The rise and fall of Paramount Records: a great migration story, 1917-1932
"Founded in 1917, Paramount Records was but one of the home-grown record labels of the New York Recording Laboratories (NYRL), a subsidiary of a chair company in Wisconsin with operations near Lake Michigan. No outsized hopes were pinned to Paramount or its sister companies; its founders knew n...
Gespeichert in:
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Baton Rouge
Louisiana State University Press
[2023]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Founded in 1917, Paramount Records was but one of the home-grown record labels of the New York Recording Laboratories (NYRL), a subsidiary of a chair company in Wisconsin with operations near Lake Michigan. No outsized hopes were pinned to Paramount or its sister companies; its founders knew nothing of the music business, the records themselves were only to drive sales of expensive phonograph cabinets they had recently begun manufacturing. Lacking both the resources and the interest to compete for top talent, Paramount's earliest recordings were gained little foothold with the listening public. By 1922, on the threshold of bankruptcy, Paramount embarked on a new business plan that had recently proven successful for other record companies: selling the music of Black artists to Black audiences. Advertising in newspapers dedicated to Black readership and utilizing other strategies such as local talent scouts and sales agents in the South, unconventional distribution channels, an "open door" recording policy, direct mail order and the eventual hiring of the first Black record executive in a white-owned record company, Paramount expanded its footprint and eventually garnered many of the biggest selling titles in the "race records" era. By the time it ceased operations in 1932, NYRL had pressed and shipped hundreds of thousands of records, including more than 2,300 recordings of blues, gospel and jazz in its Paramount "race" series alone, with a slate of performers including the likes of Louis Armstrong, Charley Patton, Ethel Waters, Son House, Fletcher Henderson, Skip James, Alberta Hunter, Blind Blake, King Oliver, Blind Lemon Jefferson, Ma Rainey, Johnny Dodds, Papa Charlie Jackson, and Jelly Roll Morton. In short, Paramount accidentally accomplished what others could not. On the one hand, Scott Blackwood's The Rise and Fall of Paramount is the story of happenstance. But it is also a tale about the sheer force of the Great Migration and the legacy of the music put down into the shellacked grooves of a 78 record: Black America finding its voice. It is the story the legacy of the Great Migration and how blues, jazz, and folk music transcended boundaries, and how this almost never happened. Blackwood brings to life these many moments-through creative nonfiction-and makes present and full-blooded what hadn't been brought to life before"-- |
| Beschreibung: | x, 199 Seiten Illustrationen, Porträts 24 cm |
| ISBN: | 9780807179147 |
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| 520 | 3 | |a "Founded in 1917, Paramount Records was but one of the home-grown record labels of the New York Recording Laboratories (NYRL), a subsidiary of a chair company in Wisconsin with operations near Lake Michigan. No outsized hopes were pinned to Paramount or its sister companies; its founders knew nothing of the music business, the records themselves were only to drive sales of expensive phonograph cabinets they had recently begun manufacturing. Lacking both the resources and the interest to compete for top talent, Paramount's earliest recordings were gained little foothold with the listening public. By 1922, on the threshold of bankruptcy, Paramount embarked on a new business plan that had recently proven successful for other record companies: selling the music of Black artists to Black audiences. | |
| 520 | 3 | |a Advertising in newspapers dedicated to Black readership and utilizing other strategies such as local talent scouts and sales agents in the South, unconventional distribution channels, an "open door" recording policy, direct mail order and the eventual hiring of the first Black record executive in a white-owned record company, Paramount expanded its footprint and eventually garnered many of the biggest selling titles in the "race records" era. By the time it ceased operations in 1932, NYRL had pressed and shipped hundreds of thousands of records, including more than 2,300 recordings of blues, gospel and jazz in its Paramount "race" series alone, with a slate of performers including the likes of Louis Armstrong, Charley Patton, Ethel Waters, Son House, Fletcher Henderson, Skip James, Alberta Hunter, Blind Blake, King Oliver, Blind Lemon Jefferson, Ma Rainey, Johnny Dodds, Papa Charlie Jackson, and Jelly Roll Morton. In short, Paramount accidentally accomplished what others could not. | |
| 520 | 3 | |a On the one hand, Scott Blackwood's The Rise and Fall of Paramount is the story of happenstance. But it is also a tale about the sheer force of the Great Migration and the legacy of the music put down into the shellacked grooves of a 78 record: Black America finding its voice. It is the story the legacy of the Great Migration and how blues, jazz, and folk music transcended boundaries, and how this almost never happened. Blackwood brings to life these many moments-through creative nonfiction-and makes present and full-blooded what hadn't been brought to life before"-- | |
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Datensatz im Suchindex
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| adam_text | CONTENTS List of Illustrations.... vii Preface.... ix Introduction: Out of the Anonymous Dark.... 1 i. 1917-1927 1. The Great Migration.... 7 2. The Black Metropolis.... 9 3. A Brief History of the Phonograph.... 12 4. Who by Fire: The Rise ofParamount.... 15 5. Holy Fools of the Record Business.... 17 6. A Brief History of Black Minstrelsy.... 20 7. Rise of the Blues Women.... 25 8. Mayo Williams: Impresario, Confidence Man, Champion of the Race.... 45 9. How to Make a Race Record.... 57 10. Electrically Recorded.... 61 11. Rise of the Jazz Masters.... 64 12. Dying Lights of Vaudeville: Papa Charlie Jackson and Ma Rainey.... 82 13. Blind Lemon Jefferson.... 89 14. Blind Blake.... 97
π. 1928-1932 15. Ghost Voices.... 105 16. Last Kind Words.... 110 17. Frolic.... 117 18. The Discoverers.... 124 19. The Time of the Preacher: Rise of Sacred Voices.... 134 20. Ghost in the Machine: Clarence Williams and the Rise ofSwing.... 143 21. Grafton Sessions: Ridiculous to the Sublime.... 149 22. Feeding Them on Babe’s Milk: Skip James and the Other.... 160 23. River of Earth: Old-Time Music.... 165 24. The Sense of an Ending.... 178 Notes.... 185 Index.... 195 vi ... . CONTENTS
|
| adam_txt |
CONTENTS List of Illustrations. vii Preface. ix Introduction: Out of the Anonymous Dark. 1 i. 1917-1927 1. The Great Migration. 7 2. The Black Metropolis. 9 3. A Brief History of the Phonograph. 12 4. Who by Fire: The Rise ofParamount. 15 5. Holy Fools of the Record Business. 17 6. A Brief History of Black Minstrelsy. 20 7. Rise of the Blues Women. 25 8. Mayo Williams: Impresario, Confidence Man, Champion of the Race. 45 9. How to Make a Race Record. 57 10. Electrically Recorded. 61 11. Rise of the Jazz Masters. 64 12. Dying Lights of Vaudeville: Papa Charlie Jackson and Ma Rainey. 82 13. Blind Lemon Jefferson. 89 14. Blind Blake. 97
π. 1928-1932 15. Ghost Voices. 105 16. Last Kind Words. 110 17. Frolic. 117 18. The Discoverers. 124 19. The Time of the Preacher: Rise of Sacred Voices. 134 20. Ghost in the Machine: Clarence Williams and the Rise ofSwing. 143 21. Grafton Sessions: Ridiculous to the Sublime. 149 22. Feeding Them on Babe’s Milk: Skip James and the Other. 160 23. River of Earth: Old-Time Music. 165 24. The Sense of an Ending. 178 Notes. 185 Index. 195 vi . . CONTENTS |
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| author | Blackwood, Scott |
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| dewey-full | 338.7617816430973 |
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| spelling | Blackwood, Scott Verfasser (DE-588)1299835503 aut The rise and fall of Paramount Records a great migration story, 1917-1932 Scott Blackwood Baton Rouge Louisiana State University Press [2023] © 2023 x, 199 Seiten Illustrationen, Porträts 24 cm txt rdacontent n rdamedia nc rdacarrier "Founded in 1917, Paramount Records was but one of the home-grown record labels of the New York Recording Laboratories (NYRL), a subsidiary of a chair company in Wisconsin with operations near Lake Michigan. No outsized hopes were pinned to Paramount or its sister companies; its founders knew nothing of the music business, the records themselves were only to drive sales of expensive phonograph cabinets they had recently begun manufacturing. Lacking both the resources and the interest to compete for top talent, Paramount's earliest recordings were gained little foothold with the listening public. By 1922, on the threshold of bankruptcy, Paramount embarked on a new business plan that had recently proven successful for other record companies: selling the music of Black artists to Black audiences. Advertising in newspapers dedicated to Black readership and utilizing other strategies such as local talent scouts and sales agents in the South, unconventional distribution channels, an "open door" recording policy, direct mail order and the eventual hiring of the first Black record executive in a white-owned record company, Paramount expanded its footprint and eventually garnered many of the biggest selling titles in the "race records" era. By the time it ceased operations in 1932, NYRL had pressed and shipped hundreds of thousands of records, including more than 2,300 recordings of blues, gospel and jazz in its Paramount "race" series alone, with a slate of performers including the likes of Louis Armstrong, Charley Patton, Ethel Waters, Son House, Fletcher Henderson, Skip James, Alberta Hunter, Blind Blake, King Oliver, Blind Lemon Jefferson, Ma Rainey, Johnny Dodds, Papa Charlie Jackson, and Jelly Roll Morton. In short, Paramount accidentally accomplished what others could not. On the one hand, Scott Blackwood's The Rise and Fall of Paramount is the story of happenstance. But it is also a tale about the sheer force of the Great Migration and the legacy of the music put down into the shellacked grooves of a 78 record: Black America finding its voice. It is the story the legacy of the Great Migration and how blues, jazz, and folk music transcended boundaries, and how this almost never happened. Blackwood brings to life these many moments-through creative nonfiction-and makes present and full-blooded what hadn't been brought to life before"-- Paramount Records (DE-588)7755704-9 gnd rswk-swf Geschichte 1917-1931 gnd rswk-swf Paramount (Sound recording label) New York Recording Laboratories Wisconsin Chair Company Sound recording industry / Wisconsin / History / 20th century Sound recording industry Wisconsin 1900-1999 History (DE-588)4006804-3 Biografie gnd-content Paramount Records (DE-588)7755704-9 b Geschichte 1917-1931 z DE-188 Erscheint auch als Online-Ausgabe, PDF Blackwood, Scott Rise and fall of Paramount Records Baton Rouge : Louisiana State University Press, 2023 978-0-8071-7963-5 Erscheint auch als Online-Ausgabe, EPUB Blackwood, Scott Rise and fall of Paramount Records Baton Rouge : Louisiana State University Press, 2023 978-0-8071-7964-2 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034104628&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Blackwood, Scott The rise and fall of Paramount Records a great migration story, 1917-1932 Paramount Records (DE-588)7755704-9 gnd |
| subject_GND | (DE-588)7755704-9 (DE-588)4006804-3 |
| title | The rise and fall of Paramount Records a great migration story, 1917-1932 |
| title_auth | The rise and fall of Paramount Records a great migration story, 1917-1932 |
| title_exact_search | The rise and fall of Paramount Records a great migration story, 1917-1932 |
| title_exact_search_txtP | The rise and fall of Paramount Records a great migration story, 1917-1932 |
| title_full | The rise and fall of Paramount Records a great migration story, 1917-1932 Scott Blackwood |
| title_fullStr | The rise and fall of Paramount Records a great migration story, 1917-1932 Scott Blackwood |
| title_full_unstemmed | The rise and fall of Paramount Records a great migration story, 1917-1932 Scott Blackwood |
| title_short | The rise and fall of Paramount Records |
| title_sort | the rise and fall of paramount records a great migration story 1917 1932 |
| title_sub | a great migration story, 1917-1932 |
| topic | Paramount Records (DE-588)7755704-9 gnd |
| topic_facet | Paramount Records Biografie |
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