Greek tragedy and the digital:
"Through the encounter between Greek tragedy and digital media in contemporary performance, this study explores the ways traditional notions and conventions of Greek tragedy, such as the community, the city, the hubris and the mask, have been re-appropriated and challenged through the use of te...
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Bloomsbury Methuen Drama
2023
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Through the encounter between Greek tragedy and digital media in contemporary performance, this study explores the ways traditional notions and conventions of Greek tragedy, such as the community, the city, the hubris and the mask, have been re-appropriated and challenged through the use of technology in digital and virtual reality theatre. These technological innovations shed light on contemporary adaptions of classical myths, while raising questions about how augmented reality works within interactive and immersive environments. This collection considers issues such as performativity, liveness, immersion, intermediality, the theatre as hypermedia and reception theory in relation to Greek tragedy"-- |
| Beschreibung: | vi, 226 Seiten Illustrationen |
| ISBN: | 9781350185852 9781350185951 |
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Datensatz im Suchindex
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| adam_text |
Contents vii viii ix List of illustrations Notes on contributors Acknowledgements Introduction George Rodosthenous and Angeliki Poulou Prelude The digital in ruins: Greek tragedy and the postdigital David Μ. Berry 1 26 Part 1 The presence of the digital in Greek tragedy: Developments and encounters with technology 1 2 3 39 From the Ekkyklema to Ivo van Hove: The technology of presence in multimedia theatre and the presence of the digital in performance George Sampatakakis 41 Digital media and Greek tragedy: A rhizomatic dramaturgy Angeliki Poulou Digitizing the canon: Mediated lives and purloined realities in Jay Scheib’s The Medea, Wooster Group’s To You, the Birdie! and Persona Theatre Company’s Phaedra I— Avrà Sidiropoulou Part 2 The chorus and the digital: Rediscovering the politics 4 5 6 ‘Inventing’ the ancient tragic chorus: Communality and the digital in the 1999 Oresteias by Katie Mitchell (NT, London) and Georges Lavaudant (Odèon, Paris) Estelle Baudou Augmented vocal chorus: Sounds of digital chorus in Euripides’ Bacchae Chloé Larmet and Ana Wegner Tragedy and the digital environment: Ancient desiring machines, choruses and Oedipus Sebastian Kirsch 64 81 97 99 114 130
Part 3 7 Avatars, masks and cyborgs: Augmenting the reality Digital masks for ancient Greek drama: Artificiality, constraint and metamorphosis 8 147 Giulia Filacanapa and Erica Magris 149 Cassandra in PythiaDelphine21 : Oracles, cyborgs and the tragedy of Cassandra and temporalities within the digital 163 Julie Wilson-Bokowiec 9 Colonial convulsions: Akram Khans Xen(os) and the digital Prometheus Postlude Mario Telò 182 Pre- and post-human(-ist) confluences in contemporary productions of Greek tragedy: The complete eradication of the live actor from the tragic stage In Memoriam - Michael Cacoyannis Paul Monaghan 199 Technological triumph and Greek tragedy: Digitizing Michael Cacoyannis’ Trojan Trilogy Index Marianne McDonald 213 224 |
| adam_txt |
Contents vii viii ix List of illustrations Notes on contributors Acknowledgements Introduction George Rodosthenous and Angeliki Poulou Prelude The digital in ruins: Greek tragedy and the postdigital David Μ. Berry 1 26 Part 1 The presence of the digital in Greek tragedy: Developments and encounters with technology 1 2 3 39 From the Ekkyklema to Ivo van Hove: The technology of presence in multimedia theatre and the presence of the digital in performance George Sampatakakis 41 Digital media and Greek tragedy: A rhizomatic dramaturgy Angeliki Poulou Digitizing the canon: Mediated lives and purloined realities in Jay Scheib’s The Medea, Wooster Group’s To You, the Birdie! and Persona Theatre Company’s Phaedra I— Avrà Sidiropoulou Part 2 The chorus and the digital: Rediscovering the politics 4 5 6 ‘Inventing’ the ancient tragic chorus: Communality and the digital in the 1999 Oresteias by Katie Mitchell (NT, London) and Georges Lavaudant (Odèon, Paris) Estelle Baudou Augmented vocal chorus: Sounds of digital chorus in Euripides’ Bacchae Chloé Larmet and Ana Wegner Tragedy and the digital environment: Ancient desiring machines, choruses and Oedipus Sebastian Kirsch 64 81 97 99 114 130
Part 3 7 Avatars, masks and cyborgs: Augmenting the reality Digital masks for ancient Greek drama: Artificiality, constraint and metamorphosis 8 147 Giulia Filacanapa and Erica Magris 149 Cassandra in PythiaDelphine21 : Oracles, cyborgs and the tragedy of Cassandra and temporalities within the digital 163 Julie Wilson-Bokowiec 9 Colonial convulsions: Akram Khans Xen(os) and the digital Prometheus Postlude Mario Telò 182 Pre- and post-human(-ist) confluences in contemporary productions of Greek tragedy: The complete eradication of the live actor from the tragic stage In Memoriam - Michael Cacoyannis Paul Monaghan 199 Technological triumph and Greek tragedy: Digitizing Michael Cacoyannis’ Trojan Trilogy Index Marianne McDonald 213 224 |
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| spelling | Greek tragedy and the digital edited by George Rodosthenous and Angeliki Poulou London ; New York Bloomsbury Methuen Drama 2023 vi, 226 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier "Through the encounter between Greek tragedy and digital media in contemporary performance, this study explores the ways traditional notions and conventions of Greek tragedy, such as the community, the city, the hubris and the mask, have been re-appropriated and challenged through the use of technology in digital and virtual reality theatre. These technological innovations shed light on contemporary adaptions of classical myths, while raising questions about how augmented reality works within interactive and immersive environments. This collection considers issues such as performativity, liveness, immersion, intermediality, the theatre as hypermedia and reception theory in relation to Greek tragedy"-- Griechisch (DE-588)4113791-7 gnd rswk-swf Neue Medien (DE-588)4196910-8 gnd rswk-swf Inszenierung (DE-588)4027223-0 gnd rswk-swf Drama (DE-588)4012899-4 gnd rswk-swf Greek drama / Modern presentation Greek drama (Tragedy) / Adaptations / History and criticism Theater / Technological innovations Technology and the arts Digital media Théâtre grec / Production et mise en scène modernes Théâtre / Innovations Technologie et arts Médias numériques Criticism, interpretation, etc Griechische Tragödie (DE-2581)TH000005600 gbd Digital Humanities (DE-2581)TH000012822 gbd Theaterwesen, griechisch (DE-2581)TH000006364 gbd Griechisch (DE-588)4113791-7 s Drama (DE-588)4012899-4 s Inszenierung (DE-588)4027223-0 s Neue Medien (DE-588)4196910-8 s DE-604 Rodosthenous, George 1973- (DE-588)1073205681 edt Online version 9781350185869 Greek tragedy and the digital London ; New York : Methuen Drama, 2022 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034088102&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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| title | Greek tragedy and the digital |
| title_auth | Greek tragedy and the digital |
| title_exact_search | Greek tragedy and the digital |
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| title_full | Greek tragedy and the digital edited by George Rodosthenous and Angeliki Poulou |
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