Artistic (counter) speech:
Some visual artworks constitute hate speech because they can perform oppressive illocutionary acts. This illocution-based analysis of art reveals how responsive curation and artmaking undermines and manages problematic art. Drawing on the notion of counterspeech as an alternative tool to censorship...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Artikel |
| Sprache: | English |
| Veröffentlicht: |
[2022]
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| Schlagworte: | |
| Zusammenfassung: | Some visual artworks constitute hate speech because they can perform oppressive illocutionary acts. This illocution-based analysis of art reveals how responsive curation and artmaking undermines and manages problematic art. Drawing on the notion of counterspeech as an alternative tool to censorship to handle art-based hate speech, this article proposes aesthetic blocking and aesthetic spotlighting. I then show that under certain conditions, this can lead to eventual metaphysical destruction of the artwork; a way to destroy harmful art without physically destroying it. |
| ISSN: | 0021-8529 |
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| 520 | 3 | |a Some visual artworks constitute hate speech because they can perform oppressive illocutionary acts. This illocution-based analysis of art reveals how responsive curation and artmaking undermines and manages problematic art. Drawing on the notion of counterspeech as an alternative tool to censorship to handle art-based hate speech, this article proposes aesthetic blocking and aesthetic spotlighting. I then show that under certain conditions, this can lead to eventual metaphysical destruction of the artwork; a way to destroy harmful art without physically destroying it. | |
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| spelling | Dixon, Daisy Verfasser aut Artistic (counter) speech Daisy Dixon [2022] txt rdacontent n rdamedia nc rdacarrier Some visual artworks constitute hate speech because they can perform oppressive illocutionary acts. This illocution-based analysis of art reveals how responsive curation and artmaking undermines and manages problematic art. Drawing on the notion of counterspeech as an alternative tool to censorship to handle art-based hate speech, this article proposes aesthetic blocking and aesthetic spotlighting. I then show that under certain conditions, this can lead to eventual metaphysical destruction of the artwork; a way to destroy harmful art without physically destroying it. Zerstörung (DE-588)4222882-7 gnd rswk-swf Illokutiver Akt (DE-588)4122213-1 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Kunstwerk (DE-588)4123592-7 gnd rswk-swf Ästhetik (DE-588)4000626-8 s Illokutiver Akt (DE-588)4122213-1 s Kunstwerk (DE-588)4123592-7 s Zerstörung (DE-588)4222882-7 s DE-604 volume:80 number:4 year:2022 pages:409-419 The journal of aesthetics and art criticism / American Society for Aesthetics. Ed. Thomas Munro Hoboken, NJ, 2022 Volume 80, number 4 (fall 2022), Seite 409-419 (DE-604)BV002662422 0021-8529 (DE-600)2930-0 |
| spellingShingle | Dixon, Daisy Artistic (counter) speech Zerstörung (DE-588)4222882-7 gnd Illokutiver Akt (DE-588)4122213-1 gnd Ästhetik (DE-588)4000626-8 gnd Kunstwerk (DE-588)4123592-7 gnd |
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| title | Artistic (counter) speech |
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| title_full | Artistic (counter) speech Daisy Dixon |
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| title_short | Artistic (counter) speech |
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| topic | Zerstörung (DE-588)4222882-7 gnd Illokutiver Akt (DE-588)4122213-1 gnd Ästhetik (DE-588)4000626-8 gnd Kunstwerk (DE-588)4123592-7 gnd |
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