Tango of death: the creation of a Holocaust legend
"A legend that captures the imagination of audiences and shapes representations of the Holocaust is that in Nazi concentration camps Jewish musicians were forced to play a Tango of Death as men, women and children made their way to the gas chambers. This book traces the origins of this legend t...
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| Format: | Buch |
| Sprache: | English |
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Leiden ; Boston
Brill
[2023]
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| Schriftenreihe: | Jews, judaism, and the arts
volume 3 |
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| Online-Zugang: | Inhaltsverzeichnis Literaturverzeichnis Register // Sachregister Register // Personenregister |
| Zusammenfassung: | "A legend that captures the imagination of audiences and shapes representations of the Holocaust is that in Nazi concentration camps Jewish musicians were forced to play a Tango of Death as men, women and children made their way to the gas chambers. This book traces the origins of this legend to a little known concentration camp in Ukraine where musicians were forced to perform a Jewish tango before they were murdered themselves. By reconstructing the creation of this legend, the book shows how the actual history is hidden, distorted, or even lost altogether"-- |
| Beschreibung: | 136 Seiten Illustrationen, Karten 25 cm |
| ISBN: | 9789004525061 |
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Datensatz im Suchindex
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Contents Acknowledgements vu List of Illustrations vi 11 i Memory and Myth i i Serendipity з շ Legend and Myth 7 3 Holocaust Legends 8 4 Methodology 13 5 Ethics 15 2 Music in the Camps 18 1 Nazi Concentration Camps 20 2 Music in the Camps 22 3 Singing 22 4 Camp Orchestras 24 5 Purpose of Camp Music 26 6 Repertoire 28 7 Memories of Wagner 29 8 Wagner Myths 31 3 The Tango of Death 34 1 Singing Tangos 34 2 Three Versions 39 3 Which One Is It? 47 4 The Orchestra of Death 51 1 Nuremberg 52 2 Provenance 57 3 The Photographer 59 4 The Photograph 61 5 Location 63 6 The Court 65 7 Returning to the Iconic Image 67
5 The Death of the Orchestra 69 1 Reasons for Doubt 75 2 Fictionalizing Testimony 77 6 The Fugue of Death 81 1 The Poet 82 2 The Poem 84 3 The Title 87 4 Inspiration 89 5 The Legend 91 7 Preserving History 96 1 Imagining Horror 97 2 Capturing the Imagination 99 3 Memorializing and Obfuscating 102 4 Visualizing the Tango of Death 105 5 Preserving History 110 Literature 117 Subject Index 132 Name Index 135
Literature Abadi, Marcelo (2013). Elfilòsofo envenenado. Buenos Aires: Simurg. Adet, Manuel (2013). Eduardo Bianco y El tango de la muerte, ElLitoral, June 29. https:// www.ellitoral.com/index.php/diarios/2o13/o6/29/escenariosysociedad/SOCI-o6 .html. Adorno, Theodor W. (1949). Kulturkritik und Gesellschaft. In: Karl Gustav Specht (ed.). Soziologische Forschung in unserer Zeit. Ein Sammelwerk Leopold von Wiese zum 75. Geburtstag. Köln und Opladen: Westdeutscher Verlag, 228-240. Allebrand, Raimund (1998). Tango - Nostalgie und Abschied. Bad Honnef: Horlemann. Arad, Yitzhak (1987). Bełżec, Sobibór, Treblinka: The Operation Reinhard Death Camps. Bloomington: Indiana University Press. Arendt, Hannah (1951). The Origins of Totalitarianism. San Diego: A Harvest Book, Harcourt. Asch, Sholem (1948). A Child Leads the Way. In: Tales ofMy People. New York: G.P. Put nam’s Sons. Assmann, Aleida (2008). Transformations between History and Memory. Social Research 75,1,49-72. Auffarth, Christoph (2006). Holocaust. In: Kocku von Stuckrad (ed.). The Brill Dictionary ofReligion, https://referenceworks.brillonline.com/entries/brill-dictionary -of-religion/*-SIM_ooo35. Bal, Mieke (1999). Introduction. In: Mieke Bal, Jonathan Crewe and Leo Spitzer (eds.). Acts of Memory : Cultural Recall in the Present. Hanover N.H.: University Press of New England, vn-xvn. Baldwin, Peter (ed.) (1990). Reworking the Past: Hitler, the Holocaust and the Historians’ Debate. Boston MA: Beacon Press. Baranova, Olga (2016). Politics of Memoiy of the Holocaust in the Soviet Union.
https://www.iwm.at/publications/5-junior-visiting-fellows-conferences/vol-xxxiv /politics-of-memory-of-the-holocaust-in-the-soviet-union. Baranovskiy, Mikhailo (2020). Tango ofDeath. A true story ofHolocaust survivors. Israel: Mr. Mintz Publishing. Bar-Itzhak, Haya (2009). Women in the Holocaust: The Story of a Jewish Woman Who Killed a Nazi in a Concentration Camp: A Folkloristic Perspective. Fabula 50,1-2, 67-77. Barkan, Elazar. Review of Tango of Slaves, Korczac and Schindler’s List. The American Historical Review 99,4,1244-1250. Bartov, Omer (2015). Erased: Vanishing Traces ofJewish Galicia in Present-Day Ukraine. Princeton: Princeton University Press.
118 LITERATURE Bauman, Zygmunt (1989). Modernity and the Holocaust. Ithaca, N.Y.: Cornell University Press. Bauso, Matias (2018). La historia del tango que se tocaba en los campos de concen tración y de cómo inspiró un estremecedor poema sobre las matanzas nazis. Infobae August 28. Bavli, Hillel (1943). The Letter of the Ninety-Three Maidens. The Reconstructionist g, 2,23. Benz, Wolfgang (2013). Theresienstadt. Eine Geschichte von Täuschung und Vernichtung. Munich: C.H. Beck Verlag. Beorn, Waitman Wade (2019). Unravelling Janowska: Excavating an Understudied Camp through Spatial Testimonies. In: Thomas Pegelow Kaplan, Jürgen Matthäus and Mark W. Hornburg (eds.) Beyond Ordinary Men’: Christopher R. Browning and Holocaust Historiography. Leiden: Brill, 250-268. Beorn, Waitman Wade (2018). Last Stop in Lwów: Janowska as a Hybrid Camp. Holocaust and Genocide Studies 32,3,445-471. Berenstein, Tatiana (1962). Faschismus, Getto, Massenmord. Dokumentation über Ausrottung und Widerstand der Juden in Polen während des zweiten Weltkrieges. Frankfurt am Main: Röderberg Verlag. Bettelheim, Bruno (i960). The Informed Heart: Autonomy in aMassAge. New York: The Free Press of Glencoe. Beyssade, Sylvie (2018). Tango de Cendres. Paris: SB Co. Bianchi, Aglaia (2016). Tanz und Tod in Paul Celans Todesfuge. Circulations Interactions 3,11. https://preo.u-bourgogne.fr/textesetcontextes/index.php7ids7i2 Biber, К. (2009). Bad Holocaust Art Law Text Culture 13,1,227-259. Bitton-Jackson, Livia (2011). IHave Lived a Thousand Years: Growing Up in the Holocaust. New York: Simon and Schuster. Borwicz,
Michal Maksymilian (2014). The University ofCriminals: theJanowska Camp in Lviv ig4i~ig44. Cracow: Wysoki Zamek Publishing House. Bovenkerk, Frank (2000). The other side of the Anne Frank story: The Dutch role in the persecution of the Jews in World War Two. Crime Law and Social Change 34, 3, 237-258· Brauer, Juliane (2016). How Can Music Be Torturous? Music in Nazi Concentration and Extermination Camps. Music and Politics 10,1,1-34. Brauer, Juliane (2012). Die Häftlingsorchester in den nationalsozialistischen Konzentrations und Vernichtungslagern. Musikalische Gewalt und Emotionsmanagement mit Musik. In: Sarah Zalfen and Sven Oliver Müller (eds.). Besatzungsmacht Musik. Zur Musik- und Emotionsgeschichte im Zeitalter der Weltkriege (igi4-ig4g). Bielefeld: Transcript Verlag, 187-207. Brink, Cornelia (2000). Secular Icons: Looking at Photographs from Nazi Concentra tion Camps. History and Memory 12,1:135-150.
LITERATURE 119 Browning, Christopher (2003). Collected Memories: Holocaust History and Postwar Testimony. Madison: University of Wisconsin Press. Buck, Theo (1999). Paul Celan: Todesfuge. Aachen: Rimbaud. Buruma, Ian (1998). The Afterlife of Anne Frank The New York Review of Books February 19,4-8. Carr, Jonathan (2008). De muziek van de meester. De opera’s van Wagner in het Derde Rijk. Biografìe Bulletin 18,50-55. Cerdà, Manuel (2015). El tango de la muerte. December 7 https://musicadecomedia .wordpress.com/2o15/12/o7/el-tango-de-la-muerte/. Coetzee, John Μ. (2001). In the Midst of Losses. The New York Review of Books July 5, 4-8. Colin, Amy-Diana and Silbermann, Edith (2010). Edith Silbermann: Mythen in der Celan-Forschung. In: Wilhelm Fink (ed.). Paul Celan - Edith Silbermann. Zeugnisse einer Freundschaft. Gedichte, Briefwechsel, Erinnerungen. Leiden: Brill, 53-61· Collado-Rodríguez, Francisco (2008). Ethics in the Second Degree: Trauma and Dual Narratives in Jonathan Safran Foer’s ‘Everything is illuminated.’ Journal ofModern Literature 32,1,54-68. Clendinnen, Inga (1999). Reading the Holocaust. Cambridge: Cambridge University Press. Czackis, Lloica (2009). Yiddish tango: a musical genre? EuropeanJudaism: AJournalfor the New Europe 42,2,107-121. Czackis, Lloica (2004). El tango en idish y su contexto histórico. Recreando la Cultura Judeoargentina/շ: Literatura y Artes Plásticas, tomo 11. Buenos Aires: Editorial Milá, 29-41. Czackis, Lloica (2003). Tángele: The history of Yiddish tango. Jewish Quarterly 50,1, 44-52· Dagnail, Neil and Drinkwater, Ken (2017). Why urban
legends are more power ful than ever. The Conversation May 15 https://theconversation.com/why-urban -legends-are-more-powerful-than-ever-76718. Dahm, Annekathrin (1997). Musik in den nationalsozialistischen Vernichtungszentren Bełżec, Sobibór und Treblinka. mr-Mitteilungen 23,1-11. David-Fox, Michael, Holquist, Peter and Martin, Alexander (eds.) (2014). The Holocaust in the East: Local Perpetrators and Soviet Responses. Pittsburgh: University of Pitts burgh Press. Davis, Kathy (2015). Dancing Tango: Passionate Encounters in a Globalizing World. New York: NYU Press. Dawidowicz, Lucy S. (ed.) (1976). A Holocaust Reader. New York: Behrman House. Daxelmiiller, Christoph (1993). Zum Tanz der Juden in den Tod. In: Franz Link (ed.). Tanz und Tod in Kunst und Literatur. Berlin: Duncker and Humblot, 587-598.
120 LITERATURE De Haan, Ido (2008). The paradoxes of Dutch history: historiography of the Holocaust in the Netherlands. In: David Bankier and Dan Michman (eds.). Holocaust historiography in context: emergence, challenges, polemics and achievements. Jerusa lem: Yad Vashem; New York: Berghahn, 355-376. De Haan, Ido (1998). ‘Persecution Remembered. The Construction of a National Trauma,’ The Netherlands’Journal ofSocial Sciences xxxiv, 2,196-221. De Haan, Willem (2015). Knowing what we know now. International Crimes in Historical Perspective.Journal ofInternational CriminalJustice. 13,4,783-799. Desbois, Patrick (2008). Holocaust by Bullets. A Priest's Journey to Uncover the Truth Behind the Murder of1.5 MillionJews. London: Palgrave Macmillan. Didi-Huberman, Georges (2008). Images in Spite of AIL Chicago: The University of Chicago Press. Diner, Dan (2001). Beyond the Conceivable: Studies on Germany, Nazism, and the Holocaust. Berkeley and Los Angeles: University of California Press. Dorfman, Ariel (1991). Death and the Maiden. London: Nick Hern Books. Douglas, Lawrence (1995). Film as Witness: Screening Nazi Concentration Camps before the Nuremberg Tribunal. Yale LawJournal 105,449-481. Douglas, Lawrence (2001). The Shrunken Head of Buchenwald: Icons of Atrocity at Nuremberg. In Barbie Zelizer (ed.). Visual Culture and the Holocaust. New Brunswick: Rutgers University Press, 275-299. Drix, Samuel (1994). Witness to Annihilation. Surviving the Holocaust: a Memoir. Washington: Brassey’s. Dunphy, John J. (2018). Unsung Heroes of the Dachau Trials: The Investigative Work of the
U.S. Army 7708 War Crimes Group, 7945-7947. Jefferson N.C.: McFarland. Ehrenburg, Ilya and Grossman, Vasily (1946). The Black Book: The Ruthless Murder of Jews by German-Fascist Invaders throughout the Temporarily-Occupied Regions ofthe Soviet Union and in the Death Camps of 1942-1945. New York: Holocaust Library. Eischeid, Susan (2016). The Truth about Fania Fénelon and the Women’s Orchestra of Auschwitz-Birkenau. Cham: Springer Nature. Eismann, Yehuda (1945). Mima’amakim:folksliderfun lagers un getos in poyln (Out of the depths: folk songs from the camps and ghettos of Poland). Bucharest: Bibliotek Hekh aluts. Emmerich, Wolfgang (1999). Einleitung. In: Wolfgang Emmerich (ed.). Monographie Paul Celan. Reinbek bei Hamburg: Rowohlt Taschenbuch Verlag GmbH 1999,7-19. Fackler, Guido (2007). Musik als Komponent des Lageralltags. On line at http://www .aspm-samples.de/Samples6/fackler.pdf. Fackler Guido (2007). Music in Concentration Camps 1933-1945· Music and Politics 1, 1,1-25. Fackler, Guido (2004). Musik der Shoah. Plädoyer für eine kritische Rezeption. In Eck hard John and Heidy Zimmermann (eds.). Jüdische Musik. Fremdbilder-Eigenbilder. Köln, Weimar: Böhlau, 219-239.
LITERATURE 121 Fackler, Guido (2003). ‘Wer das Lied nicht kannte, der wurde geprügelt.’ Bedingungen, Formen und Funktionen musikalischer Aktivitäten in nationalsozialistischen Konz entrationslagern. Vokus. Volkskundlichkulturwissenschaftliche Schriften 13,2,4-28. Fackler, Guido (2000). Des Lagers Stimme - Musik Im kz -.Alltag und Häftlingskultur In den Konzentrationslagern 1933 bis 1936: mit einer Darstellung der -weiteren Entwick lung bis 194g und einer Biblio-/Mediographie. Bremen: Edition Temmen. Felstiner, John (1995). Paul Celan: Poet, Survivor, Jew. New Haven: Yale University Press. Felstiner, John (1986). Paul Celan’s Todesfuge, Holocaust and Genocide Studies 1, 2, 249-264. Fénelon, Fania and Routier, Marcelle (1977). Playingfor Time. New York: Atheneum. Fisher, Atarah and Gilboa, Avi (2016). The roles of music amongst musician Holocaust survivors before, during, and after the Holocaust. Psychology of Music 44, 6,1221-1239 Frenkel, Mieczystaw (1958). ToJest morderstwo. Katowice: Wydawnictwo Śląsk. Friedlander, Saul (1984). Reflections ofNazism: An Essay on Kitsch and Death. New York: Harper and Row. Friedman, Philip (1945). Extermination of the Lvov Jews by Dr. P. Friedman. Translated from Russian by Gennady Shmukler (USA) and Valery Aronov (Australia). Lodz: Publications of the Central Jewish Historical Commission of the Central Commit tee of Polish Jewry No. 4,1945. In: The Encyclopaedia oftheJewish Diaspora, Poland Series: Lwow Volume (Lviv, Ukraine). Tel Aviv JewishGen, Inc. 1956,593-731. Fujii, Ina (2012). Musik gegen den Tod: Eine musikwissenschaftliche
Untersuchung des Repertoires der Häftlingsorchester aus den Sammlungen des Staatlichen Muse ums Auschwitz-Birkenau im Kontext ihrer Musikaktivitäten, ma Thesis. HumboldtUniversität zu Berlin. Gallo, Blas Raúl (1958). Historia del Sainete Nacional. Buenos Aires: Editorial Quetzal. García Blaya, Ricardo (n.d.). El tango de la muerte - Shooting around the bush with El tango de la muerte, https://www.todotango.com/english/history/chronicle/28o /El-tango-de-la-muerte-Shooting-around-the-bush-with-El-tango-de-la-muerte/. Gaschen, Niklaus (1989). Endlösungen. Frankfurt: Fouque Literaturverlag. Gilbert, Isidoro (2010). El tango de la muerte. Clarín, November 17. Gilbert, Shirli (2011). Music in the Nazi ghettos and camps. In: Jonathan C. Friedman, The Routledge History of the Holocaust. London: Routledge, 438-453. Gilbert, Shirli (2005). Music in the Holocaust: Confronting Life in the Nazi Ghettos and Camps. New York: Oxford University Press. Ginzburg, Lev Vladimirovic (1966). Abyss: A Narrative based on documents. Moscow: Sovetskii Pisatel. Goldberg, Vicky (1991). The Power ofPhotography: How Photographs Changed Our Lives. New York: Abbeville Press. Goldstein, Judith S. (2003). Anne Frank: The Redemptive Myth. Partisan Review lxx, 1,16-24.
122 LITERATURE Gossens, Peter (2012). Das Frühwerk (1938-1950). In: Markus May, Peter Gossens and Jürgen Lehmann (eds.). Celan-Handbuch - Leben - Werk - Wirkung. Stuttgart: Metzler 2nd. ed., 39-53. Greenspan, Henry (1998). On Listening to Holocaust Survivors: Recounting and Life History. New York: Praeger. Hammerstein, Reinhold (1980). Tanz und Musik des Todes: Die mittelalterlichen Totentänze und ihr Nachleben. Munich: Francke Verlag. Hansen, Miriam Bratu (2001). Schindler’s List is not Shoah: Second Commandment, Popular Modernism, and Public Memory. In: Barbie Zelizer (2001). Visual Culture and the Holocaust. New Brunswick N.J.: Rutgers University Press, 127-151. Hawthorne, Jerremy (2019). Histoiy, Fiction, and the Holocaust: Narrative Perspective and Ethical Responsibility. Partial Answers 17,2,279-298. Henke, Krystyna (1998). Louis Bannet: Virtuoos van Birkenau. The CanadianJournal of Netherlandic Studies xix, 1,24-31. Herschaft, Randy and Salazar, Cristian (2012). Heroic Act of Resistance at AuschwitzBirkenau. Januaiy 21 https://ifounditinthearchives.tumblr.com/post/16257144111 /heroic-act-of-resistance-at-auschwitz-birkenau Hilger, Andreas (2006). Sowjetische Justiz und Kriegsverbrechen. Dokumente zu den Verurteilungen deutscher Kriegsgefangener, 1941-1949. Vierteljahreshefte für Zeitgeschichte 54,3,461-515. Hirsch, David D. (1997). Camp Music and Camp Songs: Szymon Laks and Aleksander Kulisiewicz. In: G.Jan Colijn andMarcia Sachs Littell (eds.). Confronting the Holocaust: A Mandatefor the 21st Century. Lanham, MD.: University Press of America, 157-68. Hirsch,
Francine (2021). SovietJudgment at Nuremberg: A New History of the Interna tional Military Tribunal after World Warn. New York: Oxford University Press. Hirsch, Francine (2008). The Soviets at Nuremberg: International Law, Propaganda, and the Making of the Postwar Order. American Historical Review 113,3,701-730. Hofmann, Klaus (2005). Poetry after Auschwitz. Adorno’s dictum. German Life and Letters 58,2,182-194. Hokh, Mosheh (2002). Ķolot mi-tokh ha-hoshekh: ha-musiķah ba-gețâot uva-mahanot be-Polin. (Voices from the Dark: Music in the Ghettos and Camps in Poland). Jerusalem: Yad Vashem. Hondius, Dienke (2005). Bitter Homecoming: The Return and Reception of Dutch and Stateless Jews in the Netherlands. In David Bankier (ed.). TheJews are Coming Back: The Return of the Jews to their Countries of Origin after wwii. New York: Berghahn, 108-135. Hondius, Dienke (2003). Return. Holocaust Survivors and Dutch Anti-Semitism. Westport: Praeger. Hondius, Dienke (2001). Welcome in Amsterdam? Return and Reception of Survi vors: New Research and Findings. In: John K. Roth et al. (eds.), Rememberingfor the Future. London: Palgrave Macmillan, 2027-2033.
LITERATURE 123 Hondius, Dienke (1994). A cold reception: Holocaust survivors in the Netherlands and their return. Patterns ofPrejudice 28,1,47-65. Honigsman, Jakub (2003). The Janowska Hell: brief essay of the history ofJanowska concentration camp in Lvov. Lviv: Solom-Aleichem. Horowitz, Sara R. (2006). Martyrdom and Gender in Jewish-American Holocaust Memory. In: Glenda Abramson and Hilary Kilpatrick (eds.). Religious Perspectives in Modern Muslim andJewish Literatures. London/New York: Routledge, 179-208. Hunter, Anna Clare (2019). ‘To tell the story’: cultural trauma and holocaust metanarrative. Holocaust Studies 25,1-2,12-27. Ibarlucia, Ricardo (2004). La perspectiva del zorzal: Paul Celan y el Tango de la Muerte. Revista Latinoamericana de Filosofìa xxx, 2,287-312. Ivanov, Professor V. (1985). Introduction. In: Sergey Kuzmin, СЕРГЕЙ КУЗЬМИН - СРОКУДАВНОСТИHEПОДЛЕЖИТ. (No statute of limitations). Moscow: ‘Red Pro letarian’ Order of Lenin printing house, 1-2. Jedlińska, Eleonora (2014). Art on the brink, ergo the margin of life: Marek Chlanda’s The Tango of Death. Art Inquiry 16,257-274. John, Eckhard (2001). Music and concentration camps: An approximation. Journal of Musicologleal Research 20,4,269-323. John, Eckhard (1991). Musik und Konzentrationslagen Eine Annäherung. Archiv für Musikwissenschaft 48,1-36. Jones, Eliyahu (1999). Żydzi Lwowa w okresie okupacji 1939-1945. (Lviv during the occupation of 1939-1945). Łódź: Oficyna Bibliofilów. Judkovski, José (1998). El Tango. Una Historia conJudios. Buenos Aires: Fundación iwo. Judkovski, José and Pomeraniec, Gabriel
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Bundeszentrale für politische Bildung/bpb, 170-187. Rich, David Alan (2014). The Third Reich Enlists the New Soviet Man: Eastern Auxiliary Guards at Auschwitz-Birkenau in Spring 1943. Russian History 41, 2, 269-282. Richards, Brian (2010). The Ugly Truth: An Exploration of Postwar Representations of the Holocaust through the Obscene. Inquiries 2, 01. http://www.inquiriesjournal .com/articles/145/the-ugly-truth-an-exploration-of-postwar-representations-of -the-holocaust-through-the-obscene. Ross, Alex (2020). Wagnerism. Art and Politics in the Shadow of Music. London: 4th Estate. Ross, Sarah (2012). Jiddischer Tango: ‘So Easily Assimilated.’ The Norient Academic Journal, September 7. https://norient.com/academic/jiddischer-tango. Rothberg, Michael (2002). Between the Extreme and the Everyday: Ruth Klüger’s Traumatic Realism. In: Nancy K. Miller and Jason Tougaw (eds.). Extremities. Trauma, Testimony, and Community. Chicago: University of Illinois Press, 55-70. Rousset, David (1945). L’Univers concentrationnaire. Paris: Editions de Minuit Russell, Edward (1972). The Scourge ofthe Swastika. London: Corgi, (ist ed., 1956).
128 LITERATURE Saccomanno, Guillermo (2004). Paul Celan: El tango de Auschwitz. Pagina 72, September 19. Samuel, Raphael and Thompson, Paul (1990). The Myths We Live By. London: Routledge. Sandkühler, Thomas (1996) Endlösung in Galizien: DerJudenmord in Ostpolen und die Rettungsinltativen von Berthold Beitz, 794 7-7944. Bonn: Dietz. Sands, Philippe (2016). East West Street: On the Origins of Genocide and Crimes Against Humanity. London: Weidenfeld and Nicolson. Schiff, Stephen (1994). Seriously Spielberg. The New Yorker March 21,96-109. Schult, Tanja (2015). To Go or Not to Go? Reflections on the Iconic Status of Auschwitz, its Increasing Distance and Prevailing Urgency. In: Diana I. Popescu and Tanja Schult (eds.). Revisiting Holocaust Representation in the Post-Witness Era. London: Palgrave Macmillan 2015,107-130. Seidman, Naomi (2015). Beautiful Martyrs: The Ninety-Three Bais Yaakov Girls. Unpub lished paper, https://www.academia.edu/13843997/Beautiful_Martyrs_The_Ninety _Three_Bais_Yaakov_Girls. Selzer, Nachman (2016). Incredible! New York: Artscroll Publications. Sheffi, Na’ama (2001). The Ring of Myths: The Israelis, Wagner and the Nazis. Brighton and Portland: Sussex Academic Press. Short, Geoffrey and Reed, Carole Ann (2004). Issues in Holocaust Education. Burling ton, VT : Ashgate Publishing. Shrayer, Maxim (2018). Lev Ginzburg, Soviet Translator. The story of a Jewish Germanophile who became a Soviet investigator of Nazi crimes. Tablet Magazine, October 24. https://www.tabletmag.com/sections/arts-letters/articles/lev-ginzburg -soviet-translator. Sieber, Mirjam
(2007). Paul Celans ‘Gespräch im Gebirg’: Erinnerung an eine ‘versäumte Begegnung.’Tübingen: Max Niemeyer Verlag 2007. Siegel, Dina (2013). Wagner in Israel: The Mixture of Politics and Music. In: Chrisje Brants, Antoine Hol and Dina Siegel (eds.). TransitionalJustice. Images and Memo ries. London: Routledge, 205-222. Simkin, Lev (2013). Death Sentence Despite the Law: A Secret 1962 Crimes-against- Humanity Trial in Kiev. Holocaust and Genocide Studies 27,2,299-312. Snyder, Timothy (2009). Holocaust: The Ignored Reality. The New York Review ofBooks July 16,14-16. Solomon, Petre (2019). Paul Celan: The Romanian Dimension. Syracuse: Syracuse Uni versity Press. Solomon, Petre (1982). Paul Celans Bukarester Aufenthalt. Zeitschrift für Kultur austausch 20,3,220-226. Sorel, Andrés (2013). Último tango en Auschwitz. Madrid: Ediciones akal. Sorokina, Marina A. (2005). People and Procedures: Toward a History of the Investi gation of Nazi Crimes in the USSR. Kritika: Explorations in Russian and Eurasian History 6, 4,797-831.
LITERATURE 129 Sparr, Thomas (2020). Todesfuge:Biographie eines Gedichts (Death Fugue: Biography of a Poem). München: Deutsche Verlags-Anstalt. Spector, Schmuel (1990). Aktion 1005. Effacing the Murder of Millions. Holocaust and Genocide Studies 5,2,157-73. Stier, Oren Baruch (2015). Holocaust Icons. Symbolizing the Shoah in History and Memory. New Brunswick, NJ: Rutgers University Press. Strom, Yale (2002). The Book ofKlezmer: The History, the Music, the Folklore. Chicago: Chicago Review Press. Struk, Janina (2004). Photographing the Holocaust. Interpretations of the Evidence. London: I.B.Tauris and Co. Ltd. Sundquist, Eric J. (2013). The Historian's Anvil, the Novelist’s Crucible. In: Alan Rosen (ed.). Literature of the Holocaust. Cambridge: Cambridge University Press, 252-267. Szczęśniak, Hubert (2017). Musical Sources Survived in the Collection of the Auschwitz-Birkenau State Museum. Appendix in: Remaining preserved works (musical prints). Kwartalnik Młodych Muzykologów 35,4,127-177. Tazhidinova, Irina G. (2017). Krasnodar Open Trials of the 1960s: Mediatization of the Topic of Punishment forWar Crimes in the Context of the Foreign Policy of the USSR. Propaganda in the World and Local Conflicts 4,2,110-116. Tokarev, Michael (1973). In a closed circle. In: General-Lieutenant of Justice N.F. Chistyakov and Colonel ofJustice M.E. Karyshev (eds.). Неотвратимое возмездие (Inevitable Retribution. On the materials of the trials of the traitors of the Mother land, fascist executioners and agents of imperialist intelligence). Moscow: Military Publishing, 148-159. Toland, John
(1976). AdolfHitler. Garden City, NY: Doubleday. Toltz, Joseph and Boucher, Anna (2018). Out of the Depths: Complexity, Subjectivity and Materiality in the Earliest Accounts of Holocaust Song-Making. East European Jewish Affairs 48,3,309-330. Toerien, Willem Andre (1993). The role of music, performing artists and composers in German- controlled concentration camps and ghettos during world war 11. Μ. Mus. Thesis University of Pretoria. Vainer, Alejandro (2012). El tango de la muerte, https://www.topia.com.ar/articulos /tango-muerte. Van Liempt, Ad (2005). Hitler’s Bounty Hunters. The Betrayal of the Jews. London: Bloomsbury. Verbitsky, Horacio (2018). Tango, una historia con judíos. Un documental deslum brante. El Cohete a la Luna, June 17. Vynnyčuk, Yuri (2019). Tango ofDeath. Brooklyn, NY: Spuyten Duyvil. Vynnyčuk, Yuri (2012). Танґо смерті. Харків: Видавництво Фоліо (Kharkiv: Folio Pub lishing House). Vuijsje, Marja (2012). Ons kamp. Een min of meer Joodse geschiedenis. Amsterdam: Atlas.
130 LITERATURE Wagenaar, Willem and Groeneweg, Jop (1990). The memoiy of concentration camp survivors. Applied Cognitive Psychology 4,77-87. Wagoner, Brady (2017). Remembering as a Psychological and Social-Cultural Process. In: Brady Wagoner (ed.). Oxford Handbook of Culture andMemory. New York: Oxford University Press, 1-26. Walda, Dick (1980). Trompettist in Auschwitz, Herinneringen van Lex van Weren. Amsterdam: Bataafsche Leeuw. Webb, Chris (2016) The Bełżec Death Camp: History, Biographies, Remembrance. Stuttgart: ibidem-Verlag. Wellers, Georges (1949). Révolte du Sonderkommando à Auschwitz. Le Monde Juif 18, 4,17-18. Wells, Leon Weliczer (1963). TheJanowska Road. New York: Macmillan. Welzer, Harald (1997). Verweilen beim Grauen. Essays zum wissenschaftlichen Umgang mit dem Holocaust. Tübingen: edition discord. Werb, Bret Charles (2014a). Yiddish Songs of the Shoah. A Source Study Based on the Collections of Shmerke Kaczerginski. Los Angeles: University of California, https:// escholarship.org/uc/item/6x72f9t5. Werb, Bret Charles (2014b). Fourteen Shoah Songbooks. Musica Judaica 20, 5774, 39-116· White, Hayden (1992). Historical Emplotment and the Problem of Truth. In: Saul Fried lander (ed.). Probing the Limits of Representation: Nazism and the 'Final Solution. Cambridge, MA: Harvard University Press, 37-53. Wiedemann, Barbara (20ii).Welcher Daten eingedenk? Celans »Todesfuge« und der »Izvestija«-Bericht über das Lemberger Ghetto. Wirkendes Wort, 61,3 (November), 437-452· Wiedemann, Barbara (2010). Enthüllt Erstmals sind die Quellen aufgedeckt, nach denen Paul Celan
seine ‘Todesfuge’ schrieb. Die Welt October 9,25. Wiesel, Elie (1997). All Rivers Run To The Sea: Memoirs igz8-ig6g. London: Harper Collins. Wiesenthal, Simon (2000). Słonecznik. Opowieść i komentarze. Warszawa: Państwowy Instytut Wydawniczy. Wiesenthal, Simon (1998). The Sunflower: On the Possibilities and Limits ofForgiveness. New York: Schocken Books. Wieviorka, Annette (1998). L’Ère du témoin. Paris: Plon. Wilson, Richard (2011). Writing History in International Criminal Trials. Cambridge: Cambridge University Press. Winstone, Martin (2015). The Dark Heart of Hitler's Europe: Nazi Rule in Poland under the General Government. New York: LB. Tauris.
LITERATURE 131 Włodarski, Amy Lynn (2014). Musical Memories of Terezin in Transnational Perspec tive. In: Tina Frühauf and Lily Hirsch (eds.). Dislocated Memories -Jews, Music, and Postwar German Culture. New York: Oxford University Press, 57-72. Wunderlich, Uli (2001). Der Tanz in den Tod. Totentänze vom Mittelalter bis zum Gegenwart. Freiburg: Eulen Verlag. Wynnyczuk, Jurij (2018). Tango smierc. Warsaw: Kolegium Europy Wschodniej. Young, James Edward (1988). Writing and Rewriting the Holocaust: Narrative and the Consequences ofInterpretation. Bloomington: Indiana University Press. Zegenhagen, Evelyn (2009). Lemberg [Lemberg (Weststrasse), Lemberg (Janowska)] In: Geoffrey P. Megargee (ed.). Encyclopedia of Camps and Ghettos, 1933-1945· Washington, D.C.: The United States Holocaust Memorial Museum, 284-285.
Subject Index Camp Concentration i, 3,8,14,16,17,20,33, 34,36,46 n. 38,65,68,81,89,107,112, 115 n. 43 Death 1 n. 1,4,5,6, 9,17,21 n. 8,33,35,41 n. 18,48,50,59, 65,72,73,81,86,88,89, 90,97,98,99, 101, ЮЗ, 105,106,107,110, Ш, 112, И4,115,116 Extermination 1 n. 1,19,20,21,23,24,27, 48,64 n. 43,90 Forced labor 20-21,37,72, 84 Camp music History of 97,105 Repertoire of 28-29,49,104 Singing 22-23,28,34,35,99 Songs 22-23,28 n. 17,34,3θ-38,42,43, 48,50,70,96 Camp orchestras 1,3,6,18,19,24-31,34,44, 48,49,65,67,99,100 Auschwitz-main camp 24-25,27,28, 29,30,31 Auschwitz 11-Birkenau (men) 24-25,27, 28,30,32 Auschwitz 11-Birkenau (women) 24-25, 27,28,29 Auschwitz 111-Monowitz 24-25 Bełżec, Majdamek, Sobibor and Treblinka 19,25,26,27,28 Janowska 4,18, 26,44,47, 49, 50,51,52, 58,65,67,69,81,91,92,101,102,103, 106,107,108,110 n. 38,111,112,113,114 Camps Auschwitz 2,8,9,11,17,19,20,22-30,31, 33, 34, 35,3θ, 38, 63, 72, 85, 86, 88, ιοί, 111,112,115 Auschwitz-Birkenau 2, 9,20,23,24-28, 30,35 Auschwitz-Monowitz 2,20,23,24,25 Bełżec 2,19 п.4,60 n. 31 Bergen Belsen 2,115 n. 43 Buchenwald 2,3,20,24 Chełmno 2,19,20 Dachau 2,20,24 Janowska 1,2,19-21,26,34,37-44,46, 47,48,49,50,54,55,59՛ θο, 6i, 63,65, 66, 67,68, 69,70, 71,72,73,75,76, 78, 8o, 89,90,91,95,96,99,108,111,112, 113,115 Majdanek 2,20,21 n. 8,28,72,90 Sachsenhausen 2,20,24,31 n. 25,36,63 Sobibor 2,20,21 n. 8,25,26,60 n. 31,112 Theresienstadt 2,22,115 n. 43 Treblinka 2,19,20,21 n. 8,25,26,27,53 n. 9,112 Death and the Maiden 38-39,44,93,100,101 Dance of 100 in tango, See Tango de la muerte Orchestra of 17,53,54,56,61,63,66,68, 82,111
Fact/factual 7,10, uo accuracy 15 historicity 13 information 89 Fiction/fictional 7,96,110 dialogue 92,94 Fact and 6,8,76,95,97,103 fictionalized 10,78,96,97 memory 15,31 Gas chambers 1,9,17,18,19,20,23,27, 29-ЗЗ, 44,72,81,99, m, 112 History 2,5,6,8,12,13,14,57,67,97,104,105, 109,110 Jewish 18,81 of Tango 92,95 of the Holocaust 8,10,98,102,103, no of the Tango of Death 105,108,109,116 Historians 10,14,29,30,111 Tango 19,34, Holocaust 3,6,8,11,15,33,51,68,85 n.10,86, 97-98,99-105,110, пз, 114 by bullets 70 icons 11,12,17,67,68,111 legends 8-12,13,101-102 memory 6,102,103,113 memorialization 7,33,51,102
133 SUBJECT INDEX myths 101-102 martyrology 8,102 modus operandi 6,113,114,116 narratives 14,25,102,114 Icon/Iconic photograph 17,50,52,53,56-58,61-63, 68,91,102,103,106,111,114 poem 81,85,111 Imagination 7,60,73,94,96,97,99, 114 Literary 91,95 of audiences 2,7,17,96,97,110 Jews 1,4,6,8,12-13,18,19,2o 21,29,32,35, 47,48,70,79,81,83,88,98,99,100,101, 104,111,112,113,114 Jewish culture 49,88 musicians 4,18,26,79,81 tango 18,48 n, 47,50,79,81,91,112,113 Question, Final Solution of the 20,32, 85 n. 10, Legend 7-8,11,13-15,96,99,116 of Dutch resistance 12-13 ofKolNidrei 8,101 of ninty-three Jewish girls 7-10,11 of the dancer 9 of the death of the orchestra 101 of the Tango of Death 1,2,3,6,7,13,17, 19,32,51, 67,68,69,79,80,82,87,89, 91, 95, 97, 99,too,101,102,105,106,108, 109,110,111,112,113,114,115 Visualizing the legend of the Tango of Death 105-110 Lemberg/Lviv 1,20,21,26,44,45,48,49,53, 65,90,91,92 n. 26, 95,107,108 Concentration camp 20,46 n. 38,47,65, 68,81,89,98,102,106,107,112,115 Memory 34,57,77,107,116 Collective 6-7,102,111 Fictional 15,31 Memorial additions and corrections organizations 102 presence 8,13 services 10 stone 106-108 77 Memorialization 7,51,102 Murder 19,20,22,72 n. 8,115 Museum Auschwitz-Birkenau 30,35 Ghetto Fighters’ House 53,63,64 United States Holocaust Memorial 36, 37,42,43,57 Music As torture 4,6,23,54,90,113 Camp, See Camp music Classical 28,64,103,106 Klezmer 45-46 Opera 19,27,28,32-33,100, Popular 27,34,36 n. 4 Tango 3,6,19,36 n. 7,41,89,99,109-110 n. 36 Myths 7-8,14,15,111 about Anne Frank 11-12 about Paul Celan 81,82 about Hitler 40,44,48,81
about Richard Wagner 31-33,111 Nazi atrocities 39 n. 13,40,59,66,69,98, 108,111 barbarism, barbarity 4,67,101 collaboration u, 59,72 collaborators 77-78 fascism/fascist 73,74,75,79,94 ideology 32,33 occupation 7,11,12,36,46,59,79, 92 n. 26 propaganda 22,32,88 version of Plegaria 43 n. 22,50,112 viciousness 66,79,91,113 war crimes 49,52,70,90,108 n. 31 Photograph 14,52,56,64,57 n. 24,59-60, 66-67,72,75,91,102,107,108 of the orchestra 4,17,50,51-55,57,59, 60,65,66,67,68,91,103,106,111,113,114 Photographer of 52,57,58,59,61,62 Propaganda Nazi 22,32,88 Soviet 67,79,113 Representations 7,13,17,97-98,110-113 survivors 14,16, 31,45, 46, 49, 50, 63, 92, 92 n. 26,94,110 n. 38,115 n. 43
134 SUBJECT INDEX Representations (cont.) victims 15,16, го, 31,33,54,79,88,95,98, 106,107 visual 51,67,72,78,98 Resilience/resistance 2,6,10,11,23,99,100, 101,114,116 Schindler’s List 48,102,104-105,110 Soviet citizens 21,54,70,91,113 Extraordinary State Commission 39,40, 45, 54, 55,57,59, 60, 63, 66, 69, 70, 71, 72,73,78,90,91,108,111 prosecution 18,19 n. 4,34,39 n. 13,40, 65,66,71,72,76 n. 16,90,106, 111 propaganda 67,79,113 Red Army 1,21,40 n. 17,57,60, 61,84,111 version of the legend of the Tango of Death 113 Tango Argentinian 3,34,39,43,47,91,92,106, 112 German 35 n. 3 Yiddish 19 Polish 37,48 Tango of Death Piegaria 2 n. 5,3,4 n. 8,42-44,47-48, 50,81,92,94,95,105,106,112 Tango de la muerte 44 n. 30,92-94,105 Tango smerti 95 Tangóul Mortii 81,87 Todesfuge 50,81,82,84-89,91,92,94, ա Todestango 37,43,48,5°, 82,87,89,91 To ostatnia niedziela 45-49,50,95,104 Ո. 21,112 Trial Krasnodar 59-60,72-73,77-78 Nuremberg trial 4,17,18,20,32,34,40, 52-57,60,65-67,70-72,76,106,111 Truth 7,14,33,41, 86,96,111, Ո4,116 true stories 7,9,13,14,43,96,99 Witnesses testimony 12,14,35,40,45,60,63,64,72, 74,77, 78, 82, 85,113 n. 41 reliability 15-16,66,76-77
Name Index Agamben, Giorgio 114 Arendt, Hanna 100 Adomo, Theodor 86-87 Assmann, Aleida 3, 6,7,111 Bal, Mieke 8,13,14 Barnouw, David и Beorn, Waitman Wade 3,19 ո. 5, շւ, 55 ո՛ 14, 58 Ո. 27, 64 Ո. 41, 75 Ո-1շ,սշ Beyssade, Sylvie 38,43 η· 2θ Bianco, Eduardo 2 ո. 5,4 ո. 8,42-44, 47, 48, 81,105 Bovenkerk, Frank 12 Brauer, Juliane 6,22,23,26,27,29 ո. 19,115 Browning, Christoffer 16 Buruma, Ian 12 Celan, Paul 17,81-84, 86-92,95 m Ghianda, Marek 51,68 Clendinnen, Inga 9,50,97,99,115 Coetzee, John 86 Cohen, Leonard 51,102-103 Czackis, Lloica 19,34,35,43,44,50 John, Eckhard 3,6,17,37,99 Judkovski.José 18,34,81 Kaczerginski, Smaryahu 36 Kiefer, Anselm 89 n. 19 Kulisiewicz, Aleksander 36,37,38, 42-43.48 Kuzmin Sergey, 40-41,45,57,60-61,73-75, 78 Laks, Szymon 25 n. 11,114 Levi, Primo 15,97,101 Lewinter, Herman 57-63, Lorenz, Chris 14 Lower, Wendy 54 Malishevsky, Igor 44, Milewski, Barbara 16,36 n. 5 Misiewicz, Ignacy 75,76 Mund, Yacub 18,40,53,75,79,82,96-97, 101,106,107,108 Muzyczka, Anna 37,38,39,42,43,50 Naliwajek-Mazurek, Katarzyna Dawidowicz, Lucy 8,102 Didi-Huberman, George 14 Dorfman, Ariel 100 Douglas, Lawrence 66-67 Fackler, Guido 3,6,19,22-24,26-29,63, 65,100,114 Felstiner, John 81,84-89,90,92 Frank, Anne 11-12,101 Gilbert, Shirli 3,6,19,20,23,24,25,26,27, 28,30,31 n. 25,35,36,37,64,97,114,115 Ginzburg, Lev 78 Haan, Ido de 12,16 Haydn, Joseph 2,28,69 Hirsch, Francine 51,67,71,72 Hondius, Dieke 13 Jedlińska, Eleonora 51,61-62,68 Jenkins, Sir Karl 109-110 6,43 n. 22, 5Գ53 Nomberg-Przytyk, Sara Nudler, Julio 9 34,81,87,91-92,94-95 Ochs, Wilhelm, See Porath, Zeev Ophuis, Ronald 98
Perel, Esther 99-100 Petersburski, Jerzy 45-47,49 Pihlström, Sami 16,101 Pohl, Dieter 3,76 Pojtser, Anna 59,60,6ı, 70,72-78 Porath, Zeev 63, 64,88 n. 17,107 n. 28 Presser, Jacob 4,12,18 Redzik, Adam 21,26,43,53 Ross, Alex 30 n. 23,32,33 Sands, Philippe 1 Samuel, Raphael 8,13,15,96,102 Sandkühler, Thomas 21,64 n. 43
136 NAME INDEX Schubert, Franz 28,38,39,43 Sheffi, Na’ania 30,33 Siegel, Dina 33 Smirnov, Lev Nikolaevich 18,40,52-54,56, Vyshinskii, Andrei 71,72 n. 7 Vuijsje, Maija 29 θ3, θ5.67,82 Snyder, Timothy 113 Spielberg, Steven 102, no Stricks, Leonid 18,53,69 n. 1,75,79,81,82, 106 Szczęśniak, Hubert 31,35 n. 3 Wagenaar, Willem 14,16 Wagner, Richard 2,17,19,29-33,64,108, in Wells, Leon Weliczer 1 n. 2,21,40,76,113 n. 41 Werb, Bret 6,19,35,36 n. 4,36 n. 6,38 n. 10, 38 n. u, 57 n. 25 Wiedemann, Barbara 89,90,91 Wiesel, Elie 97,101 n. 11 Wiesenthal, Simon 1 n. 2,21,26 n. 14,38,43 n. 25,53,64,76 Thompson, Paul 8,13,15,96,102 Tokarev, Mikhail 40,60, 72-74,78 Toltz, Joseph 38 n. 10 Vynnychuck, Yuri Dayehsche ì Staatsbibliothek □ München 14 n. 26,46,47 n. 41,95 |
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Contents Acknowledgements vu List of Illustrations vi 11 i Memory and Myth i i Serendipity з շ Legend and Myth 7 3 Holocaust Legends 8 4 Methodology 13 5 Ethics 15 2 Music in the Camps 18 1 Nazi Concentration Camps 20 2 Music in the Camps 22 3 Singing 22 4 Camp Orchestras 24 5 Purpose of Camp Music 26 6 Repertoire 28 7 Memories of Wagner 29 8 Wagner Myths 31 3 The Tango of Death 34 1 Singing Tangos 34 2 Three Versions 39 3 Which One Is It? 47 4 The Orchestra of Death 51 1 Nuremberg 52 2 Provenance 57 3 The Photographer 59 4 The Photograph 61 5 Location 63 6 The Court 65 7 Returning to the Iconic Image 67
5 The Death of the Orchestra 69 1 Reasons for Doubt 75 2 Fictionalizing Testimony 77 6 The Fugue of Death 81 1 The Poet 82 2 The Poem 84 3 The Title 87 4 Inspiration 89 5 The Legend 91 7 Preserving History 96 1 Imagining Horror 97 2 Capturing the Imagination 99 3 Memorializing and Obfuscating 102 4 Visualizing the Tango of Death 105 5 Preserving History 110 Literature 117 Subject Index 132 Name Index 135
Literature Abadi, Marcelo (2013). Elfilòsofo envenenado. Buenos Aires: Simurg. Adet, Manuel (2013). Eduardo Bianco y El tango de la muerte, ElLitoral, June 29. https:// www.ellitoral.com/index.php/diarios/2o13/o6/29/escenariosysociedad/SOCI-o6 .html. Adorno, Theodor W. (1949). Kulturkritik und Gesellschaft. In: Karl Gustav Specht (ed.). Soziologische Forschung in unserer Zeit. Ein Sammelwerk Leopold von Wiese zum 75. Geburtstag. Köln und Opladen: Westdeutscher Verlag, 228-240. Allebrand, Raimund (1998). Tango - Nostalgie und Abschied. Bad Honnef: Horlemann. Arad, Yitzhak (1987). Bełżec, Sobibór, Treblinka: The Operation Reinhard Death Camps. Bloomington: Indiana University Press. Arendt, Hannah (1951). The Origins of Totalitarianism. San Diego: A Harvest Book, Harcourt. Asch, Sholem (1948). A Child Leads the Way. In: Tales ofMy People. New York: G.P. Put nam’s Sons. Assmann, Aleida (2008). Transformations between History and Memory. Social Research 75,1,49-72. Auffarth, Christoph (2006). Holocaust. In: Kocku von Stuckrad (ed.). The Brill Dictionary ofReligion, https://referenceworks.brillonline.com/entries/brill-dictionary -of-religion/*-SIM_ooo35. Bal, Mieke (1999). Introduction. In: Mieke Bal, Jonathan Crewe and Leo Spitzer (eds.). Acts of Memory : Cultural Recall in the Present. Hanover N.H.: University Press of New England, vn-xvn. Baldwin, Peter (ed.) (1990). Reworking the Past: Hitler, the Holocaust and the Historians’ Debate. Boston MA: Beacon Press. Baranova, Olga (2016). Politics of Memoiy of the Holocaust in the Soviet Union.
https://www.iwm.at/publications/5-junior-visiting-fellows-conferences/vol-xxxiv /politics-of-memory-of-the-holocaust-in-the-soviet-union. Baranovskiy, Mikhailo (2020). Tango ofDeath. A true story ofHolocaust survivors. Israel: Mr. Mintz Publishing. Bar-Itzhak, Haya (2009). Women in the Holocaust: The Story of a Jewish Woman Who Killed a Nazi in a Concentration Camp: A Folkloristic Perspective. Fabula 50,1-2, 67-77. Barkan, Elazar. Review of Tango of Slaves, Korczac and Schindler’s List. The American Historical Review 99,4,1244-1250. Bartov, Omer (2015). Erased: Vanishing Traces ofJewish Galicia in Present-Day Ukraine. Princeton: Princeton University Press.
118 LITERATURE Bauman, Zygmunt (1989). Modernity and the Holocaust. Ithaca, N.Y.: Cornell University Press. Bauso, Matias (2018). La historia del tango que se tocaba en los campos de concen tración y de cómo inspiró un estremecedor poema sobre las matanzas nazis. Infobae August 28. Bavli, Hillel (1943). The Letter of the Ninety-Three Maidens. The Reconstructionist g, 2,23. Benz, Wolfgang (2013). Theresienstadt. Eine Geschichte von Täuschung und Vernichtung. Munich: C.H. Beck Verlag. Beorn, Waitman Wade (2019). Unravelling Janowska: Excavating an Understudied Camp through Spatial Testimonies. In: Thomas Pegelow Kaplan, Jürgen Matthäus and Mark W. Hornburg (eds.) Beyond Ordinary Men’: Christopher R. Browning and Holocaust Historiography. Leiden: Brill, 250-268. Beorn, Waitman Wade (2018). Last Stop in Lwów: Janowska as a Hybrid Camp. Holocaust and Genocide Studies 32,3,445-471. Berenstein, Tatiana (1962). Faschismus, Getto, Massenmord. Dokumentation über Ausrottung und Widerstand der Juden in Polen während des zweiten Weltkrieges. Frankfurt am Main: Röderberg Verlag. Bettelheim, Bruno (i960). The Informed Heart: Autonomy in aMassAge. New York: The Free Press of Glencoe. Beyssade, Sylvie (2018). Tango de Cendres. Paris: SB Co. Bianchi, Aglaia (2016). Tanz und Tod in Paul Celans Todesfuge. Circulations Interactions 3,11. https://preo.u-bourgogne.fr/textesetcontextes/index.php7ids7i2 Biber, К. (2009). Bad Holocaust Art Law Text Culture 13,1,227-259. Bitton-Jackson, Livia (2011). IHave Lived a Thousand Years: Growing Up in the Holocaust. New York: Simon and Schuster. Borwicz,
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legends are more power ful than ever. The Conversation May 15 https://theconversation.com/why-urban -legends-are-more-powerful-than-ever-76718. Dahm, Annekathrin (1997). Musik in den nationalsozialistischen Vernichtungszentren Bełżec, Sobibór und Treblinka. mr-Mitteilungen 23,1-11. David-Fox, Michael, Holquist, Peter and Martin, Alexander (eds.) (2014). The Holocaust in the East: Local Perpetrators and Soviet Responses. Pittsburgh: University of Pitts burgh Press. Davis, Kathy (2015). Dancing Tango: Passionate Encounters in a Globalizing World. New York: NYU Press. Dawidowicz, Lucy S. (ed.) (1976). A Holocaust Reader. New York: Behrman House. Daxelmiiller, Christoph (1993). Zum Tanz der Juden in den Tod. In: Franz Link (ed.). Tanz und Tod in Kunst und Literatur. Berlin: Duncker and Humblot, 587-598.
120 LITERATURE De Haan, Ido (2008). The paradoxes of Dutch history: historiography of the Holocaust in the Netherlands. In: David Bankier and Dan Michman (eds.). Holocaust historiography in context: emergence, challenges, polemics and achievements. Jerusa lem: Yad Vashem; New York: Berghahn, 355-376. De Haan, Ido (1998). ‘Persecution Remembered. The Construction of a National Trauma,’ The Netherlands’Journal ofSocial Sciences xxxiv, 2,196-221. De Haan, Willem (2015). Knowing what we know now. International Crimes in Historical Perspective.Journal ofInternational CriminalJustice. 13,4,783-799. Desbois, Patrick (2008). Holocaust by Bullets. A Priest's Journey to Uncover the Truth Behind the Murder of1.5 MillionJews. London: Palgrave Macmillan. Didi-Huberman, Georges (2008). Images in Spite of AIL Chicago: The University of Chicago Press. Diner, Dan (2001). Beyond the Conceivable: Studies on Germany, Nazism, and the Holocaust. Berkeley and Los Angeles: University of California Press. Dorfman, Ariel (1991). Death and the Maiden. London: Nick Hern Books. Douglas, Lawrence (1995). Film as Witness: Screening Nazi Concentration Camps before the Nuremberg Tribunal. Yale LawJournal 105,449-481. Douglas, Lawrence (2001). The Shrunken Head of Buchenwald: Icons of Atrocity at Nuremberg. In Barbie Zelizer (ed.). Visual Culture and the Holocaust. New Brunswick: Rutgers University Press, 275-299. Drix, Samuel (1994). Witness to Annihilation. Surviving the Holocaust: a Memoir. Washington: Brassey’s. Dunphy, John J. (2018). Unsung Heroes of the Dachau Trials: The Investigative Work of the
U.S. Army 7708 War Crimes Group, 7945-7947. Jefferson N.C.: McFarland. Ehrenburg, Ilya and Grossman, Vasily (1946). The Black Book: The Ruthless Murder of Jews by German-Fascist Invaders throughout the Temporarily-Occupied Regions ofthe Soviet Union and in the Death Camps of 1942-1945. New York: Holocaust Library. Eischeid, Susan (2016). The Truth about Fania Fénelon and the Women’s Orchestra of Auschwitz-Birkenau. Cham: Springer Nature. Eismann, Yehuda (1945). Mima’amakim:folksliderfun lagers un getos in poyln (Out of the depths: folk songs from the camps and ghettos of Poland). Bucharest: Bibliotek Hekh aluts. Emmerich, Wolfgang (1999). Einleitung. In: Wolfgang Emmerich (ed.). Monographie Paul Celan. Reinbek bei Hamburg: Rowohlt Taschenbuch Verlag GmbH 1999,7-19. Fackler, Guido (2007). Musik als Komponent des Lageralltags. On line at http://www .aspm-samples.de/Samples6/fackler.pdf. Fackler Guido (2007). Music in Concentration Camps 1933-1945· Music and Politics 1, 1,1-25. Fackler, Guido (2004). Musik der Shoah. Plädoyer für eine kritische Rezeption. In Eck hard John and Heidy Zimmermann (eds.). Jüdische Musik. Fremdbilder-Eigenbilder. Köln, Weimar: Böhlau, 219-239.
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(2009). Tango: A History withJews. Documen tary film. Buenos Aires: 25P Films. Judt, Tony (1992). The Past is Another Country: Myth and Memory in Postwar Europe. Daedalus 121,4, 83-118. Kaczerginsky, S. (ed.) (1948). Liderfim di getos un lagern. New York: Tsiķo. Kahane, David (1990). Lvov Ghetto Diary. Amherst: University of Massachusetts Press. Kater, Michael H. (2003). Different Drummers:Jazz in the Culture ofNazi Germany. New York: Oxford University Press. Kater, Michael H. (2000). Jewish Musicians in the Third Reich. A Tale of Tragedy. In: F. C. DeCoste and Bernard Schwartz (eds.). The Holocaust’s Ghost: Writings on Art, Politics, Law, and Education. Edmonton: University of Alberta, 75-83. Keferman, Kiril (2003). Soviet investigation of Nazi crimes in the USSR: documenting the Holocaust.Joumal of Genocide Research 5,4,587-602. Kennedy, James (2017). A Concise History of the Netherlands. Cambridge: Cambridge University Press. Kittner, Alfred (1996). Erinnerungen 1906-1991. Aachen: Rimbaud Verlagsgesellschaft. Kittner, Alfred (1982). Erinnerungen an den jungen Paul Celan. Zeitschriftfür Kultur austausch 20,3,217-219.
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126 LITERATURE Naliwajek-Mazurek, Katarzyna (2012). Music and its Emotional Aspects during the Nazi Occupation of Poland. In: Sven Oliver Müller and Sarah Zalfen (eds.). Besatz ungsmacht Musik: Zur Musik- und Emotionsgeschichte im Zeitalter der Weltkriege (1914-1949). Bielefeld: Transcript, 207-226. Neisser, Ulric (1981). John Dean’s memory: A case study. Cognition 9,1-22. Newman, Richard and Kirtley, Karen (2000). Alma Rosé: Vienna to Auschwitz. Portland, OR: Amadeus, 2000. Nomberg-Przytyk, Sara (2009). Auschwitz: True Talesfor a Grotesque Land. Chapel Hill: University of North Caroline Press. Nudler, Julio (1998). Tango Judío: del ghetto a la milonga. Buenos Aires: Editorial Sudamerica. Oosterwijk, Sophie and Knöll, Stefanie (eds.). (2011). Mixed Metaphors: The Danse Macabre in Medieval and Early Modern Europe. Newcastle upon Tyne: Cambridge Scholars Publishing. Orlick, Manfred (2020). Die Geschichte eines Gedichtes. Zum 50. Todestag von Paul Celan legt Thomas Sparr eine literarische Spurensuche vor. Literaturkritikde https://literaturkritik.de/sparr-todesfuge,26674.html. Pagirya, Alexander (2019). Tango of Death: Music Behind the Barbed Wire of the Third Reich, http : //argumentua.com /stati / tango-smerti-muzyka-za-kolyuchei -provolokoi-reikha Pahiria, Oleksandr (2020). The Janowska concentration camp: What we know and don’t know. Open lecture on July 31, 2020. The Holocaust in Ukraine, https:// krainianjewishencounter.org/en/the-janowska-concentration-camp-what-we -know-and-dont-know/. Palmon, Hanna (2019). The Polish Pianist Artur Hermelin. Muzykalla хш - Judaica 4,
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130 LITERATURE Wagenaar, Willem and Groeneweg, Jop (1990). The memoiy of concentration camp survivors. Applied Cognitive Psychology 4,77-87. Wagoner, Brady (2017). Remembering as a Psychological and Social-Cultural Process. In: Brady Wagoner (ed.). Oxford Handbook of Culture andMemory. New York: Oxford University Press, 1-26. Walda, Dick (1980). Trompettist in Auschwitz, Herinneringen van Lex van Weren. Amsterdam: Bataafsche Leeuw. Webb, Chris (2016) The Bełżec Death Camp: History, Biographies, Remembrance. Stuttgart: ibidem-Verlag. Wellers, Georges (1949). Révolte du Sonderkommando à Auschwitz. Le Monde Juif 18, 4,17-18. Wells, Leon Weliczer (1963). TheJanowska Road. New York: Macmillan. Welzer, Harald (1997). Verweilen beim Grauen. Essays zum wissenschaftlichen Umgang mit dem Holocaust. Tübingen: edition discord. Werb, Bret Charles (2014a). Yiddish Songs of the Shoah. A Source Study Based on the Collections of Shmerke Kaczerginski. Los Angeles: University of California, https:// escholarship.org/uc/item/6x72f9t5. Werb, Bret Charles (2014b). Fourteen Shoah Songbooks. Musica Judaica 20, 5774, 39-116· White, Hayden (1992). Historical Emplotment and the Problem of Truth. In: Saul Fried lander (ed.). Probing the Limits of Representation: Nazism and the 'Final Solution. Cambridge, MA: Harvard University Press, 37-53. Wiedemann, Barbara (20ii).Welcher Daten eingedenk? Celans »Todesfuge« und der »Izvestija«-Bericht über das Lemberger Ghetto. Wirkendes Wort, 61,3 (November), 437-452· Wiedemann, Barbara (2010). Enthüllt Erstmals sind die Quellen aufgedeckt, nach denen Paul Celan
seine ‘Todesfuge’ schrieb. Die Welt October 9,25. Wiesel, Elie (1997). All Rivers Run To The Sea: Memoirs igz8-ig6g. London: Harper Collins. Wiesenthal, Simon (2000). Słonecznik. Opowieść i komentarze. Warszawa: Państwowy Instytut Wydawniczy. Wiesenthal, Simon (1998). The Sunflower: On the Possibilities and Limits ofForgiveness. New York: Schocken Books. Wieviorka, Annette (1998). L’Ère du témoin. Paris: Plon. Wilson, Richard (2011). Writing History in International Criminal Trials. Cambridge: Cambridge University Press. Winstone, Martin (2015). The Dark Heart of Hitler's Europe: Nazi Rule in Poland under the General Government. New York: LB. Tauris.
LITERATURE 131 Włodarski, Amy Lynn (2014). Musical Memories of Terezin in Transnational Perspec tive. In: Tina Frühauf and Lily Hirsch (eds.). Dislocated Memories -Jews, Music, and Postwar German Culture. New York: Oxford University Press, 57-72. Wunderlich, Uli (2001). Der Tanz in den Tod. Totentänze vom Mittelalter bis zum Gegenwart. Freiburg: Eulen Verlag. Wynnyczuk, Jurij (2018). Tango smierc. Warsaw: Kolegium Europy Wschodniej. Young, James Edward (1988). Writing and Rewriting the Holocaust: Narrative and the Consequences ofInterpretation. Bloomington: Indiana University Press. Zegenhagen, Evelyn (2009). Lemberg [Lemberg (Weststrasse), Lemberg (Janowska)] In: Geoffrey P. Megargee (ed.). Encyclopedia of Camps and Ghettos, 1933-1945· Washington, D.C.: The United States Holocaust Memorial Museum, 284-285.
Subject Index Camp Concentration i, 3,8,14,16,17,20,33, 34,36,46 n. 38,65,68,81,89,107,112, 115 n. 43 Death 1 n. 1,4,5,6, 9,17,21 n. 8,33,35,41 n. 18,48,50,59, 65,72,73,81,86,88,89, 90,97,98,99, 101, ЮЗ, 105,106,107,110, Ш, 112, И4,115,116 Extermination 1 n. 1,19,20,21,23,24,27, 48,64 n. 43,90 Forced labor 20-21,37,72, 84 Camp music History of 97,105 Repertoire of 28-29,49,104 Singing 22-23,28,34,35,99 Songs 22-23,28 n. 17,34,3θ-38,42,43, 48,50,70,96 Camp orchestras 1,3,6,18,19,24-31,34,44, 48,49,65,67,99,100 Auschwitz-main camp 24-25,27,28, 29,30,31 Auschwitz 11-Birkenau (men) 24-25,27, 28,30,32 Auschwitz 11-Birkenau (women) 24-25, 27,28,29 Auschwitz 111-Monowitz 24-25 Bełżec, Majdamek, Sobibor and Treblinka 19,25,26,27,28 Janowska 4,18, 26,44,47, 49, 50,51,52, 58,65,67,69,81,91,92,101,102,103, 106,107,108,110 n. 38,111,112,113,114 Camps Auschwitz 2,8,9,11,17,19,20,22-30,31, 33, 34, 35,3θ, 38, 63, 72, 85, 86, 88, ιοί, 111,112,115 Auschwitz-Birkenau 2, 9,20,23,24-28, 30,35 Auschwitz-Monowitz 2,20,23,24,25 Bełżec 2,19 п.4,60 n. 31 Bergen Belsen 2,115 n. 43 Buchenwald 2,3,20,24 Chełmno 2,19,20 Dachau 2,20,24 Janowska 1,2,19-21,26,34,37-44,46, 47,48,49,50,54,55,59՛ θο, 6i, 63,65, 66, 67,68, 69,70, 71,72,73,75,76, 78, 8o, 89,90,91,95,96,99,108,111,112, 113,115 Majdanek 2,20,21 n. 8,28,72,90 Sachsenhausen 2,20,24,31 n. 25,36,63 Sobibor 2,20,21 n. 8,25,26,60 n. 31,112 Theresienstadt 2,22,115 n. 43 Treblinka 2,19,20,21 n. 8,25,26,27,53 n. 9,112 Death and the Maiden 38-39,44,93,100,101 Dance of 100 in tango, See Tango de la muerte Orchestra of 17,53,54,56,61,63,66,68, 82,111
Fact/factual 7,10, uo accuracy 15 historicity 13 information 89 Fiction/fictional 7,96,110 dialogue 92,94 Fact and 6,8,76,95,97,103 fictionalized 10,78,96,97 memory 15,31 Gas chambers 1,9,17,18,19,20,23,27, 29-ЗЗ, 44,72,81,99, m, 112 History 2,5,6,8,12,13,14,57,67,97,104,105, 109,110 Jewish 18,81 of Tango 92,95 of the Holocaust 8,10,98,102,103, no of the Tango of Death 105,108,109,116 Historians 10,14,29,30,111 Tango 19,34, Holocaust 3,6,8,11,15,33,51,68,85 n.10,86, 97-98,99-105,110, пз, 114 by bullets 70 icons 11,12,17,67,68,111 legends 8-12,13,101-102 memory 6,102,103,113 memorialization 7,33,51,102
133 SUBJECT INDEX myths 101-102 martyrology 8,102 modus operandi 6,113,114,116 narratives 14,25,102,114 Icon/Iconic photograph 17,50,52,53,56-58,61-63, 68,91,102,103,106,111,114 poem 81,85,111 Imagination 7,60,73,94,96,97,99, 114 Literary 91,95 of audiences 2,7,17,96,97,110 Jews 1,4,6,8,12-13,18,19,2o 21,29,32,35, 47,48,70,79,81,83,88,98,99,100,101, 104,111,112,113,114 Jewish culture 49,88 musicians 4,18,26,79,81 tango 18,48 n, 47,50,79,81,91,112,113 Question, Final Solution of the 20,32, 85 n. 10, Legend 7-8,11,13-15,96,99,116 of Dutch resistance 12-13 ofKolNidrei 8,101 of ninty-three Jewish girls 7-10,11 of the dancer 9 of the death of the orchestra 101 of the Tango of Death 1,2,3,6,7,13,17, 19,32,51, 67,68,69,79,80,82,87,89, 91, 95, 97, 99,too,101,102,105,106,108, 109,110,111,112,113,114,115 Visualizing the legend of the Tango of Death 105-110 Lemberg/Lviv 1,20,21,26,44,45,48,49,53, 65,90,91,92 n. 26, 95,107,108 Concentration camp 20,46 n. 38,47,65, 68,81,89,98,102,106,107,112,115 Memory 34,57,77,107,116 Collective 6-7,102,111 Fictional 15,31 Memorial additions and corrections organizations 102 presence 8,13 services 10 stone 106-108 77 Memorialization 7,51,102 Murder 19,20,22,72 n. 8,115 Museum Auschwitz-Birkenau 30,35 Ghetto Fighters’ House 53,63,64 United States Holocaust Memorial 36, 37,42,43,57 Music As torture 4,6,23,54,90,113 Camp, See Camp music Classical 28,64,103,106 Klezmer 45-46 Opera 19,27,28,32-33,100, Popular 27,34,36 n. 4 Tango 3,6,19,36 n. 7,41,89,99,109-110 n. 36 Myths 7-8,14,15,111 about Anne Frank 11-12 about Paul Celan 81,82 about Hitler 40,44,48,81
about Richard Wagner 31-33,111 Nazi atrocities 39 n. 13,40,59,66,69,98, 108,111 barbarism, barbarity 4,67,101 collaboration u, 59,72 collaborators 77-78 fascism/fascist 73,74,75,79,94 ideology 32,33 occupation 7,11,12,36,46,59,79, 92 n. 26 propaganda 22,32,88 version of Plegaria 43 n. 22,50,112 viciousness 66,79,91,113 war crimes 49,52,70,90,108 n. 31 Photograph 14,52,56,64,57 n. 24,59-60, 66-67,72,75,91,102,107,108 of the orchestra 4,17,50,51-55,57,59, 60,65,66,67,68,91,103,106,111,113,114 Photographer of 52,57,58,59,61,62 Propaganda Nazi 22,32,88 Soviet 67,79,113 Representations 7,13,17,97-98,110-113 survivors 14,16, 31,45, 46, 49, 50, 63, 92, 92 n. 26,94,110 n. 38,115 n. 43
134 SUBJECT INDEX Representations (cont.) victims 15,16, го, 31,33,54,79,88,95,98, 106,107 visual 51,67,72,78,98 Resilience/resistance 2,6,10,11,23,99,100, 101,114,116 Schindler’s List 48,102,104-105,110 Soviet citizens 21,54,70,91,113 Extraordinary State Commission 39,40, 45, 54, 55,57,59, 60, 63, 66, 69, 70, 71, 72,73,78,90,91,108,111 prosecution 18,19 n. 4,34,39 n. 13,40, 65,66,71,72,76 n. 16,90,106, 111 propaganda 67,79,113 Red Army 1,21,40 n. 17,57,60, 61,84,111 version of the legend of the Tango of Death 113 Tango Argentinian 3,34,39,43,47,91,92,106, 112 German 35 n. 3 Yiddish 19 Polish 37,48 Tango of Death Piegaria 2 n. 5,3,4 n. 8,42-44,47-48, 50,81,92,94,95,105,106,112 Tango de la muerte 44 n. 30,92-94,105 Tango smerti 95 Tangóul Mortii 81,87 Todesfuge 50,81,82,84-89,91,92,94, ա Todestango 37,43,48,5°, 82,87,89,91 To ostatnia niedziela 45-49,50,95,104 Ո. 21,112 Trial Krasnodar 59-60,72-73,77-78 Nuremberg trial 4,17,18,20,32,34,40, 52-57,60,65-67,70-72,76,106,111 Truth 7,14,33,41, 86,96,111, Ո4,116 true stories 7,9,13,14,43,96,99 Witnesses testimony 12,14,35,40,45,60,63,64,72, 74,77, 78, 82, 85,113 n. 41 reliability 15-16,66,76-77
Name Index Agamben, Giorgio 114 Arendt, Hanna 100 Adomo, Theodor 86-87 Assmann, Aleida 3, 6,7,111 Bal, Mieke 8,13,14 Barnouw, David и Beorn, Waitman Wade 3,19 ո. 5, շւ, 55 ո՛ 14, 58 Ո. 27, 64 Ո. 41, 75 Ո-1շ,սշ Beyssade, Sylvie 38,43 η· 2θ Bianco, Eduardo 2 ո. 5,4 ո. 8,42-44, 47, 48, 81,105 Bovenkerk, Frank 12 Brauer, Juliane 6,22,23,26,27,29 ո. 19,115 Browning, Christoffer 16 Buruma, Ian 12 Celan, Paul 17,81-84, 86-92,95 m Ghianda, Marek 51,68 Clendinnen, Inga 9,50,97,99,115 Coetzee, John 86 Cohen, Leonard 51,102-103 Czackis, Lloica 19,34,35,43,44,50 John, Eckhard 3,6,17,37,99 Judkovski.José 18,34,81 Kaczerginski, Smaryahu 36 Kiefer, Anselm 89 n. 19 Kulisiewicz, Aleksander 36,37,38, 42-43.48 Kuzmin Sergey, 40-41,45,57,60-61,73-75, 78 Laks, Szymon 25 n. 11,114 Levi, Primo 15,97,101 Lewinter, Herman 57-63, Lorenz, Chris 14 Lower, Wendy 54 Malishevsky, Igor 44, Milewski, Barbara 16,36 n. 5 Misiewicz, Ignacy 75,76 Mund, Yacub 18,40,53,75,79,82,96-97, 101,106,107,108 Muzyczka, Anna 37,38,39,42,43,50 Naliwajek-Mazurek, Katarzyna Dawidowicz, Lucy 8,102 Didi-Huberman, George 14 Dorfman, Ariel 100 Douglas, Lawrence 66-67 Fackler, Guido 3,6,19,22-24,26-29,63, 65,100,114 Felstiner, John 81,84-89,90,92 Frank, Anne 11-12,101 Gilbert, Shirli 3,6,19,20,23,24,25,26,27, 28,30,31 n. 25,35,36,37,64,97,114,115 Ginzburg, Lev 78 Haan, Ido de 12,16 Haydn, Joseph 2,28,69 Hirsch, Francine 51,67,71,72 Hondius, Dieke 13 Jedlińska, Eleonora 51,61-62,68 Jenkins, Sir Karl 109-110 6,43 n. 22, 5Գ53 Nomberg-Przytyk, Sara Nudler, Julio 9 34,81,87,91-92,94-95 Ochs, Wilhelm, See Porath, Zeev Ophuis, Ronald 98
Perel, Esther 99-100 Petersburski, Jerzy 45-47,49 Pihlström, Sami 16,101 Pohl, Dieter 3,76 Pojtser, Anna 59,60,6ı, 70,72-78 Porath, Zeev 63, 64,88 n. 17,107 n. 28 Presser, Jacob 4,12,18 Redzik, Adam 21,26,43,53 Ross, Alex 30 n. 23,32,33 Sands, Philippe 1 Samuel, Raphael 8,13,15,96,102 Sandkühler, Thomas 21,64 n. 43
136 NAME INDEX Schubert, Franz 28,38,39,43 Sheffi, Na’ania 30,33 Siegel, Dina 33 Smirnov, Lev Nikolaevich 18,40,52-54,56, Vyshinskii, Andrei 71,72 n. 7 Vuijsje, Maija 29 θ3, θ5.67,82 Snyder, Timothy 113 Spielberg, Steven 102, no Stricks, Leonid 18,53,69 n. 1,75,79,81,82, 106 Szczęśniak, Hubert 31,35 n. 3 Wagenaar, Willem 14,16 Wagner, Richard 2,17,19,29-33,64,108, in Wells, Leon Weliczer 1 n. 2,21,40,76,113 n. 41 Werb, Bret 6,19,35,36 n. 4,36 n. 6,38 n. 10, 38 n. u, 57 n. 25 Wiedemann, Barbara 89,90,91 Wiesel, Elie 97,101 n. 11 Wiesenthal, Simon 1 n. 2,21,26 n. 14,38,43 n. 25,53,64,76 Thompson, Paul 8,13,15,96,102 Tokarev, Mikhail 40,60, 72-74,78 Toltz, Joseph 38 n. 10 Vynnychuck, Yuri Dayehsche ì Staatsbibliothek □ München 14 n. 26,46,47 n. 41,95 |
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| author | Haan, Willem de 1945- |
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| author_facet | Haan, Willem de 1945- |
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| bvnumber | BV048851218 |
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| era | Geschichte 1943 gnd Geschichte 1940-1945 gnd |
| era_facet | Geschichte 1943 Geschichte 1940-1945 |
| format | Book |
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| geographic | Lemberg (DE-588)4035304-7 gnd |
| geographic_facet | Lemberg |
| id | DE-604.BV048851218 |
| illustrated | Illustrated |
| index_date | 2024-07-03T21:40:13Z |
| indexdate | 2025-01-29T13:16:34Z |
| institution | BVB |
| isbn | 9789004525061 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034116488 |
| oclc_num | 1376090365 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 136 Seiten Illustrationen, Karten 25 cm |
| psigel | BSB_NED_20230621 DHB_BSB_FID |
| publishDate | 2023 |
| publishDateSearch | 2023 |
| publishDateSort | 2023 |
| publisher | Brill |
| record_format | marc |
| series | Jews, judaism, and the arts |
| series2 | Jews, judaism, and the arts |
| spelling | Haan, Willem de 1945- Verfasser (DE-588)1061106977 aut Tango of death the creation of a Holocaust legend by Willem de Haan Leiden ; Boston Brill [2023] © 2023 136 Seiten Illustrationen, Karten 25 cm txt rdacontent n rdamedia nc rdacarrier Jews, judaism, and the arts volume 3 "A legend that captures the imagination of audiences and shapes representations of the Holocaust is that in Nazi concentration camps Jewish musicians were forced to play a Tango of Death as men, women and children made their way to the gas chambers. This book traces the origins of this legend to a little known concentration camp in Ukraine where musicians were forced to perform a Jewish tango before they were murdered themselves. By reconstructing the creation of this legend, the book shows how the actual history is hidden, distorted, or even lost altogether"-- Geschichte 1943 gnd rswk-swf Geschichte 1940-1945 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Tango (DE-588)4184397-6 gnd rswk-swf Judenvernichtung (DE-588)4073091-8 gnd rswk-swf Konzentrationslager (DE-588)4032352-3 gnd rswk-swf Lemberg (DE-588)4035304-7 gnd rswk-swf Janowska (Concentration camp) Jews / Persecutions / Ukraine / Lʹviv Holocaust, Jewish (1939-1945) / Ukraine / Lʹviv Jews / Persecutions Ukraine / Lʹviv 1939-1945 Lemberg (DE-588)4035304-7 g Konzentrationslager (DE-588)4032352-3 s Judenvernichtung (DE-588)4073091-8 s Tango (DE-588)4184397-6 s Geschichte 1943 z DE-604 Musik (DE-588)4040802-4 s Geschichte 1940-1945 z Erscheint auch als Online-Ausgabe, PDF 978-90-04-52507-8 Jews, judaism, and the arts volume 3 (DE-604)BV046360747 3 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034116488&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034116488&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Literaturverzeichnis Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034116488&sequence=000005&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA Register // Sachregister Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034116488&sequence=000007&line_number=0004&func_code=DB_RECORDS&service_type=MEDIA Register // Personenregister |
| spellingShingle | Haan, Willem de 1945- Tango of death the creation of a Holocaust legend Jews, judaism, and the arts Musik (DE-588)4040802-4 gnd Tango (DE-588)4184397-6 gnd Judenvernichtung (DE-588)4073091-8 gnd Konzentrationslager (DE-588)4032352-3 gnd |
| subject_GND | (DE-588)4040802-4 (DE-588)4184397-6 (DE-588)4073091-8 (DE-588)4032352-3 (DE-588)4035304-7 |
| title | Tango of death the creation of a Holocaust legend |
| title_auth | Tango of death the creation of a Holocaust legend |
| title_exact_search | Tango of death the creation of a Holocaust legend |
| title_exact_search_txtP | Tango of death the creation of a Holocaust legend |
| title_full | Tango of death the creation of a Holocaust legend by Willem de Haan |
| title_fullStr | Tango of death the creation of a Holocaust legend by Willem de Haan |
| title_full_unstemmed | Tango of death the creation of a Holocaust legend by Willem de Haan |
| title_short | Tango of death |
| title_sort | tango of death the creation of a holocaust legend |
| title_sub | the creation of a Holocaust legend |
| topic | Musik (DE-588)4040802-4 gnd Tango (DE-588)4184397-6 gnd Judenvernichtung (DE-588)4073091-8 gnd Konzentrationslager (DE-588)4032352-3 gnd |
| topic_facet | Musik Tango Judenvernichtung Konzentrationslager Lemberg |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034116488&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034116488&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034116488&sequence=000005&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034116488&sequence=000007&line_number=0004&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV046360747 |
| work_keys_str_mv | AT haanwillemde tangoofdeaththecreationofaholocaustlegend |