Transnational solidarity: African American and Irish intersections in public art commemorating Frederick Douglass
African Americans and the Irish have shared histories of oppression—and resistance to it—albeit the result of different forces. Recognition of these historical parallels becomes foundational in developing transnational solidarity that supports resistance movements across the globe. This essay examin...
Gespeichert in:
1. Verfasser: | |
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Format: | Artikel |
Sprache: | English |
Veröffentlicht: |
2022
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Schlagworte: | |
Zusammenfassung: | African Americans and the Irish have shared histories of oppression—and resistance to it—albeit the result of different forces. Recognition of these historical parallels becomes foundational in developing transnational solidarity that supports resistance movements across the globe. This essay examines two examples of the visual representation of Irish/African American transnational solidarity through the iconic figure of African American abolitionist Frederick Douglass. Working in collaboration with University College Cork, Irish activist and writer Don Mullan initially envisioned a statue of Douglass to be located in County Cork that would be unveiled during a planned visit of President Barak Obama to Ireland in 2011. The sculpture was completed but unfortunately did not find a home in Ireland. Instead, it can be found in the United States on the campus of the University of Maryland, College Park. Another effort to commemorate Frederick Douglass and his connection to Ireland can be seen in a mural in New Bedford, Massachusetts. The mural was painted by Irish artist and former IRA member Danny Devenny, who is well known in Ireland for the republican murals he created in Belfast, most notably, one of hunger striker Bobby Sands. The New Bedford mural project was realized through the efforts of Kimberly Wilson, director of the Arnold M. Dubin Labor Education Center at the University of Massachusetts at Dartmouth, inspired by her own interest in political murals that culminated with a meeting in Belfast with Bill Rolston, known for his extensive research on both Republican and Loyalist murals in Northern Ireland. These two works succeed as powerful expressions of transnational solidarity, rightfully celebrating Frederick Douglass, a man who embodied this solidarity through his words and actions and realized at least some of his hopes for inclusive communities as a black man who refused to be marginalized in America or abroad. |
Beschreibung: | Illustrationen |
ISBN: | 978-1-032-12127-7 |
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520 | 3 | |a African Americans and the Irish have shared histories of oppression—and resistance to it—albeit the result of different forces. Recognition of these historical parallels becomes foundational in developing transnational solidarity that supports resistance movements across the globe. This essay examines two examples of the visual representation of Irish/African American transnational solidarity through the iconic figure of African American abolitionist Frederick Douglass. Working in collaboration with University College Cork, Irish activist and writer Don Mullan initially envisioned a statue of Douglass to be located in County Cork that would be unveiled during a planned visit of President Barak Obama to Ireland in 2011. The sculpture was completed but unfortunately did not find a home in Ireland. Instead, it can be found in the United States on the campus of the University of Maryland, College Park. Another effort to commemorate Frederick Douglass and his connection to Ireland can be seen in a mural in New Bedford, Massachusetts. The mural was painted by Irish artist and former IRA member Danny Devenny, who is well known in Ireland for the republican murals he created in Belfast, most notably, one of hunger striker Bobby Sands. The New Bedford mural project was realized through the efforts of Kimberly Wilson, director of the Arnold M. Dubin Labor Education Center at the University of Massachusetts at Dartmouth, inspired by her own interest in political murals that culminated with a meeting in Belfast with Bill Rolston, known for his extensive research on both Republican and Loyalist murals in Northern Ireland. These two works succeed as powerful expressions of transnational solidarity, rightfully celebrating Frederick Douglass, a man who embodied this solidarity through his words and actions and realized at least some of his hopes for inclusive communities as a black man who refused to be marginalized in America or abroad. | |
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spelling | Fowler, Cynthia Verfasser (DE-588)1045681563 aut Transnational solidarity African American and Irish intersections in public art commemorating Frederick Douglass Cynthia Fowler 2022 Illustrationen txt rdacontent n rdamedia nc rdacarrier African Americans and the Irish have shared histories of oppression—and resistance to it—albeit the result of different forces. Recognition of these historical parallels becomes foundational in developing transnational solidarity that supports resistance movements across the globe. This essay examines two examples of the visual representation of Irish/African American transnational solidarity through the iconic figure of African American abolitionist Frederick Douglass. Working in collaboration with University College Cork, Irish activist and writer Don Mullan initially envisioned a statue of Douglass to be located in County Cork that would be unveiled during a planned visit of President Barak Obama to Ireland in 2011. The sculpture was completed but unfortunately did not find a home in Ireland. Instead, it can be found in the United States on the campus of the University of Maryland, College Park. Another effort to commemorate Frederick Douglass and his connection to Ireland can be seen in a mural in New Bedford, Massachusetts. The mural was painted by Irish artist and former IRA member Danny Devenny, who is well known in Ireland for the republican murals he created in Belfast, most notably, one of hunger striker Bobby Sands. The New Bedford mural project was realized through the efforts of Kimberly Wilson, director of the Arnold M. Dubin Labor Education Center at the University of Massachusetts at Dartmouth, inspired by her own interest in political murals that culminated with a meeting in Belfast with Bill Rolston, known for his extensive research on both Republican and Loyalist murals in Northern Ireland. These two works succeed as powerful expressions of transnational solidarity, rightfully celebrating Frederick Douglass, a man who embodied this solidarity through his words and actions and realized at least some of his hopes for inclusive communities as a black man who refused to be marginalized in America or abroad. Mullan, Don 1956- (DE-588)173104126 gnd rswk-swf Douglass, Frederick 1818-1895 (DE-588)118527096 gnd rswk-swf Devenny, Danny 1954- (DE-588)1285443136 gnd rswk-swf Geschichte gnd rswk-swf Unterdrückung (DE-588)4257314-2 gnd rswk-swf Schwarze (DE-588)4116433-7 gnd rswk-swf Iren (DE-588)4109151-6 gnd rswk-swf Bildnis (DE-588)4006627-7 gnd rswk-swf Widerstand (DE-588)4079262-6 gnd rswk-swf Amerika (DE-588)4001670-5 gnd rswk-swf Iren (DE-588)4109151-6 s Amerika (DE-588)4001670-5 g Schwarze (DE-588)4116433-7 s Unterdrückung (DE-588)4257314-2 s Widerstand (DE-588)4079262-6 s Geschichte z DE-604 Douglass, Frederick 1818-1895 (DE-588)118527096 p Bildnis (DE-588)4006627-7 s Mullan, Don 1956- (DE-588)173104126 p Devenny, Danny 1954- (DE-588)1285443136 p pages:136-148 Art history at the crossroads of Ireland and the United States / edited by Cynthia Fowler and Paula Murphy New York ; London, 2022 Seite 136-148 Routledge research in art history (DE-604)BV048825162 978-1-032-12127-7 |
spellingShingle | Fowler, Cynthia Transnational solidarity African American and Irish intersections in public art commemorating Frederick Douglass Mullan, Don 1956- (DE-588)173104126 gnd Douglass, Frederick 1818-1895 (DE-588)118527096 gnd Devenny, Danny 1954- (DE-588)1285443136 gnd Unterdrückung (DE-588)4257314-2 gnd Schwarze (DE-588)4116433-7 gnd Iren (DE-588)4109151-6 gnd Bildnis (DE-588)4006627-7 gnd Widerstand (DE-588)4079262-6 gnd |
subject_GND | (DE-588)173104126 (DE-588)118527096 (DE-588)1285443136 (DE-588)4257314-2 (DE-588)4116433-7 (DE-588)4109151-6 (DE-588)4006627-7 (DE-588)4079262-6 (DE-588)4001670-5 |
title | Transnational solidarity African American and Irish intersections in public art commemorating Frederick Douglass |
title_auth | Transnational solidarity African American and Irish intersections in public art commemorating Frederick Douglass |
title_exact_search | Transnational solidarity African American and Irish intersections in public art commemorating Frederick Douglass |
title_exact_search_txtP | Transnational solidarity African American and Irish intersections in public art commemorating Frederick Douglass |
title_full | Transnational solidarity African American and Irish intersections in public art commemorating Frederick Douglass Cynthia Fowler |
title_fullStr | Transnational solidarity African American and Irish intersections in public art commemorating Frederick Douglass Cynthia Fowler |
title_full_unstemmed | Transnational solidarity African American and Irish intersections in public art commemorating Frederick Douglass Cynthia Fowler |
title_short | Transnational solidarity |
title_sort | transnational solidarity african american and irish intersections in public art commemorating frederick douglass |
title_sub | African American and Irish intersections in public art commemorating Frederick Douglass |
topic | Mullan, Don 1956- (DE-588)173104126 gnd Douglass, Frederick 1818-1895 (DE-588)118527096 gnd Devenny, Danny 1954- (DE-588)1285443136 gnd Unterdrückung (DE-588)4257314-2 gnd Schwarze (DE-588)4116433-7 gnd Iren (DE-588)4109151-6 gnd Bildnis (DE-588)4006627-7 gnd Widerstand (DE-588)4079262-6 gnd |
topic_facet | Mullan, Don 1956- Douglass, Frederick 1818-1895 Devenny, Danny 1954- Unterdrückung Schwarze Iren Bildnis Widerstand Amerika |
work_keys_str_mv | AT fowlercynthia transnationalsolidarityafricanamericanandirishintersectionsinpublicartcommemoratingfrederickdouglass |