The whistling blackbird: essays and talks on new music
A collection of essays on new music, composers, and issues in American music criticism and aestheticson by composer and music theorist Robert Morris. The Whistling Blackbird: Essays and Talks on New Music is the long-awaited book of essays from Robert Morris, the greatly admired composer and music t...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Rochester, NY
University of Rochester Press
2010
|
| Schriftenreihe: | Eastman studies in music
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| Schlagworte: | |
| Online-Zugang: | BSB01 UBG01 Volltext |
| Zusammenfassung: | A collection of essays on new music, composers, and issues in American music criticism and aestheticson by composer and music theorist Robert Morris. The Whistling Blackbird: Essays and Talks on New Music is the long-awaited book of essays from Robert Morris, the greatly admired composer and music theorist. In these essays, Morris presents a new and multifaceted view ofrecent developments in American music. His views on music, as well as his many compositions, defy easy classification, favoring instead a holistic, creative, and critical approach. The Whistling Blackbird contains fourteen essays and talks, divided into three parts, preceded by an "Overture" that portrays what it means to compose music in the United States today. Part 1 presents essays on American composers John Cage, Milton Babbitt, Richard Swift, and Stefan Wolpe. Part 2 comprises talks on Morris's music that illustrate his ideas and creative approaches over forty years of music composition, including his outdoor compositions, an ongoing project that began in 1999. Part 3 includes four essays in music criticism: on the relation of composition to ethnomusicology; on phenomenology and attention; on music theory at the millennium; and on issues in musical time. Threaded throughout this collection of essays are Morris's diverse and seemingly disparate interests and influences. English romantic poetry, mathematical combinatorics, group and set theory, hiking, Buddhist philosophy, Chinese and Japanese poetry and painting, jazz and nonwestern music, chaos theory, linguistics, and the American transcendental movement exist side by side in a fascinating and eclectic portrait of American musical composition at the dawn of the new millennium. Robert Morris is Professor of Music Composition at the Eastman School of Music, University of Rochester |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 17 Feb 2023) |
| Beschreibung: | 1 Online-Ressource (xxv, 416 Seiten) Notenbeispiele |
| ISBN: | 9781580467667 |
| DOI: | 10.1017/9781580467667 |
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| spelling | Morris, Robert 1943- (DE-588)132528541 aut The whistling blackbird essays and talks on new music Robert Morris Rochester, NY University of Rochester Press 2010 1 Online-Ressource (xxv, 416 Seiten) Notenbeispiele txt rdacontent c rdamedia cr rdacarrier Eastman studies in music Title from publisher's bibliographic system (viewed on 17 Feb 2023) A collection of essays on new music, composers, and issues in American music criticism and aestheticson by composer and music theorist Robert Morris. The Whistling Blackbird: Essays and Talks on New Music is the long-awaited book of essays from Robert Morris, the greatly admired composer and music theorist. In these essays, Morris presents a new and multifaceted view ofrecent developments in American music. His views on music, as well as his many compositions, defy easy classification, favoring instead a holistic, creative, and critical approach. The Whistling Blackbird contains fourteen essays and talks, divided into three parts, preceded by an "Overture" that portrays what it means to compose music in the United States today. Part 1 presents essays on American composers John Cage, Milton Babbitt, Richard Swift, and Stefan Wolpe. Part 2 comprises talks on Morris's music that illustrate his ideas and creative approaches over forty years of music composition, including his outdoor compositions, an ongoing project that began in 1999. Part 3 includes four essays in music criticism: on the relation of composition to ethnomusicology; on phenomenology and attention; on music theory at the millennium; and on issues in musical time. Threaded throughout this collection of essays are Morris's diverse and seemingly disparate interests and influences. English romantic poetry, mathematical combinatorics, group and set theory, hiking, Buddhist philosophy, Chinese and Japanese poetry and painting, jazz and nonwestern music, chaos theory, linguistics, and the American transcendental movement exist side by side in a fascinating and eclectic portrait of American musical composition at the dawn of the new millennium. Robert Morris is Professor of Music Composition at the Eastman School of Music, University of Rochester Music / United States / 20th century / History and criticism Music / 20th century / Philosophy and aesthetics Neue Musik (DE-588)4428235-7 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content USA (DE-588)4078704-7 g Neue Musik (DE-588)4428235-7 s DE-604 Erscheint auch als Druck-Ausgabe 978-1-58046-349-2 https://doi.org/10.1017/9781580467667 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Morris, Robert 1943- The whistling blackbird essays and talks on new music Music / United States / 20th century / History and criticism Music / 20th century / Philosophy and aesthetics Neue Musik (DE-588)4428235-7 gnd |
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| title | The whistling blackbird essays and talks on new music |
| title_auth | The whistling blackbird essays and talks on new music |
| title_exact_search | The whistling blackbird essays and talks on new music |
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| title_full | The whistling blackbird essays and talks on new music Robert Morris |
| title_fullStr | The whistling blackbird essays and talks on new music Robert Morris |
| title_full_unstemmed | The whistling blackbird essays and talks on new music Robert Morris |
| title_short | The whistling blackbird |
| title_sort | the whistling blackbird essays and talks on new music |
| title_sub | essays and talks on new music |
| topic | Music / United States / 20th century / History and criticism Music / 20th century / Philosophy and aesthetics Neue Musik (DE-588)4428235-7 gnd |
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