Beethoven the European: transcultural contexts of performance, interpretation and reception
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Turnhout
Brepols
2022
|
| Schriftenreihe: | Specvlvm mvsicae
volume 48 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | xix, 410 Seiten Illustrationen, Notenbeispiele |
| ISBN: | 9782503602905 |
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Datensatz im Suchindex
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| adam_text | Contents Malcolm Miller - William Kinderman ix Preface Politics, Aesthetics and Ideology William Kinderman Beethoven’s Ninth Symphony as a Disputed Symbol of Community: From Thomas Mann’s Doktor Faustus to the Brexiteers of 2019 3 Michael Christoforidis - Peter Tregear Beethoven, the Congress of Verona and the Concert of Europe in 1822/1823 23 David B. Dennis Beethoven’s 100th Todestag in 1927: Ideological Battles over the Composer and His Music in Weimar Political Culture 39 Sanna Iitti Patriotism and Islam in Ludwig van Beethoven’s The Ruins ofAthens, Op. 113, andKing Stephen, Op. 117 59 Arabella Pare Beethoven as a Transnational Composer: Straßenmusik, Verbunkos and the Trio Op. 11 ‘Gassenhauer’ 77 Susan Cooper Beethoven, His Circle and Horace 95
Reception across Europe and beyond María Encina Cortizo - Ramón Sobrino Interpreting Beethoven in Spain in the 19th Century: The Arrival of His Symphonic Music to a Nascent Concert Life 123 Chiara Sintoni Ludwig van Beethoven and His Reception in Piano Methods of the First Half of the 19th Century 155 - Frédéric de La Grandville Who Are You, Mr Bethowen ? David Hurwitz Beethoven’s French Liturgical Organ Music - No, Really 175 - 191 David Rowland Further Light on Clementis 1807 Contract with Beethoven 203 Mai Koshikakezawa Beethovens ‘Moonlight’ Sonata and the Japanese Reception of Western Music 217 Alison Minkus Reception and Reflection of Beethoven’s Works at the Philharmonic Society of New York (1842-1892) 239 Performance and Analysis Barry Cooper Performing Beethoven’s Vocal Music in the 21st Century 281 Ned Kellenberger Beethoven’s Violin Concerto Opus 61: Toward Performance ofAlternate Solo Violin Parts 299
Malcolm Miller Beethoven s Registrai Structures and Strategies of Transcendence in the Late Piano Sonatas 319 Eftychia Papanikolaou Uwe Scholz’s Choreographic Conception of Beethovens Seventh Symphony 345 Peng Du Krol The Whimsical Character of Beethovens Salieri Piano Variations, WoO 73 (1799) 371 Abstracts and Biographies 389 Index of Names 401
Malcolm Miller, musicologist and pianist, is Honorary Associate in Music and Associate Lecturer at the Open University, UK. He received his doctorate at King’s College, London, and has published widely on Beethoven, Wagner and contemporary music. He is contributing editor or Arietta, Journal oj the Beethoven Piano Society oj Europe and his essavs and chapters appear in Beethoven s String Quartets (University or Illinois Press, 2006), The llagnerJournal, Ernest Bloch Studies (CUP, 2016), Music Essence and Context (Springer International Publishing, 2019), and Mapping Jewish Music oļ Southern Germany (Allitera Verlag, 2021). He is contributing co-cdiror of Music and Exile: Eroni 1933 io the Present Day (Brill, 2023). William Kinderman is Professor and Krown Klein Chair of Performance Studies at the Herb Alpert School of Music, University of California, Los Angeles. His books include Beethoven’s Diabelit Variations, Beethoven, a three-volume study of Beethoven’s creative process, Mozart’s Piano Music, Il agner’s « Parsi/al», lhe Creative Process in MusicJrom Mozart to Kurtag, and most recentlv, Beethoven: A Political Artist in Revolutionary Eimes. As pianist, he has recorded Beethoven’s last sonatas and Diabelli Variations. Recentlv, he has given lectures, lecture recitals and piano performances in major centers including New York, Philadelphia, Vienna, Bonn, Beijing, and Shanghai.
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| adam_txt |
Contents Malcolm Miller - William Kinderman ix Preface Politics, Aesthetics and Ideology William Kinderman Beethoven’s Ninth Symphony as a Disputed Symbol of Community: From Thomas Mann’s Doktor Faustus to the Brexiteers of 2019 3 Michael Christoforidis - Peter Tregear Beethoven, the Congress of Verona and the Concert of Europe in 1822/1823 23 David B. Dennis Beethoven’s 100th Todestag in 1927: Ideological Battles over the Composer and His Music in Weimar Political Culture 39 Sanna Iitti Patriotism and Islam in Ludwig van Beethoven’s The Ruins ofAthens, Op. 113, andKing Stephen, Op. 117 59 Arabella Pare Beethoven as a Transnational Composer: Straßenmusik, Verbunkos and the Trio Op. 11 ‘Gassenhauer’ 77 Susan Cooper Beethoven, His Circle and Horace 95
Reception across Europe and beyond María Encina Cortizo - Ramón Sobrino Interpreting Beethoven in Spain in the 19th Century: The Arrival of His Symphonic Music to a Nascent Concert Life 123 Chiara Sintoni Ludwig van Beethoven and His Reception in Piano Methods of the First Half of the 19th Century 155 - Frédéric de La Grandville Who Are You, Mr Bethowen ? David Hurwitz Beethoven’s French Liturgical Organ Music - No, Really 175 - 191 David Rowland Further Light on Clementis 1807 Contract with Beethoven 203 Mai Koshikakezawa Beethovens ‘Moonlight’ Sonata and the Japanese Reception of Western Music 217 Alison Minkus Reception and Reflection of Beethoven’s Works at the Philharmonic Society of New York (1842-1892) 239 Performance and Analysis Barry Cooper Performing Beethoven’s Vocal Music in the 21st Century 281 Ned Kellenberger Beethoven’s Violin Concerto Opus 61: Toward Performance ofAlternate Solo Violin Parts 299
Malcolm Miller Beethoven s Registrai Structures and Strategies of Transcendence in the Late Piano Sonatas 319 Eftychia Papanikolaou Uwe Scholz’s Choreographic Conception of Beethovens Seventh Symphony 345 Peng Du Krol The Whimsical Character of Beethovens Salieri Piano Variations, WoO 73 (1799) 371 Abstracts and Biographies 389 Index of Names 401
Malcolm Miller, musicologist and pianist, is Honorary Associate in Music and Associate Lecturer at the Open University, UK. He received his doctorate at King’s College, London, and has published widely on Beethoven, Wagner and contemporary music. He is contributing editor or Arietta, Journal oj the Beethoven Piano Society oj Europe and his essavs and chapters appear in Beethoven's String Quartets (University or Illinois Press, 2006), The llagnerJournal, Ernest Bloch Studies (CUP, 2016), Music Essence and Context (Springer International Publishing, 2019), and Mapping Jewish Music oļ Southern Germany (Allitera Verlag, 2021). He is contributing co-cdiror of Music and Exile: Eroni 1933 io the Present Day (Brill, 2023). William Kinderman is Professor and Krown Klein Chair of Performance Studies at the Herb Alpert School of Music, University of California, Los Angeles. His books include Beethoven’s Diabelit Variations, Beethoven, a three-volume study of Beethoven’s creative process, Mozart’s Piano Music, Il agner’s « Parsi/al», lhe Creative Process in MusicJrom Mozart to Kurtag, and most recentlv, Beethoven: A Political Artist in Revolutionary Eimes. As pianist, he has recorded Beethoven’s last sonatas and Diabelli Variations. Recentlv, he has given lectures, lecture recitals and piano performances in major centers including New York, Philadelphia, Vienna, Bonn, Beijing, and Shanghai. |
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| spelling | Beethoven the European transcultural contexts of performance, interpretation and reception edited by Malcolm Miller, William Kinderman Turnhout Brepols 2022 xix, 410 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Specvlvm mvsicae volume 48 Beethoven, Ludwig van 1770-1827 (DE-588)118508288 gnd rswk-swf Geschichte gnd rswk-swf bicssc / Individual composers & musicians, specific bands & groups bisacsh / MUSIC / History & Criticism bisacsh / MUSIC / Individual Composer & Musician Rezeption (DE-588)4049716-1 gnd rswk-swf Europa (DE-588)4015701-5 gnd rswk-swf (DE-588)1071861417 Konferenzschrift Centro Studi Opera Omnia Luigi Boccherini 04.12.2020-06.12.2020 Lucca gnd-content Beethoven, Ludwig van 1770-1827 (DE-588)118508288 p Rezeption (DE-588)4049716-1 s Europa (DE-588)4015701-5 g Geschichte z DE-604 Miller, Malcolm (DE-588)1053351224 edt wpr aut Kinderman, William 1952- (DE-588)140853243 edt wpr aut Specvlvm mvsicae volume 48 (DE-604)BV011188963 48 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034127084&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034127084&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
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| title | Beethoven the European transcultural contexts of performance, interpretation and reception |
| title_auth | Beethoven the European transcultural contexts of performance, interpretation and reception |
| title_exact_search | Beethoven the European transcultural contexts of performance, interpretation and reception |
| title_exact_search_txtP | Beethoven the European transcultural contexts of performance, interpretation and reception |
| title_full | Beethoven the European transcultural contexts of performance, interpretation and reception edited by Malcolm Miller, William Kinderman |
| title_fullStr | Beethoven the European transcultural contexts of performance, interpretation and reception edited by Malcolm Miller, William Kinderman |
| title_full_unstemmed | Beethoven the European transcultural contexts of performance, interpretation and reception edited by Malcolm Miller, William Kinderman |
| title_short | Beethoven the European |
| title_sort | beethoven the european transcultural contexts of performance interpretation and reception |
| title_sub | transcultural contexts of performance, interpretation and reception |
| topic | Beethoven, Ludwig van 1770-1827 (DE-588)118508288 gnd bicssc / Individual composers & musicians, specific bands & groups bisacsh / MUSIC / History & Criticism bisacsh / MUSIC / Individual Composer & Musician Rezeption (DE-588)4049716-1 gnd |
| topic_facet | Beethoven, Ludwig van 1770-1827 bicssc / Individual composers & musicians, specific bands & groups bisacsh / MUSIC / History & Criticism bisacsh / MUSIC / Individual Composer & Musician Rezeption Europa Konferenzschrift Centro Studi Opera Omnia Luigi Boccherini 04.12.2020-06.12.2020 Lucca |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034127084&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034127084&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV011188963 |
| work_keys_str_mv | AT millermalcolm beethoventheeuropeantransculturalcontextsofperformanceinterpretationandreception AT kindermanwilliam beethoventheeuropeantransculturalcontextsofperformanceinterpretationandreception |