Stepford Daughters: weapons for feminists in contemporary horror
"In Stepford Daughters, Johanna Isaacson explores an emerging wave of horror films that get why class horror and gender horror must be understood together. In doing so, Isaacson makes the case that this often-maligned genre is in fact a place where oppressed people can understand, navigate and...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Brooklyn, NY ; Philadelphia, PA
Common Notions
[2022]
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| Schlagworte: | |
| Zusammenfassung: | "In Stepford Daughters, Johanna Isaacson explores an emerging wave of horror films that get why class horror and gender horror must be understood together. In doing so, Isaacson makes the case that this often-maligned genre is in fact a place where oppressed people can understand, navigate and confront an increasingly ugly and horrifying world. What happens when your smile is no longer yours? Films like Hereditary and The Babadook show women coming apart at the seams as the promises of both the family and waged work fail them. In Get Out, we see how poor women and women of color perform the invisible labor that makes society run while experiencing domestic work as a kind of possession. In "coming of rage" films such as Assassination Nation and Teeth, we see the ways social reproduction leads to a futureless horizon. Robbed of their dreams but not their power to resist, these heroines emerge as the monsters and avengers we need."-- |
| Beschreibung: | 187 Seiten 22 cm |
| ISBN: | 1942173695 9781942173694 |
Internformat
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| 520 | 3 | |a "In Stepford Daughters, Johanna Isaacson explores an emerging wave of horror films that get why class horror and gender horror must be understood together. In doing so, Isaacson makes the case that this often-maligned genre is in fact a place where oppressed people can understand, navigate and confront an increasingly ugly and horrifying world. What happens when your smile is no longer yours? Films like Hereditary and The Babadook show women coming apart at the seams as the promises of both the family and waged work fail them. In Get Out, we see how poor women and women of color perform the invisible labor that makes society run while experiencing domestic work as a kind of possession. In "coming of rage" films such as Assassination Nation and Teeth, we see the ways social reproduction leads to a futureless horizon. Robbed of their dreams but not their power to resist, these heroines emerge as the monsters and avengers we need."-- | |
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| id | DE-604.BV048839183 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T21:37:10Z |
| indexdate | 2024-07-10T09:47:27Z |
| institution | BVB |
| isbn | 1942173695 9781942173694 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034104643 |
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| owner | DE-M472 |
| owner_facet | DE-M472 |
| physical | 187 Seiten 22 cm |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | Common Notions |
| record_format | marc |
| spelling | Isaacson, Johanna aut Stepford Daughters weapons for feminists in contemporary horror Johanna Isaacson Weapons for feminists in contemporary horror Brooklyn, NY ; Philadelphia, PA Common Notions [2022] 187 Seiten 22 cm txt rdacontent n rdamedia nc rdacarrier "In Stepford Daughters, Johanna Isaacson explores an emerging wave of horror films that get why class horror and gender horror must be understood together. In doing so, Isaacson makes the case that this often-maligned genre is in fact a place where oppressed people can understand, navigate and confront an increasingly ugly and horrifying world. What happens when your smile is no longer yours? Films like Hereditary and The Babadook show women coming apart at the seams as the promises of both the family and waged work fail them. In Get Out, we see how poor women and women of color perform the invisible labor that makes society run while experiencing domestic work as a kind of possession. In "coming of rage" films such as Assassination Nation and Teeth, we see the ways social reproduction leads to a futureless horizon. Robbed of their dreams but not their power to resist, these heroines emerge as the monsters and avengers we need."-- Horror films / History and criticism Women in motion pictures Sex role in motion pictures Marginality, Social, in motion pictures Household employees in motion pictures Feminism and motion pictures Horror films Criticism, interpretation, etc Film criticism Erscheint auch als Online-Ausgabe 978-1-942173-67-0 |
| spellingShingle | Isaacson, Johanna Stepford Daughters weapons for feminists in contemporary horror |
| title | Stepford Daughters weapons for feminists in contemporary horror |
| title_alt | Weapons for feminists in contemporary horror |
| title_auth | Stepford Daughters weapons for feminists in contemporary horror |
| title_exact_search | Stepford Daughters weapons for feminists in contemporary horror |
| title_exact_search_txtP | Stepford Daughters weapons for feminists in contemporary horror |
| title_full | Stepford Daughters weapons for feminists in contemporary horror Johanna Isaacson |
| title_fullStr | Stepford Daughters weapons for feminists in contemporary horror Johanna Isaacson |
| title_full_unstemmed | Stepford Daughters weapons for feminists in contemporary horror Johanna Isaacson |
| title_short | Stepford Daughters |
| title_sort | stepford daughters weapons for feminists in contemporary horror |
| title_sub | weapons for feminists in contemporary horror |
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