Portraits and philosophy:
Portraits are everywhere. One finds them not only in museums and galleries, but also in newspapers and magazines, in the homes of people and in the boardrooms of companies, on stamps and coins, on millions of cell phones and computers. Despite its huge popularity, however, portraiture hasn’t receive...
Gespeichert in:
| Weitere Verfasser: | |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Oxford ; New York
Taylor & Francis
2022
|
| Ausgabe: | First issued in paperback |
| Schriftenreihe: | Routledge research in aesthetics
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Portraits are everywhere. One finds them not only in museums and galleries, but also in newspapers and magazines, in the homes of people and in the boardrooms of companies, on stamps and coins, on millions of cell phones and computers. Despite its huge popularity, however, portraiture hasn’t received much philosophical attention. While there are countless art historical studies of portraiture, contemporary philosophy has largely remained silent on the subject. This book aims to address that lacuna. It brings together philosophers (and philosophically minded historians) with different areas of expertise to discuss this enduring and continuously fascinating genre. The chapters in this collection are ranged under five broad themes. Part I examines the general nature of portraiture and what makes it distinctive as a genre. Part II looks at some of the subgenres of portraiture, such as double portraiture, and at some special cases, such as sport card portraits and portraits of people not present. How emotions are expressed and evoked by portraits is the central focus of Part III, while Part IV explores the relation between portraiture, fiction, and depiction more generally. Finally, in Part V, some of the ethical issues surrounding portraiture are addressed. The book closes with an epilogue about portraits of philosophers. Portraits and Philosophy tangles with deep questions about the nature and effects of portraiture in ways that will substantially advance the scholarly discussion of the genre. It will be of interest to scholars and students working in philosophy of art, history of art, and the visual arts |
| Beschreibung: | Introduction: Portraits and Philosophy; Hans Maes; Part I. The Nature of Portraiture; 1. Portraiture Portrayed; Ivan Gaskell; 2. Portraiture and Portrait-Seeing: From Caravaggio to Digital Selfies; Alessandro Giovannelli; 3. Portraits, Persons, and Poses; Paul Guyer; 4. Philosophy of Portraiture: A Programmatic Overview; Matteo Ravasio; Part II. Subgenres and Special Cases; 5. Double Portraiture; Eleen M. Deprez and Michael Newall; 6. Moving Picture Portraits; Cynthia Freeland; 7. Portraits of People Not Present; Bence Nanay; 8. Portraits of the Landscape; Erich Hatala Matthes; 9. Sport Card Portraiture; Jason Holt; Part III. Portraiture, Empathy, and Emotion; 10. Truth and Empathy in the Portraits of Kokoschka; Jenefer Robinson; 11. Without Shame? Lee Friedlander’s Late Self-Portraits; Diarmuid Costello; 12. ‘And Time Will Have His Fancy…’: On Being Moved by Portraits of Unknown People; Hans Maes; Part IV. Portraiture, Fiction, and Depiction; 13. Real Portraits in Literature; Stacie Friend; 14. The Power of Picasso: Reconciling Realism and Anti-Realism in the Portrait of Gertrude Stein; Ira Newman; 15. Portraiture: Seeing As and Seeing In; Martin Hammer; Part V. The Ethics of Portraiture; 16. The Ethics of Portraiture; A.W. Eaton; 17. The Sublime Clara Mather; Kenneth Walden; 18. Respecting Photographic Subjects; Macalester Bell; Epilogue: Portraits of Philosophers; Hans Maes |
| Beschreibung: | xiii, 328 Seiten Illustrationen 440 grams |
| ISBN: | 9781032337678 9780367189402 |
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| 500 | |a Introduction: Portraits and Philosophy; Hans Maes; Part I. The Nature of Portraiture; 1. Portraiture Portrayed; Ivan Gaskell; 2. Portraiture and Portrait-Seeing: From Caravaggio to Digital Selfies; Alessandro Giovannelli; 3. Portraits, Persons, and Poses; Paul Guyer; 4. Philosophy of Portraiture: A Programmatic Overview; Matteo Ravasio; Part II. Subgenres and Special Cases; 5. Double Portraiture; Eleen M. Deprez and Michael Newall; 6. Moving Picture Portraits; Cynthia Freeland; 7. Portraits of People Not Present; Bence Nanay; 8. Portraits of the Landscape; Erich Hatala Matthes; 9. Sport Card Portraiture; Jason Holt; Part III. Portraiture, Empathy, and Emotion; 10. Truth and Empathy in the Portraits of Kokoschka; Jenefer Robinson; 11. Without Shame? Lee Friedlander’s Late Self-Portraits; Diarmuid Costello; 12. ‘And Time Will Have His Fancy…’: On Being Moved by Portraits of Unknown People; Hans Maes; Part IV. Portraiture, Fiction, and Depiction; 13. Real Portraits in Literature; Stacie Friend; 14. The Power of Picasso: Reconciling Realism and Anti-Realism in the Portrait of Gertrude Stein; Ira Newman; 15. Portraiture: Seeing As and Seeing In; Martin Hammer; Part V. The Ethics of Portraiture; 16. The Ethics of Portraiture; A.W. Eaton; 17. The Sublime Clara Mather; Kenneth Walden; 18. Respecting Photographic Subjects; Macalester Bell; Epilogue: Portraits of Philosophers; Hans Maes | ||
| 520 | |a Portraits are everywhere. One finds them not only in museums and galleries, but also in newspapers and magazines, in the homes of people and in the boardrooms of companies, on stamps and coins, on millions of cell phones and computers. Despite its huge popularity, however, portraiture hasn’t received much philosophical attention. While there are countless art historical studies of portraiture, contemporary philosophy has largely remained silent on the subject. This book aims to address that lacuna. It brings together philosophers (and philosophically minded historians) with different areas of expertise to discuss this enduring and continuously fascinating genre. The chapters in this collection are ranged under five broad themes. Part I examines the general nature of portraiture and what makes it distinctive as a genre. Part II looks at some of the subgenres of portraiture, such as double portraiture, and at some special cases, such as sport card portraits and portraits of people not present. How emotions are expressed and evoked by portraits is the central focus of Part III, while Part IV explores the relation between portraiture, fiction, and depiction more generally. Finally, in Part V, some of the ethical issues surrounding portraiture are addressed. The book closes with an epilogue about portraits of philosophers. Portraits and Philosophy tangles with deep questions about the nature and effects of portraiture in ways that will substantially advance the scholarly discussion of the genre. It will be of interest to scholars and students working in philosophy of art, history of art, and the visual arts | ||
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents Acknowledgments xii Introduction: Portraits and Philosophy 1 PARTI The Nature of Portraiture 1 7 9 Portraiture Portrayed IVAN GASKELL 2 Portraiture and Portrait-Seeing: From Caravaggio to Digital Selfies 24 ALESSANDRO GIOVANNELLI 3 Portraits, Persons, and Poses 47 PAUL GUYER 4 Philosophy of Portraiture: A Programmatic Overview 62 MATTEO RAVASIO PARTII Subgenres and Special Cases 5 Double Portraiture 79 81 ELEEN Μ. DEPREZ, MICHAEL NEWALL 6 Moving Picture Portraits CYNTHIA FREELAND 97
x Contents 7 Portraits of People Not Present ИЗ BENCE NANAY 8 Portraits of the Landscape 128 ERICH HATALA MATTHES 9 Sport Card Portraiture 140 JASON HOLT PART III Portraiture, Empathy, and Emotion 151 10 Truth and Empathy in the Portraits of Kokoschka 153 JENEFER ROBINSON 11 Without Shame? Lee Friedlander’s Late Self-Portraits 171 DIARMUID COSTELLO 12 ‘And Time Will Have His Fancy ...’: On Being Moved by Portraits of Unknown People 189 HANS MAES PART IV Portraiture, Fiction, and Depiction 205 13 Real Portraits in Literature 207 STACIE FRIEND 14 The Power of Picasso: Reconciling Realism and Antirealism in the Portrait of Gertrude Stein 223 IRA NEWMAN 15 Portraiture: Seeing-As and Seeing-In 239 MARTIN HAMMER 16 The Ethics of Portraiture 256 A.W. EATON 17 The Sublime Clara Mather KENNETH WALDEN 269
Contents 18 Respecting Photographic Subjects xi 287 MACALESTER BELL Epilogue: Portraits of Philosophers 302 HANS MAES Contributors Index 316 320
|
| adam_txt |
Contents Acknowledgments xii Introduction: Portraits and Philosophy 1 PARTI The Nature of Portraiture 1 7 9 Portraiture Portrayed IVAN GASKELL 2 Portraiture and Portrait-Seeing: From Caravaggio to Digital Selfies 24 ALESSANDRO GIOVANNELLI 3 Portraits, Persons, and Poses 47 PAUL GUYER 4 Philosophy of Portraiture: A Programmatic Overview 62 MATTEO RAVASIO PARTII Subgenres and Special Cases 5 Double Portraiture 79 81 ELEEN Μ. DEPREZ, MICHAEL NEWALL 6 Moving Picture Portraits CYNTHIA FREELAND 97
x Contents 7 Portraits of People Not Present ИЗ BENCE NANAY 8 Portraits of the Landscape 128 ERICH HATALA MATTHES 9 Sport Card Portraiture 140 JASON HOLT PART III Portraiture, Empathy, and Emotion 151 10 Truth and Empathy in the Portraits of Kokoschka 153 JENEFER ROBINSON 11 Without Shame? Lee Friedlander’s Late Self-Portraits 171 DIARMUID COSTELLO 12 ‘And Time Will Have His Fancy .’: On Being Moved by Portraits of Unknown People 189 HANS MAES PART IV Portraiture, Fiction, and Depiction 205 13 Real Portraits in Literature 207 STACIE FRIEND 14 The Power of Picasso: Reconciling Realism and Antirealism in the Portrait of Gertrude Stein 223 IRA NEWMAN 15 Portraiture: Seeing-As and Seeing-In 239 MARTIN HAMMER 16 The Ethics of Portraiture 256 A.W. EATON 17 The Sublime Clara Mather KENNETH WALDEN 269
Contents 18 Respecting Photographic Subjects xi 287 MACALESTER BELL Epilogue: Portraits of Philosophers 302 HANS MAES Contributors Index 316 320 |
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| index_date | 2024-07-03T21:43:16Z |
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| series2 | Routledge research in aesthetics |
| spelling | Portraits and philosophy edited by Hans Maes First issued in paperback Oxford ; New York Taylor & Francis 2022 xiii, 328 Seiten Illustrationen 440 grams txt rdacontent n rdamedia nc rdacarrier Routledge research in aesthetics Introduction: Portraits and Philosophy; Hans Maes; Part I. The Nature of Portraiture; 1. Portraiture Portrayed; Ivan Gaskell; 2. Portraiture and Portrait-Seeing: From Caravaggio to Digital Selfies; Alessandro Giovannelli; 3. Portraits, Persons, and Poses; Paul Guyer; 4. Philosophy of Portraiture: A Programmatic Overview; Matteo Ravasio; Part II. Subgenres and Special Cases; 5. Double Portraiture; Eleen M. Deprez and Michael Newall; 6. Moving Picture Portraits; Cynthia Freeland; 7. Portraits of People Not Present; Bence Nanay; 8. Portraits of the Landscape; Erich Hatala Matthes; 9. Sport Card Portraiture; Jason Holt; Part III. Portraiture, Empathy, and Emotion; 10. Truth and Empathy in the Portraits of Kokoschka; Jenefer Robinson; 11. Without Shame? Lee Friedlander’s Late Self-Portraits; Diarmuid Costello; 12. ‘And Time Will Have His Fancy…’: On Being Moved by Portraits of Unknown People; Hans Maes; Part IV. Portraiture, Fiction, and Depiction; 13. Real Portraits in Literature; Stacie Friend; 14. The Power of Picasso: Reconciling Realism and Anti-Realism in the Portrait of Gertrude Stein; Ira Newman; 15. Portraiture: Seeing As and Seeing In; Martin Hammer; Part V. The Ethics of Portraiture; 16. The Ethics of Portraiture; A.W. Eaton; 17. The Sublime Clara Mather; Kenneth Walden; 18. Respecting Photographic Subjects; Macalester Bell; Epilogue: Portraits of Philosophers; Hans Maes Portraits are everywhere. One finds them not only in museums and galleries, but also in newspapers and magazines, in the homes of people and in the boardrooms of companies, on stamps and coins, on millions of cell phones and computers. Despite its huge popularity, however, portraiture hasn’t received much philosophical attention. While there are countless art historical studies of portraiture, contemporary philosophy has largely remained silent on the subject. This book aims to address that lacuna. It brings together philosophers (and philosophically minded historians) with different areas of expertise to discuss this enduring and continuously fascinating genre. The chapters in this collection are ranged under five broad themes. Part I examines the general nature of portraiture and what makes it distinctive as a genre. Part II looks at some of the subgenres of portraiture, such as double portraiture, and at some special cases, such as sport card portraits and portraits of people not present. How emotions are expressed and evoked by portraits is the central focus of Part III, while Part IV explores the relation between portraiture, fiction, and depiction more generally. Finally, in Part V, some of the ethical issues surrounding portraiture are addressed. The book closes with an epilogue about portraits of philosophers. Portraits and Philosophy tangles with deep questions about the nature and effects of portraiture in ways that will substantially advance the scholarly discussion of the genre. It will be of interest to scholars and students working in philosophy of art, history of art, and the visual arts bicssc / Art styles not defined by date bicssc / Painting & paintings bicssc / Photography & photographs bisacsh / ART / Subjects & Themes / Portraits bisacsh / PHILOSOPHY / Aesthetics bisacsh / PHILOSOPHY / General Ästhetik (DE-588)4000626-8 gnd rswk-swf Philosophie (DE-588)4045791-6 gnd rswk-swf Bildnis (DE-588)4006627-7 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content (DE-588)1071861417 Konferenzschrift 2018 College Park, MD gnd-content Bildnis (DE-588)4006627-7 s Philosophie (DE-588)4045791-6 s DE-604 Ästhetik (DE-588)4000626-8 s Maes, Hans 1975- (DE-588)1047696908 edt Digitalisierung UB Bamberg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034131270&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Portraits and philosophy bicssc / Art styles not defined by date bicssc / Painting & paintings bicssc / Photography & photographs bisacsh / ART / Subjects & Themes / Portraits bisacsh / PHILOSOPHY / Aesthetics bisacsh / PHILOSOPHY / General Ästhetik (DE-588)4000626-8 gnd Philosophie (DE-588)4045791-6 gnd Bildnis (DE-588)4006627-7 gnd |
| subject_GND | (DE-588)4000626-8 (DE-588)4045791-6 (DE-588)4006627-7 (DE-588)4143413-4 (DE-588)1071861417 |
| title | Portraits and philosophy |
| title_auth | Portraits and philosophy |
| title_exact_search | Portraits and philosophy |
| title_exact_search_txtP | Portraits and philosophy |
| title_full | Portraits and philosophy edited by Hans Maes |
| title_fullStr | Portraits and philosophy edited by Hans Maes |
| title_full_unstemmed | Portraits and philosophy edited by Hans Maes |
| title_short | Portraits and philosophy |
| title_sort | portraits and philosophy |
| topic | bicssc / Art styles not defined by date bicssc / Painting & paintings bicssc / Photography & photographs bisacsh / ART / Subjects & Themes / Portraits bisacsh / PHILOSOPHY / Aesthetics bisacsh / PHILOSOPHY / General Ästhetik (DE-588)4000626-8 gnd Philosophie (DE-588)4045791-6 gnd Bildnis (DE-588)4006627-7 gnd |
| topic_facet | bicssc / Art styles not defined by date bicssc / Painting & paintings bicssc / Photography & photographs bisacsh / ART / Subjects & Themes / Portraits bisacsh / PHILOSOPHY / Aesthetics bisacsh / PHILOSOPHY / General Ästhetik Philosophie Bildnis Aufsatzsammlung Konferenzschrift 2018 College Park, MD |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034131270&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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