Singers, scores and sounds: making new connections and transforming voices
"This book develops ways of discussing musical practices to articulate a new approach to understanding connections between recordings, singers, and singing. Centred around materials from the mid-twentieth century, this book focuses on a time when composers and performers were questioning the id...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge
2023
|
| Schriftenreihe: | Routledge research in music
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "This book develops ways of discussing musical practices to articulate a new approach to understanding connections between recordings, singers, and singing. Centred around materials from the mid-twentieth century, this book focuses on a time when composers and performers were questioning the idea of authorship within their musical practice. Materials drawn upon include recordings, scores, archival content, visual art, interviews, and liner notes to develop a rich conception of practices of performance. Analysis of performances include recordings of singers such as Cathy Berberian, Linda Hirst, Loré Lixenberg, Angelika Luz, and Meredith Monk. Compositions by Cathy Berberian, Luciano Berio, John Cage, and Manuel De Falla are considered. The book utilizes these sources to examine the collective way in which singers and composers form practices as multiple, transforming, emergent, and not hierarchical. The book articulates - with a detailed, close consideration of specific instances in recordings and scores - a relational understanding of performance. This book will be useful reading for students and scholars of music analysis, musicology, performance practice, and twentieth century vocal music"-- |
| Beschreibung: | xviii, 235 Seiten Illustrationen |
| ISBN: | 9781032267487 9781032267470 |
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Datensatz im Suchindex
| _version_ | 1804184948224032768 |
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| adam_text | CONTENTS List of examples List of tables Acknowledgements Preface ix xiii xv xvii 1 Introduction 1 2 Performing transformations (a risky approach) 35 3 Transforming Black Square 59 4 Transforming fictions 91 5 Transforming scores, stable performances: Cathy Berberian, Stripsody and Pop art 111 6 Transforming analytical assumptions: what is Sequenza III? 148 7 Epilogue 186 Bibliography Appendix Index 191 199 231
|
| adam_txt |
CONTENTS List of examples List of tables Acknowledgements Preface ix xiii xv xvii 1 Introduction 1 2 Performing transformations (a risky approach) 35 3 Transforming Black Square 59 4 Transforming fictions 91 5 Transforming scores, stable performances: Cathy Berberian, Stripsody and Pop art 111 6 Transforming analytical assumptions: what is Sequenza III? 148 7 Epilogue 186 Bibliography Appendix Index 191 199 231 |
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| author | Hooper, Ellen |
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| contents | Introduction -- Performing Transformations (a risky approach) -- Transforming Black Square -- Transforming Fictions -- Transforming scores, stable performances : Cathy Berberian, Stripsody and Pop art. -- Transforming analytical assumptions: What is Sequenza III? -- Epilogue |
| ctrlnum | (OCoLC)1371716112 (DE-599)BVBBV048839037 |
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| institution | BVB |
| isbn | 9781032267487 9781032267470 |
| language | English |
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| spelling | Hooper, Ellen Verfasser (DE-588)1291187375 aut Singers, scores and sounds making new connections and transforming voices Ellen Hooper London ; New York Routledge 2023 xviii, 235 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Routledge research in music Introduction -- Performing Transformations (a risky approach) -- Transforming Black Square -- Transforming Fictions -- Transforming scores, stable performances : Cathy Berberian, Stripsody and Pop art. -- Transforming analytical assumptions: What is Sequenza III? -- Epilogue "This book develops ways of discussing musical practices to articulate a new approach to understanding connections between recordings, singers, and singing. Centred around materials from the mid-twentieth century, this book focuses on a time when composers and performers were questioning the idea of authorship within their musical practice. Materials drawn upon include recordings, scores, archival content, visual art, interviews, and liner notes to develop a rich conception of practices of performance. Analysis of performances include recordings of singers such as Cathy Berberian, Linda Hirst, Loré Lixenberg, Angelika Luz, and Meredith Monk. Compositions by Cathy Berberian, Luciano Berio, John Cage, and Manuel De Falla are considered. The book utilizes these sources to examine the collective way in which singers and composers form practices as multiple, transforming, emergent, and not hierarchical. The book articulates - with a detailed, close consideration of specific instances in recordings and scores - a relational understanding of performance. This book will be useful reading for students and scholars of music analysis, musicology, performance practice, and twentieth century vocal music"-- Aufführung (DE-588)4143388-9 gnd rswk-swf Schallaufzeichnung (DE-588)4052020-1 gnd rswk-swf Gesang (DE-588)4020470-4 gnd rswk-swf Interpretation (DE-588)4072905-9 gnd rswk-swf Vokalmusik (DE-588)4063783-9 gnd rswk-swf Musikalische Analyse (DE-588)4040814-0 gnd rswk-swf Vocal music / 20th century / History and criticism Vocal music / 20th century / Interpretation (Phrasing, dynamics, etc.) Vocal music 1900-1999 Criticism, interpretation, etc (DE-588)4113937-9 Hochschulschrift gnd-content Vokalmusik (DE-588)4063783-9 s Gesang (DE-588)4020470-4 s Aufführung (DE-588)4143388-9 s Interpretation (DE-588)4072905-9 s Schallaufzeichnung (DE-588)4052020-1 s Musikalische Analyse (DE-588)4040814-0 s DE-604 Online version Online-Ausgabe, ebk. 978-1-00-328973-9 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034104497&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Hooper, Ellen Singers, scores and sounds making new connections and transforming voices Introduction -- Performing Transformations (a risky approach) -- Transforming Black Square -- Transforming Fictions -- Transforming scores, stable performances : Cathy Berberian, Stripsody and Pop art. -- Transforming analytical assumptions: What is Sequenza III? -- Epilogue Aufführung (DE-588)4143388-9 gnd Schallaufzeichnung (DE-588)4052020-1 gnd Gesang (DE-588)4020470-4 gnd Interpretation (DE-588)4072905-9 gnd Vokalmusik (DE-588)4063783-9 gnd Musikalische Analyse (DE-588)4040814-0 gnd |
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| title | Singers, scores and sounds making new connections and transforming voices |
| title_auth | Singers, scores and sounds making new connections and transforming voices |
| title_exact_search | Singers, scores and sounds making new connections and transforming voices |
| title_exact_search_txtP | Singers, scores and sounds making new connections and transforming voices |
| title_full | Singers, scores and sounds making new connections and transforming voices Ellen Hooper |
| title_fullStr | Singers, scores and sounds making new connections and transforming voices Ellen Hooper |
| title_full_unstemmed | Singers, scores and sounds making new connections and transforming voices Ellen Hooper |
| title_short | Singers, scores and sounds |
| title_sort | singers scores and sounds making new connections and transforming voices |
| title_sub | making new connections and transforming voices |
| topic | Aufführung (DE-588)4143388-9 gnd Schallaufzeichnung (DE-588)4052020-1 gnd Gesang (DE-588)4020470-4 gnd Interpretation (DE-588)4072905-9 gnd Vokalmusik (DE-588)4063783-9 gnd Musikalische Analyse (DE-588)4040814-0 gnd |
| topic_facet | Aufführung Schallaufzeichnung Gesang Interpretation Vokalmusik Musikalische Analyse Hochschulschrift |
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