Paul Dukas: composer and critic
As a noted composer and critic, and later an editor and composition teacher, Paul Dukas (1865-1935) was a major figure in fin-de-siècle and early twentieth-century French music. Although his catalogue of published scores was relatively modest in quantity, he was internationally recognised as an art...
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Woodbridge, Suffolk
The Boydell Press
2019
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Schlagworte: | |
Online-Zugang: | BSB01 UBG01 Volltext |
Zusammenfassung: | As a noted composer and critic, and later an editor and composition teacher, Paul Dukas (1865-1935) was a major figure in fin-de-siècle and early twentieth-century French music. Although his catalogue of published scores was relatively modest in quantity, he was internationally recognised as an artist and intellectual of distinction who contributed significantly to Parisian musical cultures and critical debates as they evolved from the 1890s until the 1930s. Moving in the same circles as Debussy and Fauré, as well as networking with trailblazers such as the Ballets Russes director Sergei Diaghilev and the conductor Serge Koussevitzky, Dukas created works that reflect French sensibilities but also resonate with transnational audiences. L'Apprenti sorcier is still his best-known work, while the opera Ariane et Barbe-Bleue has been revived and remains relevant for the twenty-first century. Works such as the Piano Sonata and the ballet La Péri respectively exemplify the twin attractions of tradition and progress for the composer. Intensely self-critical, however, he ended up destroying many of his scores. This book is the first full-length Anglophone study of Dukas. It perceives his critical essays as a form of creative, philosophical thought that synthesised the riches of the Parisian music scene yet also represented the formation and development of his own artistic voice. Investigating Dukas's interrelated identities as composer and critic, it seeks to explain his broad aesthetic motivations and artistic agenda |
Beschreibung: | Title from publisher's bibliographic system (viewed on 18 Jan 2023) |
Beschreibung: | 1 Online-Ressource (xiv, 289 Seiten) |
ISBN: | 9781787445109 |
DOI: | 10.1017/9781787445109 |
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author | Watson, Laura ca. 20./21. Jh |
author_GND | (DE-588)1094688746 |
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discipline | Musikwissenschaft |
discipline_str_mv | Musikwissenschaft |
doi_str_mv | 10.1017/9781787445109 |
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spelling | Watson, Laura ca. 20./21. Jh. (DE-588)1094688746 aut Paul Dukas composer and critic Laura Watson Woodbridge, Suffolk The Boydell Press 2019 1 Online-Ressource (xiv, 289 Seiten) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 18 Jan 2023) As a noted composer and critic, and later an editor and composition teacher, Paul Dukas (1865-1935) was a major figure in fin-de-siècle and early twentieth-century French music. Although his catalogue of published scores was relatively modest in quantity, he was internationally recognised as an artist and intellectual of distinction who contributed significantly to Parisian musical cultures and critical debates as they evolved from the 1890s until the 1930s. Moving in the same circles as Debussy and Fauré, as well as networking with trailblazers such as the Ballets Russes director Sergei Diaghilev and the conductor Serge Koussevitzky, Dukas created works that reflect French sensibilities but also resonate with transnational audiences. L'Apprenti sorcier is still his best-known work, while the opera Ariane et Barbe-Bleue has been revived and remains relevant for the twenty-first century. Works such as the Piano Sonata and the ballet La Péri respectively exemplify the twin attractions of tradition and progress for the composer. Intensely self-critical, however, he ended up destroying many of his scores. This book is the first full-length Anglophone study of Dukas. It perceives his critical essays as a form of creative, philosophical thought that synthesised the riches of the Parisian music scene yet also represented the formation and development of his own artistic voice. Investigating Dukas's interrelated identities as composer and critic, it seeks to explain his broad aesthetic motivations and artistic agenda Dukas, Paul / 1865-1935 / Criticism and interpretation Dukas, Paul 1865-1935 (DE-588)119174049 gnd rswk-swf (DE-588)4006804-3 Biografie gnd-content Dukas, Paul 1865-1935 (DE-588)119174049 p DE-604 Erscheint auch als Druck-Ausgabe 978-1-78327-383-6 https://doi.org/10.1017/9781787445109 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Watson, Laura ca. 20./21. Jh Paul Dukas composer and critic Dukas, Paul / 1865-1935 / Criticism and interpretation Dukas, Paul 1865-1935 (DE-588)119174049 gnd |
subject_GND | (DE-588)119174049 (DE-588)4006804-3 |
title | Paul Dukas composer and critic |
title_auth | Paul Dukas composer and critic |
title_exact_search | Paul Dukas composer and critic |
title_exact_search_txtP | Paul Dukas composer and critic |
title_full | Paul Dukas composer and critic Laura Watson |
title_fullStr | Paul Dukas composer and critic Laura Watson |
title_full_unstemmed | Paul Dukas composer and critic Laura Watson |
title_short | Paul Dukas |
title_sort | paul dukas composer and critic |
title_sub | composer and critic |
topic | Dukas, Paul / 1865-1935 / Criticism and interpretation Dukas, Paul 1865-1935 (DE-588)119174049 gnd |
topic_facet | Dukas, Paul / 1865-1935 / Criticism and interpretation Dukas, Paul 1865-1935 Biografie |
url | https://doi.org/10.1017/9781787445109 |
work_keys_str_mv | AT watsonlaura pauldukascomposerandcritic |