Alternative scriptwriting: contemporary storytelling for the screen
Gespeichert in:
| Hauptverfasser: | , , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge
2023
|
| Ausgabe: | Sixth edition |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | xiv, 427 Seiten |
| ISBN: | 9781032150567 9781032150550 |
Internformat
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Datensatz im Suchindex
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| adam_text | Contents Acknowledgments for the Sixth Edition Foreword INTRODUCTION Chapter 1 Beyond the Rules STRUCTURE Chapter 2 Structure Chapter 3 Critique of Restorative Three-Act Form Chapter 4 Counter-Structure Chapter 5 The Three-Act Spectrum Chapter 6 Strategies for Plot and Character: Surprise, Triangulation, and Subtext Chapter 7 Multiple Threaded, Long-Form Episodic Scripts GENRE Chapter 8 Chapter 9 Chapter 10 Chapter 11 Chapter 12 Chapter 13 Chapter 14 Chapter 15 Chapter 16 Why Genre? Working with Genre Working with Genre II: The Melodrama and the Thriller Working with Genre III: Billy Wilder and PrestonSturges Working Against Genre The Flexibility of Genre Genres of Voice The Nonlinear Film The Fable, a Case Study of Darkness: The Wizard of Oz and Pan’s Labyrinth CHARACTER Chapter 17 Reframing the Active/Passive Character Distinction Chapter 18 Stretching the Limits of Character Identification Chapter 19 Main and Secondary Characters ix xi 1 15 35 43 54 63 77 89 99 121 141 150 168 183 195 205 214 229 241 vii
viii Alternative Scriptwriting Chapter 20 Chapter 21 Subtext, Action, and Character Exceptional but Opaque Characters in Flattened Scripts FORM, TONE, AND THEORY Chapter 22 The Subtleties and Implications of Screenplay Form Chapter 23 Theatricality on Screen Chapter 24 Tone: The Inescapability of Irony Chapter 25 Dramatic Voice/Narrative Voice Chapter 26 Writing the Narrative Voice Chapter 27 Regionalism vs Commercialism: Kelly Reichardt, Eugene Martin, and Kathryn Bigelow Chapter 28 Adaptations from Literature Chapter 29 Rewriting 251 262 273 295 312 335 343 355 366 379 CONCLUSION Chapter 30 Personal Scriptwriting: The Edge Chapter 31 Personal Scriptwriting: The Short Film 386 403 Film and Director Name Index Subject Index 413 423
The three-act structure is so last century! Unlike other screenwriting books, this unique storytelling guide pushes you to break free of tired, formulaic writing by bending or breaking the rules of storytelling as we know them. This new edition dives into all the key aspects of scriptwriting, including structure, genre, character, form, and tone. Authors Ken Dancyger, Jessie Keyt, and Jeff Rush explore myriad alternatives to the traditional three-act story structure, going beyond teaching you “how to tell a story” by teaching you how to write against conventional formulas to produce original, exciting material. Fully revised and updated, the book includes new examples from ՜ contemporary and classic cinema and episodic series, as well as additional content on strategies for plot, character, and genre; an exploration of theatrical devices in film; and approaches to scriptwriting with case studies of prolific storytellers such as Billy Wilder, Kelly Reichardt, Phoebe Waller-Bridge, and Kathryn Bigelow. Ideal for students of screenwriting and professional screenwriters wishing to develop their craft and write original scripts.
Ken Dancyger is a Professor of Film and Television at Tisch School of the Arts at New York University as well as the author of numerous books on screenwriting, editing, and production. Jessie Keyt is a writer and Assistant Arts Professor in the Department of Dramatic Writing at Tisch School of the Arts at New York University as well as a story and script consultant for independent filmmakers and production companies in the US, UK, and Europe. Jeff Rush is an Associate Professor at Temple University’s Department of Film Media Arts as well as the author of numerous articles on screenwriting and narrative theory.
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| adam_txt |
Contents Acknowledgments for the Sixth Edition Foreword INTRODUCTION Chapter 1 Beyond the Rules STRUCTURE Chapter 2 Structure Chapter 3 Critique of Restorative Three-Act Form Chapter 4 Counter-Structure Chapter 5 The Three-Act Spectrum Chapter 6 Strategies for Plot and Character: Surprise, Triangulation, and Subtext Chapter 7 Multiple Threaded, Long-Form Episodic Scripts GENRE Chapter 8 Chapter 9 Chapter 10 Chapter 11 Chapter 12 Chapter 13 Chapter 14 Chapter 15 Chapter 16 Why Genre? Working with Genre Working with Genre II: The Melodrama and the Thriller Working with Genre III: Billy Wilder and PrestonSturges Working Against Genre The Flexibility of Genre Genres of Voice The Nonlinear Film The Fable, a Case Study of Darkness: The Wizard of Oz and Pan’s Labyrinth CHARACTER Chapter 17 Reframing the Active/Passive Character Distinction Chapter 18 Stretching the Limits of Character Identification Chapter 19 Main and Secondary Characters ix xi 1 15 35 43 54 63 77 89 99 121 141 150 168 183 195 205 214 229 241 vii
viii Alternative Scriptwriting Chapter 20 Chapter 21 Subtext, Action, and Character Exceptional but Opaque Characters in Flattened Scripts FORM, TONE, AND THEORY Chapter 22 The Subtleties and Implications of Screenplay Form Chapter 23 Theatricality on Screen Chapter 24 Tone: The Inescapability of Irony Chapter 25 Dramatic Voice/Narrative Voice Chapter 26 Writing the Narrative Voice Chapter 27 Regionalism vs Commercialism: Kelly Reichardt, Eugene Martin, and Kathryn Bigelow Chapter 28 Adaptations from Literature Chapter 29 Rewriting 251 262 273 295 312 335 343 355 366 379 CONCLUSION Chapter 30 Personal Scriptwriting: The Edge Chapter 31 Personal Scriptwriting: The Short Film 386 403 Film and Director Name Index Subject Index 413 423
The three-act structure is so last century! Unlike other screenwriting books, this unique storytelling guide pushes you to break free of tired, formulaic writing by bending or breaking the rules of storytelling as we know them. This new edition dives into all the key aspects of scriptwriting, including structure, genre, character, form, and tone. Authors Ken Dancyger, Jessie Keyt, and Jeff Rush explore myriad alternatives to the traditional three-act story structure, going beyond teaching you “how to tell a story” by teaching you how to write against conventional formulas to produce original, exciting material. Fully revised and updated, the book includes new examples from ՜ contemporary and classic cinema and episodic series, as well as additional content on strategies for plot, character, and genre; an exploration of theatrical devices in film; and approaches to scriptwriting with case studies of prolific storytellers such as Billy Wilder, Kelly Reichardt, Phoebe Waller-Bridge, and Kathryn Bigelow. Ideal for students of screenwriting and professional screenwriters wishing to develop their craft and write original scripts.
Ken Dancyger is a Professor of Film and Television at Tisch School of the Arts at New York University as well as the author of numerous books on screenwriting, editing, and production. Jessie Keyt is a writer and Assistant Arts Professor in the Department of Dramatic Writing at Tisch School of the Arts at New York University as well as a story and script consultant for independent filmmakers and production companies in the US, UK, and Europe. Jeff Rush is an Associate Professor at Temple University’s Department of Film Media Arts as well as the author of numerous articles on screenwriting and narrative theory. |
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| index_date | 2024-07-03T21:43:57Z |
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| isbn | 9781032150567 9781032150550 |
| language | English |
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| spelling | Dancyger, Ken Verfasser (DE-588)172036917 aut Alternative scriptwriting contemporary storytelling for the screen Ken Dancyger, Jessie Keyt, and Jeff Rush Sixth edition London ; New York Routledge 2023 xiv, 427 Seiten txt rdacontent n rdamedia nc rdacarrier Keyt, Jessie 1973- Verfasser (DE-588)1238743137 aut Rush, Jeff Verfasser aut Erscheint auch als Online-Ausgabe 978-1-00-080406-5 Erscheint auch als Online-Ausgabe 978-1-00-324230-7 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034134571&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034134571&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Dancyger, Ken Keyt, Jessie 1973- Rush, Jeff Alternative scriptwriting contemporary storytelling for the screen |
| title | Alternative scriptwriting contemporary storytelling for the screen |
| title_auth | Alternative scriptwriting contemporary storytelling for the screen |
| title_exact_search | Alternative scriptwriting contemporary storytelling for the screen |
| title_exact_search_txtP | Alternative scriptwriting contemporary storytelling for the screen |
| title_full | Alternative scriptwriting contemporary storytelling for the screen Ken Dancyger, Jessie Keyt, and Jeff Rush |
| title_fullStr | Alternative scriptwriting contemporary storytelling for the screen Ken Dancyger, Jessie Keyt, and Jeff Rush |
| title_full_unstemmed | Alternative scriptwriting contemporary storytelling for the screen Ken Dancyger, Jessie Keyt, and Jeff Rush |
| title_short | Alternative scriptwriting |
| title_sort | alternative scriptwriting contemporary storytelling for the screen |
| title_sub | contemporary storytelling for the screen |
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