After Midnight: Watchmen after Watchmen
Contributions by Apryl Alexander, Alisia Grace Chase, Brian Faucette, Laura E. Felschow, Lindsay Hallam, Rusty Hatchell, Dru Jeffries, Henry Jenkins, Jeffrey SJ Kirchoff, Curtis Marez, James Denis McGlynn, Brandy Monk-Payton, Chamara Moore, Drew Morton, Mark C. E. Peterson, Jayson Quearry, Zachary J...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Jackson
University Press of Mississippi
2022
|
| Schlagworte: | |
| Zusammenfassung: | Contributions by Apryl Alexander, Alisia Grace Chase, Brian Faucette, Laura E. Felschow, Lindsay Hallam, Rusty Hatchell, Dru Jeffries, Henry Jenkins, Jeffrey SJ Kirchoff, Curtis Marez, James Denis McGlynn, Brandy Monk-Payton, Chamara Moore, Drew Morton, Mark C. E. Peterson, Jayson Quearry, Zachary J. A. Rondinelli, Suzanne Scott, David Stanley, Sarah Pawlak Stanley, Tracy Vozar, and Chris Yogerst Alan Moore's and Dave Gibbons's Watchmen fundamentally altered the perception of American comic books and remains one of the medium's greatest hits. Launched in 1986-"the year that changed comics" for most scholars in comics studies-Watchmen quickly assisted in cementing the legacy that comics were a serious form of literature no longer defined by the Comics Code era of funny animal and innocuous superhero books that appealed mainly to children. After Midnight: "Watchmen" after "Watchmen" looks specifically at the three adaptations of Moore's and Gibbons's Watchmen-Zack Snyder's Watchmen film (2009), Geoff Johns's comic book sequel Doomsday Clock (2017), and Damon Lindelof's Watchmen series on HBO (2019). Divided into three parts, the anthology considers how the sequels, especially the limited series, have prompted a reevaluation of the original text and successfully harnessed the politics of the contemporary moment into a potent relevancy. The first part considers the various texts through conceptions of adaptation, remediation, and transmedia storytelling. Part two considers the HBO series through its thematic focus on the relationship between American history and African American trauma by analyzing how the show critiques the alt-right, represents intergenerational trauma, illustrates alternative possibilities for Black representation, and complicates our understanding of how the mechanics of the show's production can complicate its politics. Finally, the book's last section considers the themes of nostalgia and trauma, both firmly rooted in the original Moore and Gibbons series, and how the sequel texts reflect and refract upon those often-intertwined phenomena |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | XVI, 250 Seiten 3 Illustrationen Breite 152 mm, Hoehe 229 mm |
| ISBN: | 9781496842176 9781496842169 |
Internformat
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| 520 | |a Contributions by Apryl Alexander, Alisia Grace Chase, Brian Faucette, Laura E. Felschow, Lindsay Hallam, Rusty Hatchell, Dru Jeffries, Henry Jenkins, Jeffrey SJ Kirchoff, Curtis Marez, James Denis McGlynn, Brandy Monk-Payton, Chamara Moore, Drew Morton, Mark C. E. Peterson, Jayson Quearry, Zachary J. A. Rondinelli, Suzanne Scott, David Stanley, Sarah Pawlak Stanley, Tracy Vozar, and Chris Yogerst Alan Moore's and Dave Gibbons's Watchmen fundamentally altered the perception of American comic books and remains one of the medium's greatest hits. Launched in 1986-"the year that changed comics" for most scholars in comics studies-Watchmen quickly assisted in cementing the legacy that comics were a serious form of literature no longer defined by the Comics Code era of funny animal and innocuous superhero books that appealed mainly to children. | ||
| 520 | |a After Midnight: "Watchmen" after "Watchmen" looks specifically at the three adaptations of Moore's and Gibbons's Watchmen-Zack Snyder's Watchmen film (2009), Geoff Johns's comic book sequel Doomsday Clock (2017), and Damon Lindelof's Watchmen series on HBO (2019). Divided into three parts, the anthology considers how the sequels, especially the limited series, have prompted a reevaluation of the original text and successfully harnessed the politics of the contemporary moment into a potent relevancy. The first part considers the various texts through conceptions of adaptation, remediation, and transmedia storytelling. | ||
| 520 | |a Part two considers the HBO series through its thematic focus on the relationship between American history and African American trauma by analyzing how the show critiques the alt-right, represents intergenerational trauma, illustrates alternative possibilities for Black representation, and complicates our understanding of how the mechanics of the show's production can complicate its politics. Finally, the book's last section considers the themes of nostalgia and trauma, both firmly rooted in the original Moore and Gibbons series, and how the sequel texts reflect and refract upon those often-intertwined phenomena | ||
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Datensatz im Suchindex
| _version_ | 1804184949605007360 |
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| any_adam_object | |
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| author2 | Morton, Drew 1983- Scott, Suzanne 1979- |
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| dewey-ones | 741 - Drawing and drawings |
| dewey-raw | 741.5942 |
| dewey-search | 741.5942 |
| dewey-sort | 3741.5942 |
| dewey-tens | 740 - Graphic arts and decorative arts |
| discipline | Kunstgeschichte Anglistik / Amerikanistik |
| discipline_str_mv | Kunstgeschichte Anglistik / Amerikanistik |
| format | Book |
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| illustrated | Illustrated |
| index_date | 2024-07-03T21:37:23Z |
| indexdate | 2024-07-10T09:47:28Z |
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| isbn | 9781496842176 9781496842169 |
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| physical | XVI, 250 Seiten 3 Illustrationen Breite 152 mm, Hoehe 229 mm |
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| publisher | University Press of Mississippi |
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| spelling | After Midnight Watchmen after Watchmen edited by Drew Morton ; foreword by Henry Jenkins ; afterword by Suzanne Scott Jackson University Press of Mississippi 2022 XVI, 250 Seiten 3 Illustrationen Breite 152 mm, Hoehe 229 mm txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Contributions by Apryl Alexander, Alisia Grace Chase, Brian Faucette, Laura E. Felschow, Lindsay Hallam, Rusty Hatchell, Dru Jeffries, Henry Jenkins, Jeffrey SJ Kirchoff, Curtis Marez, James Denis McGlynn, Brandy Monk-Payton, Chamara Moore, Drew Morton, Mark C. E. Peterson, Jayson Quearry, Zachary J. A. Rondinelli, Suzanne Scott, David Stanley, Sarah Pawlak Stanley, Tracy Vozar, and Chris Yogerst Alan Moore's and Dave Gibbons's Watchmen fundamentally altered the perception of American comic books and remains one of the medium's greatest hits. Launched in 1986-"the year that changed comics" for most scholars in comics studies-Watchmen quickly assisted in cementing the legacy that comics were a serious form of literature no longer defined by the Comics Code era of funny animal and innocuous superhero books that appealed mainly to children. After Midnight: "Watchmen" after "Watchmen" looks specifically at the three adaptations of Moore's and Gibbons's Watchmen-Zack Snyder's Watchmen film (2009), Geoff Johns's comic book sequel Doomsday Clock (2017), and Damon Lindelof's Watchmen series on HBO (2019). Divided into three parts, the anthology considers how the sequels, especially the limited series, have prompted a reevaluation of the original text and successfully harnessed the politics of the contemporary moment into a potent relevancy. The first part considers the various texts through conceptions of adaptation, remediation, and transmedia storytelling. Part two considers the HBO series through its thematic focus on the relationship between American history and African American trauma by analyzing how the show critiques the alt-right, represents intergenerational trauma, illustrates alternative possibilities for Black representation, and complicates our understanding of how the mechanics of the show's production can complicate its politics. Finally, the book's last section considers the themes of nostalgia and trauma, both firmly rooted in the original Moore and Gibbons series, and how the sequel texts reflect and refract upon those often-intertwined phenomena Moore, Alan 1953- Watchmen (DE-588)7657070-8 gnd rswk-swf Adaption Literatur (DE-588)102289935X gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Moore, Alan 1953- Watchmen (DE-588)7657070-8 u Adaption Literatur (DE-588)102289935X s DE-604 Morton, Drew 1983- (DE-588)113173145X edt Jenkins, Henry 1958- (DE-588)132470233 wpr Scott, Suzanne 1979- (DE-588)1184436843 aft Erscheint auch als Online-Ausgabe, EPUB 978-1-4968-4218-3 Erscheint auch als Online-Ausgabe, EPUB 978-1-4968-4219-0 Erscheint auch als Online-Ausgabe, PDF 978-1-4968-4220-6 Erscheint auch als Online-Ausgabe, PDF 978-1-4968-4221-3 |
| spellingShingle | After Midnight Watchmen after Watchmen Moore, Alan 1953- Watchmen (DE-588)7657070-8 gnd Adaption Literatur (DE-588)102289935X gnd |
| subject_GND | (DE-588)7657070-8 (DE-588)102289935X (DE-588)4143413-4 |
| title | After Midnight Watchmen after Watchmen |
| title_auth | After Midnight Watchmen after Watchmen |
| title_exact_search | After Midnight Watchmen after Watchmen |
| title_exact_search_txtP | After Midnight Watchmen after Watchmen |
| title_full | After Midnight Watchmen after Watchmen edited by Drew Morton ; foreword by Henry Jenkins ; afterword by Suzanne Scott |
| title_fullStr | After Midnight Watchmen after Watchmen edited by Drew Morton ; foreword by Henry Jenkins ; afterword by Suzanne Scott |
| title_full_unstemmed | After Midnight Watchmen after Watchmen edited by Drew Morton ; foreword by Henry Jenkins ; afterword by Suzanne Scott |
| title_short | After Midnight |
| title_sort | after midnight watchmen after watchmen |
| title_sub | Watchmen after Watchmen |
| topic | Moore, Alan 1953- Watchmen (DE-588)7657070-8 gnd Adaption Literatur (DE-588)102289935X gnd |
| topic_facet | Moore, Alan 1953- Watchmen Adaption Literatur Aufsatzsammlung |
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