Music and musicians at the collegiate church of St Omer: crucible of song, 1350-1550
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge, United Kingdom ; New York, NY, USA ; Port Melbourne, VIC, Australia
Cambridge University Press
2022
|
| Ausgabe: | First paperback edition |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | xvii, 311 Seiten Illustrationen |
| ISBN: | 9781108813655 |
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents List of Figures and Map [page ix] Acknowledgements [xi] Note on Editorial Policy, Currency and Dates [xv] Prologue: Saint-Omer and the Growth of Urban Power 1 The Maîtrise [22] 2 Identities and Career Patterns 3 Masters and Master Singers 4 The Organs 5 The Bells [1] [66] [96] [142] [179] 6 Loose Canons? Music and the Craft of Ecclesiastical Power [201] Epilogue: A Cloistered Art: Connoisseurship and Private Music-Making [257] Appendix: Documents Pertaining to the Suppression of Benefices for the Upkeep of the Master and Choirboys [277] Bibliography [287] Index [301] vii
Music played an exceptionally important role in the late Middle Ages — articulating -people’s social, psychological and eschatological needs. The process began with — the training of choirboys whose skill was key to institutional identity That skill was closely cultivated and directly sought by kings and emperors, who intervened directly in recruitment of choirboys and older singers in order to buildand articulate their self-image and perceived status. Using the documentation of an exceptionally well preserved archive, this book focuses on music’s functioning in . an important church in late Medieval Northern France. It explores a period when musicians from this region set the agenda across Europe, developing what is still some of the most sophisticated music in the Western musical tradition. The book allows a close focus not on the great achievements of those who cultivated this music, but on the personal motivations that shaped theirlifeandwork ndrew kukman ‘‘B .1 I of Birmingham. He has published widely on English and Continental Music of the fifteenth century, with Cambridge and Oxford University Presses and in the top. journals in the field. He is also conductor of the award winning Binchois Consort, with which he has recorded twelve CDs on the Hyperion label.
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| adam_txt |
Contents List of Figures and Map [page ix] Acknowledgements [xi] Note on Editorial Policy, Currency and Dates [xv] Prologue: Saint-Omer and the Growth of Urban Power 1 The Maîtrise [22] 2 Identities and Career Patterns 3 Masters and Master Singers 4 The Organs 5 The Bells [1] [66] [96] [142] [179] 6 Loose Canons? Music and the Craft of Ecclesiastical Power [201] Epilogue: A Cloistered Art: Connoisseurship and Private Music-Making [257] Appendix: Documents Pertaining to the Suppression of Benefices for the Upkeep of the Master and Choirboys [277] Bibliography [287] Index [301] vii
Music played an exceptionally important role in the late Middle Ages — articulating -people’s social, psychological and eschatological needs. The process began with — the training of choirboys whose skill was key to institutional identity That skill was closely cultivated and directly sought by kings and emperors, who intervened directly in recruitment of choirboys and older singers in order to buildand articulate their self-image and perceived status. Using the documentation of an exceptionally well preserved archive, this book focuses on music’s functioning in . an important church in late Medieval Northern France. It explores a period when " musicians from this region set the agenda across Europe, developing what is still some of the most sophisticated music in the Western musical tradition. The book allows a close focus not on the great achievements of those who cultivated this music, but on the personal motivations that shaped theirlifeandwork \ndrew kukman ‘‘B .1 I of Birmingham. He has published widely on English and Continental Music of the fifteenth century, with Cambridge and Oxford University Presses and in the top. journals in the field. He is also conductor of the award winning Binchois Consort, with which he has recorded twelve CDs on the Hyperion label. |
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| author | Kirkman, Andrew 1961- |
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| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| edition | First paperback edition |
| era | Geschichte 1350-1550 gnd |
| era_facet | Geschichte 1350-1550 |
| format | Book |
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| illustrated | Illustrated |
| index_date | 2024-07-03T21:35:08Z |
| indexdate | 2024-07-10T09:47:07Z |
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| isbn | 9781108813655 |
| language | English |
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| spelling | Kirkman, Andrew 1961- Verfasser (DE-588)123679761 aut Music and musicians at the collegiate church of St Omer crucible of song, 1350-1550 Andrew Kirkman (University of Birmingham) Music and musicians at the collegiate church of Saint Omer First paperback edition Cambridge, United Kingdom ; New York, NY, USA ; Port Melbourne, VIC, Australia Cambridge University Press 2022 xvii, 311 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Geschichte 1350-1550 gnd rswk-swf Kirchenmusikpflege (DE-588)4163927-3 gnd rswk-swf Kathedrale Saint-Omer (DE-588)4634012-9 gnd rswk-swf Church music / France / Saint-Omer (Pas-de-Calais) / History / To 1400 Church music / France / Saint-Omer (Pas-de-Calais) / History / 15th century Church music / France / Saint-Omer (Pas-de-Calais) / History / 16th century Church music / Catholic Church / History / To 1400 Church music / Catholic Church / History / 15th century Church music / Catholic Church / History / 16th century Church music Church music / Catholic Church France / Saint-Omer (Pas-de-Calais) To 1599 History Kathedrale Saint-Omer (DE-588)4634012-9 g Kirchenmusikpflege (DE-588)4163927-3 s Geschichte 1350-1550 z DE-604 Äquivalent Druck-Ausgabe, Hardcover 978-1-108-83972-3 Erscheint auch als Online-Ausgabe 978-1-108-88499-0 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034094049&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034094049&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Kirkman, Andrew 1961- Music and musicians at the collegiate church of St Omer crucible of song, 1350-1550 Kirchenmusikpflege (DE-588)4163927-3 gnd |
| subject_GND | (DE-588)4163927-3 (DE-588)4634012-9 |
| title | Music and musicians at the collegiate church of St Omer crucible of song, 1350-1550 |
| title_alt | Music and musicians at the collegiate church of Saint Omer |
| title_auth | Music and musicians at the collegiate church of St Omer crucible of song, 1350-1550 |
| title_exact_search | Music and musicians at the collegiate church of St Omer crucible of song, 1350-1550 |
| title_exact_search_txtP | Music and musicians at the collegiate church of St Omer crucible of song, 1350-1550 |
| title_full | Music and musicians at the collegiate church of St Omer crucible of song, 1350-1550 Andrew Kirkman (University of Birmingham) |
| title_fullStr | Music and musicians at the collegiate church of St Omer crucible of song, 1350-1550 Andrew Kirkman (University of Birmingham) |
| title_full_unstemmed | Music and musicians at the collegiate church of St Omer crucible of song, 1350-1550 Andrew Kirkman (University of Birmingham) |
| title_short | Music and musicians at the collegiate church of St Omer |
| title_sort | music and musicians at the collegiate church of st omer crucible of song 1350 1550 |
| title_sub | crucible of song, 1350-1550 |
| topic | Kirchenmusikpflege (DE-588)4163927-3 gnd |
| topic_facet | Kirchenmusikpflege Kathedrale Saint-Omer |
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