Prophets of the Hood: Politics and Poetics in Hip Hop
At once the most lucrative, popular, and culturally oppositional musical force in the United States, hip hop demands the kind of interpretation Imani Perry provides here: criticism engaged with this vibrant musical form on its own terms. A scholar and a fan, Perry considers the art, politics, and cu...
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Format: | Elektronisch E-Book |
Sprache: | English |
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Durham
Duke University Press
[2004]
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Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 Volltext |
Zusammenfassung: | At once the most lucrative, popular, and culturally oppositional musical force in the United States, hip hop demands the kind of interpretation Imani Perry provides here: criticism engaged with this vibrant musical form on its own terms. A scholar and a fan, Perry considers the art, politics, and culture of hip hop through an analysis of song lyrics, the words of the prophets of the hood. Recognizing prevailing characterizations of hip hop as a transnational musical form, Perry advances a powerful argument that hip hop is first and foremost black American music. At the same time, she contends that many studies have shortchanged the aesthetic value of rap by attributing its form and content primarily to socioeconomic factors. Her innovative analysis revels in the artistry of hip hop, revealing it as an art of innovation, not deprivation.Perry offers detailed readings of the lyrics of many hip hop artists, including Ice Cube, Public Enemy, De La Soul, krs-One, OutKast, Sean "Puffy" Combs, Tupac Shakur, Lil' Kim, Biggie Smalls, Nas, Method Man, and Lauryn Hill. She focuses on the cultural foundations of the music and on the form and narrative features of the songs-the call and response, the reliance on the break, the use of metaphor, and the recurring figures of the trickster and the outlaw. Perry also provides complex considerations of hip hop's association with crime, violence, and misogyny. She shows that while its message may be disconcerting, rap often expresses brilliant insights about existence in a society mired in difficult racial and gender politics. Hip hop, she suggests, airs a much wider, more troubling range of black experience than was projected during the civil rights era. It provides a unique public space where the sacred and the profane impulses within African American culture unite |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Feb 2023) |
Beschreibung: | 1 Online-Ressource (248 Seiten) |
ISBN: | 9780822386155 |
DOI: | 10.1515/9780822386155 |
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spelling | Perry, Imani Verfasser aut Prophets of the Hood Politics and Poetics in Hip Hop Imani Perry Durham Duke University Press [2004] © 2004 1 Online-Ressource (248 Seiten) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Feb 2023) At once the most lucrative, popular, and culturally oppositional musical force in the United States, hip hop demands the kind of interpretation Imani Perry provides here: criticism engaged with this vibrant musical form on its own terms. A scholar and a fan, Perry considers the art, politics, and culture of hip hop through an analysis of song lyrics, the words of the prophets of the hood. Recognizing prevailing characterizations of hip hop as a transnational musical form, Perry advances a powerful argument that hip hop is first and foremost black American music. At the same time, she contends that many studies have shortchanged the aesthetic value of rap by attributing its form and content primarily to socioeconomic factors. Her innovative analysis revels in the artistry of hip hop, revealing it as an art of innovation, not deprivation.Perry offers detailed readings of the lyrics of many hip hop artists, including Ice Cube, Public Enemy, De La Soul, krs-One, OutKast, Sean "Puffy" Combs, Tupac Shakur, Lil' Kim, Biggie Smalls, Nas, Method Man, and Lauryn Hill. She focuses on the cultural foundations of the music and on the form and narrative features of the songs-the call and response, the reliance on the break, the use of metaphor, and the recurring figures of the trickster and the outlaw. Perry also provides complex considerations of hip hop's association with crime, violence, and misogyny. She shows that while its message may be disconcerting, rap often expresses brilliant insights about existence in a society mired in difficult racial and gender politics. Hip hop, she suggests, airs a much wider, more troubling range of black experience than was projected during the civil rights era. It provides a unique public space where the sacred and the profane impulses within African American culture unite In English MUSIC / Genres & Styles / Rap & Hip Hop bisacsh Hip-hop Social aspects Rap (Music) History and criticism Rap (Music) Political aspects Hip-Hop (DE-588)4303517-6 gnd rswk-swf Rap (DE-588)4303518-8 gnd rswk-swf Hip-Hop (DE-588)4303517-6 s DE-604 Rap (DE-588)4303518-8 s Erscheint auch als Druck-Ausgabe 9780822334354 https://doi.org/10.1515/9780822386155?locatt=mode:legacy Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Perry, Imani Prophets of the Hood Politics and Poetics in Hip Hop MUSIC / Genres & Styles / Rap & Hip Hop bisacsh Hip-hop Social aspects Rap (Music) History and criticism Rap (Music) Political aspects Hip-Hop (DE-588)4303517-6 gnd Rap (DE-588)4303518-8 gnd |
subject_GND | (DE-588)4303517-6 (DE-588)4303518-8 |
title | Prophets of the Hood Politics and Poetics in Hip Hop |
title_auth | Prophets of the Hood Politics and Poetics in Hip Hop |
title_exact_search | Prophets of the Hood Politics and Poetics in Hip Hop |
title_exact_search_txtP | Prophets of the Hood Politics and Poetics in Hip Hop |
title_full | Prophets of the Hood Politics and Poetics in Hip Hop Imani Perry |
title_fullStr | Prophets of the Hood Politics and Poetics in Hip Hop Imani Perry |
title_full_unstemmed | Prophets of the Hood Politics and Poetics in Hip Hop Imani Perry |
title_short | Prophets of the Hood |
title_sort | prophets of the hood politics and poetics in hip hop |
title_sub | Politics and Poetics in Hip Hop |
topic | MUSIC / Genres & Styles / Rap & Hip Hop bisacsh Hip-hop Social aspects Rap (Music) History and criticism Rap (Music) Political aspects Hip-Hop (DE-588)4303517-6 gnd Rap (DE-588)4303518-8 gnd |
topic_facet | MUSIC / Genres & Styles / Rap & Hip Hop Hip-hop Social aspects Rap (Music) History and criticism Rap (Music) Political aspects Hip-Hop Rap |
url | https://doi.org/10.1515/9780822386155?locatt=mode:legacy |
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