Piano-playing revisited: what modern players can learn from period instruments
Today's pianists are expected to play music of three centuries on a single instrument: Steinway's design from the late 1800s. Other types of pianos, such as Mozart's Walter or Chopin's Pleyel, are increasingly being copied or restored, but they are played almost exclusively by sp...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Rochester, NY
University of Rochester Press
2021
|
| Schriftenreihe: | Eastman studies in music
|
| Schlagworte: | |
| Online-Zugang: | BSB01 UBG01 Volltext |
| Zusammenfassung: | Today's pianists are expected to play music of three centuries on a single instrument: Steinway's design from the late 1800s. Other types of pianos, such as Mozart's Walter or Chopin's Pleyel, are increasingly being copied or restored, but they are played almost exclusively by specialists in "Historical Performance." David Breitman has been introducing Oberlin Conservatory students to historical keyboards since 1991, and in this book he focuses on the music he cares about most deeply and the problems he has found most perplexing. He begins by acknowledging the dilemma of confronting historical repertoire with modern instruments, then shows how to apply insights from period instruments to practical problems on any piano, including the relationship between melody and accompaniment and the use of the pedal. The central portion of the book discusses the pianos and piano music of Haydn and Mozart, Beethoven, Schubert, and Chopin, as well as the special place of the clavichord in eighteenth-century keyboard culture. A wide range of musical examples demonstrates how composers were influenced by the instruments they knew, and how that understanding can help today's performers. The book concludes with a passionate plea for individual creativity and autonomy, authentic voices for our own time. A suite of videos, including demonstrations of representative musical examples as well as of the moderator pedal and clavichord action, can be found here: https://vimeo.com/showcase/8046349 |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 17 Jan 2023) Preface -- - Acknowledgements -- - 1 - Music making then and now -- - 2 - With broad strokes (an overview) -- - 3 - The early days of piano: Haydn and Mozart -- - 4 - Beethoven and the evolving piano -- - 5 - Schubert -- - 6 - Chopin -- - 7 - The clavichord -- - Epilogue: creativity in the performance of old music -- - Appendix: overtone structure of the Steinway and Waler, compared -- - Glossary of terms -- - Notes -- - Bibliography -- - Index of works -- - General index |
| Beschreibung: | 1 Online-Ressource (xx, 206 Seiten) |
| ISBN: | 9781800101944 |
| DOI: | 10.1017/9781800101944 |
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Datensatz im Suchindex
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| author | Breitman, David ca. 20./21. Jh |
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| dewey-ones | 786 - Keyboard & other instruments |
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| dewey-search | 786.209 |
| dewey-sort | 3786.209 |
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| id | DE-604.BV048843094 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T21:38:24Z |
| indexdate | 2024-07-10T09:47:34Z |
| institution | BVB |
| isbn | 9781800101944 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034108489 |
| oclc_num | 1372477872 |
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| spelling | Breitman, David ca. 20./21. Jh. (DE-588)134813448 aut Piano-playing revisited what modern players can learn from period instruments David Breitman Rochester, NY University of Rochester Press 2021 1 Online-Ressource (xx, 206 Seiten) txt rdacontent c rdamedia cr rdacarrier Eastman studies in music Title from publisher's bibliographic system (viewed on 17 Jan 2023) Preface -- - Acknowledgements -- - 1 - Music making then and now -- - 2 - With broad strokes (an overview) -- - 3 - The early days of piano: Haydn and Mozart -- - 4 - Beethoven and the evolving piano -- - 5 - Schubert -- - 6 - Chopin -- - 7 - The clavichord -- - Epilogue: creativity in the performance of old music -- - Appendix: overtone structure of the Steinway and Waler, compared -- - Glossary of terms -- - Notes -- - Bibliography -- - Index of works -- - General index Today's pianists are expected to play music of three centuries on a single instrument: Steinway's design from the late 1800s. Other types of pianos, such as Mozart's Walter or Chopin's Pleyel, are increasingly being copied or restored, but they are played almost exclusively by specialists in "Historical Performance." David Breitman has been introducing Oberlin Conservatory students to historical keyboards since 1991, and in this book he focuses on the music he cares about most deeply and the problems he has found most perplexing. He begins by acknowledging the dilemma of confronting historical repertoire with modern instruments, then shows how to apply insights from period instruments to practical problems on any piano, including the relationship between melody and accompaniment and the use of the pedal. The central portion of the book discusses the pianos and piano music of Haydn and Mozart, Beethoven, Schubert, and Chopin, as well as the special place of the clavichord in eighteenth-century keyboard culture. A wide range of musical examples demonstrates how composers were influenced by the instruments they knew, and how that understanding can help today's performers. The book concludes with a passionate plea for individual creativity and autonomy, authentic voices for our own time. A suite of videos, including demonstrations of representative musical examples as well as of the moderator pedal and clavichord action, can be found here: https://vimeo.com/showcase/8046349 Geschichte gnd rswk-swf Piano / History Piano / Instruction and study Pianists Historische Musikpraxis (DE-588)4197967-9 gnd rswk-swf Klavier (DE-588)4030982-4 gnd rswk-swf Klavierspiel (DE-588)4030996-4 gnd rswk-swf Klavichord (DE-588)4010271-3 gnd rswk-swf Klavier (DE-588)4030982-4 s Klavichord (DE-588)4010271-3 s Klavierspiel (DE-588)4030996-4 s Historische Musikpraxis (DE-588)4197967-9 s Geschichte z DE-604 Erscheint auch als Druck-Ausgabe 978-1-64825-010-1 https://doi.org/10.1017/9781800101944 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Breitman, David ca. 20./21. Jh Piano-playing revisited what modern players can learn from period instruments Piano / History Piano / Instruction and study Pianists Historische Musikpraxis (DE-588)4197967-9 gnd Klavier (DE-588)4030982-4 gnd Klavierspiel (DE-588)4030996-4 gnd Klavichord (DE-588)4010271-3 gnd |
| subject_GND | (DE-588)4197967-9 (DE-588)4030982-4 (DE-588)4030996-4 (DE-588)4010271-3 |
| title | Piano-playing revisited what modern players can learn from period instruments |
| title_auth | Piano-playing revisited what modern players can learn from period instruments |
| title_exact_search | Piano-playing revisited what modern players can learn from period instruments |
| title_exact_search_txtP | Piano-playing revisited what modern players can learn from period instruments |
| title_full | Piano-playing revisited what modern players can learn from period instruments David Breitman |
| title_fullStr | Piano-playing revisited what modern players can learn from period instruments David Breitman |
| title_full_unstemmed | Piano-playing revisited what modern players can learn from period instruments David Breitman |
| title_short | Piano-playing revisited |
| title_sort | piano playing revisited what modern players can learn from period instruments |
| title_sub | what modern players can learn from period instruments |
| topic | Piano / History Piano / Instruction and study Pianists Historische Musikpraxis (DE-588)4197967-9 gnd Klavier (DE-588)4030982-4 gnd Klavierspiel (DE-588)4030996-4 gnd Klavichord (DE-588)4010271-3 gnd |
| topic_facet | Piano / History Piano / Instruction and study Pianists Historische Musikpraxis Klavier Klavierspiel Klavichord |
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