Fidelia Bridges - nature into art:
Fidelia Bridges (1834-1923) painted pictures that critics praised for their ability to exude the fragrance of field flowers and glow with the plumage of birds. Raised in Salem and long residing in Connecticut, she maintained a studio in New York City, where she exhibited her art for over forty years...
Gespeichert in:
| 1. Verfasser: | |
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| Weitere Verfasser: | |
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London
Lund Humphries
2023
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| Schriftenreihe: | Northern lights
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| Schlagworte: | |
| Zusammenfassung: | Fidelia Bridges (1834-1923) painted pictures that critics praised for their ability to exude the fragrance of field flowers and glow with the plumage of birds. Raised in Salem and long residing in Connecticut, she maintained a studio in New York City, where she exhibited her art for over forty years at the National Academy, American Watercolor Society and other prestigious venues. Transforming flower painting from a domestic outlet for female amateurs to a marketable commodity for professionals, she never wavered in her conviction that women had the right to shape independent careers on their own terms. She delineated both cultivated flowers and clumps of weeds with an intensity of focus unmatched by any other artist of her era. Often, she combined plants with local birds to convey a sophisticated understanding of their environmental interaction that encouraged others to appreciate and conserve nature. She made an extended European tour in the 1860s and regular trips to Great Britain in later years but preferred home nature.00Assembling a cross-section of her stunning oil paintings, watercolours, chromolithographs and illustrated volumes for the first time, and analysing them against letters, diaries and periodical reviews, Fidelia Bridges combines a recovery of the artist?s biography with close readings of her artworks. Living an outwardly conventional life, she embraced the bicycle and later the automobile as vehicles of female liberation, cultivated her garden with the skill of a horticulturalist, and left a lasting pictorial legacy to be found in US public museums and private collections nationwide |
| Beschreibung: | 128 Seiten Illustrationen 25 cm |
| ISBN: | 1848225482 9781848225480 |
Internformat
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| 100 | 1 | |a Manthorne, Katherine |d 1952- |e Verfasser |0 (DE-588)133128504 |4 aut | |
| 245 | 1 | 0 | |a Fidelia Bridges - nature into art |c Katherine Manthorne |
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| 490 | 0 | |a Northern lights | |
| 520 | 3 | |a Fidelia Bridges (1834-1923) painted pictures that critics praised for their ability to exude the fragrance of field flowers and glow with the plumage of birds. Raised in Salem and long residing in Connecticut, she maintained a studio in New York City, where she exhibited her art for over forty years at the National Academy, American Watercolor Society and other prestigious venues. Transforming flower painting from a domestic outlet for female amateurs to a marketable commodity for professionals, she never wavered in her conviction that women had the right to shape independent careers on their own terms. She delineated both cultivated flowers and clumps of weeds with an intensity of focus unmatched by any other artist of her era. Often, she combined plants with local birds to convey a sophisticated understanding of their environmental interaction that encouraged others to appreciate and conserve nature. She made an extended European tour in the 1860s and regular trips to Great Britain in later years but preferred home nature.00Assembling a cross-section of her stunning oil paintings, watercolours, chromolithographs and illustrated volumes for the first time, and analysing them against letters, diaries and periodical reviews, Fidelia Bridges combines a recovery of the artist?s biography with close readings of her artworks. Living an outwardly conventional life, she embraced the bicycle and later the automobile as vehicles of female liberation, cultivated her garden with the skill of a horticulturalist, and left a lasting pictorial legacy to be found in US public museums and private collections nationwide | |
| 600 | 1 | 7 | |a Bridges, Fidelia |d 1835-1923 |0 (DE-588)1191117073 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Vögel |g Motiv |0 (DE-588)4121878-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Pflanzendarstellung |0 (DE-588)4123940-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Naturdarstellung |0 (DE-588)4134723-7 |2 gnd |9 rswk-swf |
| 653 | 1 | |a Bridges, Fidelia / 1834-1923 / https://isni.org/isni/0000000067040067 | |
| 653 | 0 | |a Flowers in art | |
| 653 | 0 | |a Birds in art | |
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| 689 | 0 | 3 | |a Naturdarstellung |0 (DE-588)4134723-7 |D s |
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| 700 | 1 | |a Bridges, Fidelia |d 1835-1923 |0 (DE-588)1191117073 |4 ill | |
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Datensatz im Suchindex
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| author | Manthorne, Katherine 1952- |
| author2 | Bridges, Fidelia 1835-1923 |
| author2_role | ill |
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| author_GND | (DE-588)133128504 (DE-588)1191117073 |
| author_facet | Manthorne, Katherine 1952- Bridges, Fidelia 1835-1923 |
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| author_sort | Manthorne, Katherine 1952- |
| author_variant | k m km |
| building | Verbundindex |
| bvnumber | BV048842677 |
| ctrlnum | (OCoLC)1370405523 (DE-599)BVBBV048842677 |
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| id | DE-604.BV048842677 |
| illustrated | Illustrated |
| index_date | 2024-07-03T21:38:17Z |
| indexdate | 2024-07-10T09:47:33Z |
| institution | BVB |
| isbn | 1848225482 9781848225480 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034108080 |
| oclc_num | 1370405523 |
| open_access_boolean | |
| owner | DE-Y2 DE-255 |
| owner_facet | DE-Y2 DE-255 |
| physical | 128 Seiten Illustrationen 25 cm |
| publishDate | 2023 |
| publishDateSearch | 2023 |
| publishDateSort | 2023 |
| publisher | Lund Humphries |
| record_format | marc |
| series2 | Northern lights |
| spelling | Manthorne, Katherine 1952- Verfasser (DE-588)133128504 aut Fidelia Bridges - nature into art Katherine Manthorne Nature into art London Lund Humphries 2023 128 Seiten Illustrationen 25 cm txt rdacontent n rdamedia nc rdacarrier Northern lights Fidelia Bridges (1834-1923) painted pictures that critics praised for their ability to exude the fragrance of field flowers and glow with the plumage of birds. Raised in Salem and long residing in Connecticut, she maintained a studio in New York City, where she exhibited her art for over forty years at the National Academy, American Watercolor Society and other prestigious venues. Transforming flower painting from a domestic outlet for female amateurs to a marketable commodity for professionals, she never wavered in her conviction that women had the right to shape independent careers on their own terms. She delineated both cultivated flowers and clumps of weeds with an intensity of focus unmatched by any other artist of her era. Often, she combined plants with local birds to convey a sophisticated understanding of their environmental interaction that encouraged others to appreciate and conserve nature. She made an extended European tour in the 1860s and regular trips to Great Britain in later years but preferred home nature.00Assembling a cross-section of her stunning oil paintings, watercolours, chromolithographs and illustrated volumes for the first time, and analysing them against letters, diaries and periodical reviews, Fidelia Bridges combines a recovery of the artist?s biography with close readings of her artworks. Living an outwardly conventional life, she embraced the bicycle and later the automobile as vehicles of female liberation, cultivated her garden with the skill of a horticulturalist, and left a lasting pictorial legacy to be found in US public museums and private collections nationwide Bridges, Fidelia 1835-1923 (DE-588)1191117073 gnd rswk-swf Vögel Motiv (DE-588)4121878-4 gnd rswk-swf Pflanzendarstellung (DE-588)4123940-4 gnd rswk-swf Naturdarstellung (DE-588)4134723-7 gnd rswk-swf Bridges, Fidelia / 1834-1923 / https://isni.org/isni/0000000067040067 Flowers in art Birds in art Bridges, Fidelia 1835-1923 (DE-588)1191117073 p Vögel Motiv (DE-588)4121878-4 s Pflanzendarstellung (DE-588)4123940-4 s Naturdarstellung (DE-588)4134723-7 s DE-604 Bridges, Fidelia 1835-1923 (DE-588)1191117073 ill |
| spellingShingle | Manthorne, Katherine 1952- Fidelia Bridges - nature into art Bridges, Fidelia 1835-1923 (DE-588)1191117073 gnd Vögel Motiv (DE-588)4121878-4 gnd Pflanzendarstellung (DE-588)4123940-4 gnd Naturdarstellung (DE-588)4134723-7 gnd |
| subject_GND | (DE-588)1191117073 (DE-588)4121878-4 (DE-588)4123940-4 (DE-588)4134723-7 |
| title | Fidelia Bridges - nature into art |
| title_alt | Nature into art |
| title_auth | Fidelia Bridges - nature into art |
| title_exact_search | Fidelia Bridges - nature into art |
| title_exact_search_txtP | Fidelia Bridges - nature into art |
| title_full | Fidelia Bridges - nature into art Katherine Manthorne |
| title_fullStr | Fidelia Bridges - nature into art Katherine Manthorne |
| title_full_unstemmed | Fidelia Bridges - nature into art Katherine Manthorne |
| title_short | Fidelia Bridges - nature into art |
| title_sort | fidelia bridges nature into art |
| topic | Bridges, Fidelia 1835-1923 (DE-588)1191117073 gnd Vögel Motiv (DE-588)4121878-4 gnd Pflanzendarstellung (DE-588)4123940-4 gnd Naturdarstellung (DE-588)4134723-7 gnd |
| topic_facet | Bridges, Fidelia 1835-1923 Vögel Motiv Pflanzendarstellung Naturdarstellung |
| work_keys_str_mv | AT manthornekatherine fideliabridgesnatureintoart AT bridgesfidelia fideliabridgesnatureintoart AT manthornekatherine natureintoart AT bridgesfidelia natureintoart |