Identity and digital communication: concepts, theories, practices
This comprehensive text explores the relationship between identity, subjectivity and digital communication, providing a strong starting point for understanding how fast-changing communication technologies, platforms, applications and practices have an impact on how we perceive ourselves, others, rel...
Gespeichert in:
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge
2023
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| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Zusammenfassung: | This comprehensive text explores the relationship between identity, subjectivity and digital communication, providing a strong starting point for understanding how fast-changing communication technologies, platforms, applications and practices have an impact on how we perceive ourselves, others, relationships and bodies. Drawing on critical studies of identity, behaviour and representation, Identity and Digital Communication demonstrates how identity is shaped and understood in the context of significant and ongoing shifts in online communication. Chapters cover a range of topics including advances in social networking, the development of deepfake videos, intimacies of everyday communication, the emergence of cultures based on algorithms, the authenticities of TikTok and online communication’s setting as a site for hostility and hate speech. Throughout the text, author Rob Cover shows how the formation and curation of self-identity is increasingly performed and engaged with through digital cultural practices, affirming that these practices must be understood if we are to make sense of identity in the 2020s and beyond. Featuring critical accounts, everyday examples and analysis of key platforms such as TikTok, this textbook is an essential primer for scholars and students in media studies, psychology, cultural studies, sociology, anthropology, computer science, as well as health practitioners, mental health advocates and community members |
| Beschreibung: | 1. Identities: subjectivity and selfhood in a digital world 2. Interactivities: performativity, social media and online participation 3. Bodies: digital corporeality and identity 4. Simulacras: the evolution of the deepfake 5. Geographies: globalisation and re-nationalisation of digital communication 6. Hostilities: trolling, hate speech and exclusion in digital settings 7. Agencies: algorithms, choices and artificial decision-making 8. Authenticities: TikTok and the perception of authentic identities 9. Futures: the self in development |
| Beschreibung: | viii, 181 Seiten |
| ISBN: | 9781032283951 9781032283968 |
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| adam_text | Contents Acknowledgements ix 1 Identities: subjectivity and selfhood in a digital world 1.1 Introduction 1 1.2 Making sense of identity 6 1.3 Early Internet and the idea of identity online 15 1.4 The changing digital world 18 1.5 Angles of identity 21 Keypoints 24 2 Interactivities: performativity, social media and online participation 2.1 Introduction 26 2.2 Participatory digital creativity 27 2.3 Identity performativity and social media profiles 38 2.4 Complexifying identity on social media 45 2.5 Conclusion 49 Keypoints 50 26 3 Bodies: digital corporeality and identity 3.1 Introduction 53 3.2 Defining the body 54 3.3 Representing bodies on the digital screen 58 3.4 Body-technology relationalities 64 3.5 Conclusion 75 Key points 76 53 4 Simulacras: the evolution of the deepfake 78 4.1 Introduction 78 4.2 Deepfake as a topic of concern 79 4.3 Deepfake as a technology of identity (fraud) 81 4.4 Deepfake as a cultural technology 85 4.5 Identity and simulacra 90 4.6 Regulating the deepfake 92 4.7 Conclusion 94 Key points 94 1
viii Contents Geographies: globalisation and re-nationalisation of digital 5 communication 5.1 Introduction 98 5.2 Digital communication as a globalising technology 99 5.3 Beyond the local/global dichotomy 102 5.4 Globalisation and identity 104 5.5 Global and digital space 106 5.6 The re-nationalisation of digital communication 108 5.7 National identity and regulation? 109 5.8 Conclusion 112 Keypoints 112 6 Hostilities: trolling, hate speech and exclusion in digital settings 98 115 6.1 Introduction 115 6.2 What is digital hostility? 116 6.3 Digital hostility as a cultural issuefor the 2020s 120 6.4 Digital divides: misogyny and racism online 122 6.5 Identity and digital hostility 123 6.6 Mass shaming and the digital mob 126 6.7 Identity and cancelled subjectivity 129 6.8 Conclusion 132 Key points 132 7 Agencies: algorithms, choices and artificial decision-making 7,1 Introduction 138 7.2 The Social Dilemma 140 7.3 Algorithms, everyday life and everyday inequalities 146 7.4 Available and unavailable knowledges 149 7.5 Algorithms, identity and agency 150 7.6 Conclusion 151 Keypoints 152 138 8 Authenticities:TikTok and the perception of authentic identities 8.1 Introduction 155 8.2 TikTok in a culture ofplatform renewal 156 8.3 Authenticity and representation 159 8.4 TikTok authenticity and the inconvenience of other people 164 8.5 Conclusion 166 Keypoints 167 155 9 Futures: the self in development 9.1 Introduction 170 9.2 Digital communication and identity 170 9.3 The metaverse and beyond 172 170 Index 175
Identity and Digital Communication This comprehensive text explores the relationship between identity, subjectivity and digital communication, providing a strong starting point for understanding how fast changing communication technologies, platforms, applications and practices have an impact on how we perceive ourselves, others, relationships and bodies. Drawing on critical studies of identity, behaviour and representation, Identity and Digital Communication demonstrates how identity is shaped and understood in the con text of significant and ongoing shifts in online communication. Chapters cover a range of topics including advances in social networking, the development of deepfake videos, intimacies of everyday communication, the emergence of cultures based on algorithms, the authenticities ofTikTok and online communication’s setting as a site for hostility and hate speech. Throughout the text, author Rob Cover shows how the formation and cur ation of self-identity is increasingly performed and engaged with through digital cultural practices, affirming that these practices must be understood if we are to make sense of identity in the 2020s and beyond. Featuring critical accounts, everyday examples and analysis of key platforms such as TikTok, this textbook is an essential primer for scholars and students in media studies, psychology, cultural studies, sociology, anthropology, computer science, as well as health practitioners, mental health advocates and community members. Rob Cover is Professor of Digital Communication at RMIT University, Melbourne, Australia.
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| adam_txt |
Contents Acknowledgements ix 1 Identities: subjectivity and selfhood in a digital world 1.1 Introduction 1 1.2 Making sense of identity 6 1.3 Early Internet and the idea of identity online 15 1.4 The changing digital world 18 1.5 Angles of identity 21 Keypoints 24 2 Interactivities: performativity, social media and online participation 2.1 Introduction 26 2.2 Participatory digital creativity 27 2.3 Identity performativity and social media profiles 38 2.4 Complexifying identity on social media 45 2.5 Conclusion 49 Keypoints 50 26 3 Bodies: digital corporeality and identity 3.1 Introduction 53 3.2 Defining the body 54 3.3 Representing bodies on the digital screen 58 3.4 Body-technology relationalities 64 3.5 Conclusion 75 Key points 76 53 4 Simulacras: the evolution of the deepfake 78 4.1 Introduction 78 4.2 Deepfake as a topic of concern 79 4.3 Deepfake as a technology of identity (fraud) 81 4.4 Deepfake as a cultural technology 85 4.5 Identity and simulacra 90 4.6 Regulating the deepfake 92 4.7 Conclusion 94 Key points 94 1
viii Contents Geographies: globalisation and re-nationalisation of digital 5 communication 5.1 Introduction 98 5.2 Digital communication as a globalising technology 99 5.3 Beyond the local/global dichotomy 102 5.4 Globalisation and identity 104 5.5 Global and digital space 106 5.6 The re-nationalisation of digital communication 108 5.7 National identity and regulation? 109 5.8 Conclusion 112 Keypoints 112 6 Hostilities: trolling, hate speech and exclusion in digital settings 98 115 6.1 Introduction 115 6.2 What is digital hostility? 116 6.3 Digital hostility as a cultural issuefor the 2020s 120 6.4 Digital divides: misogyny and racism online 122 6.5 Identity and digital hostility 123 6.6 Mass shaming and the digital mob 126 6.7 Identity and cancelled subjectivity 129 6.8 Conclusion 132 Key points 132 7 Agencies: algorithms, choices and artificial decision-making 7,1 Introduction 138 7.2 The Social Dilemma 140 7.3 Algorithms, everyday life and everyday inequalities 146 7.4 Available and unavailable knowledges 149 7.5 Algorithms, identity and agency 150 7.6 Conclusion 151 Keypoints 152 138 8 Authenticities:TikTok and the perception of authentic identities 8.1 Introduction 155 8.2 TikTok in a culture ofplatform renewal 156 8.3 Authenticity and representation 159 8.4 TikTok authenticity and the inconvenience of other people 164 8.5 Conclusion 166 Keypoints 167 155 9 Futures: the self in development 9.1 Introduction 170 9.2 Digital communication and identity 170 9.3 The metaverse and beyond 172 170 Index 175
Identity and Digital Communication This comprehensive text explores the relationship between identity, subjectivity and digital communication, providing a strong starting point for understanding how fast changing communication technologies, platforms, applications and practices have an impact on how we perceive ourselves, others, relationships and bodies. Drawing on critical studies of identity, behaviour and representation, Identity and Digital Communication demonstrates how identity is shaped and understood in the con text of significant and ongoing shifts in online communication. Chapters cover a range of topics including advances in social networking, the development of deepfake videos, intimacies of everyday communication, the emergence of cultures based on algorithms, the authenticities ofTikTok and online communication’s setting as a site for hostility and hate speech. Throughout the text, author Rob Cover shows how the formation and cur ation of self-identity is increasingly performed and engaged with through digital cultural practices, affirming that these practices must be understood if we are to make sense of identity in the 2020s and beyond. Featuring critical accounts, everyday examples and analysis of key platforms such as TikTok, this textbook is an essential primer for scholars and students in media studies, psychology, cultural studies, sociology, anthropology, computer science, as well as health practitioners, mental health advocates and community members. Rob Cover is Professor of Digital Communication at RMIT University, Melbourne, Australia. |
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| spelling | Cover, Rob Verfasser (DE-588)1257161946 aut Identity and digital communication concepts, theories, practices Rob Cover London ; New York Routledge 2023 viii, 181 Seiten txt rdacontent n rdamedia nc rdacarrier 1. Identities: subjectivity and selfhood in a digital world 2. Interactivities: performativity, social media and online participation 3. Bodies: digital corporeality and identity 4. Simulacras: the evolution of the deepfake 5. Geographies: globalisation and re-nationalisation of digital communication 6. Hostilities: trolling, hate speech and exclusion in digital settings 7. Agencies: algorithms, choices and artificial decision-making 8. Authenticities: TikTok and the perception of authentic identities 9. Futures: the self in development This comprehensive text explores the relationship between identity, subjectivity and digital communication, providing a strong starting point for understanding how fast-changing communication technologies, platforms, applications and practices have an impact on how we perceive ourselves, others, relationships and bodies. Drawing on critical studies of identity, behaviour and representation, Identity and Digital Communication demonstrates how identity is shaped and understood in the context of significant and ongoing shifts in online communication. Chapters cover a range of topics including advances in social networking, the development of deepfake videos, intimacies of everyday communication, the emergence of cultures based on algorithms, the authenticities of TikTok and online communication’s setting as a site for hostility and hate speech. Throughout the text, author Rob Cover shows how the formation and curation of self-identity is increasingly performed and engaged with through digital cultural practices, affirming that these practices must be understood if we are to make sense of identity in the 2020s and beyond. Featuring critical accounts, everyday examples and analysis of key platforms such as TikTok, this textbook is an essential primer for scholars and students in media studies, psychology, cultural studies, sociology, anthropology, computer science, as well as health practitioners, mental health advocates and community members Computerunterstützte Kommunikation (DE-588)4535905-2 gnd rswk-swf Online-Community (DE-588)1071012568 gnd rswk-swf Internet (DE-588)4308416-3 gnd rswk-swf Identität (DE-588)4026482-8 gnd rswk-swf Internet (DE-588)4308416-3 s Computerunterstützte Kommunikation (DE-588)4535905-2 s Identität (DE-588)4026482-8 s Online-Community (DE-588)1071012568 s DE-604 Erscheint auch als Online-Ausgabe 978-1-003-29665-2 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034123375&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034123375&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
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