Traces in the Way: Michi and the Writings of Komparu Zenchiku
Traces in the Way is simultaneously a critical interpretation of the writings of noh playwright and thinker Komparu Zenchiku (1407-1470); a refutation of received views of Japanese traditional arts (michi); and an analysis of medieval Japanese uses of texts. The disciplinary approach is broadly that...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
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Ithaca, NY
Cornell University Press
[2010]
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| Online-Zugang: | DE-1046 DE-1043 DE-858 DE-859 DE-860 DE-739 DE-473 URL des Erstveröffentlichers |
| Zusammenfassung: | Traces in the Way is simultaneously a critical interpretation of the writings of noh playwright and thinker Komparu Zenchiku (1407-1470); a refutation of received views of Japanese traditional arts (michi); and an analysis of medieval Japanese uses of texts. The disciplinary approach is broadly that of cultural studies, combining close reading, social contextualization, and drawing on multiple fields. The study is organized through the five elements that Konishi Jin'ichi's identified as essential to michi: specialization, transmission, conformity, universality and authority. Each of these is examined critically and revised, providing a basis from which Zenchiku's works can be elucidated. This new approach makes it possible to solve much that in conventional studies has remained puzzling about Zenchiku's works including the principles behind the works of classification, the purposes that resulted in the rokurin ichiro works, and the ideology present in the fragmentary work: Meishukushu. It becomes clear that Zenchiku, far from being a docile recipient of his teacher Zeami's legacy, combined Zeami's texts with those of other michi to radically reposition his own practice in the cultural fields of his day. Zenchiku drew on a range of legitimating styles to fashion a new rationale for performance, one adequate to changing patronage requirements, and appropriate to the circumstances of his troupe. In this position-taking, Zenchiku was strikingly successful, as is witnessed by the survival of the Komparu line through the chaotic century after his death. With this book we come to know a good deal about sarugaku's transmission in the fifteenth century; enough to remedy a facile idealization of Japanese michi |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Feb 2023) |
| Beschreibung: | 1 Online-Ressource (284 Seiten) |
| ISBN: | 9781942242321 |
| DOI: | 10.1515/9781942242321 |
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| doi_str_mv | 10.1515/9781942242321 |
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| spelling | Pinnington, Noel J. Verfasser aut Traces in the Way Michi and the Writings of Komparu Zenchiku Noel J. Pinnington Ithaca, NY Cornell University Press [2010] © 2010 1 Online-Ressource (284 Seiten) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Feb 2023) Traces in the Way is simultaneously a critical interpretation of the writings of noh playwright and thinker Komparu Zenchiku (1407-1470); a refutation of received views of Japanese traditional arts (michi); and an analysis of medieval Japanese uses of texts. The disciplinary approach is broadly that of cultural studies, combining close reading, social contextualization, and drawing on multiple fields. The study is organized through the five elements that Konishi Jin'ichi's identified as essential to michi: specialization, transmission, conformity, universality and authority. Each of these is examined critically and revised, providing a basis from which Zenchiku's works can be elucidated. This new approach makes it possible to solve much that in conventional studies has remained puzzling about Zenchiku's works including the principles behind the works of classification, the purposes that resulted in the rokurin ichiro works, and the ideology present in the fragmentary work: Meishukushu. It becomes clear that Zenchiku, far from being a docile recipient of his teacher Zeami's legacy, combined Zeami's texts with those of other michi to radically reposition his own practice in the cultural fields of his day. Zenchiku drew on a range of legitimating styles to fashion a new rationale for performance, one adequate to changing patronage requirements, and appropriate to the circumstances of his troupe. In this position-taking, Zenchiku was strikingly successful, as is witnessed by the survival of the Komparu line through the chaotic century after his death. With this book we come to know a good deal about sarugaku's transmission in the fifteenth century; enough to remedy a facile idealization of Japanese michi In English Literary Studies LITERARY CRITICISM / Asian / Japanese bisacsh https://doi.org/10.1515/9781942242321 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Pinnington, Noel J. Traces in the Way Michi and the Writings of Komparu Zenchiku Literary Studies LITERARY CRITICISM / Asian / Japanese bisacsh |
| title | Traces in the Way Michi and the Writings of Komparu Zenchiku |
| title_auth | Traces in the Way Michi and the Writings of Komparu Zenchiku |
| title_exact_search | Traces in the Way Michi and the Writings of Komparu Zenchiku |
| title_exact_search_txtP | Traces in the Way Michi and the Writings of Komparu Zenchiku |
| title_full | Traces in the Way Michi and the Writings of Komparu Zenchiku Noel J. Pinnington |
| title_fullStr | Traces in the Way Michi and the Writings of Komparu Zenchiku Noel J. Pinnington |
| title_full_unstemmed | Traces in the Way Michi and the Writings of Komparu Zenchiku Noel J. Pinnington |
| title_short | Traces in the Way |
| title_sort | traces in the way michi and the writings of komparu zenchiku |
| title_sub | Michi and the Writings of Komparu Zenchiku |
| topic | Literary Studies LITERARY CRITICISM / Asian / Japanese bisacsh |
| topic_facet | Literary Studies LITERARY CRITICISM / Asian / Japanese |
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