativity and money."--Publisher marketing Geschichte gnd rswk-swf Popmusik (DE-588)4046781-8 gnd rswk-swf Musikwirtschaft (DE-588)4268614-3 gnd rswk-swf Popular music / History Popular music / Economic aspects Sound recording industry / History Sound recording industry / Economic aspects Sound recording industry Informational works History Popmusik (DE-588)4046781-8 s Musikwirtschaft (DE-588)4268614-3 s Geschichte z DE-604 Erscheint auch als Online-Ausgabe 978-1-80018-254-7 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034145590&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Napier-Bell, Simon 1939- The business a history of popular music from sheet music to streaming Popmusik (DE-588)4046781-8 gnd Musikwirtschaft (DE-588)4268614-3 gnd |
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| title | The business a history of popular music from sheet music to streaming |
| title_alt | Ta-ra-ra-boom-de-ay (2014) |
| title_auth | The business a history of popular music from sheet music to streaming |
| title_exact_search | The business a history of popular music from sheet music to streaming |
| title_exact_search_txtP | The business a history of popular music from sheet music to streaming |
| title_full | The business a history of popular music from sheet music to streaming Simon Napier-Bell |
| title_fullStr | The business a history of popular music from sheet music to streaming Simon Napier-Bell |
| title_full_unstemmed | The business a history of popular music from sheet music to streaming Simon Napier-Bell |
| title_short | The business |
| title_sort | the business a history of popular music from sheet music to streaming |
| title_sub | a history of popular music from sheet music to streaming |
| topic | Popmusik (DE-588)4046781-8 gnd Musikwirtschaft (DE-588)4268614-3 gnd |
| topic_facet | Popmusik Musikwirtschaft |
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