Uncomfortable television:
From The Wire to Intervention to Girls, postmillennial American television has dazzled audiences with novelistic seriality and cinematic aesthetics. Yet this television is also more perverse: it bombards audiences with misogynistic and racialized violence, graphic sex, substance abuse, unlikeable pr...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[2022]
|
| Schlagworte: | |
| Online-Zugang: | BSB01 FUBA1 FHA01 Volltext |
| Zusammenfassung: | From The Wire to Intervention to Girls, postmillennial American television has dazzled audiences with novelistic seriality and cinematic aesthetics. Yet this television is also more perverse: it bombards audiences with misogynistic and racialized violence, graphic sex, substance abuse, unlikeable protagonists, and the extraordinary exploitation of ordinary people. In Uncomfortable Television, Hunter Hargraves examines how television makes its audiences find pleasure through feeling disturbed. He shows that this turn to discomfort realigns collective definitions of family and pleasure with the values of neoliberal culture. In viscerally violent dramas, cringeworthy ironic comedies, and trashy reality programs alike, televisual unease trains audiences to survive under late capitalism, which demands that individuals accept a certain amount of discomfort, dread, and irritation into their everyday lives. By highlighting how discomfort has been central to the reorganization and legitimization of television as an art form, Hargraves demonstrates television's role in assimilating viewers into worlds marked by precarity, perversity, and crisis |
| Beschreibung: | 1 Online-Ressource (258 Seiten) |
| ISBN: | 9781478024194 |
| DOI: | 10.1515/9781478024194 |
Internformat
MARC
| LEADER | 00000nmm a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV048853986 | ||
| 003 | DE-604 | ||
| 005 | 20240214 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 230310s2022 |||| o||u| ||||||eng d | ||
| 020 | |a 9781478024194 |9 978-1-4780-2419-4 | ||
| 024 | 7 | |a 10.1515/9781478024194 |2 doi | |
| 035 | |a (ZDB-23-DGG)9781478024194 | ||
| 035 | |a (OCoLC)1372485927 | ||
| 035 | |a (DE-599)BVBBV048853986 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 |a DE-188 |a DE-Aug4 | ||
| 082 | 0 | |a 791.450973/0905 |2 23//eng/20221011eng | |
| 100 | 1 | |a Hargraves, Hunter |e Verfasser |0 (DE-588)1285276418 |4 aut | |
| 245 | 1 | 0 | |a Uncomfortable television |c by Hunter Hargraves |
| 264 | 1 | |a Durham |b Duke University Press |c [2022] | |
| 264 | 4 | |c © 2023 | |
| 300 | |a 1 Online-Ressource (258 Seiten) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 520 | |a From The Wire to Intervention to Girls, postmillennial American television has dazzled audiences with novelistic seriality and cinematic aesthetics. Yet this television is also more perverse: it bombards audiences with misogynistic and racialized violence, graphic sex, substance abuse, unlikeable protagonists, and the extraordinary exploitation of ordinary people. In Uncomfortable Television, Hunter Hargraves examines how television makes its audiences find pleasure through feeling disturbed. He shows that this turn to discomfort realigns collective definitions of family and pleasure with the values of neoliberal culture. In viscerally violent dramas, cringeworthy ironic comedies, and trashy reality programs alike, televisual unease trains audiences to survive under late capitalism, which demands that individuals accept a certain amount of discomfort, dread, and irritation into their everyday lives. By highlighting how discomfort has been central to the reorganization and legitimization of television as an art form, Hargraves demonstrates television's role in assimilating viewers into worlds marked by precarity, perversity, and crisis | ||
| 650 | 7 | |a PERFORMING ARTS / Television / History & Criticism |2 bisacsh | |
| 650 | 4 | |a Television broadcasting |x Social aspects |z United States | |
| 650 | 4 | |a Television programs |x Influence |z United States | |
| 650 | 4 | |a Television programs |z United States |x Influence | |
| 650 | 4 | |a Television viewers |z United States | |
| 650 | 4 | |a Television |x History |y 21st century |z United States | |
| 650 | 4 | |a Television |z United States |x History |y 21st century | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |z 978-1-4780-1957-2 |
| 856 | 4 | 0 | |u https://doi.org/10.1515/9781478024194?locatt=mode:legacy |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-23-DGG |a ZDB-198-DUP | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-034119211 | ||
| 966 | e | |u https://doi.org/10.1515/9781478024194?locatt=mode:legacy |l BSB01 |p ZDB-23-DGG |q BSB_PDA_DGG_Kauf23 |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1215/9781478024194 |l FUBA1 |p ZDB-198-DUP |q ZDB-198-DUP 2023 |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9781478024194?locatt=mode:legacy |l FHA01 |p ZDB-23-DGG |q FHA_PDA_DGG |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1804184976382492672 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Hargraves, Hunter |
| author_GND | (DE-588)1285276418 |
| author_facet | Hargraves, Hunter |
| author_role | aut |
| author_sort | Hargraves, Hunter |
| author_variant | h h hh |
| building | Verbundindex |
| bvnumber | BV048853986 |
| collection | ZDB-23-DGG ZDB-198-DUP |
| ctrlnum | (ZDB-23-DGG)9781478024194 (OCoLC)1372485927 (DE-599)BVBBV048853986 |
| dewey-full | 791.450973/0905 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.450973/0905 |
| dewey-search | 791.450973/0905 |
| dewey-sort | 3791.450973 3905 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| discipline_str_mv | Allgemeines |
| doi_str_mv | 10.1515/9781478024194 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03146nmm a2200469 c 4500</leader><controlfield tag="001">BV048853986</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20240214 </controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">230310s2022 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781478024194</subfield><subfield code="9">978-1-4780-2419-4</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9781478024194</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-23-DGG)9781478024194</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1372485927</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV048853986</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-188</subfield><subfield code="a">DE-Aug4</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">791.450973/0905</subfield><subfield code="2">23//eng/20221011eng</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Hargraves, Hunter</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1285276418</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Uncomfortable television</subfield><subfield code="c">by Hunter Hargraves</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Durham</subfield><subfield code="b">Duke University Press</subfield><subfield code="c">[2022]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2023</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (258 Seiten)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">From The Wire to Intervention to Girls, postmillennial American television has dazzled audiences with novelistic seriality and cinematic aesthetics. Yet this television is also more perverse: it bombards audiences with misogynistic and racialized violence, graphic sex, substance abuse, unlikeable protagonists, and the extraordinary exploitation of ordinary people. In Uncomfortable Television, Hunter Hargraves examines how television makes its audiences find pleasure through feeling disturbed. He shows that this turn to discomfort realigns collective definitions of family and pleasure with the values of neoliberal culture. In viscerally violent dramas, cringeworthy ironic comedies, and trashy reality programs alike, televisual unease trains audiences to survive under late capitalism, which demands that individuals accept a certain amount of discomfort, dread, and irritation into their everyday lives. By highlighting how discomfort has been central to the reorganization and legitimization of television as an art form, Hargraves demonstrates television's role in assimilating viewers into worlds marked by precarity, perversity, and crisis</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS / Television / History & Criticism</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Television broadcasting</subfield><subfield code="x">Social aspects</subfield><subfield code="z">United States</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Television programs</subfield><subfield code="x">Influence</subfield><subfield code="z">United States</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Television programs</subfield><subfield code="z">United States</subfield><subfield code="x">Influence</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Television viewers</subfield><subfield code="z">United States</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Television</subfield><subfield code="x">History</subfield><subfield code="y">21st century</subfield><subfield code="z">United States</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Television</subfield><subfield code="z">United States</subfield><subfield code="x">History</subfield><subfield code="y">21st century</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="z">978-1-4780-1957-2</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1515/9781478024194?locatt=mode:legacy</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DGG</subfield><subfield code="a">ZDB-198-DUP</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-034119211</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781478024194?locatt=mode:legacy</subfield><subfield code="l">BSB01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">BSB_PDA_DGG_Kauf23</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1215/9781478024194</subfield><subfield code="l">FUBA1</subfield><subfield code="p">ZDB-198-DUP</subfield><subfield code="q">ZDB-198-DUP 2023</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781478024194?locatt=mode:legacy</subfield><subfield code="l">FHA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FHA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| id | DE-604.BV048853986 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T21:40:52Z |
| indexdate | 2024-07-10T09:47:53Z |
| institution | BVB |
| isbn | 9781478024194 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034119211 |
| oclc_num | 1372485927 |
| open_access_boolean | |
| owner | DE-12 DE-188 DE-Aug4 |
| owner_facet | DE-12 DE-188 DE-Aug4 |
| physical | 1 Online-Ressource (258 Seiten) |
| psigel | ZDB-23-DGG ZDB-198-DUP ZDB-23-DGG BSB_PDA_DGG_Kauf23 ZDB-198-DUP ZDB-198-DUP 2023 ZDB-23-DGG FHA_PDA_DGG |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | Duke University Press |
| record_format | marc |
| spelling | Hargraves, Hunter Verfasser (DE-588)1285276418 aut Uncomfortable television by Hunter Hargraves Durham Duke University Press [2022] © 2023 1 Online-Ressource (258 Seiten) txt rdacontent c rdamedia cr rdacarrier From The Wire to Intervention to Girls, postmillennial American television has dazzled audiences with novelistic seriality and cinematic aesthetics. Yet this television is also more perverse: it bombards audiences with misogynistic and racialized violence, graphic sex, substance abuse, unlikeable protagonists, and the extraordinary exploitation of ordinary people. In Uncomfortable Television, Hunter Hargraves examines how television makes its audiences find pleasure through feeling disturbed. He shows that this turn to discomfort realigns collective definitions of family and pleasure with the values of neoliberal culture. In viscerally violent dramas, cringeworthy ironic comedies, and trashy reality programs alike, televisual unease trains audiences to survive under late capitalism, which demands that individuals accept a certain amount of discomfort, dread, and irritation into their everyday lives. By highlighting how discomfort has been central to the reorganization and legitimization of television as an art form, Hargraves demonstrates television's role in assimilating viewers into worlds marked by precarity, perversity, and crisis PERFORMING ARTS / Television / History & Criticism bisacsh Television broadcasting Social aspects United States Television programs Influence United States Television programs United States Influence Television viewers United States Television History 21st century United States Television United States History 21st century Erscheint auch als Druck-Ausgabe 978-1-4780-1957-2 https://doi.org/10.1515/9781478024194?locatt=mode:legacy Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Hargraves, Hunter Uncomfortable television PERFORMING ARTS / Television / History & Criticism bisacsh Television broadcasting Social aspects United States Television programs Influence United States Television programs United States Influence Television viewers United States Television History 21st century United States Television United States History 21st century |
| title | Uncomfortable television |
| title_auth | Uncomfortable television |
| title_exact_search | Uncomfortable television |
| title_exact_search_txtP | Uncomfortable television |
| title_full | Uncomfortable television by Hunter Hargraves |
| title_fullStr | Uncomfortable television by Hunter Hargraves |
| title_full_unstemmed | Uncomfortable television by Hunter Hargraves |
| title_short | Uncomfortable television |
| title_sort | uncomfortable television |
| topic | PERFORMING ARTS / Television / History & Criticism bisacsh Television broadcasting Social aspects United States Television programs Influence United States Television programs United States Influence Television viewers United States Television History 21st century United States Television United States History 21st century |
| topic_facet | PERFORMING ARTS / Television / History & Criticism Television broadcasting Social aspects United States Television programs Influence United States Television programs United States Influence Television viewers United States Television History 21st century United States Television United States History 21st century |
| url | https://doi.org/10.1515/9781478024194?locatt=mode:legacy |
| work_keys_str_mv | AT hargraveshunter uncomfortabletelevision |