Subject to change: writings and interviews
"Subject to Change: Writings and Interviews brings together catalogue statements, essays, conversations, lecture notes, communications with gallerists and writers, and unpublished writings by Liz Magor, of the most important contemporary artists of the last fifty years. In addition to writings...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Montreal
Concordia University Press
2022
|
| Ausgabe: | First English edition |
| Schriftenreihe: | Text/context
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Inhaltsverzeichnis |
| Zusammenfassung: | "Subject to Change: Writings and Interviews brings together catalogue statements, essays, conversations, lecture notes, communications with gallerists and writers, and unpublished writings by Liz Magor, of the most important contemporary artists of the last fifty years. In addition to writings spanning more than four decades, the book features a preface by Magor, as well as an introductory essay by critic and curator Philip Monk. A sculptor who replicates quotidian objects, often combining them with found ephemera or complicating their shape or size, Liz Magor prompts viewers of her sculptures to endow them with stories and histories of their own making. As a writer, Magor uses narrative to make sense of her own work, but she also returns to themes over the course of her career including subject/object relations and transformations; training systems for artists; consumption and commodification; human attachment and relationships; and complexities of time, place, and situation, particularly her own as a feminist artist in a settler-colonial society. Subject to Change is essential reading for anyone interested in Magor's practice, as well as broader questions in art since the 1970s."-- |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | xxix, 373 Seiten Illustrationen 23 cm |
| ISBN: | 9781988111339 1988111331 |
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| 520 | 3 | |a "Subject to Change: Writings and Interviews brings together catalogue statements, essays, conversations, lecture notes, communications with gallerists and writers, and unpublished writings by Liz Magor, of the most important contemporary artists of the last fifty years. In addition to writings spanning more than four decades, the book features a preface by Magor, as well as an introductory essay by critic and curator Philip Monk. A sculptor who replicates quotidian objects, often combining them with found ephemera or complicating their shape or size, Liz Magor prompts viewers of her sculptures to endow them with stories and histories of their own making. As a writer, Magor uses narrative to make sense of her own work, but she also returns to themes over the course of her career including subject/object relations and transformations; training systems for artists; consumption and commodification; human attachment and relationships; and complexities of time, place, and situation, particularly her own as a feminist artist in a settler-colonial society. Subject to Change is essential reading for anyone interested in Magor's practice, as well as broader questions in art since the 1970s."-- | |
| 533 | |n Issued also in electronic format | ||
| 600 | 1 | 7 | |a Magor, Liz |d 1948- |0 (DE-588)130481483 |2 gnd |9 rswk-swf |
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| 653 | 0 | |a Art | |
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| 653 | 0 | |a Sculpture | |
| 653 | 0 | |a Art, Canadian | |
| 653 | 0 | |a Artists | |
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Datensatz im Suchindex
| _version_ | 1811019810065088512 |
|---|---|
| adam_text |
TABLE OF CONTENTS
ACKNOWLEDGEMENTS
.
IX
AUTHORS
NOTE.XI
INTRODUCTION BY PHILIP MONK: WORRYING THE WORLD OF THINGS - XV
WHAT PEOPLE DO FOR
WORK.1
PRODUCTION/REPRODUCTION.5
LIKE A
TUNE.9
THE MOST SHE WEIGHED, THE LEAST SHE WEIGHED
.
13
FOUR NOTABLE
BAKERS.51
LIZ MAGOR IN DISCUSSION WITH IAN CARR-HARRIS
.
101
PULP FICTION PRESENTS THE SPECIAL COLLECTION
.
131
ON MERCER UNION, INSTALLATION, PALACES, AND SHELTER
.
137
AUTO
PORTRAIT.149
AN ARTISTS THROUGHTS ON CONSERVATION AND CURATORIAL ISSUES
.
159
STATEMENT FOR SIBERIAN
HUSKY.167
HOME AND NATIVE
LAND.171
FEBRUARY 20,
1864.183
HOUSE
PLANT.189
MAPLE LEAF
CONFECTIONERY.195
WHITE HOUSE
PAINT.201
MESSENGER.207
MILITARY THROUGH THE AGES
.
213
BLUE
STUDENTS.217
THE FORCES OF WOLFE AND
MONTCALM.227
ON RETREATS AND FAKE
DOGS.231
THE
LENTICULAR.241
FAINT.245
ON RITA
MCBRIDE.251
ANCIENT
AFFECTIONS.255
THERESE VEH, 1902-1986
.
263
ABOUT BLANKETS; KINGS AND QUEENS
.
267
BURN, BURN, BURN
.
271
ABOUT LETHBRIDGE
TELEGRAM.285
STATEMENT FOR THE CAPILANO
REVIEW.289
POODLES.293
TO LIZ
MULHOLLAND.297
OUT
HERE.301
A CONVERSATION WITH LIZ
MAGOR.305
COMMENT WITH REGARD TO THE SCULPTURAL WORK CUPPED
.
319
TO ASK SHEILA
HETI.323
STONECROFT
LECTURE.
327
ON AN EIGHT-SIDED TLINGIT
BOX.335
BUCKLE.339
WHAT DOES AMBITION LOOK LIKE, AND WHAT FORM DOES
FAILURE
TAKE?.343
ENTERTAINING THE CONTRADICTION
.
347
ZERO THINGS: LIZ MAGOR INTERVIEWED BY LEE ANN NORMAN
.
351
SPRING/SUMMER
2020.357
IMAGE CAPTIONS AND CREDITS
.
366
INDEX.368 |
| adam_txt |
TABLE OF CONTENTS
ACKNOWLEDGEMENTS
.
IX
AUTHORS
NOTE.XI
INTRODUCTION BY PHILIP MONK: WORRYING THE WORLD OF THINGS - XV
WHAT PEOPLE DO FOR
WORK.1
PRODUCTION/REPRODUCTION.5
LIKE A
TUNE.9
THE MOST SHE WEIGHED, THE LEAST SHE WEIGHED
.
13
FOUR NOTABLE
BAKERS.51
LIZ MAGOR IN DISCUSSION WITH IAN CARR-HARRIS
.
101
PULP FICTION PRESENTS THE SPECIAL COLLECTION
.
131
ON MERCER UNION, INSTALLATION, PALACES, AND SHELTER
.
137
AUTO
PORTRAIT.149
AN ARTISTS THROUGHTS ON CONSERVATION AND CURATORIAL ISSUES
.
159
STATEMENT FOR SIBERIAN
HUSKY.167
HOME AND NATIVE
LAND.171
FEBRUARY 20,
1864.183
HOUSE
PLANT.189
MAPLE LEAF
CONFECTIONERY.195
WHITE HOUSE
PAINT.201
MESSENGER.207
MILITARY THROUGH THE AGES
.
213
BLUE
STUDENTS.217
THE FORCES OF WOLFE AND
MONTCALM.227
ON RETREATS AND FAKE
DOGS.231
THE
LENTICULAR.241
FAINT.245
ON RITA
MCBRIDE.251
ANCIENT
AFFECTIONS.255
THERESE VEH, 1902-1986
.
263
ABOUT BLANKETS; KINGS AND QUEENS
.
267
BURN, BURN, BURN
.
271
ABOUT LETHBRIDGE
TELEGRAM.285
STATEMENT FOR THE CAPILANO
REVIEW.289
POODLES.293
TO LIZ
MULHOLLAND.297
OUT
HERE.301
A CONVERSATION WITH LIZ
MAGOR.305
COMMENT WITH REGARD TO THE SCULPTURAL WORK CUPPED
.
319
TO ASK SHEILA
HETI.323
STONECROFT
LECTURE.
327
ON AN EIGHT-SIDED TLINGIT
BOX.335
BUCKLE.339
WHAT DOES AMBITION LOOK LIKE, AND WHAT FORM DOES
FAILURE
TAKE?.343
ENTERTAINING THE CONTRADICTION
.
347
ZERO THINGS: LIZ MAGOR INTERVIEWED BY LEE ANN NORMAN
.
351
SPRING/SUMMER
2020.357
IMAGE CAPTIONS AND CREDITS
.
366
INDEX.368 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Magor, Liz 1948- |
| author_GND | (DE-588)130481483 |
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| dewey-full | 730.92 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 730 - Sculpture and related arts |
| dewey-raw | 730.92 |
| dewey-search | 730.92 |
| dewey-sort | 3730.92 |
| dewey-tens | 730 - Sculpture and related arts |
| discipline | Kunstgeschichte |
| discipline_str_mv | Kunstgeschichte |
| edition | First English edition |
| format | Book |
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| spelling | Magor, Liz 1948- (DE-588)130481483 aut ive Subject to change writings and interviews Liz Magor First English edition Montreal Concordia University Press 2022 xxix, 373 Seiten Illustrationen 23 cm txt rdacontent n rdamedia nc rdacarrier Text/context Includes bibliographical references and index "Subject to Change: Writings and Interviews brings together catalogue statements, essays, conversations, lecture notes, communications with gallerists and writers, and unpublished writings by Liz Magor, of the most important contemporary artists of the last fifty years. In addition to writings spanning more than four decades, the book features a preface by Magor, as well as an introductory essay by critic and curator Philip Monk. A sculptor who replicates quotidian objects, often combining them with found ephemera or complicating their shape or size, Liz Magor prompts viewers of her sculptures to endow them with stories and histories of their own making. As a writer, Magor uses narrative to make sense of her own work, but she also returns to themes over the course of her career including subject/object relations and transformations; training systems for artists; consumption and commodification; human attachment and relationships; and complexities of time, place, and situation, particularly her own as a feminist artist in a settler-colonial society. Subject to Change is essential reading for anyone interested in Magor's practice, as well as broader questions in art since the 1970s."-- Issued also in electronic format Magor, Liz 1948- (DE-588)130481483 gnd rswk-swf Magor, Liz / 1948- 2000-2099 Artists / Canada Art, Canadian / 21st century Sculpture Art Artistes - Canada Art canadien - 21e siècle Art, Canadian Artists Canada (DE-588)4143413-4 Aufsatzsammlung gnd-content (DE-588)4027503-6 Interview gnd-content Magor, Liz 1948- (DE-588)130481483 p DE-604 Erscheint auch als Online-Ausgabe 978-1-988111-34-6 B:DE-14 V:DE-576 https://swbplus.bsz-bw.de/bsz1837571686inh.htm 20230309160008 Inhaltsverzeichnis V:DE-604 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034127048&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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| title | Subject to change writings and interviews |
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| title_full | Subject to change writings and interviews Liz Magor |
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| title_full_unstemmed | Subject to change writings and interviews Liz Magor |
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