Postsensual aesthetics: on the logic of the curatorial
Contemporary art exhibitions appeal to cognition as well as the senses, modeling a new and expansive understanding of global aesthetics. In this original work of aesthetic theory, James Voorhies argues that we live in the shadow of old ways of thinking about art that emphasize the immediate visual e...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge, Massachusetts ; London, England
The MIT Press
[2023]
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| Schlagworte: | |
| Zusammenfassung: | Contemporary art exhibitions appeal to cognition as well as the senses, modeling a new and expansive understanding of global aesthetics. In this original work of aesthetic theory, James Voorhies argues that we live in the shadow of old ways of thinking about art that emphasize the immediate visual experience of an autonomous art object. But theory must change as artistic and curatorial production has changed. It should encompass the full range of activities through which we encounter art and exhibitions, in which reading and thinking are central to the aesthetic experience. Voorhies advances the theoretical framework of a "postsensual aesthetics," which does not mean we are beyond a sensual engagement with objects, but rather embraces the cognitive connections with ideas that unite art and knowledge production. Cognitive engagements with art often begin with publications conceived as integral to exhibitions, conveying the knowledge and research artists and curators produce, and continuing in time and space beyond traditional curatorial frames. The idea, and not just visual immediacy, is now art's defining moment. Voorhies reframes aesthetic criteria to account for the liminal, cognitive spaces inside and outside of the exhibition. Surveying a wide range of artists, curators, exhibitions, and related publications, he repositions the aesthetic theory of Theodor Adorno, and draws inspiration from Rosalind Krauss and Fredric Jameson, to describe a contemporary "logic of the curatorial." He demonstrates how, even as we increasingly expect to learn from contemporary art, we must avoid an instrumentalist and reductive view of art as a mere source of information. As Voorhies shows through an analysis of two major global exhibitions, dOCUMENTA (13) (artistic director Carolyn Christov-Bakargiev) and Documenta11 (artistic director Okwui Enwezor), and of Ute Meta Bauer's curatorial work at the Centre for Contemporary Art Singapore, it is imperative for artistic research to retain its unique role in the production of knowledge. |
| Beschreibung: | 163 Seiten 21 cm |
| ISBN: | 9780262047609 |
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| 520 | 3 | |a Contemporary art exhibitions appeal to cognition as well as the senses, modeling a new and expansive understanding of global aesthetics. In this original work of aesthetic theory, James Voorhies argues that we live in the shadow of old ways of thinking about art that emphasize the immediate visual experience of an autonomous art object. But theory must change as artistic and curatorial production has changed. It should encompass the full range of activities through which we encounter art and exhibitions, in which reading and thinking are central to the aesthetic experience. Voorhies advances the theoretical framework of a "postsensual aesthetics," which does not mean we are beyond a sensual engagement with objects, but rather embraces the cognitive connections with ideas that unite art and knowledge production. Cognitive engagements with art often begin with publications conceived as integral to exhibitions, conveying the knowledge and research artists and curators produce, and continuing in time and space beyond traditional curatorial frames. The idea, and not just visual immediacy, is now art's defining moment. Voorhies reframes aesthetic criteria to account for the liminal, cognitive spaces inside and outside of the exhibition. Surveying a wide range of artists, curators, exhibitions, and related publications, he repositions the aesthetic theory of Theodor Adorno, and draws inspiration from Rosalind Krauss and Fredric Jameson, to describe a contemporary "logic of the curatorial." He demonstrates how, even as we increasingly expect to learn from contemporary art, we must avoid an instrumentalist and reductive view of art as a mere source of information. | |
| 520 | 3 | |a As Voorhies shows through an analysis of two major global exhibitions, dOCUMENTA (13) (artistic director Carolyn Christov-Bakargiev) and Documenta11 (artistic director Okwui Enwezor), and of Ute Meta Bauer's curatorial work at the Centre for Contemporary Art Singapore, it is imperative for artistic research to retain its unique role in the production of knowledge. | |
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Datensatz im Suchindex
| _version_ | 1805069699962109952 |
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| adam_text | |
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| author | Voorhies, James Timothy |
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| bvnumber | BV048866659 |
| contents | DOCUMENTA (13) -- Documenta11 -- Centre for Contemporary Art Singapore at Nanyang Technological University |
| ctrlnum | (OCoLC)1370206211 (DE-599)BVBBV048866659 |
| format | Book |
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| id | DE-604.BV048866659 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T21:43:21Z |
| indexdate | 2024-07-20T04:10:11Z |
| institution | BVB |
| isbn | 9780262047609 |
| language | English |
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| physical | 163 Seiten 21 cm |
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| publisher | The MIT Press |
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| spelling | Voorhies, James Timothy Verfasser (DE-588)188396225 aut Postsensual aesthetics on the logic of the curatorial James Voorhies Cambridge, Massachusetts ; London, England The MIT Press [2023] © 2023 163 Seiten 21 cm txt rdacontent n rdamedia nc rdacarrier DOCUMENTA (13) -- Documenta11 -- Centre for Contemporary Art Singapore at Nanyang Technological University Contemporary art exhibitions appeal to cognition as well as the senses, modeling a new and expansive understanding of global aesthetics. In this original work of aesthetic theory, James Voorhies argues that we live in the shadow of old ways of thinking about art that emphasize the immediate visual experience of an autonomous art object. But theory must change as artistic and curatorial production has changed. It should encompass the full range of activities through which we encounter art and exhibitions, in which reading and thinking are central to the aesthetic experience. Voorhies advances the theoretical framework of a "postsensual aesthetics," which does not mean we are beyond a sensual engagement with objects, but rather embraces the cognitive connections with ideas that unite art and knowledge production. Cognitive engagements with art often begin with publications conceived as integral to exhibitions, conveying the knowledge and research artists and curators produce, and continuing in time and space beyond traditional curatorial frames. The idea, and not just visual immediacy, is now art's defining moment. Voorhies reframes aesthetic criteria to account for the liminal, cognitive spaces inside and outside of the exhibition. Surveying a wide range of artists, curators, exhibitions, and related publications, he repositions the aesthetic theory of Theodor Adorno, and draws inspiration from Rosalind Krauss and Fredric Jameson, to describe a contemporary "logic of the curatorial." He demonstrates how, even as we increasingly expect to learn from contemporary art, we must avoid an instrumentalist and reductive view of art as a mere source of information. As Voorhies shows through an analysis of two major global exhibitions, dOCUMENTA (13) (artistic director Carolyn Christov-Bakargiev) and Documenta11 (artistic director Okwui Enwezor), and of Ute Meta Bauer's curatorial work at the Centre for Contemporary Art Singapore, it is imperative for artistic research to retain its unique role in the production of knowledge. Christov-Bakargiev, Carolyn 1957- (DE-588)115639926 gnd rswk-swf Adorno, Theodor W. 1903-1969 (DE-588)118500775 gnd rswk-swf Enwezor, Okwui 1963-2019 (DE-588)124232469 gnd rswk-swf dOCUMENTA 13. 2012 Kassel (DE-588)16085378-3 gnd rswk-swf Documenta 11 2002 Kassel (DE-588)5528982-4 gnd rswk-swf Kurator Museumskunde (DE-588)4688848-2 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Ausstellung (DE-588)4129601-1 gnd rswk-swf Organisation (DE-588)4043774-7 gnd rswk-swf Art / Exhibitions / Philosophy Art / Research Curatorship Ästhetik (DE-588)4000626-8 s Ausstellung (DE-588)4129601-1 s Organisation (DE-588)4043774-7 s DE-604 Enwezor, Okwui 1963-2019 (DE-588)124232469 p Documenta 11 2002 Kassel (DE-588)5528982-4 f Christov-Bakargiev, Carolyn 1957- (DE-588)115639926 p dOCUMENTA 13. 2012 Kassel (DE-588)16085378-3 f Adorno, Theodor W. 1903-1969 (DE-588)118500775 p Kurator Museumskunde (DE-588)4688848-2 s Erscheint auch als Online-Ausgabe 978-0-262-37284-8 (DE-604)BV048990073 |
| spellingShingle | Voorhies, James Timothy Postsensual aesthetics on the logic of the curatorial DOCUMENTA (13) -- Documenta11 -- Centre for Contemporary Art Singapore at Nanyang Technological University Christov-Bakargiev, Carolyn 1957- (DE-588)115639926 gnd Adorno, Theodor W. 1903-1969 (DE-588)118500775 gnd Enwezor, Okwui 1963-2019 (DE-588)124232469 gnd dOCUMENTA 13. 2012 Kassel (DE-588)16085378-3 gnd Documenta 11 2002 Kassel (DE-588)5528982-4 gnd Kurator Museumskunde (DE-588)4688848-2 gnd Ästhetik (DE-588)4000626-8 gnd Ausstellung (DE-588)4129601-1 gnd Organisation (DE-588)4043774-7 gnd |
| subject_GND | (DE-588)115639926 (DE-588)118500775 (DE-588)124232469 (DE-588)16085378-3 (DE-588)5528982-4 (DE-588)4688848-2 (DE-588)4000626-8 (DE-588)4129601-1 (DE-588)4043774-7 |
| title | Postsensual aesthetics on the logic of the curatorial |
| title_auth | Postsensual aesthetics on the logic of the curatorial |
| title_exact_search | Postsensual aesthetics on the logic of the curatorial |
| title_exact_search_txtP | Postsensual aesthetics on the logic of the curatorial |
| title_full | Postsensual aesthetics on the logic of the curatorial James Voorhies |
| title_fullStr | Postsensual aesthetics on the logic of the curatorial James Voorhies |
| title_full_unstemmed | Postsensual aesthetics on the logic of the curatorial James Voorhies |
| title_short | Postsensual aesthetics |
| title_sort | postsensual aesthetics on the logic of the curatorial |
| title_sub | on the logic of the curatorial |
| topic | Christov-Bakargiev, Carolyn 1957- (DE-588)115639926 gnd Adorno, Theodor W. 1903-1969 (DE-588)118500775 gnd Enwezor, Okwui 1963-2019 (DE-588)124232469 gnd dOCUMENTA 13. 2012 Kassel (DE-588)16085378-3 gnd Documenta 11 2002 Kassel (DE-588)5528982-4 gnd Kurator Museumskunde (DE-588)4688848-2 gnd Ästhetik (DE-588)4000626-8 gnd Ausstellung (DE-588)4129601-1 gnd Organisation (DE-588)4043774-7 gnd |
| topic_facet | Christov-Bakargiev, Carolyn 1957- Adorno, Theodor W. 1903-1969 Enwezor, Okwui 1963-2019 dOCUMENTA 13. 2012 Kassel Documenta 11 2002 Kassel Kurator Museumskunde Ästhetik Ausstellung Organisation |
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