The sense of place in contemporary cinema:
Examines the purpose that place serves in filmsAnalyzes the importance of the notion of place in contemporary cinema, using in particular theories of space that were developed in the fields of geography and anthropology (landscapes, territories, site)Employs the various theories of space in cinema t...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
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Edinburgh
Edinburgh University Press
[2023]
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| Online-Zugang: | BSB01 FHA01 UBG01 URL des Erstveröffentlichers URL des Erstveröffentlichers |
| Zusammenfassung: | Examines the purpose that place serves in filmsAnalyzes the importance of the notion of place in contemporary cinema, using in particular theories of space that were developed in the fields of geography and anthropology (landscapes, territories, site)Employs the various theories of space in cinema that have been developed since the 1960's, most particularly from a phenomenological point of viewIncludes European, North and South American, Russian and Asian contemporary filmsWhat purpose does place serve in films? When it is not just a background to actions, or indistinguishable from the landscape, or a simple space to walk through, a kind of neutral territory? Such filmmakers as Chantal Akerman, Lisandro Alonso, Pedro Costa, Bruno Dumont, Béla Tarr, Avi Mograbi, Tariq Teguia, Philippe Grandrieux, Danièle Huillet & Jean-Marie Straub and Sharunas Bartas, chose not to focus solely the cinematic narration on the fate of the characters. They showed telluric spatialities, inhabited territories, existential matrices where ways of doing and of living were mobilized, where forces of emancipation and existential weaknesses were carried out. Welcoming rooms, remarkable transitions, havens for individual and communal destinies: place in cinema sometimes implies the insecurity of an unfinished project, sometimes the solidity of fortifications. The Sense of Place in Cinema demonstrates the importance of place and its aesthetic potentialities in film |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Feb 2023) |
| Beschreibung: | 1 Online-Ressource (198 Seiten) Illustrationen |
| ISBN: | 9781399501415 9781399501422 |
| DOI: | 10.1515/9781399501415 |
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| 240 | 1 | 0 | |a Du parti pris des lieux dans le cinéma contemporain <English> |
| 245 | 1 | 0 | |a The sense of place in contemporary cinema |c Corinne Maury ; translated by Francis Guévremont |
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| 520 | |a Examines the purpose that place serves in filmsAnalyzes the importance of the notion of place in contemporary cinema, using in particular theories of space that were developed in the fields of geography and anthropology (landscapes, territories, site)Employs the various theories of space in cinema that have been developed since the 1960's, most particularly from a phenomenological point of viewIncludes European, North and South American, Russian and Asian contemporary filmsWhat purpose does place serve in films? When it is not just a background to actions, or indistinguishable from the landscape, or a simple space to walk through, a kind of neutral territory? Such filmmakers as Chantal Akerman, Lisandro Alonso, Pedro Costa, Bruno Dumont, Béla Tarr, Avi Mograbi, Tariq Teguia, Philippe Grandrieux, Danièle Huillet & Jean-Marie Straub and Sharunas Bartas, chose not to focus solely the cinematic narration on the fate of the characters. They showed telluric spatialities, inhabited territories, existential matrices where ways of doing and of living were mobilized, where forces of emancipation and existential weaknesses were carried out. Welcoming rooms, remarkable transitions, havens for individual and communal destinies: place in cinema sometimes implies the insecurity of an unfinished project, sometimes the solidity of fortifications. The Sense of Place in Cinema demonstrates the importance of place and its aesthetic potentialities in film | ||
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Datensatz im Suchindex
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| author | Maury, Corinne 1968- |
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| dewey-full | 791.43025 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
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| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| discipline_str_mv | Allgemeines |
| doi_str_mv | 10.1515/9781399501415 |
| format | Electronic eBook |
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| spelling | Maury, Corinne 1968- Verfasser (DE-588)1240705336 aut Du parti pris des lieux dans le cinéma contemporain <English> The sense of place in contemporary cinema Corinne Maury ; translated by Francis Guévremont Edinburgh Edinburgh University Press [2023] © 2022 1 Online-Ressource (198 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Feb 2023) Examines the purpose that place serves in filmsAnalyzes the importance of the notion of place in contemporary cinema, using in particular theories of space that were developed in the fields of geography and anthropology (landscapes, territories, site)Employs the various theories of space in cinema that have been developed since the 1960's, most particularly from a phenomenological point of viewIncludes European, North and South American, Russian and Asian contemporary filmsWhat purpose does place serve in films? When it is not just a background to actions, or indistinguishable from the landscape, or a simple space to walk through, a kind of neutral territory? Such filmmakers as Chantal Akerman, Lisandro Alonso, Pedro Costa, Bruno Dumont, Béla Tarr, Avi Mograbi, Tariq Teguia, Philippe Grandrieux, Danièle Huillet & Jean-Marie Straub and Sharunas Bartas, chose not to focus solely the cinematic narration on the fate of the characters. They showed telluric spatialities, inhabited territories, existential matrices where ways of doing and of living were mobilized, where forces of emancipation and existential weaknesses were carried out. Welcoming rooms, remarkable transitions, havens for individual and communal destinies: place in cinema sometimes implies the insecurity of an unfinished project, sometimes the solidity of fortifications. The Sense of Place in Cinema demonstrates the importance of place and its aesthetic potentialities in film In English Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh Guévremont, Francis trl Erscheint auch als Druck-Ausgabe 978-1-399-50139-2 https://www.cambridge.org/core/product/identifier/9781399501415/type/BOOK Verlag URL des Erstveröffentlichers Volltext https://doi.org/10.1515/9781399501415 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Maury, Corinne 1968- The sense of place in contemporary cinema Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh |
| title | The sense of place in contemporary cinema |
| title_alt | Du parti pris des lieux dans le cinéma contemporain <English> |
| title_auth | The sense of place in contemporary cinema |
| title_exact_search | The sense of place in contemporary cinema |
| title_exact_search_txtP | The sense of place in contemporary cinema |
| title_full | The sense of place in contemporary cinema Corinne Maury ; translated by Francis Guévremont |
| title_fullStr | The sense of place in contemporary cinema Corinne Maury ; translated by Francis Guévremont |
| title_full_unstemmed | The sense of place in contemporary cinema Corinne Maury ; translated by Francis Guévremont |
| title_short | The sense of place in contemporary cinema |
| title_sort | the sense of place in contemporary cinema |
| topic | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh |
| topic_facet | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production |
| url | https://www.cambridge.org/core/product/identifier/9781399501415/type/BOOK https://doi.org/10.1515/9781399501415 |
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