Forms of Abstraction engages with abstrac­tion not as a formal option in art, or as an airy theoretical speculation, but as an operational force that has redesigned our world and continues to do so. The first volume, Objections, takes its cue from the Latin root of object, obiectum—which refers to s...

Ausführliche Beschreibung

Bibliographische Detailangaben

1. Verfasser:	Lütticken, Sven 1971- (VerfasserIn)
Format:	Buch
Sprache:	English
Veröffentlicht:	London Sternberg Press [2022]-
Schlagworte:	Materialität Kunst Abstraktion
Zusammenfassung:	Forms of Abstraction engages with abstrac­tion not as a formal option in art, or as an airy theoretical speculation, but as an operational force that has redesigned our world and continues to do so. The first volume, Objections, takes its cue from the Latin root of object, obiectum—which refers to something put before the subject, something thrown in one’s way. This sense of the object as obstacle or obstruction, and of the artwork as an aesthetic and political objection, is explored in this volume. Objections sees artists engaging with materiality and value, with subatomic particles and radiation as well as with the objectification of human and nonhuman organisms. Along the way, we encounter theoretical objects such as the fetish, the plaster cast, the patented bacteria, the buried radioactive container, and the contemporary artwork itself. Contemporary art is analyzed here as a set of aesthetic practices revolving around prob­lematic and questionable objects that can act as productive objections.