No machos or pop stars: when the Leeds art experiment went punk
"After punk’s arrival in 1976, many art students in the northern English city of Leeds traded their paintbrushes for guitars and synthesizers. In bands ranging from Gang of Four, Soft Cell, and Delta 5 to the Mekons, Scritti Politti, and Fad Gadget, these artists-turned-musicians challenged the...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Durham ; London
Duke University Press
2022
|
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Zusammenfassung: | "After punk’s arrival in 1976, many art students in the northern English city of Leeds traded their paintbrushes for guitars and synthesizers. In bands ranging from Gang of Four, Soft Cell, and Delta 5 to the Mekons, Scritti Politti, and Fad Gadget, these artists-turned-musicians challenged the limits of what was deemed possible in rock and pop music. Taking avant-garde ideas to the record-buying public, they created Situationist antirock and art punk, penned deconstructed pop ditties about Jacques Derrida, and took the aesthetics of collage and shock to dark, brooding electro-dance music. In No Machos or Pop Stars Gavin Butt tells the fascinating story of the post-punk scene in Leeds, showing how England’s state-funded education policy brought together art students from different social classes to create a fertile ground for musical experimentation. Drawing on extensive interviews with band members, their associates, and teachers, Butt details the groups who wanted to dismantle both art world and music industry hierarchies by making it possible to dance to their art. Their stories reveal the subversive influence of art school in a regional music scene of lasting international significance."-- |
Beschreibung: | xviii, 290 Seiten Illustrationen, Porträts |
ISBN: | 9781478018636 9781478016007 |
Internformat
MARC
LEADER | 00000nam a22000008c 4500 | ||
---|---|---|---|
001 | BV048844823 | ||
003 | DE-604 | ||
005 | 20230525 | ||
007 | t | ||
008 | 230306s2022 ac|| |||| 00||| eng d | ||
020 | |a 9781478018636 |c paperback |9 978-1-4780-1863-6 | ||
020 | |a 9781478016007 |c hardcover |9 978-1-4780-1600-7 | ||
035 | |a (OCoLC)1352437187 | ||
035 | |a (DE-599)BVBBV048844823 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-12 |a DE-255 | ||
084 | |a MUS |q DE-12 |2 fid | ||
100 | 1 | |a Butt, Gavin |e Verfasser |0 (DE-588)18838426X |4 aut | |
245 | 1 | 0 | |a No machos or pop stars |b when the Leeds art experiment went punk |c Gavin Butt |
246 | 1 | 3 | |a When the Leeds art experiment went punk |
264 | 1 | |a Durham ; London |b Duke University Press |c 2022 | |
300 | |a xviii, 290 Seiten |b Illustrationen, Porträts | ||
336 | |b txt |2 rdacontent | ||
336 | |b sti |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
505 | 8 | |a Beginning at a dead-end -- Anarchy at the Poly -- Punk Bohemians -- Debating society -- Why theory? -- "No machos or pop stars please" -- Electric shock -- Rehearsals for the Mutant Disco -- Epilogue: The limits of experiment-1981 and after | |
520 | 3 | |a "After punk’s arrival in 1976, many art students in the northern English city of Leeds traded their paintbrushes for guitars and synthesizers. In bands ranging from Gang of Four, Soft Cell, and Delta 5 to the Mekons, Scritti Politti, and Fad Gadget, these artists-turned-musicians challenged the limits of what was deemed possible in rock and pop music. Taking avant-garde ideas to the record-buying public, they created Situationist antirock and art punk, penned deconstructed pop ditties about Jacques Derrida, and took the aesthetics of collage and shock to dark, brooding electro-dance music. In No Machos or Pop Stars Gavin Butt tells the fascinating story of the post-punk scene in Leeds, showing how England’s state-funded education policy brought together art students from different social classes to create a fertile ground for musical experimentation. Drawing on extensive interviews with band members, their associates, and teachers, Butt details the groups who wanted to dismantle both art world and music industry hierarchies by making it possible to dance to their art. Their stories reveal the subversive influence of art school in a regional music scene of lasting international significance."-- | |
648 | 7 | |a Geschichte 1976-1981 |2 gnd |9 rswk-swf | |
650 | 0 | 7 | |a Musikleben |0 (DE-588)4075128-4 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Künstler |0 (DE-588)4033423-5 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Postpunk |0 (DE-588)7582674-4 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Musiker |0 (DE-588)4040841-3 |2 gnd |9 rswk-swf |
651 | 7 | |a Leeds |0 (DE-588)4111234-9 |2 gnd |9 rswk-swf | |
653 | 0 | |a Punk rock music / England / Leeds / History and criticism | |
653 | 0 | |a Post-punk music / Social aspects / England / Leeds | |
653 | 0 | |a Punk culture / England / Leeds | |
653 | 0 | |a Punk culture and art / England / Leeds | |
653 | 0 | |a Art and society / History / 20th century | |
653 | 0 | |a Art / Study and teaching / Social aspects | |
653 | 0 | |a Art et société / Histoire / 20e siècle | |
653 | 0 | |a Art / Étude et enseignement / Aspect social | |
653 | 0 | |a MUSIC / Genres & Styles / Punk | |
653 | 0 | |a ART / History / Contemporary (1945-) | |
653 | 0 | |a Art and society | |
653 | 0 | |a Punk culture | |
653 | 0 | |a Punk culture and art | |
653 | 0 | |a Punk rock music | |
653 | 2 | |a England / Leeds | |
653 | 4 | |a 1900-1999 | |
653 | 6 | |a Criticism, interpretation, etc | |
653 | 6 | |a History | |
689 | 0 | 0 | |a Leeds |0 (DE-588)4111234-9 |D g |
689 | 0 | 1 | |a Postpunk |0 (DE-588)7582674-4 |D s |
689 | 0 | 2 | |a Künstler |0 (DE-588)4033423-5 |D s |
689 | 0 | 3 | |a Musiker |0 (DE-588)4040841-3 |D s |
689 | 0 | 4 | |a Musikleben |0 (DE-588)4075128-4 |D s |
689 | 0 | 5 | |a Geschichte 1976-1981 |A z |
689 | 0 | |5 DE-604 | |
776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 978-1-4780-2323-4 |
856 | 4 | 2 | |m Digitalisierung BSB München - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034110170&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
940 | 1 | |q BSB_NED_20230525 | |
999 | |a oai:aleph.bib-bvb.de:BVB01-034110170 | ||
942 | 1 | 1 | |c 306.09 |e 22/bsb |f 09048 |g 41 |
942 | 1 | 1 | |c 781.66 |e 22/bsb |f 09047 |g 41 |
942 | 1 | 1 | |c 306.09 |e 22/bsb |f 09047 |g 41 |
942 | 1 | 1 | |c 781.66 |e 22/bsb |f 09048 |g 41 |
942 | 1 | 1 | |c 307.09 |e 22/bsb |f 09048 |g 41 |
942 | 1 | 1 | |c 307.09 |e 22/bsb |f 09047 |g 41 |
Datensatz im Suchindex
_version_ | 1804184958691966976 |
---|---|
adam_text | c°ntents ІХ ........................................................................................ PREFACE: CLASS ACTS XV ......................................................................................... ACKNOWLEDGMENTS i ..................... Introduction: The Art School Dance Goes On PART I AVANT-GARDE AND PUNK 23 ....................................................... Beginning at a Dead End QI 56 ............................................................... Anarchy at the Poly 02 PART II FORMING A BAND 75 ................................................................... Punk Bohemians QQ 105 ................................................................... Debating Society Q4 126 .......................................................................... Why Theory? Q§ 146 ........................................ “No Machos or Pop-Stars Please” QQ 171 ....................................................................... ElectricShock 198 ........................................... Rehearsals for the Mutant Disco 225 .......... Epilogue: The Limits of Experiment—1981 and After Q7 QQ
245 ........................................................................................................................ NOTES 267 ................................................................................ SELECTED DISCOGRAPHY 271 ...................................................................................................... BIBLIOGRAPHY 283 ........................................................................................................................ INDEX CONTENTS УШ
|
adam_txt |
c°ntents ІХ . PREFACE: CLASS ACTS XV . ACKNOWLEDGMENTS i . Introduction: The Art School Dance Goes On PART I AVANT-GARDE AND PUNK 23 . Beginning at a Dead End QI 56 . Anarchy at the Poly 02 PART II FORMING A BAND 75 . Punk Bohemians QQ 105 . Debating Society Q4 126 . Why Theory? Q§ 146 . “No Machos or Pop-Stars Please” QQ 171 . ElectricShock 198 . Rehearsals for the Mutant Disco 225 . Epilogue: The Limits of Experiment—1981 and After Q7 QQ
245 . NOTES 267 . SELECTED DISCOGRAPHY 271 . BIBLIOGRAPHY 283 . INDEX CONTENTS УШ |
any_adam_object | 1 |
any_adam_object_boolean | 1 |
author | Butt, Gavin |
author_GND | (DE-588)18838426X |
author_facet | Butt, Gavin |
author_role | aut |
author_sort | Butt, Gavin |
author_variant | g b gb |
building | Verbundindex |
bvnumber | BV048844823 |
contents | Beginning at a dead-end -- Anarchy at the Poly -- Punk Bohemians -- Debating society -- Why theory? -- "No machos or pop stars please" -- Electric shock -- Rehearsals for the Mutant Disco -- Epilogue: The limits of experiment-1981 and after |
ctrlnum | (OCoLC)1352437187 (DE-599)BVBBV048844823 |
era | Geschichte 1976-1981 gnd |
era_facet | Geschichte 1976-1981 |
format | Book |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04589nam a22008058c 4500</leader><controlfield tag="001">BV048844823</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20230525 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">230306s2022 ac|| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781478018636</subfield><subfield code="c">paperback</subfield><subfield code="9">978-1-4780-1863-6</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781478016007</subfield><subfield code="c">hardcover</subfield><subfield code="9">978-1-4780-1600-7</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1352437187</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV048844823</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-255</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">MUS</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Butt, Gavin</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)18838426X</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">No machos or pop stars</subfield><subfield code="b">when the Leeds art experiment went punk</subfield><subfield code="c">Gavin Butt</subfield></datafield><datafield tag="246" ind1="1" ind2="3"><subfield code="a">When the Leeds art experiment went punk</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Durham ; London</subfield><subfield code="b">Duke University Press</subfield><subfield code="c">2022</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xviii, 290 Seiten</subfield><subfield code="b">Illustrationen, Porträts</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">sti</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Beginning at a dead-end -- Anarchy at the Poly -- Punk Bohemians -- Debating society -- Why theory? -- "No machos or pop stars please" -- Electric shock -- Rehearsals for the Mutant Disco -- Epilogue: The limits of experiment-1981 and after</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"After punk’s arrival in 1976, many art students in the northern English city of Leeds traded their paintbrushes for guitars and synthesizers. In bands ranging from Gang of Four, Soft Cell, and Delta 5 to the Mekons, Scritti Politti, and Fad Gadget, these artists-turned-musicians challenged the limits of what was deemed possible in rock and pop music. Taking avant-garde ideas to the record-buying public, they created Situationist antirock and art punk, penned deconstructed pop ditties about Jacques Derrida, and took the aesthetics of collage and shock to dark, brooding electro-dance music. In No Machos or Pop Stars Gavin Butt tells the fascinating story of the post-punk scene in Leeds, showing how England’s state-funded education policy brought together art students from different social classes to create a fertile ground for musical experimentation. Drawing on extensive interviews with band members, their associates, and teachers, Butt details the groups who wanted to dismantle both art world and music industry hierarchies by making it possible to dance to their art. Their stories reveal the subversive influence of art school in a regional music scene of lasting international significance."--</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1976-1981</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musikleben</subfield><subfield code="0">(DE-588)4075128-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Künstler</subfield><subfield code="0">(DE-588)4033423-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Postpunk</subfield><subfield code="0">(DE-588)7582674-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musiker</subfield><subfield code="0">(DE-588)4040841-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Leeds</subfield><subfield code="0">(DE-588)4111234-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Punk rock music / England / Leeds / History and criticism</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Post-punk music / Social aspects / England / Leeds</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Punk culture / England / Leeds</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Punk culture and art / England / Leeds</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Art and society / History / 20th century</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Art / Study and teaching / Social aspects</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Art et société / Histoire / 20e siècle</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Art / Étude et enseignement / Aspect social</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">MUSIC / Genres & Styles / Punk</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">ART / History / Contemporary (1945-)</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Art and society</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Punk culture</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Punk culture and art</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Punk rock music</subfield></datafield><datafield tag="653" ind1=" " ind2="2"><subfield code="a">England / Leeds</subfield></datafield><datafield tag="653" ind1=" " ind2="4"><subfield code="a">1900-1999</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">Criticism, interpretation, etc</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">History</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Leeds</subfield><subfield code="0">(DE-588)4111234-9</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Postpunk</subfield><subfield code="0">(DE-588)7582674-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Künstler</subfield><subfield code="0">(DE-588)4033423-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Musiker</subfield><subfield code="0">(DE-588)4040841-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Musikleben</subfield><subfield code="0">(DE-588)4075128-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="5"><subfield code="a">Geschichte 1976-1981</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe</subfield><subfield code="z">978-1-4780-2323-4</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung BSB München - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034110170&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">BSB_NED_20230525</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-034110170</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">306.09</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09048</subfield><subfield code="g">41</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.66</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09047</subfield><subfield code="g">41</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">306.09</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09047</subfield><subfield code="g">41</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.66</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09048</subfield><subfield code="g">41</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">307.09</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09048</subfield><subfield code="g">41</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">307.09</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09047</subfield><subfield code="g">41</subfield></datafield></record></collection> |
geographic | Leeds (DE-588)4111234-9 gnd |
geographic_facet | Leeds |
id | DE-604.BV048844823 |
illustrated | Illustrated |
index_date | 2024-07-03T21:38:56Z |
indexdate | 2024-07-10T09:47:37Z |
institution | BVB |
isbn | 9781478018636 9781478016007 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034110170 |
oclc_num | 1352437187 |
open_access_boolean | |
owner | DE-12 DE-255 |
owner_facet | DE-12 DE-255 |
physical | xviii, 290 Seiten Illustrationen, Porträts |
psigel | BSB_NED_20230525 |
publishDate | 2022 |
publishDateSearch | 2022 |
publishDateSort | 2022 |
publisher | Duke University Press |
record_format | marc |
spelling | Butt, Gavin Verfasser (DE-588)18838426X aut No machos or pop stars when the Leeds art experiment went punk Gavin Butt When the Leeds art experiment went punk Durham ; London Duke University Press 2022 xviii, 290 Seiten Illustrationen, Porträts txt rdacontent sti rdacontent n rdamedia nc rdacarrier Beginning at a dead-end -- Anarchy at the Poly -- Punk Bohemians -- Debating society -- Why theory? -- "No machos or pop stars please" -- Electric shock -- Rehearsals for the Mutant Disco -- Epilogue: The limits of experiment-1981 and after "After punk’s arrival in 1976, many art students in the northern English city of Leeds traded their paintbrushes for guitars and synthesizers. In bands ranging from Gang of Four, Soft Cell, and Delta 5 to the Mekons, Scritti Politti, and Fad Gadget, these artists-turned-musicians challenged the limits of what was deemed possible in rock and pop music. Taking avant-garde ideas to the record-buying public, they created Situationist antirock and art punk, penned deconstructed pop ditties about Jacques Derrida, and took the aesthetics of collage and shock to dark, brooding electro-dance music. In No Machos or Pop Stars Gavin Butt tells the fascinating story of the post-punk scene in Leeds, showing how England’s state-funded education policy brought together art students from different social classes to create a fertile ground for musical experimentation. Drawing on extensive interviews with band members, their associates, and teachers, Butt details the groups who wanted to dismantle both art world and music industry hierarchies by making it possible to dance to their art. Their stories reveal the subversive influence of art school in a regional music scene of lasting international significance."-- Geschichte 1976-1981 gnd rswk-swf Musikleben (DE-588)4075128-4 gnd rswk-swf Künstler (DE-588)4033423-5 gnd rswk-swf Postpunk (DE-588)7582674-4 gnd rswk-swf Musiker (DE-588)4040841-3 gnd rswk-swf Leeds (DE-588)4111234-9 gnd rswk-swf Punk rock music / England / Leeds / History and criticism Post-punk music / Social aspects / England / Leeds Punk culture / England / Leeds Punk culture and art / England / Leeds Art and society / History / 20th century Art / Study and teaching / Social aspects Art et société / Histoire / 20e siècle Art / Étude et enseignement / Aspect social MUSIC / Genres & Styles / Punk ART / History / Contemporary (1945-) Art and society Punk culture Punk culture and art Punk rock music England / Leeds 1900-1999 Criticism, interpretation, etc History Leeds (DE-588)4111234-9 g Postpunk (DE-588)7582674-4 s Künstler (DE-588)4033423-5 s Musiker (DE-588)4040841-3 s Musikleben (DE-588)4075128-4 s Geschichte 1976-1981 z DE-604 Erscheint auch als Online-Ausgabe 978-1-4780-2323-4 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034110170&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Butt, Gavin No machos or pop stars when the Leeds art experiment went punk Beginning at a dead-end -- Anarchy at the Poly -- Punk Bohemians -- Debating society -- Why theory? -- "No machos or pop stars please" -- Electric shock -- Rehearsals for the Mutant Disco -- Epilogue: The limits of experiment-1981 and after Musikleben (DE-588)4075128-4 gnd Künstler (DE-588)4033423-5 gnd Postpunk (DE-588)7582674-4 gnd Musiker (DE-588)4040841-3 gnd |
subject_GND | (DE-588)4075128-4 (DE-588)4033423-5 (DE-588)7582674-4 (DE-588)4040841-3 (DE-588)4111234-9 |
title | No machos or pop stars when the Leeds art experiment went punk |
title_alt | When the Leeds art experiment went punk |
title_auth | No machos or pop stars when the Leeds art experiment went punk |
title_exact_search | No machos or pop stars when the Leeds art experiment went punk |
title_exact_search_txtP | No machos or pop stars when the Leeds art experiment went punk |
title_full | No machos or pop stars when the Leeds art experiment went punk Gavin Butt |
title_fullStr | No machos or pop stars when the Leeds art experiment went punk Gavin Butt |
title_full_unstemmed | No machos or pop stars when the Leeds art experiment went punk Gavin Butt |
title_short | No machos or pop stars |
title_sort | no machos or pop stars when the leeds art experiment went punk |
title_sub | when the Leeds art experiment went punk |
topic | Musikleben (DE-588)4075128-4 gnd Künstler (DE-588)4033423-5 gnd Postpunk (DE-588)7582674-4 gnd Musiker (DE-588)4040841-3 gnd |
topic_facet | Musikleben Künstler Postpunk Musiker Leeds |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034110170&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
work_keys_str_mv | AT buttgavin nomachosorpopstarswhentheleedsartexperimentwentpunk AT buttgavin whentheleedsartexperimentwentpunk |