Forms of abstraction: Vol. 1 Objections
Forms of Abstraction engages with abstraction not as a formal option in art, or as an airy theoretical speculation, but as an operational force that has redesigned our world and continues to do so. The first volume, Objections, takes its cue from the Latin root of object, obiectum—which refers to so...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London
Sternberg Press
[2022]
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| Zusammenfassung: | Forms of Abstraction engages with abstraction not as a formal option in art, or as an airy theoretical speculation, but as an operational force that has redesigned our world and continues to do so. The first volume, Objections, takes its cue from the Latin root of object, obiectum—which refers to something put before the subject, something thrown in one’s way. This sense of the object as obstacle or obstruction, and of the artwork as an aesthetic and political objection, is explored in this volume. Objections sees artists engaging with materiality and value, with subatomic particles and radiation as well as with the objectification of human and nonhuman organisms. Along the way, we encounter theoretical objects such as the fetish, the plaster cast, the patented bacteria, the buried radioactive container, and the contemporary artwork itself. Contemporary art is analyzed here as a set of aesthetic practices revolving around problematic and questionable objects that can act as productive objections. |
| Beschreibung: | 407 Seiten, 20 ungezählte Seiten Illustrationen |
| ISBN: | 9783956795305 |
Internformat
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| 520 | 3 | |a Forms of Abstraction engages with abstraction not as a formal option in art, or as an airy theoretical speculation, but as an operational force that has redesigned our world and continues to do so. The first volume, Objections, takes its cue from the Latin root of object, obiectum—which refers to something put before the subject, something thrown in one’s way. This sense of the object as obstacle or obstruction, and of the artwork as an aesthetic and political objection, is explored in this volume. Objections sees artists engaging with materiality and value, with subatomic particles and radiation as well as with the objectification of human and nonhuman organisms. Along the way, we encounter theoretical objects such as the fetish, the plaster cast, the patented bacteria, the buried radioactive container, and the contemporary artwork itself. Contemporary art is analyzed here as a set of aesthetic practices revolving around problematic and questionable objects that can act as productive objections. | |
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Datensatz im Suchindex
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| id | DE-604.BV048826471 |
| illustrated | Illustrated |
| index_date | 2024-07-03T21:34:32Z |
| indexdate | 2024-07-10T09:47:03Z |
| institution | BVB |
| isbn | 9783956795305 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034092103 |
| oclc_num | 1371321892 |
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| physical | 407 Seiten, 20 ungezählte Seiten Illustrationen |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | Sternberg Press |
| record_format | marc |
| spelling | Lütticken, Sven 1971- Verfasser (DE-588)1047085577 aut Forms of abstraction Vol. 1 Objections Sven Lütticken London Sternberg Press [2022] 407 Seiten, 20 ungezählte Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Forms of Abstraction engages with abstraction not as a formal option in art, or as an airy theoretical speculation, but as an operational force that has redesigned our world and continues to do so. The first volume, Objections, takes its cue from the Latin root of object, obiectum—which refers to something put before the subject, something thrown in one’s way. This sense of the object as obstacle or obstruction, and of the artwork as an aesthetic and political objection, is explored in this volume. Objections sees artists engaging with materiality and value, with subatomic particles and radiation as well as with the objectification of human and nonhuman organisms. Along the way, we encounter theoretical objects such as the fetish, the plaster cast, the patented bacteria, the buried radioactive container, and the contemporary artwork itself. Contemporary art is analyzed here as a set of aesthetic practices revolving around problematic and questionable objects that can act as productive objections. (DE-604)BV048826451 1 |
| spellingShingle | Lütticken, Sven 1971- Forms of abstraction |
| title | Forms of abstraction |
| title_auth | Forms of abstraction |
| title_exact_search | Forms of abstraction |
| title_exact_search_txtP | Forms of abstraction |
| title_full | Forms of abstraction Vol. 1 Objections Sven Lütticken |
| title_fullStr | Forms of abstraction Vol. 1 Objections Sven Lütticken |
| title_full_unstemmed | Forms of abstraction Vol. 1 Objections Sven Lütticken |
| title_short | Forms of abstraction |
| title_sort | forms of abstraction objections |
| volume_link | (DE-604)BV048826451 |
| work_keys_str_mv | AT luttickensven formsofabstractionvol1 |