Blues on stage: the blues entertainment industry in the 1920s
Blues on Stage presents a new history of the development of the "Classic Blues" of the 1920s, offering a comprehensive review of various Black singers who recorded and were influential in this era, including Bessie Smith, Trixie Smith, Butterbeans and Susie, and Ma Rainey. The business of...
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Albany
State University of New York Press
2023
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Schriftenreihe: | SUNY Press Jazz Styles
Excelsior editions |
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Zusammenfassung: | Blues on Stage presents a new history of the development of the "Classic Blues" of the 1920s, offering a comprehensive review of various Black singers who recorded and were influential in this era, including Bessie Smith, Trixie Smith, Butterbeans and Susie, and Ma Rainey. The business of music recording and publishing, including songwriting and touring theater circuits, is explored as part of the narrative of how and when these artists became nationally popular. The most highly regarded singers of this period were not folk or rural artists, but rather highly experienced stage professionals whose careers often extended two decades or more prior to their first recordings. These artists, some of the most famous acts on the Black vaudeville and tent show circuits, were preceded in the recording studio by many cabaret and nightclub singers with a different entertainment perspective and were followed by artists who came from a more rural, less professional background. For anyone interested in the roots of jazz and blues, Blues on Stage offers a new and comprehensive introduction to the development of this American musical style |
Beschreibung: | 236 Seiten |
ISBN: | 9781438491547 |
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Datensatz im Suchindex
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adam_text | Contents 1 Introduction Chapter 1. Beginnings: The Rise of the Black Entertainment Industry 7 Chapter 2. “Tonder Come the Blues” 29 Chapter 3. “Crazy Blues”: Cabaret Blues 69 Chapter 4. “Lost Your Head Blues”: Vaudeville Blues 103 Chapter 5. “It’s Tight Like That”: Downhome Blues 167 Conclusion: The End of the Era 201 Bibliography 205 Subject Index 217 Song Index 233 v
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adam_txt |
Contents 1 Introduction Chapter 1. Beginnings: The Rise of the Black Entertainment Industry 7 Chapter 2. “Tonder Come the Blues” 29 Chapter 3. “Crazy Blues”: Cabaret Blues 69 Chapter 4. “Lost Your Head Blues”: Vaudeville Blues 103 Chapter 5. “It’s Tight Like That”: Downhome Blues 167 Conclusion: The End of the Era 201 Bibliography 205 Subject Index 217 Song Index 233 v |
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era | Geschichte 1920-1930 gnd |
era_facet | Geschichte 1920-1930 |
format | Book |
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spelling | Clark, John L. Verfasser (DE-588)1276302959 aut Blues on stage the blues entertainment industry in the 1920s John L. Clark Albany State University of New York Press 2023 236 Seiten txt rdacontent n rdamedia nc rdacarrier SUNY Press Jazz Styles Excelsior editions Blues on Stage presents a new history of the development of the "Classic Blues" of the 1920s, offering a comprehensive review of various Black singers who recorded and were influential in this era, including Bessie Smith, Trixie Smith, Butterbeans and Susie, and Ma Rainey. The business of music recording and publishing, including songwriting and touring theater circuits, is explored as part of the narrative of how and when these artists became nationally popular. The most highly regarded singers of this period were not folk or rural artists, but rather highly experienced stage professionals whose careers often extended two decades or more prior to their first recordings. These artists, some of the most famous acts on the Black vaudeville and tent show circuits, were preceded in the recording studio by many cabaret and nightclub singers with a different entertainment perspective and were followed by artists who came from a more rural, less professional background. For anyone interested in the roots of jazz and blues, Blues on Stage offers a new and comprehensive introduction to the development of this American musical style Geschichte 1920-1930 gnd rswk-swf Blues (DE-588)4132568-0 gnd rswk-swf Kleinkunst (DE-588)4164154-1 gnd rswk-swf Unterhaltungsindustrie (DE-588)4186999-0 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Blues (DE-588)4132568-0 s Unterhaltungsindustrie (DE-588)4186999-0 s Kleinkunst (DE-588)4164154-1 s Geschichte 1920-1930 z DE-604 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034104223&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Clark, John L. Blues on stage the blues entertainment industry in the 1920s Blues (DE-588)4132568-0 gnd Kleinkunst (DE-588)4164154-1 gnd Unterhaltungsindustrie (DE-588)4186999-0 gnd |
subject_GND | (DE-588)4132568-0 (DE-588)4164154-1 (DE-588)4186999-0 (DE-588)4078704-7 |
title | Blues on stage the blues entertainment industry in the 1920s |
title_auth | Blues on stage the blues entertainment industry in the 1920s |
title_exact_search | Blues on stage the blues entertainment industry in the 1920s |
title_exact_search_txtP | Blues on stage the blues entertainment industry in the 1920s |
title_full | Blues on stage the blues entertainment industry in the 1920s John L. Clark |
title_fullStr | Blues on stage the blues entertainment industry in the 1920s John L. Clark |
title_full_unstemmed | Blues on stage the blues entertainment industry in the 1920s John L. Clark |
title_short | Blues on stage |
title_sort | blues on stage the blues entertainment industry in the 1920s |
title_sub | the blues entertainment industry in the 1920s |
topic | Blues (DE-588)4132568-0 gnd Kleinkunst (DE-588)4164154-1 gnd Unterhaltungsindustrie (DE-588)4186999-0 gnd |
topic_facet | Blues Kleinkunst Unterhaltungsindustrie USA |
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