The expanded field of conservation:
"A global reconsideration and broadening of the definition of art conservation through the lenses of theory, ethics, culture, and history. Thought-provoking and timely, this volume challenges inherited thinking on art conservation practice and purposefully reconsiders the definition of the fiel...
Gespeichert in:
| Körperschaft: | |
|---|---|
| Weitere Verfasser: | , |
| Format: | Tagungsbericht Buch |
| Sprache: | English |
| Veröffentlicht: |
Williamstown, Massachusetts
Clark Art Institute
[2022]
|
| Schriftenreihe: | Clark studies in the visual arts
|
| Schlagworte: | |
| Zusammenfassung: | "A global reconsideration and broadening of the definition of art conservation through the lenses of theory, ethics, culture, and history. Thought-provoking and timely, this volume challenges inherited thinking on art conservation practice and purposefully reconsiders the definition of the field. Scholars from around the world discuss topics including the conservation of global painting practices, cold storage and digitization, conservation within institutions, and the decolonization of art conservation. The authors seek to broaden the scope of conservation practice and challenge the boundaries that set it apart from art history and art making. They thoughtfully consider the implications of conservation beyond museum walls. This volume in the esteemed Clark Studies in the Visual Arts maintains the series's tradition of providing a nuanced reckoning with vital themes in the field"-- |
| Beschreibung: | "This publication was conceived by the Research and Academic Program at the Clark Art Institute. A related conference, titled 'Conservation | Making | Art | History', was held April 8-9, 2021 at the Clark"-- Colophon |
| Beschreibung: | 231 Seiten Illustrationen 25 cm |
| ISBN: | 9780300266948 |
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| 505 | 8 | 0 | |t Introduction. Conservation as performance |r Alexander Nagel |t Making-Remaking |t Copy | Repeat : conserving South Asian painting through practice |r Murad Khan Mumtaz |t <<The>> overpaint-ability of Madonnas in 1300s Siena |r Annika Svendsen Finne |t Japanese painting : mounting, mediation, transmission, renewal |r Yukio Lippit |t Conservation practice and the appearance of Japanese paintings |r Iwatarō Oka |t Enacting-Teaching |t Conserving ourselves |r creating ourselves |r Alva Noë |t Conservation and the technique of art history |r Sven Dupré |t Materials surfacing |t <<The>> Bettmann Morgue : cold storage, digitization, and archives of racial violence |r Brian Michael Murphy |t Minimum worlds : material poetics between time, details, and fragments |r Gabriela Siracusano |t Institutions working |t <<The>> arts of the same |r Fernando Domínquez Rubio |t Art history and the condition report |r Caroline Fowler |t But who decided? On the epistemes and politics of photographic decay |r Jennifer Bajorek |t Nation forming |t Can conservation be decentered? |r Noémie Étienne |t Conserving monuments, reviving temples : communities, monuments, and politics in South India |r Kavita Singh |
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Datensatz im Suchindex
| _version_ | 1806594828669026304 |
|---|---|
| adam_text | |
| adam_txt | |
| any_adam_object | |
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| author2 | Fowler, Caroline O. 1981- Nagel, Alexander 1964- |
| author2_role | edt edt |
| author2_variant | c o f co cof a n an |
| author_GND | (DE-588)142851086 (DE-588)142375861 |
| author_additional | Alexander Nagel Murad Khan Mumtaz Annika Svendsen Finne Yukio Lippit Iwatarō Oka creating ourselves Alva Noë Sven Dupré Brian Michael Murphy Gabriela Siracusano Fernando Domínquez Rubio Caroline Fowler Jennifer Bajorek Noémie Étienne Kavita Singh |
| author_corporate | Conservation and the Making of Art History (Veranstaltung) Online |
| author_corporate_role | aut |
| author_facet | Fowler, Caroline O. 1981- Nagel, Alexander 1964- Conservation and the Making of Art History (Veranstaltung) Online |
| author_sort | Conservation and the Making of Art History (Veranstaltung) Online |
| building | Verbundindex |
| bvnumber | BV048821768 |
| classification_rvk | LH 29970 |
| contents | Introduction. Conservation as performance Making-Remaking Copy | Repeat : conserving South Asian painting through practice <<The>> overpaint-ability of Madonnas in 1300s Siena Japanese painting : mounting, mediation, transmission, renewal Conservation practice and the appearance of Japanese paintings Enacting-Teaching Conserving ourselves Conservation and the technique of art history Materials surfacing <<The>> Bettmann Morgue : cold storage, digitization, and archives of racial violence Minimum worlds : material poetics between time, details, and fragments Institutions working <<The>> arts of the same Art history and the condition report But who decided? On the epistemes and politics of photographic decay Nation forming Can conservation be decentered? Conserving monuments, reviving temples : communities, monuments, and politics in South India |
| ctrlnum | (OCoLC)1372620908 (DE-599)BVBBV048821768 |
| discipline | Kunstgeschichte |
| discipline_str_mv | Kunstgeschichte |
| format | Conference Proceeding Book |
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| id | DE-604.BV048821768 |
| illustrated | Illustrated |
| index_date | 2024-07-03T21:33:16Z |
| indexdate | 2024-08-06T00:11:28Z |
| institution | BVB |
| institution_GND | (DE-588)1287199135 (DE-588)1056275-8 |
| isbn | 9780300266948 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034087484 |
| oclc_num | 1372620908 |
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| owner_facet | DE-12 DE-11 DE-255 |
| physical | 231 Seiten Illustrationen 25 cm |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | Clark Art Institute |
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| series2 | Clark studies in the visual arts |
| spelling | Conservation and the Making of Art History (Veranstaltung) 2021 Online Verfasser (DE-588)1287199135 aut The expanded field of conservation edited by Caroline Fowler and Alexander Nagel Williamstown, Massachusetts Clark Art Institute [2022] New Haven ; London Yale University Press 2022 231 Seiten Illustrationen 25 cm txt rdacontent n rdamedia nc rdacarrier Clark studies in the visual arts "This publication was conceived by the Research and Academic Program at the Clark Art Institute. A related conference, titled 'Conservation | Making | Art | History', was held April 8-9, 2021 at the Clark"-- Colophon Introduction. Conservation as performance Alexander Nagel Making-Remaking Copy | Repeat : conserving South Asian painting through practice Murad Khan Mumtaz <<The>> overpaint-ability of Madonnas in 1300s Siena Annika Svendsen Finne Japanese painting : mounting, mediation, transmission, renewal Yukio Lippit Conservation practice and the appearance of Japanese paintings Iwatarō Oka Enacting-Teaching Conserving ourselves creating ourselves Alva Noë Conservation and the technique of art history Sven Dupré Materials surfacing <<The>> Bettmann Morgue : cold storage, digitization, and archives of racial violence Brian Michael Murphy Minimum worlds : material poetics between time, details, and fragments Gabriela Siracusano Institutions working <<The>> arts of the same Fernando Domínquez Rubio Art history and the condition report Caroline Fowler But who decided? On the epistemes and politics of photographic decay Jennifer Bajorek Nation forming Can conservation be decentered? Noémie Étienne Conserving monuments, reviving temples : communities, monuments, and politics in South India Kavita Singh "A global reconsideration and broadening of the definition of art conservation through the lenses of theory, ethics, culture, and history. Thought-provoking and timely, this volume challenges inherited thinking on art conservation practice and purposefully reconsiders the definition of the field. Scholars from around the world discuss topics including the conservation of global painting practices, cold storage and digitization, conservation within institutions, and the decolonization of art conservation. The authors seek to broaden the scope of conservation practice and challenge the boundaries that set it apart from art history and art making. They thoughtfully consider the implications of conservation beyond museum walls. This volume in the esteemed Clark Studies in the Visual Arts maintains the series's tradition of providing a nuanced reckoning with vital themes in the field"-- Kulturgüterschutz (DE-588)4165975-2 gnd rswk-swf Konservierung (DE-588)4114279-2 gnd rswk-swf Restaurierung (DE-588)4049600-4 gnd rswk-swf Art / Conservation and restoration ART / Criticism & Theory (DE-588)1071861417 Konferenzschrift 08.04.2021-09.04.2921 Online gnd-content Restaurierung (DE-588)4049600-4 s Konservierung (DE-588)4114279-2 s Kulturgüterschutz (DE-588)4165975-2 s DE-604 Fowler, Caroline O. 1981- (DE-588)142851086 edt Nagel, Alexander 1964- (DE-588)142375861 edt Sterling and Francine Clark Art Institute (DE-588)1056275-8 isb |
| spellingShingle | The expanded field of conservation Introduction. Conservation as performance Making-Remaking Copy | Repeat : conserving South Asian painting through practice <<The>> overpaint-ability of Madonnas in 1300s Siena Japanese painting : mounting, mediation, transmission, renewal Conservation practice and the appearance of Japanese paintings Enacting-Teaching Conserving ourselves Conservation and the technique of art history Materials surfacing <<The>> Bettmann Morgue : cold storage, digitization, and archives of racial violence Minimum worlds : material poetics between time, details, and fragments Institutions working <<The>> arts of the same Art history and the condition report But who decided? On the epistemes and politics of photographic decay Nation forming Can conservation be decentered? Conserving monuments, reviving temples : communities, monuments, and politics in South India Kulturgüterschutz (DE-588)4165975-2 gnd Konservierung (DE-588)4114279-2 gnd Restaurierung (DE-588)4049600-4 gnd |
| subject_GND | (DE-588)4165975-2 (DE-588)4114279-2 (DE-588)4049600-4 (DE-588)1071861417 |
| title | The expanded field of conservation |
| title_alt | Introduction. Conservation as performance Making-Remaking Copy | Repeat : conserving South Asian painting through practice <<The>> overpaint-ability of Madonnas in 1300s Siena Japanese painting : mounting, mediation, transmission, renewal Conservation practice and the appearance of Japanese paintings Enacting-Teaching Conserving ourselves Conservation and the technique of art history Materials surfacing <<The>> Bettmann Morgue : cold storage, digitization, and archives of racial violence Minimum worlds : material poetics between time, details, and fragments Institutions working <<The>> arts of the same Art history and the condition report But who decided? On the epistemes and politics of photographic decay Nation forming Can conservation be decentered? Conserving monuments, reviving temples : communities, monuments, and politics in South India |
| title_auth | The expanded field of conservation |
| title_exact_search | The expanded field of conservation |
| title_exact_search_txtP | The expanded field of conservation |
| title_full | The expanded field of conservation edited by Caroline Fowler and Alexander Nagel |
| title_fullStr | The expanded field of conservation edited by Caroline Fowler and Alexander Nagel |
| title_full_unstemmed | The expanded field of conservation edited by Caroline Fowler and Alexander Nagel |
| title_short | The expanded field of conservation |
| title_sort | the expanded field of conservation |
| topic | Kulturgüterschutz (DE-588)4165975-2 gnd Konservierung (DE-588)4114279-2 gnd Restaurierung (DE-588)4049600-4 gnd |
| topic_facet | Kulturgüterschutz Konservierung Restaurierung Konferenzschrift 08.04.2021-09.04.2921 Online |
| work_keys_str_mv | AT conservationandthemakingofarthistoryveranstaltungonline theexpandedfieldofconservation AT fowlercarolineo theexpandedfieldofconservation AT nagelalexander theexpandedfieldofconservation AT sterlingandfrancineclarkartinstitute theexpandedfieldofconservation |